Jan 072018
 

 

I mentioned in yesterday’s last post, which immediately precedes this one, that I have an extraordinarily long list of intriguing new music that came out (or that I discovered) over just the last week. And a great deal of that is music from the black realms… too much to shoehorn into a single SHADES OF BLACK post.

So, even though this is a long post, with a lot of music for you to explore, it doesn’t exhaust everything I would like to recommend. Sadly, I’ll have to shoehorn everything else into an OVERFLOWING STREAMS post tomorrow, in which I’ll deprive myself of the pleasure of commenting on the music and instead simply furnish the streams, with release details.

VERHEERER

The first song in this collection is also the one I heard most recently, thanks to a link yesterday from my astute acquaintance Miloš. But it demanded to be placed here, because it shot a lightning bolt straight through me on the first listen. Continue reading »

Jan 022018
 

 

This is the second part of a post I began here on the last day of the old year, delayed by one day so that I could recover from a cataclysmic hangover produced by unforeseen New Year’s Eve revels; the old year died, and then I felt as if I had, too.

I’ve collected streams of six albums here, all of them released in December or November, accompanied by nothing that would justify the term “review”, only a few inadequate words of description and praise that I hope will induce you to explore the music. This won’t be the last of my efforts to catch up with music released last year, though inevitably we’ll start paying increasing amounts of attention to the march of metal in 2018.

ENTHEOGEN

Andy Synn already included this record on his listing of 2017’s “Great Albums”, and it recently appeared on Brendan Sloan’s list (here) as an Honorable Mention — but only because he thought it would be greedy to put more than one Alex Poole project in his Top 17 list (the other being Chaos Moon). Yet despite this attention, both at NCS and elsewhere, I wanted to give my own nudge to those who haven’t yet heard Without Veil, Nor Self. Continue reading »

Dec 312017
 

 

As you can see, I have ambitions… ambitions for a SHADES OF BLACK post that carries over, one that’s both the last SHADES OF BLACK of the old year and the first of the new year. Of course, those ambitions depend on my being able to write Part 2 tomorrow and your ability to read it. Since my New Year’s Eve will probably consist of a quiet evening at home with Ms. Islander and a bottle of champagne, I’ll probably be able to give a decent account of myself come the dawn. I wish I could be more hopeful about you. If you wake up in a pool of your own urine with the taste of vomit in your mouth, please don’t send photos.

I’ve divided my selections this week as follows: In Part 1 I’ve included a few recent EPs and advance tracks from forthcoming albums.  In Part 2 I’ve collected some complete 2017 albums that I’d like to call attention to, not all of which are brand new.

JANUARY 1 UPDATE:  That prediction about New Year’s Eve being a placid, well-behaved time for yours truly turned out to be load of horseshit. The extent of my suffering today is of epic proportions. Part 2 will be delayed until January 2.

VARNAK

I’m indebted to my friend Miloš for recommending this first two-song EP. Entitled Вопль о Земле, it was released via Bandcamp by the Russian black metal band Varnak on December 28th (the cover art is at the top of this post). I processed the Russian lyrics through Google Translate, and although the results are a bit garbled, I found them fascinating — just as I did the music. Continue reading »

Dec 272017
 

 

I’m three days late with this week’s edition of SHADES OF BLACK, and still woefully behind in sharing new music in a blackened vein that I’ve discovered over the last month. I’m bound and determined to do at least one more of these features before 2017 is interred in a moldy grave, as long as I’m sufficiently unbound by other distractions.

This particular collection includes one complete new album, advance tracks from two more, some new live videos, and a new single.

EUCLIDEAN

To begin this selection of music, I want to strongly recommend Quod Erat Faciendum, the debut album of the Swiss band Euclidean, which was released on December 21 and came strongly recommended to me by starkweather and by Miloš. Continue reading »

Nov 272017
 

 

The year is supposed to be barreling toward the end, with a deep breath and a gasping look backward, but it’s obvious that the life pulse of metal takes no breaks. If you spend too much time reflecting on the last 11 months, you will inevitably miss a lot in the 5 weeks yet to come. I’m going to have to take that break, but not quite yet.

I intended to post this particular collection yesterday in its usual Sunday spot, but couldn’t finish it before departing for some Thanksgiving weekend festivities with friends. Since then it has grown a bit, but could have become much longer.

