Nov 092015
 

Wildernessking-Mystical Future Cover

 

(Andy Synn reviews the new album by South Africa’s Wildernessking.)

South Africa’s Wildernessking are a band we’ve been following closely here at NCS ever since we discovered them way back in the hallowed year two thousand and twelve, monitoring their steady growth and development with the ever-watchful eye of a proud father (or, at least, a creepy uncle).

From their humble beginnings (though I still contend that The Writing of Gods in the Sand is one of the finest debut albums I’ve heard in the last ten years or so) the quartet have demonstrated a frankly fearless and irresistible urge to progress, continually expanding their creative palette, whilst also showcasing an impressive ability to write songs that are as effortlessly memorable as they are cleverly unpredictable.

And although there will be those who refer to Mystical Future (the band’s second full-length following a series of intriguing, invigorating EPs and split-releases) as a “Post Black Metal” album – with all the associated baggage and braggadocio that entails – the idea of attributing this term to the band seems, to me at least, to be less about them adhering to the vague tenets of this still somewhat ill-defined sub-genre, and more of an acknowledgement that the band are entering a new phase of existence… their “Post” Black Metal years, if you will.
Continue reading »

Nov 062015
 

Print

 

One of the best split releases of 2015 is an album entitled Moerae (reviewed here) that was released last spring by three Greek black metal bands — Vacantfield, End, and AWE. It’s a concept album taking as its inspiration the three Fates of Greek mythology (the Moerae), with each band contributing a song about one of the Fates. Apart from a short song on the compilation album Mono Maniac vol.4 released by Blast Beat Mail Murder in 2014, Moerae marked AWE’s recording debut.

AWE have now recorded a debut album, Providentia, that’s set for release on November 13 by Pulverised Records. It’s a hugely ambitious, visionary album, and a brilliantly successful one. And we’re giving you the chance to hear all of it today. Continue reading »

Nov 052015
 

 

The Osedax-Titans Lament

 

(Grant Skelton steps in for round-up duty with this feature on two new albums. We’ll have a second round-up later today.)

THE OSEDAX

The Osedax (Latin for “bone devourer”) take their name from sea-dwelling worms who feast on the bones of dead whales. Yes. Enjoy that with your meal. Get more info here if you’re curious.

Islander reviewed the band’s first album Delayed Response way back in 2011. At the beginning of this month, the band released a follow-up called Titans Lament. For those who’ve been underwhelmed by doom this year, I submit this album for your consideration. Continue reading »

Nov 052015
 

Vaee SolisPsychophobia
 

Vorage coverHellion cover

(We welcome back Norwegian guest contributor Gorger, who has provided us with another feature on bands we seem to have overlooked at NCS. For readers of Norwegian, please check out Gorger’s Metal.)

Thirteen months ago I did a short series of reviews (here and here) under the moniker “Metal Not Previously Featured On NCS”. Now that Islander is busy gazing into the sky I thought I’d chip in a contribution once again. (What? He’s working? Well, that’s what you get for only looking at the pictures).

There are more creative serpentine forces lurking and dwelling in the underground than ever. With all new creeping and crawling releases that are spewed forth, no one can keep track of everything. Thus, good stuff flies under the radar, undetected or forgotten and lost in the pandemonium (along with you-know-who). Continue reading »

Nov 042015
 

Kampfar-Profan

 

(Andy Synn reviews the new album by Norway’s Kampfar.)

Earlier this year I was lucky enough to witness a show-stealing, career-defining performance by Norwegian legends-in-waiting Kampfar, when they stepped out onto the main stage at Inferno Festival and proceeded to deliver a masterclass in true Black Metal power and spirit, ultimately describing their set as one which “will be spoken of for years to come”. And I still stand by that.

Calling the band “legends-in-waiting” is meant as no disservice to them, however. It’s rather an acknowledgement that although the quartet have long since achieved legendary status in certain circles, their wider acclaim has yet to reach the level which should be theirs by right.

