Jan 192016
 

Primeval Mass-To Empyrean Thrones

 

Tomorrow (January 20) is the release date for To Empyrean Thrones, the remarkable new album by the Greek black metal band Primeval Mass. This is the band’s third full-length and the first on which the musician known as Orth handles all instruments and vocals.

The first song I heard from the album, “For Astral Triumphs”, was released for listening well in advance of the album last spring. It made an immediate and powerful impact; if it weren’t attached to a 2016 album, it would easily have made my list of 2015’s “Most Infectious Extreme Metal Songs”. And it turns out that the song has strong competition from seven other excellent tracks. Continue reading »

Jan 182016
 

Rotting Christ-Rituals

 

Earlier today when I posted Part One of this Shades of Black feature (here) I mentioned that I would have Part Two ready to go later today or tomorrow. Despite the title of this post, it actually isn’t the Part Two that I had planned. What you’ll find here instead are three very good new songs that I didn’t encounter until today, and I thought I’d help spread the word about them right away. And so the original Part Two will become Part Three, hopefully by tomorrow.

ROTTING CHRIST

Today another new track from Rotting Christ’s forthcoming album Rituals premiered at 11 music sites around the world (though none are based in North America). The name of the song is “זה נגמר (Ze Nigmar)” (an Aramaic phrase meaning “it’s done”), and because the premiere took the form of a YouTube stream, I’ve taken the liberty of embedding it below. Continue reading »

Jan 182016
 

Divine Blasphemy-Beyond the Portal

 

Some weekends are a whirlwind, a flurry of unexpected events hitting from all points of the compass. Others are a soporific quagmire of sloth and malaise. Somehow, for me this weekend was an odd combination of the two. I rejoice that I’m still alive.

I also rejoice in the music I heard. And I heard so much good metal that I’m going to share it in two posts, the first of which is this one, which combines three album reviews. The music collected in this two-parter is mainly, but not entirely, black metal, so I’m taking slight liberties to anoint the two posts with the Shades of Black banner. Part Two will appear today or tomorrow.

DIVINE BLASPHEMY

Divine Blasphemy carry on the rich tradition of Greek black metal with their debut album Beyond the Portal. I heard the first song, and I felt elevated. “Where did these people come from?”, I wondered. And then I heard the rest of the album and realized that the first song was not a fluke. This is a wonderful ride on a red-eyed black steed — it tries to buck you off, but you hang on because the chaos is so exhilarating. Continue reading »

Jan 182016
 

Fleshgod Apocalypse-King

 

(DGR reviews the new album by Italy’s Fleshgod Apocalypse.)

It starts with classical music. It always does.

Any time someone tries to trace the roots of heavy metal, we inevitably wind up at the same branching paths. We hit the ’70s and the Black Sabbath era, and that leads us to the blues and from there things get far more nebulous, but through some sort of inherited wisdom over the years we always come back to classical music. Composers like Bach and Wagner are name-dropped left and right, and we always point to the huge, bombastic symphonies and the low, bass-heavy instruments, because these are the deepest roots of our heavy metal lineage.

The tendency to make things ‘heavier’ isn’t a new one, its just the one that musicians have often seen fit to push beyond the most extreme boundaries imaginable. So, the idea of Symphonics being a part of heavy metal was an almost foregone conclusion. It’s slowly worked its way even into death metal – itself a container of the hidden flair for the dramatic – and the two have produced multiple pairings and fantastic bands.

Fleshgod Apocalypse are the natural evolution of that tendency, a group who over the course of four main releases (counting our current subject as well) and an EP have become completely intertwined with symphonic music, writing a pyrotechnic and operatic style of death metal that can’t really be matched. Continue reading »

Jan 152016
 

CD_DPS1

 

(Allen Griffin provides this review of the debut album by Sweden’s Temisto.)

Pairing the word “Swedish” with the words “Death Metal” will certainly lead to certain listener expectations, and while the duo Temisto manages to check all the appropriate boxes on their self-titled debut, there is much more to their sound than expected.

Due out on February 26th on Pulverised, the album does an excellent job of keeping pace with its wide-ranging ambitions. “Above Sacred Ground” and “Descent Into Madness” start things off in a straightforward manner, but with the introduction of the vocals the music quickly becomes more labyrinthine. Whirlwind riffs crash into each other as drum beats and tempos rapidly change on a dime. Somehow, Temisto seem to simultaneously channel both pre-Entombed Morbid and Nihilist while also invoking more technical acts such as Atheist. At their fastest and most brutal, Temisto nearly reach Angelcorpse levels of kinetic violence. Continue reading »

Jan 152016
 

Against the Plagues-Purified Through Devastation

 

(Andy Synn reviews the new album by Against the Plagues.)