ABIGOR

Yesterday the brilliant Austrian black metal band Abigor announced that their new album, Höllenzwang – Chronicles of Perdition, has been sent off to the pressing plant. They made clear that the release will not be preceded by “any fancy youtube video, tons of merch or other promotion campaigns”. But the band did provide a few insights into the music, as well as a stream of song excerpts, which I’ve included below. Continue reading »

Nov 242017
 

 

I saw a meme this morning on Facebook, which read as follows:  “Black Friday: Because only in America, people trample others for sales exactly one day after being thankful for what they already have.” And yes, I suppose it’s so. For some of us, however, the last thing on our minds on this day, a thing to be avoided like the second coming of the black plague, is an excursion to retail outlets of any kind. The stronger impulse is to become even more hermit-like, to hunker down in our bunkers and put the thought of voraciously consuming crowds as far away as possible.

On the other hand, getting trampled is not in itself a bad thing, and can indeed be a very welcome experience, as long as the trampling is inflicted through the earholes, and the resulting visions of turmoil are spawned by the mind rather than observed through the eyes. And so here’s a rare Friday edition of SHADES OF BLACK, probably to be followed by another one in its usual place on Sunday.

TAAKE

Unless I missed something, the release of Taake’s new album, Kong Vinter, was preceded by the release of only one single (“Inntrenger”), and what a fine one it was. But the entire album is now publicly available, having been released yesterday by Dark Essence Records, in physical form and as a Bandcamp download. We failed to prepare a review in advance, and I’m afraid that what I’ve written below may not merit such a word, but I do want to share my enthusiasm, along with the music stream. Continue reading »

Nov 192017
 

 

I’m approaching this Sunday’s SHADES OF BLACK post in a different way.  As usual, I have a long list of new music I’d like to recommend to you this week, but as I begin writing this morning, I haven’t decided in advance which items from the list I’ll feature here, and that’s not usual.

I’m still in Texas, where I’ve been since Friday, but I’m flying home later today and am meeting up with some friends in advance of that, and I don’t know how far I’ll be able to go with this post before I have to stop. So, I’m going to put together the artwork, the music streams and links, and a few words for each selection before moving to the next one, and when I have to stop, I’ll stop.

MEPHORASH

In this Swedish band’s last album, 2015’s Rites of Nullification, my colleague Andy Synn saw the flowering of a band whose previous releases hadn’t really stood out to him. He wrote (here): Continue reading »

Nov 142017
 

 

In this past Sunday’s edition of this series I mentioned that I had enough new recommendations to fill a two-part post, but wasn’t sure that I would have time to write the second part. Well, I did, and this is it.

Three of the recommendations are individual songs (one of which comes with a video). The other three are complete albums, accompanied by something less than full reviews, and one of those (the first one below) was a last-minute addition.

VRÅNGBILD

As mentioned, this first album wasn’t part of my original plan for this carry-over from Sunday’s SHADES OF BLACK. I became aware of it on Sunday night through a recommendation from starkweather, who never steers me wrong. After listening to the first track on Bandcamp, I bought it immediately. Continue reading »

Nov 122017
 

 

Time once again to blacken the Sabbath. It was another savagely exciting week for the release of advance tracks from forthcoming albums, and five of those are in this post. I also had time to explore a few EPs and albums that came out recently, and I’ve included one of those here, too.

I nearly called this “Part 1”, because I have some other discoveries I’d like to recommend. I hope I’ll soon have time to write about those, too.

TAAKE

A new Taake album is always a welcome event, and the seventh one — Kong Vinter — will be released by Dark Essence on November 24. Last week Taake released the album track “Inntrenger“, which proved (to me at least) to be an interesting surprise.  Continue reading »

Nov 062017
 

 

This is the second part of this week’s SHADES OF BLACK collection. You can find Part 1 here.

This post begins with one advance track and follows with three complete releases, which a shortage of time prevents me from discussing in full. I’ll give you a smattering of garbled thoughts about them, and then hope you’ll give them the time they deserve.

HARAKIRI FOR THE SKY

Last Thursday Stereogum premiered “Tomb Omnia“, the first excerpt from the new album by Austria’s Harakiri For the Sky, the name of which is Arson. To say that we’re excited about this album is like the martyr on the stake whispering “it’s a bit warm here” as the flames begin to lick his legs. Continue reading »