Jul 012018
 

 

This is Part 2 of a post that I began earlier today. As in the first installment, I’m including a group of complete new releases with only brief introductory impressions rather than full reviews. More words would make me feel better, but maybe the words I had time to write will be sufficient inducement for you to explore further on your own.

The surprising new release by Malokarpatan made me feel like I’d entered haunted woods or subterranean caverns populated by creatures that the Brothers Grimm would recognize, and the next two entries in this post pulled me into greater depths of horror — to the point that I felt I had to shake off those shivering sensations in order to face the rest of the day. You’ll see how I did that.

MALOKARPATAN

Perhaps there was some kind of advance notice that the Slovakian band Malokarpatan, who most definitely march (and scamper fiendishly) to the beat of their own drummer, would be releasing a new EP today, but if so, I missed it. My first notice came via a Bandcamp e-mail alert today. What I found was as weird as I’ve come to expect — but the shapes of the band’s strange proclivities never seem to be predictable. Continue reading »

Jul 012018
 

 

My cup runneth over — not really in the sense of the Psalm but more like Fantasia’s rendition of “The Sorcerer’s Apprentice”, in which drowning in a deluge spawned by runaway magic is a serious threat. In other words, I have far more new metal in a black vein to recommend than I know what to do with.

In an attempt to do more rather than less, I’ve compiled a two-part post on this Sunday… and I’ve also wimped out by providing a series of little more than encouragements rather than reviews, especially in the case of the three full albums included in this first Part.

IMMORTAL

My comrade Andy Synn tells me he will soon provide a review of Immortal’s new album, Northern Chaos Gods, which is due for release on July 6th. (Spoiler: he seems quite high on it.) In the meantime, Immortal has revealed a second single from the album, the title of which might lead some to guess (incorrectly) that the new Abbath-less Imnmortal had decided to re-record an earlier song. Continue reading »

Jun 172018
 

 

I’m well aware that a lot of black metal fans out there are hard to please when it comes to new releases. Some of them, yawning or rolling their eyes, find most current black metal bands too slavishly devoted to what has been done before, re-treading riffs and blasts and particular approaches to production rather than attempting or succeeding in creating music that sounds genuinely creative. Others, gnashing their teeth or choking on their own disgust, find a lot of bands unworthy of the name “black metal”, bastardizing the music to the point of fracturing it or acting the part of charlatans without true spirit or devotion.

I, on the other hand, find it very difficult to compile these Sunday posts because every week I have more to like than I have time to write about what I’ve enjoyed. I have this same problem in other genres of metal. Maybe my tastes are too catholic (small “c”), maybe I’m not sufficiently discerning or demanding. At least I can’t legitimately be accused of dishonesty — I truly like the music I recommend to you. And I try to provide variety in these posts because I’m well aware it won’t all appeal to everyone. If you make only one new discovery that you think is worth your time, then it will have been worth my time. And if not, there’s always next week…. Continue reading »

Jun 122018
 

 

This edition of SHADES OF BLACK is brought to you by the letter “I”.

I usually post these columns on Sundays, and didn’t intend to do one for this Tuesday until last night. While listening to candidates for a “Quick Hits” round-up to be posted today, I became enamored of these three new tracks, and since they’re all forms of black metal and coincidentally were created by bands whose names begin with “I”, well, the impulse proved irresistible. With a bit of luck, I may still get that “Quick Hits” post finished today, too.

INCORPOREA

Exorcize the Sun appears to be the first official release by this two-man band from Spain. It appeared in April and I learned of it through a recent invitation from Incorporea. Consisting of two tracks captured on 7″ vinyl, it’s a seductive offering of atmospheric black metal that has depth and power, and an impressive degree of sophistication. Continue reading »

Jun 102018
 

 

As you can see, I’m resuming this column after failing to get it done the last two Sundays due to other commitments. As a result of the hiatus I’m even more awash than usual in new music from the black realms. So much to choose from… and so perhaps there’s an even greater element of randomness in these choices than usual as well.

FUNERAL MIST

This solo project of the man who goes by Arioch here (and Mortuus when he fronts Marduk) has a habit of surprising people. After a trio of demos and an EP between ’95 and ’98, five years passed and then the Salvation debut album appeared — a record that a great many people still swear by. Six more years passed, and then Funeral Mist released Maranatha without warning. As I recall, it garnered a more mixed response than the widespread praise provoked by Salvation, but I’m one of those who thoroughly enjoyed it. And then so many years passed with nothing new that most fans probably concluded, sadly, that Arioch had laid Funeral Mist to rest, permanently.

