Dec 112017
 

 

(This old year is gasping its last breaths, but before it expires our friend Gorger from Norway brings us one more collection of 2017 releases that we haven’t previously reviewed. To find more of his recommendations, type “Gorger” in our search bar or visit Gorger’s Metal.)

As this year is ebbing out fast, I’m presenting another four reviews. Most of them are so long, it’s inhuman to compile them like this. The music won’t provide much compassion either. Deal with it, and let’s cut straight to the chase. Continue reading »

Dec 082017
 

 

In what other genre of music besides death metal are adjectives like “noxious”, “rotten”, “pustulent”, and “grotesque” used as compliments? Give that some thought and get back to me; I can’t think of any.

I’m also not sure I could explain to a clueless outlander why the kind of death metal that evokes those descriptions is so appealing to many of us. If your answer is, “Because you’re all deviants,” you’ve probably come to the wrong place for your listening pleasures.

All those adjectives, and more in a similar vein, apply without exaggeration to the demo by Blasphemous Putrefaction we’re premiering today, one day before its release by Dunkelheit Produktionen. This German duo (which includes a member of the black/death band Goatblood) unabashedly traffic in primitive, rotten metal of death, and having chosen to throw themselves into that cesspool of horrifying filth, they go all in — and they’re very damned good at it. Continue reading »

Dec 072017
 

 

(Here’s DGR’s review of the new EP by the death metal collective known as Scour.)

Last year, Scour released its debut EP Grey, something that I reviewed — though I don’t recall it having a name at the time so much as suddenly appearing – and I had a lot of joking fun with the review, even if folks didn’t quite understand that at the time.

The novelty of Scour was the initial draw for the project, and while I found the release good, I did not expect a second release so soon. Now that Scour are established and have unleashed themselves live upon some folks, it felt like diving in again was the reading of the next chapter of an ongoing story, and so, we  find ourselves wondering how this extreme metal collective’s second EP has turned out. Continue reading »

Dec 062017
 

 

(Here’s DGR’s review of the new EP by Kunstzone.)

Kunstzone, the hybrid industrial death metal project of musicans Alex Rise of Tyrant Of Death and Psychotic Pulse and Khaozone’s Candy, is a group that we — mostly me, though I’m sure I’ve fooled Islander into writing at least one blurb about them — have been banging the drum about for a little while now.

The group, a fusion of the two musicians’ love of all things abrasively electronic, alongside a wall-of-sound production style on the guitars and drums, has had the band veering closer and closer to Anaal Nathrakh territory than most groups. They have a handful of releases to their name, among them the full releases Eschaton Discipline and The Art Of Making The Earth Uninhabitable. While the artists behind Kunstzone have been more than happy to hide themselves behind a joking veneer of being Star Trek: TNG crew members, the music released can be described as anything but fun. Continue reading »

Dec 062017
 

 

(Here’s Andy Synn’s review of the new album by the Italian band Adimiron, released just last month by Indie Recordings.)

Let me tell you, I had to think long and hard about this review. Not so much because of the album itself (which is, spoiler alert, absolutely brilliant) but because this is likely to be my last review before beginning my annual End of Year Liststravaganza (although you’ll be pleased to know it’s not going to be my last review of the year, as I already have several pieces pencilled in for the second half of December).

The big question was – did I want to go with something new, or something slightly older which we hadn’t had a chance to feature yet? After all, with List Season about to kick into high gear here at NCS, there’s an argument that since we’re about to give a lot of coverage to a lot of different records, the issue of who specifically to focus on has a bit more weight behind it than usual.

And so while this particular album didn’t quite make the cut for either my Critical or Personal Top Ten lists (stay tuned for those next week) it’s honestly so good that I wouldn’t have been able to live with myself if I didn’t take this opportunity to give it the attention it so richly deserves. Continue reading »

Dec 052017
 

 

(DGR reviews the debut album by the Greek band Aetherian.)

The genre-realm that skirts the line between doom and melodic death metal is one that has become increasingly crowded over the years, especially as some of the more long-running groups have rocketed up in popularity. The line between the two blurs constantly, and the bands that walk that path have developed into a very recognizable genre grouping in their own right, with bands like Insomnium having quickly moving to the forefront.

The pacing of most of these bands firmly plants them within the melo-death realm, and Greece’s Aetherian with their debut album, The Untamed Wilderness, don’t stray too far from it. Continue reading »

Dec 042017
 

 

(This is Andy Synn’s review of an unusual new release composed and performed by… well, you’ll find out.)

Over the weekend some of you may have seen, although doubtless many of you didn’t, a story popping up here and there about an AI algorithm writing a “mindblowing” Black Metal (or Death Metal… the reporting is, as you might expect, a little muddled in this regard) album called Coditany of Timeness.

And while, from a purely musical perspective, Coditany… is really more of an EP than an album, and unlikely to be bothering anyone’s End of Year list, from a scientific standpoint it’s still a fascinating experiment in machine-learning and creativity, and one which I felt deserved some coverage here at NCS. Continue reading »

Dec 032017
 

 

Slightly more than two years ago we had the pleasure of premiering a crushing track from Calmness of Resolve, the very impressive second album by The Weir from Calgary, Alberta, Canada. And now we’re helping spread the word about the band’s new EP, Detached, which is being released today on tape and as a digital download on Bandcamp.

Calmness of Resolve was a staggering experience, projecting panoramic vistas of blasted landscapes and dragging the listener into deep sinkholes of congealing tar, casting spells of forlorn and heart-aching beauty but also rolling like a massive tank attack, and sometimes bringing down the house (and its foundations) in cataclysms of soul-crushing destructiveness. It was (and is) a sludge/doom powerhouse that should not be missed.

But with Detached, The Weir seem to be even more whole-heartedly committed to methodically beating their listeners into a slurry of fractured bone and jellied organs. It’s as heavy and despairing as anything you’re likely to find in this bleak winter season. Continue reading »

Nov 292017
 

 

(Our ally Gorger from Norway returns to NCS with an even half-dozen underground gems from 2017 that we haven’t previously reviewed. To find more of his recommendations, type “Gorger” in our search bar or visit Gorger’s Metal.)

 

In an attempt at getting up to speed, I’m presenting no fewer than six releases. Short ones the lot of them. Mostly EPs, but also a split and a single. Last time around, I made the error of including a formerly presented release. To make sure I don’t do the same mistake again, I start off by doing the same mistake deliberately this time. Continue reading »

Nov 292017
 

 

(Vonlughlio reviews the new second album by the Mexican/Spanish due Putrefuck.)

I feel honored to do a small write- up for the new release by Putrefuck, one of my favorite bands in the gore-grind genre. I first found the band thanks to Sick Reviews and some friends like Mr. Aguilera back in 2015 with the release of their debut album Impending Necrophilia In Fresh And Pale Cadavers Arriving To The Morgue.

The project formed in 2013, and the two masterminds behind this sickening idea are Mr. Davila aka Shitter (vocals, guitars) and Mr. Adrian Emocaust (drums). You could say it’s an international group since one member resides in Mexico and the other in Spain. Their love for gore-grind, facilitated by the internet, got these two into Putrefuck. Continue reading »