SHADES OF BLACK (PART 1): THE DEATHTRIP, DYSANGELIUM, SHRINE OF INSANABILIS

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Sep 162019
 

 

I was in Utah over the weekend for my job and didn’t have a lot of free time. I did have enough time to do some listening and make these selections, but not enough to finish this column and post it in its usual place on Sunday before I had to go to the airport for the trip back to Seattle.

As you can see, there will be a second Part later today. For this first Part I’ve chosen songs that mark the return of  bands whose previous work we’ve praised and promoted. The second Part includes a number of new discoveries.

THE DEATHTRIP

My tumble into the music of The Deathtrip began in July 2016 when Neill Jameson included these words about the band’s 2014 debut album Deep Drone Master in an NCS post about black metal:

“The Deathtrip is an Aldrahn project (who you should know from Dødheimsgard amongst others). Two demos that were primitive and degenerate as hell were enough to keep my interest, but the realization of the building blocks they represented which came together on this release is startling and welcome. Aldrahn has always had one of the greatest voices in black metal and it has felt like far too long since it’s been heard. Hopefully this is a project that will continue and grow.” Continue reading »

SHADES OF BLACK (PART 2): FERALIA, ARCTOS, DOLD VORDE ENS NAVN, OSSOMANCER, HAR

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Sep 022019
 

 

HA!  Surprised you, didn’t I? I already posted a SHADES OF BLACK column in its usual place yesterday, and I didn’t hint that there would be a second column this week. Or at least I didn’t give any hints yesterday. I did hint last Sunday (a week ago) that I had a second Part in the works. I just didn’t get it finished before the hectic weekdays began. But this is that second Part which I had planned 8 days ago. That makes the music a bit dated, but no worse the wear for that.

I’ll also wish a Happy Labor Day to those of you in the U.S. and Canada who are enjoying the holiday. You gotta love a holiday that celebrates labor by giving people an excuse not to work.

FERALIA

On August 11th the Italian black metal band Feralia released their first single, “Conception“, which was also the first excerpt from their album, Helios Manifesto. The album is described as “a concept that runs through the mystical / initiatory path of man as ‘god’ of himself, using sometimes Aleister Crowley and thelemic extracts to explain with images an esoteric and initiation mood”. On this album the trio of Italian musicians are accompanied by Tibor Kati (Negura Bunget, Sur Austru) as the lead singer. Continue reading »

SHADES OF BLACK: MAYHEM, PLATEAU SIGMA, NEBULA ORIONIS, MARTELO PERPETUO, KOSTNATĚNÍ, GORRCH

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Sep 012019
 

 

I usually don’t include new songs by the truly “big name” bands in these columns, because anyone who cares about black metal will have already discovered them, and often because there’s better stuff churning deeper in the underground. But I made an exception today, for reasons to be explained, and then moved on from there deeper into subterranean recesses. I’m kind of proud about the way the music flows in this collection. You can decide for yourselves whether, as a playlist, these selections work well together.

MAYHEM

The Internet loves “best of” lists, especially in genres of entertainment. If you peruse any of the many web lists of the best black metal of all time it’s inevitable that you will see De Mysteriis Dom Sathanas. That release happened 25 years ago, but even if Mayhem had never recorded anything else they probably would have already assured themselves an important place in the history of black metal.

But of course they went on to release four more albums of (it must be said) uneven quality, along with a slew of compilations, live recordings, and other scattered short things, all of which together demonstrate that from humble beginnings Mayhem has mutated into a formidable business enterprise. Continue reading »

SHADES OF BLACK: MELAN SELAS, IMPERIUM DEKADENZ, BELENOS, NORDKVÄDE, MAZE OF TERROR

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Aug 252019
 

 

Yesterday some of you saw a skeletal version of this post because I hit “Publish” instead of “Save” and didn’t realize what I’d done until Andy Synn pointed it out hours later. By the time of my bone-headed goof I had picked the songs I wanted to write about and had uploaded artwork, added the usual links, put in the html codes for the music streams, and copy-pasted info about the releases from press releases, Bandcamp pages, or YouTube streams — but hadn’t actually written anything of my own about the music.

That’s the same process I follow every time I prepare one of these collections. Usually I don’t stop there, but I’m still on vacation and had some carousing to do, so I deferred the writing. Actually, I had already begun the carousing, which is most likely why I hit “Publish” instead of “Save”.

Anyway, hope you like the music I picked for today’s SOB. I’ve made selections for a second installment of the column, but don’t know if I’ll get that finished before the carousing begins again. Continue reading »

SHADES OF BLACK: NOCTURNAL DEPARTURE, NIFROST, EZKATON, THE KRYPTIK, BLACK BEAST, DRAAGYN

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Aug 182019
 

 

Having chosen to devote so much time to posts about new death metal this weekend I haven’t been able to focus as carefully as I’d like on this week’s SHADES OF BLACK column. If the writing seems more hurried than usual, that’s why. But I didn’t make the selections hurriedly. I’m quite convinced they’re worth your time. Whether you’ll be convinced, only time will tell.