Here in the great and glorious republic of No Clean Singing we’ve been watching the career of Chicago-based multi-national metallers Against the Plagues with an appraising eye for some time now. Though their debut album (so good they named it, and released it, twice!) didn’t exactly set the world on fire, there was still enough potential inherent in it to ensure that the group deserved a second look when the time finally came for them to release their follow-up The Quaternion (reviewed HERE), which was most definitely a major step-up for the group (if not exactly a step outside their comfort zone).

However, not long after the EP’s release the band’s line-up effectively imploded, leaving drummer Varyen as the last man standing in the aftermath. Thankfully, he refused to give up on things and, over the course of the next three years, recruited an entirely new line-up in order to work on what would eventually become the group’s second full-length album proper, Purified Through Devastation.

Now, some may feel slightly short-changed by the fact that Purified Through Devastation re-records the entirety of The Quaternion (all four tracks) – which would be wholly understandable, to an extent. However, I’d like to reassure those people that the versions present on this album far exceed those originally put out on the EP, as the entire album itself positively crackles with a real sense of vitality and energy over and above anything the band have done before.

Granted, it doesn’t exactly break the mould, or reinvent the wheel… or whatever other cliché you might be thinking of… but then again, it doesn’t really have to. Against the Plagues are clearly more focussed on being (to paraphrase a certain Canucklehead) “the best there is at what they do”.

And while they’re not quite there yet… they’re definitely on their way. Continue reading »

Jan 132016
 

Burn-The-Mankind-cover

 

(TheMadIsraeli reviews the debut album of Brazil’s Burn the Mankind.)

This is a standout death metal release of 2015 that’s going to go largely unnoticed due to its appearance close to the end of the year. That neglect is rather depressing because Burn the Mankind put out what is easily one of 2015’s best death metal records, with a convincing blend of sounds, recognizable yet distinct in what that blend produces.

In essence, Burn the Mankind is Behemoth run through a Brazilian tribal metal filter. There aren’t ethnic elements, but the mood, production, and style of riffs, when mixed with the Polish trademark blitzkrieg of nonstop blast-beats and huge chords carries itself impressively. You can hear all eras of Sepultura represented here, so I guess we could also just say, “think Sepultura meets Behemoth in the most literal sense you can, with a Napalm Death garnish.” Continue reading »

Jan 122016
 

Abbath-ST cover

 

(Wil Cifer reviews the new debut album by Abbath — which premiered today as a full-album stream at this location.)

The war was waged on the battle planet of the blizzard beasts and Abbath Doom Occulta walked away from Immortal with his solo project Abbath. It is rumored that the songs on his eponymous solo debut were written for the follow up to All Shall Fall. So if the other guys walked away with the name while Lord Occulta came out of the fray with these songs, then he might just be the winner.

Having enlisted Creature (aka Kevin Foley, who also drums for Benighted) and Gorgoroth bassist King ov Hell, the latter’s influence can be felt in the intensity of the first song. It bites like the artic winds, and it’s not until the second song “Winterbane” that you are able to notice more of the nuances and hear the ice-coated black metal Immortal once made. Half-way into the song, you will already find it hard not to headbang along. Continue reading »

Jan 122016
 

God Root-ST

 

This just-released debut EP by a new band from Philadelphia really is one that must be heard all the way through, from start to finish. Yes, you can randomly pick any one of the four tracks and still find yourself rooted in place, taking it in and finding your emotional state altered by what you hear. But the cumulative impact of the four in sequence is pulverizing.

God Root is organized with an introduction (“Spirits Rise”) coming first, followed by a long song called “Of Habit”, a comparatively brief interlude (“Bog Ascending”), and another long song named “Of Control” to finish the sequence.

“Spirits Rise” sets the stage for this dismal pageant with the reverberation of ritual drumbeats, a solemn tribal rhythm backed by the shimmer of unsettling ambient tones and shamanistic wailing. Continue reading »

Jan 122016
 

collage500

 

(This is Part 6 of our Norwegian friend Gorger’s continuing feature on bands we seem to have overlooked at NCS. And be sure to check out Gorger’s Metal.)

Cheers anew, and a headbanging new year. The past has been revisited a bit lately on NSC, a site that typically holds a firm stare into the crystal ball. I have, after hours arguing with myself, decided not to spend days arranging a 2015-favorites list. Thus, at least I can spend some time presenting some infectious releases from the year that kicked the bucket on its own birthday. I hope you’ll find something you’ll pursue and enjoy. Continue reading »