Nov 302016
 

Terra Tenebrosa art

 

(In this month’s edition of THE SYNN REPORT, Andy Synn reviews the discography of Terra Tenebrosa.)

Recommended for fans of: Blut Aus Nord, Leviathan, Ævangelist

Some bands are easy to categorise. Death Metal. Black Metal. Thrash. You can stick a band in one of these boxes and (generally) have a good impression of the sort of sounds you can expect to hear.

Of course, sometimes the category itself can be a bit nebulous. Metalcore. Nu-Metal. Progressive Metal. These aren’t quite as well-defined, and are frequently used as a catch-all term (often, but not always, with negative connotations) for bands that don’t fit properly in one of the “core” Metal genres (no pun intended).

And then there are bands like Terra Tenebrosa, who seem to willfully defy categorisation altogether.

“Avant-Garde Black Metal” seems to be the closest approximation that most people have settled on for their sound, but even this doesn’t quite capture it. There are elements and undercurrents of everything from gloomy Post-Metal and chaotic Hardcore to pulsing Industrial and droning Ambient music, all wrapped up in a grim shroud of morbid, blackened vibes and horror-movie atmospherics.

Whatever it is, though, it works. Continue reading »

Nov 302016
 

sarkom-anti-cosmic-art

 

On the 2nd day of December, Dark Essence Records will release the new fourth album, Anti-Cosmic Art, by the veteran group of Norwegian black metal barbarians known as Sarkom. Produced in a way that gives it the sonic power of a megaton detonation, it’s a compact, varied, and consistently addictive blast of fire and ice that will keep your head in a hammer lock from start to finish. You’ll see — because we’ve got a full stream of the album for you today.

At seven songs and 30 minutes, the album doesn’t overstay its welcome, but instead leaves the listener wanting more. The first time through it is like unwrapping one thorny, charred gift after another, each song a nasty surprise, and each track so well-written and so capably performed that it sticks in the head like a spike. Continue reading »

Nov 282016
 

witchery-in-his-infernal-majestys-service

 

(Here’s Andy Synn’s review of the new album by Sweden’s long-running Witchery, which is out now via Century Media.)

Unless you’ve been living under a rock this year you’ll probably have heard something about the release of a new album by a bunch of head-banging, hard-riffing, Thrash Metal veterans who are currently undergoing a bit of a critical renaissance.

No, not Hetfield and co… we’re talking about motherfucking Witchery, bitches! Continue reading »

Nov 272016
 

convulsing-errata

 

I spent time yesterday pawing through a lot of recent releases and advance tracks by black metal bands. After some self-struggle, I picked a group of songs to feature in this post. And then late in the afternoon I got additional recommendations from various sources, and that tossed all my plans up into the air. When the dust settled, I revised my picks to include these:

CONVULSING

Convulsing was one of the recommendations that took me by surprise (thank you to starkweather and DaNasher). This is a one-man band from Sydney, Australia, whose new album Errata was released just yesterday. It caught the ears of certain listeners because the man behind Convulsing, Brendan Sloan, is also a member of Dumbsaint, who have a following. And word has been spreading. When you hear the album, I think you’ll be convinced that word will continue to spread, and damned fast and far, too. Continue reading »

Nov 262016
 

the-loom-of-time-nihilreich

 

I hope you’re having a good Saturday, and that this post will make it even better.

I know we’ve been throwing vast quantities of music your way lately as we try to clear the decks for the coming orgy of year-end-list features, but I still have a lot of metal that I feel the need to recommend. I’ll continue trying to keep abreast of advance tracks from forthcoming albums that sound promising, but what’s really burning a hole in my head are excellent full EPs, splits, and albums that have already been released but that we’ve neglected. The best way I know to deal with that problem is to compile posts like this one, abbreviating my own reviews and letting the music speak mainly for itself.