By the way, though I doubt very many people actually noticed, last week I promised a second installment of the column, in a format that I haven’t used very often — and then wasn’t able to follow through. I thought about following through today, with the same bands I’d chosen to use in the un-realized second installment of last week’s column, but haven’t done that after all. Maybe later this week. Only one of the releases I’d chosen last week has made it into this post — and it’s the first one:

NOCTURNAL DEPARTURE

Cathartic Black Rituals, released by Les Fleurs du Mal Productions on August 7th, is the debut album by a trio from Winnipeg, Manitoba, who’ve taken the name Nocturnal Departure. The album stream premiered at CVLT Nation, accompanied by a brief but enthusiastic introduction. My own introduction will also be (regrettably) brief, and enthusiastic. Continue reading »

SHADES OF BLACK: BLUT AUS NORD, MARW, ZEIT, THE EMBER THE ASH, TOTENGEFLÜSTER, CONCRETE WINDS

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Aug 112019
 

 

Although you can’t tell from the title of this post, it’s the first part of another two-part installment of this column. I didn’t call this “Part 1” because I dusted off a long-dormant strategy for the second one, which has its own long-dormant Category tag, and I’m using that instead of Part 2. All will become clear when I’m able to finish and post the second segment, hopefully later today but possibly on Monday morning.

Here, I’m beginning with a notable news item and then marching ahead with the music, which includes an EP, a new song and video, and advance tracks from forthcoming releases.

BLUT AUS NORD

Part of the thrill afforded by a new Blut Aus Nord album is the process of discovery, because BAN has rarely followed a straight and steady path from one record to the next, and predicting how their path might twist and turn requires a crystal ball. In the case of their new album, Hallucinogen, Debemur Morti Productions has announced that it “begins a new era,” “ending the cycle of clandestine industrialised dissonance that culminated with previous transmission Deus Salutis Meae and moving skyward into freshly melodic territories of progressive clarity”. Continue reading »

SHADES OF BLACK (PART 2): HAUNTER, MUSEUM OF PAST ARTIFACTS, GRUE, ARGHAST, ORISON WRETHE

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Aug 052019
 

 

I might have bitten off more than I can chew in the concluding installment of this column, which began here yesterday: After opening with one advance track, I’ve included complete streams of four album-length or EP-length releases. There’s also a risk that I’m serving up a platter of blackened metal that’s too heavily laden for most of you to consume. I’ll have to hope that you at least sample everything. You might find one or more prized additions to your music collection.

HAUNTER

As I organized the selections in this second segment of this week’s column, it seemed fitting to begin and end it with the talents of Elijah Tamu. Here at the beginning you see an example of his striking visual art, in the cover of Sacramental Death Qualia, the new album by Texas-based Haunter. At the end, his musical talents will be on display. Continue reading »

SHADES OF BLACK (PART 1): UNAUSSPRECHLICHEN KULTEN, A MYSTERY, ARNAUT PAVLE, SOVEREIGN, GRAVATUS

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Aug 042019
 

 

Writing today’s column was tougher than usual. While listening to my long list of music candidates last night and planning what I would write about, the news about the massacre in El Paso broke. And when I woke up this morning, planning to inhale coffee and begin writing, I was greeted with the reports of what happened in Dayton, Ohio overnight, when 9 more people were executed and more than two dozen were injured. Those tragedies brought the number of mass shootings in the U.S. this year to more than 250 (defined as 4 or more people shot or killed in a single incident, not including the shooter), and the number of deaths in mass shootings to 51.

I guess depression and rage are among the chief emotions channeled through black metal, but these events still didn’t put me in the best frame of mind for this project, despite being wracked by that same mixture of feelings over the last 24 hours. I do have plans for a second installment of new music in this series, but the best I can hope for is to finish it in time for posting on Monday.

UNAUSSPRECHLICHEN KULTEN

For many of us, Unaussprechlichen Kulten have become one of those bands whose every release is mandatory listening. And so it will be with respect to the fifth album from this Chilean cult, Teufelsbücher, which will be released by Iron Bonehead Productions on October 18th. Continue reading »

SHADES OF BLACK (PART 2): GOC (GNOSIS OSCURIDAD CAOS), HWWAUOCH, ANTICHRIST SIEGE MACHINE, NYSS

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Jul 292019
 

 

Did you miss Part 1 of this post, delayed by one day from its usual spot in our schedule? Go here if you did. There were four advance tracks from forthcoming records in that Part. Part 2 may take you longer to get through, since it includes three complete albums (in addition to one more advance track). I hope you’ll find everything worth your time.

GOC (Gnosis Oscuridad Caos)

The first two selections in Part 2 came my way from Rennie of starkweather. The first of them is a just-released debut album by a Colombian band called GOC, which seems to be an acronym for Gnosis Oscuridad Caos, which is also the title of the new album. Continue reading »

SHADES OF BLACK (PART 1): KEYS OF ORTHANC, HAGZISSA, SLAUGHTBBATH, SERPENT COLUMN

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Jul 292019
 

 

I couldn’t get this post finished in time to occupy its usual place on Sunday. So, as promised yesterday, I’m posting it now to make your Monday more miserable.

I divided this into two parts, which gives me more time to finish it and might also make all the music easier to digest. There IS a lot to digest here — taking these two Parts together, you’ll find five advance tracks and three full albums.

KEYS OF ORTHANC

I missed this Quebec black metal band’s 2018 debut album, Dush agh Golnauk. Their second one, A Battle in the Dark Lands of the Eye…, will be coming out via Naturmacht Productions on August 31st. The cover art alone — a creation by Canadian artist Ted Nasmith called “The Shadow of Sauron” — is so fantastic that checking out the music was an irresistible choice. (Nasmith’s cover art for this band’s debut album — here — is also fantastic, but I must not have seen it.)

Ted Nasmith is a noted illustrator of Tolkein’s works, and Keys of Orthanc have similarly based their work on Tolkein’s tales; Orthanc itself, for example, is the name of Saruman’s black tower in The Lord of the Rings. Naturmacht describes their new album as one that’s “all about the war of man and orc, between light and darkness in the gloomy lands of Mordor”. Continue reading »

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