May 042016
 

Hatespirit-Blood and Poetry

 

Finland’s Hatespirit are musically manifesting themselves without prior warning, as if bursting into existence like a form of spontaneous combustion. Their first release is their debut album Blood & Poetry, and it was discharged on May 1 via Altare Productions. This is not a timid first step, but a full, 12-song black metal explosion of hatred and disgust toward humankind, combined with a reverence for the mystical and fearsome power of the natural world. Below you can listen to the entire album.

The band’s anti-modernist lyrical philosophy is reflected in their music. At a time when many black metal bands have pushed their song lengths into marathon territory, Blood & Poetry’s tracks are compact and delivered with savage power; they hit like uppercuts to the jaw at the hands of a trained heavyweight. Or perhaps like simulacrums of volcanic eruptions, raging hurricanes, and twisting tornados happening one after the other inside your head. Continue reading »

May 042016
 

Zorormr-The Aftermath

 

After three full-length albums released over the last five years, the one-man Polish black metal band Zørormr will be releasing a new EP named The Aftermath on June 10 through the Via Nocturna label. What we have for you today is a track from the EP called “The Adversary“.

The Aftermath is a kind of retrospective on Zørormr’s career so far and a pause along its path into the future. It includes four tracks that were recorded during the sessions that produced the band’s last album, 2015’s Corpus Hermeticum, three of which have not been previously released, as well as two bonus tracks from the recording sessions for the first two albums, 2010’s Kval and 2013’s IHS. Continue reading »

May 042016
 

Caecus-The Funeral Garden

 

(Austin Weber introduces our premiere of a new song by the Illinois band Caecus.)

Just to get it out of the way from the onset, no this is not the same Caecus from Scotland that NCS covered last year. This Caecus is based in the United States for starters, and play a completely different style of death metal entirely. Now that we’ve cleared up any potental confusion, I can delve into the phenomenal debut single we have for you today called “Perpetual Nightfall” off the band’s upcoming full-length, The Funeral Garden.

These Champaign, Illinois, natives pack a hell of a punch and loads of sonic diversity within the depths of “Perpetual Nightfall”. At its core, the band craft an atmospheric-infused take on technical death metal that also features inklings of black metal elements as well. Continue reading »

May 042016
 

Warbell-Havoc

 

Few metal video concepts have been beaten to death more thoroughly than visions of sword-wielding warriors from a mythic age spilling blood in a northern forest. Somewhere, as you read this, a Ph.D. student is writing a thesis devoted to this subject, morbidly aware that he’ll still have no job when it’s done, but deluded by the belief that he can develop an explanation for the ubiquity of this trope which is more meaningful than the simple truth: metal videos have warriors in forests because it’s fucking metal.

Of course, it helps tremendously if videos of warriors in forests are accompanied by enjoyable music, and the two recent videos in this post have that going for them.

WARBELL

Warbell are a melodic death metal band from Jelenia Góra, Poland. They emphasize that they are “female-fronted”, because, let’s face it, that still gets certain fans interested. When I see that kind of advertising, however, it tends to make me want to run the other way, not because I think female growlers are less capable than male ones but because it often means a band have nothing else going for them besides a pretty face at the front of the stage. In Warbell’s case, I’m glad I didn’t run away. Continue reading »

May 042016
 

Allfather-Bless the Earth With FireBurial-Unholy Seditionwode cover art

 

(Andy Synn presents a trio of reviews, with accompanying music streams.)

So today’s column is actually a bit of a coincidental confluence of events and circumstances.

My original intent was simply to put together a single piece of writing covering three separate bands as something of a direct response to last week’s epic Schammasch triple-review. However, as I started to pull together the necessary three albums to fulfil this idea it dawned on me that what I was actually doing was accidentally putting together another edition of my “Best of British” column, such as originally reared its ugly head last year.