Yet, by the same token, it’s startling to realise that now, 20 years into their career, Kampfar are in the midst of an ongoing (and seemingly unstoppable) creative and critical renaissance, which began with 2011’s riveting Mare, continuing through last year’s ravenous Djevelmakt, and leading us, in turn, to Profan, their latest slab of sharp-toothed metallic menace. Continue reading »

Nov 032015
 

Serpents Lair-Circumnambulating the Stillborn

 

Last year I reviewed an impressive first demo by a mysterious hooded group from Sjælland, Denmark, named Serpents Lair. Now the band have completed their debut full-length, a seven-track, 43-minute album entitled Circumambulating the Stillborn that becomes available for download and physical pre-order today. In this post you’ll have a chance to stream the entire album for the first time. And if you’d like a preview of what you’re getting yourselves into, read on.

Following an introductory track consisting of beautiful choral voices and the slow, muffled pounding of timpani, Serpents Lair deliver five mostly long songs and an instrumental interlude. The songs are richly textured, dynamic in their pacing, and wholly unsettling. Continue reading »

Nov 032015
 

Hooded Menace-Darkness Drips Forth

 

(Wil Cifer reviews the new album by Finland’s Hooded Menace.)

By my lights, 2015 hasn’t been a big year for doom. Doom releases have been sparse, and when I say doom I am not talking retro stoner crap, but something that crushes your spirit in a mournful manner. I am pleased to say that the Finnish Doom merchants of Hooded Menace continue to bring it.

They come from the more deathly school of doom but their riffs still weep blood, so the death metal influence doesn’t bother me here. Speaking of weep, most bands would bore you to tears with a twelve-minute opener, but these guys suspend time and keep you in the moment. They are not afraid of picking up the pace without losing their grasp of darkness by going into a stoner rock boogie. Even when indulging in weird breakdowns they maintain their momentum. Continue reading »

Nov 032015
 

Bevar Sea-Invoke the Bizarre

 

(In this post Grant Skelton reviews the new album by India’s Bevar Sea.)

Bevar Sea are from Bangalore, Karnataka, in India. They formed in 2010 and the following year released two demos (Trendslaughter Sessions and Sessions Of Chaos). Those demos, which included covers of Kyuss, Sleep, and Black Sabbath, saw the band gain a following among doom fans worldwide. In 2012 the band recorded an album with Billy Anderson, whose more recent work includes Pallbearer’s Foundations Of Burden and Agalloch’s The Serpent & The Sphere.

Bevar Sea’s self-titled 2012 release led their popularity to spread even further as they played shows with Anathema and Kreator. In 2013 Rolling Stone India awarded Bevar Sea the title of “Best Emerging Band.” Continue reading »

Oct 312015
 

KRODA-Navij Skhron

 

We wish all of you a glorious Samhain. It is the most metal of festival nights, the ancient day marking the end of the harvest season and the beginning of winter, a day for the remembrance of the dead, a day when the veil between this world and the realm of death is as thin as tissue, and for many the first day of a spiritual new year.

In our den of thieves there was some loose talk about compiling a Halloween play list for the site, but this talk came to naught. It matters not, because we have something better. We have a stream of the new album by HelCarpathian Kroda, just released via Bandcamp on this blessed day — and like nothing you’ve heard from Kroda before.

I’m only human. When I have intensely strong feelings for the past creations of an artist, I tend to be predisposed to admire whatever comes next, to the point of overlooking flaws and focusing on the gifts when necessary. But most of the music on this new Kroda album, Navij Skhron, turned my expectations upside down, as if someone erased almost everything familiar on the chalkboard and began writing a new verse. Continue reading »

Oct 282015
 

Bone Gnawer – Cannibal Crematorium

 

(In this post TheMadIsraeli does some catching up, with three reviews of 2015 death metal albums.)

About my absence from NCS: I promise you all, it’s not that I haven’t been listening to music; life has just been rather chaotic. I’ve got a triple review here — one established band you already know are going to be good, and two under-the-surface death metal records I’ve been listening to on and off for a couple of months that I think are definitely worth your time. All three of these albums also have distinctly different sounds.

Bone GnawerCannibal Crematorium

Bone Gnawer has some weight behind its name. With only two full-lengths since 2009, one back then and the one I’m going to talk about now, and mostly EPs to their name, I think these guys deserve to be looked at. I’ve not visited any of the band’s previous material (which included Rogga Johansson in the lineup), I’m only familiar with Cannibal Crematorium, but it’s pretty fucking good. Continue reading »