THE LOOM OF TIME

NihilReich is the eye-opening debut album of an Australian trio named The Loom of Time. It was released in March, though I didn’t listen to it until last month despite the significant praise it received from numerous reviewers. Continue reading »

Nov 252016
 

foad-cover

 

I’ll spell it out for you: Fuck Off and Die. I’m not talking about you, of course. But Sweden’s F.O.A.D might be. Their debut album Birth of Extinction is being released today by Mythrone Promotion and Defense Records, and we have a full stream of the album for your ears. It takes no prisoners.

Birth of Extinction may be the band’s full-length debut, but F.O.A.D (who are based in Västerås) are not newcomers. They trace their roots to a formation in 1986, although an extended hiatus followed their birth before their first demo Demo-Nical appeared in 2014. Birth of Extinction includes that demo as well as an even earlier song, “Morbid Truth”, in addition to the seven most recent album tracks. Continue reading »

Nov 252016
 

flag-map-of-germany

 

(Andy Synn prepared this trio of reviews for new albums by three German bands.)

Synchronicity can be a strange thing indeed. Case in point, coming hot on the heels of my recent (and surprisingly well-received) column on “Black Metal” here we have a triple-header feature on three bands who all sit somewhere under the big black umbrella, but whose actual adherence to the term “Black Metal” varies pretty drastically.

Not only that, but they all just happen to be German in origin, which means I can collect all three groups under the “Best of German” banner which I first used (here) back in May, and pretend like this whole thing was part of some grand plan of mine, rather than a completely random sequence of events that just happens to have lined up in a way that appears to be thematically significant.

But I’ll take what I can get, because these three albums are all absolutely hervorragend Continue reading »

Nov 242016
 

thankskilling

 

Here in the good old U.S. of A. it’s Thanksgiving Day today, and so to all of our American readers, I want to wish you a happy fucking Thanksgiving. And if you’re puzzling over what to be thankful for, I have some new metal for you. You’re welcome.

That’s right, while the rest of the miscreants in U.S. metal blogdom are acting like normal, reasonably well-adjusted people and taking the day off, I’m still here like a good samaritan at the soup kitchen, feeding you nourishing metal so you won’t think no one cares about you, at least for today. As usual, I’ll also post something new on Friday, Saturday, and Sunday of this long “holiday” weekend, not because I’m better than anyone else but because I obviously have an undiagnosed obsessive-compulsive disorder.

Because it’s Thanksgiving, this holiday edition of what we normally call Seen and Heard is overstuffed, which is the condition of most Americans by the end of this day. So get ready to gorge yourself through the earholes with music from a dozen bands. Continue reading »

Nov 232016
 

destroying-the-devoid-paramnesia

 

(TheMadIsraeli reviews the new album by Destroying the Devoid, the solo project of Deeds of Flesh guitarist Craig Peters.)

So… I’m going to have to confess something here.

I really dislike the Unique Leader style of death metal.

I know that’s heresy since they are a popular label now for the genre (and one whose bands NCS has featured regularly), but I’ve never been able to get into the super-machine-tight, super-technical, turned-up-to-11 all the time brand of death metal they are known for pushing. It just isn’t my thing, which is a shame because one of their flagships, Deeds Of Flesh, are obviously a great band — I’ve just been unable to fully appreciate them. I do have great respect for that band’s guitarist and composer Craig Peters, who has immaculate technique and does write interesting riffs from a guitar player’s standpoint.

I will also admit, though, that the subject of this review is making me consider going back and checking out Deeds Of Flesh’s discography in its entirety. Continue reading »

Nov 232016
 

negative-symbols-without-voices

 

Berlin-based Benedikt Willnecker has performed on stage as the bassist for Der Weg einer Freiheit and was also bassist and songwriter for Ära Krâ, both of them bands we’ve praised repeatedly at our site, but he has now struck out on his own with a solo instrumental project called Negative Symbols. On November 30, Negative Symbols will release its debut album Without Voices, and we have a full stream of this riveting new release for you today.

The album is a substantial 47 minutes in length, but it’s so engrossing that the pace of time seems to change as you listen, passing in a flash or perhaps even standing still. Stripped of vocals and lyrics, it evokes direct emotional responses in an interplay between the changing moods of the music and the experiences that have shaped where you live in your own head. Continue reading »