Call it coincidence. Call it kismet. Call it what you will. But whatever you call it, prepare yourself for some homegrown metallic thrills and spills of the Sludge/Doom/Hardcore/Black/Death variety! Continue reading »

May 032016
 

cs100_digipak

 

Mouchido (pronounced mo-itchy-doeis the name of the forthcoming EP by Vancouver’s Without Mercy. It’s the Japanese word for “repeat” or “to do one more time”, a title chosen for multiple reasons, in part because it is a re-recording of a previous release that now includes the band’s new vocalist. “In addition to that”, explains the band’s founder and guitarist DJ Temple, “I hold hold close ties with Japanese culture so I thought it would be the perfect time to introduce those lines into our music.” As an introduction to Mouchido, we bring you a video for the song “Burn“, which has a story of its own. Again, from DJ Temple:

“On the surface, ‘Burn‘ shows a decent into hell. The imagery and content seems to follow the rhetoric of a burning and painful afterlife. In reality, ‘Burn‘ is actually about the decent into madness. Your own personal hell while you battle your inner demons and face your own addictions. Listeners of this song can hear references to famous depictions of damnation from other literary worlds and even a very famous video game.” Continue reading »

May 032016
 

Roadburn-2016-OfficalArtwork1

 

The 2016 edition of the Roadburn festival in Tilburg, The Netherlands, is now in the history books. It was the first edition of the festival to be presented at the newly renovated 013 venue, and it boasted a typically impressive and diverse line-up of bands. While none of the NCS scribes was on hand for this year’s event, we do have beautiful photos of many of the performances, thanks to Kris T. Therrian of 17 seconds photography.

We’ve divided these photo collections into four parts, one for each day of the festival, and we’re rolling them out on successive days here at our site. You can see photos from Day One here. The remaining two installments will appear over the next two days. Many thanks to Kris for letting us share these memories with you. For more info about her work, visit these links: Continue reading »

May 032016
 

Bosch-christs descent into hell

 

(Our old friend from New Zealand and occasional guest writer Booker brings us a collection of new releases discovered through their cover art, along with some very entertaining words.)

“You should never judge a book by its cover”, or so the saying goes. No doubt most of us try and do the same with our approach to metal. Yet somehow, in amongst all the diversity of music out there, the community of metal musicians seems to self-organize; just like some drops of T-1000 liquid metal coming together to form a greater terrifying machine, different minds and souls from across the world end up uniting in their artistic endeavours and adorning their albums with specific, identifiable, cover themes. For the most part, seeing a cover with a certain “typical genre X” album art style can lead you to a fair idea of what aural treasures lie inside, but sometimes they can come out of left field and surprise you. We shouldn’t judge albums by their cover, but let’s be honest: we might say we don’t, but we all do. Like masturbation.

Once upon a time back in NCS history, Islander ran a series called “Eye Catchers” dedicated to albums that hooked you in with their artwork (and other tasty aspects). As I was perusing Bandcamp for delicious new audio treats, I realised that I too was basing my decisions of what to listen to by inadvertently succumbing to the artwork, like a moth to flame. So I figured, the hell with it, let’s see where this folly-filled exercise leads me…. and after a few surprises, and some fails, here’s a few highlights I’d like to share. Continue reading »

May 032016
 

The Death of A Modernist-Ritual Vol III

 

I guess it may seem that I made my point in the headline, but I really only made part of my point. Because “free” doesn’t mean “good”. “Free” takes on real significance only when the gift makes you happy — and this one damn well should.

I’m referring to a new compilation of metal compiled by The Death of A Modernist. Though this is the third of these compilations, it’s the first one that hit my cracked radar screen. And it’s quite a remarkable line-up of fine metal. Continue reading »

May 022016
 

Ancient Spell - 1

 

(Comrade Aleks conducted this interview with guitarist Conrad Viz of the L.A. band Ancient Spell.)

I had an idea to do an interview with Ancient Spell. It is a Los Angeles-based band that combines classic doom metal and aggressive thrash elements in their music. They were formed in August 2012 by the guitarist Conrad Viz and recorded two albums – a self-titled debut in 2013 and the sophomore Forever in Hell released by Minotauro Records in 2015. Well, you see – it’s interesting and, let’s say, an original mix, so it’s worthy of your attention.

Occasionally I’ve sent questions to the band, and at the same time received answers from both Conrad Viz and Donnie Marhefka, Ancient Spell’s frontman, so in the end I have two interviews with quite similar questions but with different answers. Here’s the interview with Conrad, you’ll be able to find our interview with Donnie a little bit later (during this or next week) on doom-metal.com. Enjoy the Ancient Spell. Continue reading »