AN NCS EP PREMIERE: MISTIGMA — “OMEGA MORTIS”

 Album Reviews, Premieres, SHORT BUT SWEET  No Responses »
Jul 052017
 

 

Never underestimate the power of cover art to attract listeners. Though not a musician myself, that’s one piece of advice I would place high on a list of recommendations for metal bands if anyone were to ask me (though I’m not holding my breath waiting for the requests to pour in). For example, I was eager to hear the debut EP of the Italian death metal band Mistigma based on one look at the cover created by View From The Coffin — and now here I am helping to introduce Omega Mortis to you.

In its actual physical format, the EP looks very good as well: Continue reading »

SHORT BUT SWEET: ABORTED — “BATHOS”

 Album Reviews, SHORT BUT SWEET  2 Responses »
Jul 052017
 

 

(DGR reviews the new EP by those Belgian barbarians (and old favorites of our site), Aborted.)

 

Of all of the bands nowadays who hardly seem to stop for a breath, Aborted are one who in recent years have steadily increased their output like few others. Most bands in the decade-plus eras of their careers tend to slow down; Aborted record music like the world is ending tomorrow — in terms of both aural quality and quantity.

In recent years, Aborted have also become master chameleons with their sound, re-energizing every album with just enough tweaks that although the band have clearly found a happy home in a hyperfast death-grind sound, each of the group’s releases since Global Flatline have felt different from one another. Those releases are still fairly recognizably as Aborted albums, and honestly, putting on shuffle the triptych of Global Flatline, Necrotic Manifesto, and Retrogore, along with the smattering of EPs and single releases with all their bonus rarities that happened in between those discs, pretty much guarantees a very consistent and frighteningly heavy through-line. Continue reading »

AN NCS SPLIT PREMIERE (AND A REVIEW): BLACK URN AND SHRINE OF THE SERPENT

 Album Reviews, Premieres, SHORT BUT SWEET  1 Response »
May 312017
 

 

To be drawn slowly to your death in a viscous pool of quicksand beneath a pitch-black sky, with no one to hear your screams, must be a terrifying experience. If an earthquake were happening at the same time, with an upheaval of stone smashing your sinking limbs beneath the surface while demons howl in your mind, that combination of experiences might resemble the sensations of this split.

The two violent sludge/doom bands who have joined forces in this outpouring of affliction come from opposite sides of the U.S., yet based on the music, they seem to be kindreds in spirit, bound together in a joint mission to reap the souls of their listeners. The bands are Black Urn and Shrine of the Serpent, and their split will be released on tape by Caligari Records on June 2nd. Continue reading »

AN NCS EP PREMIERE: VINTERBRIS — “AD ABSURDUM” (AND A VIDEO BY KIM HOLM)

 Album Reviews, Premieres, SHORT BUT SWEET  2 Responses »
May 232017
 

 

We have a double-premiere for you in this post, both of which have stirred excitement here at the NCS metallic island. The first of these is the stream of a powerful new two-song EP by the Norwegian melodic black metal band Vinterbris, set for release on June 6th, the title of which is Ad Absurdum. And the second, which was inspired by the first, is a time-lapse video of the wonderful Norwegian artist Kim Holm that depicts his creation of the EP’s evocative wrap-around cover art.

In 2014 we wrote repeatedly about Vinterbris‘ superb second album Solace. What first drew our attention to the album even before hearing the music was the artwork that Kim Holm created for that album. In addition to a cover piece, Holm created separate illustrations for each song on the album (which we collected in one place here). Having been lured into the album by this artwork, we found the music to be a treasure as well. We even included a song from Solace on our list of 2014’s Most Infectious Extreme Metal Songs.

And now we will face the challenge of deciding which of these two new songs to pick for the 2017 edition of that list — because both songs surge with infectious energy, both of them immediately appealing at the first listen, and both of them persistently boiling in the listener’s mind long after they end. Continue reading »

THE BEST OF BRITISH, 2017 (PART 4): BELIAL / DREKAVAC / MONOLITHIAN

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May 172017
 

 

(Andy Synn once again focuses on recent or forthcoming releases by bands from his native land, this time selecting releases by Belial, Drekavac, and Monolithian.)