Surprise! Continue reading »

May 202018
 

 

Black metal isn’t a two-sided coin — it’s more like a tetraplex. Yet I’m still thinking of the music in Part 2 of today’s SOB column as the other side of the coin from what was in Part 1. The music there was more cerebral, more emotionally complex, often more spiritual and atmospheric… and what’s here is more visceral, more violent, more inclined to take no prisoners. Or at least that’s how I think of the distinctions at a very high level.

I happen to like both “sides” of this “coin”; some may prefer one side to the other. Some, in fact, may recoil as the following selections apply a blowtorch to your eardrums.

BLASPHAMAGOATCHRIST

If you were members of Blasphemy, Goatpenis, and Antichrist, and you decided to join forces, what would you call your collective endeavor? Well, duh, you’d call it Blasphamagoatachrist! I mean, Phemypenisanti was probably already taken. Continue reading »

May 202018
 

 

If you haven’t listened to the new songs by Uada (here) and Gaerea (here), you should go do that. That’s all the attention I’ll give them here, because those tracks got plenty of attention when they debuted last week, and we’ll have some more things to say about the albums soon-ish. Today I’m going to focus on some music that could use more attention.

As you can see, I have enough music (and had enough time) to make two parts of SHADES OF BLACK this Sunday. Most of the music in the next part rips and tears, often at roughly 1000 mph (or 1609.34 kph). The music in this part is harder to sum up. Of course I’ll try, one by one, but not in a single introductory sentence.

PHTHISIS

The first item I’ve chosen is a four-song demo that has been buried a long time. The band no longer exists. It’s an example of music that in retrospect sounds ahead of its time, and sounds damned fine here in 2018, too. For reasons unknown to me, one of the members finally decided to share it after roughly 7 years. You never know, maybe some seeds are being watered, maybe something new will bloom. Maybe this post will add a few nutrients to aid the growth. But if not, this demo should still bring pleasure to more than a few ears. Continue reading »

May 132018
 

 

There’s a mountain of black music in today’s column — five full releases, the shortest of which is more than 20 minutes long. Moreover, one of those releases is a single song that itself tops 20 minutes in length. I don’t expect everyone to make their way through all of this; tastes do vary, as does the amount of time people are prepared to set aside for the exploration of new music. Recognizing that, I’ve provided previews of the music (at least as I hear it), and in the case of the releases other than the two that consist of long-form monoliths, I’ve selected specific songs that I think provide a good test for whether you’ll like the rest of what’s there.

PLAGUESTORM

Eternal Throne is the debut EP by a Swedish black metal band (from Malmö) named Plaguestorm. According to the two labels who are releasing it (Helter Skelter and Blood Harvest), it was recorded in 2015 but is only now being released for the first time due to unspecified “hardships and delays”. Their description of the music peaked my interest:

Eternal Throne, they wrote, “features four tracks in 21 minutes, where all possible aspects of black metal is being mixed into one, big gruesome bowl where everything from the classic guitar leads of Mercyful Fate, and the chaotic mayhem of Katharsis has its righteous place”. Continue reading »

May 062018
 

 

There’s a lot of new music in this week’s SHADES OF BLACK, which I suppose isn’t all that unusual. Unfortunately, there’s not a lot of time for me to write about it, in part because of time spent on a rare Sunday premiere (which also comes from black subterranean realms) and in part because I have other plans for today that will separate me from the computer; I hope I don’t experience unpleasant withdrawal symptoms.

I’ll begin with streams of two fantastic new albums and follow those with four individual songs from forthcoming releases, one of which is paired with an outstanding video.

URFAUST

Maybe it’s not too soon to proclaim the emergence of a trend. Like an unusually high number of other occurrences this year, the august Dutch band Urfaust launched their new (fifth) album with no warning, no advance promotion, no opportunities for scurrilous scribblers to review it before release. This happened on Friday, and although I’ve only managed to listen to The Constellatory Practice once since then, my impulse is to proclaim it a triumph. Continue reading »

Apr 292018
 

 

Welcome to another installment of my Sunday series on metal drawn from a black vein. Some of what’s here are carry-overs from the column I planned for last Sunday but failed to finish in time, and some are discoveries I’ve made since then. I had to make hard choices, as usual, and made them in an effort to put your head through a lot of twists and turns in the ever-expanding landscape of black and “blackened” metal. I hope to find future places for the releases I put to one side in making these choices.

MALTHUSIAN

After two powerful previous releases, the MMXIII demo in 2013 and the stellar 2015 EP Below the Hengiform (which we got the privilege of premiering), the Irish black/death band Malthusian will at last release a full-length this year. Across Deaths is set for release on September 7th by Dark Descent Records and Invictus Productions. I guess it’s unusual to see the appearance of an advance track almost five months before an album release date, but only a churlish bastard would complain about the wait, and I’m not the churlish kind of bastard. Continue reading »