Breaking with convention ever so slightly, this edition of “The Best of British” is focussed on EPs, rather than albums, providing you with a hand-picked triptych of short, but oh-so-sweet, metallic morsels to devour at your leisure.

BELIAL – NIHIL EST

Punishing Deathcore with a pronounced Technical edge, the sophomore EP by these Swindon-based savages is a crushing conglomeration of coiled riffs, convulsive rhythms, and cascading electronics — plus the occasional bone-shattering breakdown – that should appeal to anyone who considers themselves a fan of All Shall Perish, Fit For An Autopsy, and their ilk. Continue reading »

LOATHFINDER: “THE GREAT TIRED ONES”

 Album Reviews, SHORT BUT SWEET  1 Response »
May 152017
 

 

(Andy Synn reviews the debut EP by the Polish band Loathfinder, released near the end of April by Godz Ov War Productions.)

Never underestimate the power of some eye-catching artwork… I mean, just look at that cover art… the rotten, roughly-sketched lines, the gritty, granular colour-scheme, the subtle suggestion of oozing, necrotic motion… how can you not want to find out more when confronted with an image like that? Continue reading »

AN NCS EP PREMIERE (AND A REVIEW): AMIENSUS — “ALL PATHS LEAD TO DEATH”

 Album Reviews, Premieres, SHORT BUT SWEET  4 Responses »
May 122017
 

 

Last fall, Minnesota’s Amiensus signed with Apathia Records for the release of a new EP this spring, and the release of that EP is now fast approaching. Its name is All Paths Lead To Death, and the release date is May 19th. We’ve previously written about the first two singles from the EP, and now we’ve got the good fortune to bring you a stream of the EP in its entirety.

We’re told by the band that “the concept of the album revolves around Hell and different depictions as well”, which ties to the John Martin artwork used on the cover, depicting Satan reigning on his throne in the hall of the Pandæmonium. And the music ties to that concept as well. Continue reading »

EXCOMMUNION — “THRONOSIS”

 Album Reviews, SHORT BUT SWEET  1 Response »
May 092017
 

 

(Todd Manning brings us this review of the new EP by Colorado’s Excommunion, and we also bring you a full stream of the music.)

At this point, it’s no secret that I have been extolling the great state of Death Metal in 2017, and so I wanted to pen a quick missive singing the infernal praises of another powerful release, the new Excommunion album, Thronosis.

I’ve noticed that so much of this great Death Metal is coming from scene veterans, and Excommunion is in that camp. This is the follow-up to 2002’s full-length Superion (with a split in between), and this release finds the group in fine form. Continue reading »

VERMIN LORD AND NIHTWINTRE: A SPLIT

 Album Reviews, SHORT BUT SWEET  1 Response »
May 082017
 

 

As regular visitors to our site well know, I’ve been carefully following the releases of Seattle-based Vermin Lord, beginning with the project’s excellent 2016 debut album Anguish. Last Friday brought another new Vermin Lord release, this time a split with the Seattle black metal project Nihtwintre.

Both sides of the split are very good, both of them shrouded in darkness, sorcery, and loss, though musically the two bands are quite distinct from each other. There’s a full stream of the split at the end of this post, preceded by some thoughts about the songs. Continue reading »

AN NCS EP PREMIERE: BLACK HARVEST — “ATTRITION”

 Album Reviews, Premieres, SHORT BUT SWEET  1 Response »
May 082017
 

 

(Austin Weber brings us this premiere of the new EP by New York’s Black Harvest, along with some introductory impressions of the music.)

Some musicians are content to play within traditional sounds and genre boundaries, while others (Devin Townsend comes to mind) see all of music’s many genres as a vast palette that one can draw from and combine in new ways to paint a musical world all their own. This form of vast experimentation lies at the heart of all that Kishor Haulenbeek does, as both an incredibly talented visual artist and also as a musician with multiple musical projects that he has used to explore different facets of his interests, all of which convey an honest emotional feeling yet cover dramatically  different musical terrain.

Last year here at NCS, I finally got around to covering his fantastic mathcore-addled technical grindcore band Crisis Actor, and shoehorned in some coverage of his primary project, Black Harvest, at the same time. Today we’re bringing you an early stream of the group’s fantastic new EP, Attrition. Continue reading »

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