Aug 192016
 

Mist of Misery-Absence

On August 31, the Swedish band Mist of Misery will release their second album, Absence, through Black Lion Records, and today we have for you a full stream of the album’s nine tracks.

We first mentioned this album in late June on the occasion of the title track’s debut. That song has a dark and depressive atmosphere, but it’s also sweepingly beautiful, with the heart-aching melody carried aloft by waves of shining synthesizer orchestration and brought home by piano measures that are by turns wistful, soulful, and buoyant. And the vocals proved to be as emotionally powerful as the instrumental music — but also barbarically abrasive.

That was, of course, only one song from an album that was otherwise still shrouded in mist, waiting to be revealed — and it has proven to be as multifaceted and enthralling as the title track. Continue reading »

Aug 192016
 

An Endless Sporadic art

 

(Austin Weber takes over round-up duty on this Friday, focusing on new music from 8 bands. And no, the new Metallica song isn’t one of them.)

I was going to try to add some items to the next Seen and Heard when Islander told me he would be unable to do one for today. So call it serendipity, call it good timing, whatever it is, here I am with a varied post of new songs and releases to cover today since Islander is trapped in work hell. Let’s get to it!

An Endless Sporadic

While adventurous instrumental prog metal unit An Endless Sporadic may have gotten their biggest visibility boost from being featured in the videogame series Guitar Hero some time ago, the band has never ceased to continue delivering killer music. After a pause in new music for a bit of time, the band is set to release a new album, Magic Machine, on September 16th. Yesterday the band release a new animated music video/new single for “Sky Run”, which heavily features famed Dream Theater-associated keyboardist Jordan Rudess. The amazing visuals that grace the music video are from none other than NCS site favorite Costin Chioreanu, which adds that extra something special to the experience of enjoying “Sky Run”. Continue reading »

Aug 192016
 

Zornheym-The Opposed

 

Zornheym is the name of an ambitious new musical project out of Sweden, the brainchild of multi-instrumentalist and songwriter Zorn, whose resume includes time with Dark Funeral, Devian, and another personal project, Aktiv Dödshjälp. The band’s line-up is completed by vocalist Bendler from Facebreaker, guitarist and musical arranger Scucca, and Diabolical ‘s drummer Angst.

What you’re about to hear is Zornheym’s first single, “The Opposed“, which is being released today on digital platforms by the Dutch label Non Serviam Records. The song is part of a concept elaborated in a forthcoming album which revolves around the horrors of the Zornheim mental institution and its inmates. When the album arrives, it will be accompanied by a comic strip created for each track by artist Anu Bring (Märvel, Evil-lÿn, Satan’s fall). In addition, the music features a live string section (performed by Dies Iona Ensembly) and a full choir. Continue reading »

Aug 182016
 

Migration Fest poster

 

This is a recap of the third and final day of the first edition of Migration Fest, organized by 20 Buck Spin and Gilead Media and conducted in Olympia, Washington, on August 12-14, 2016. My recap of the pre-fest show and Day One can be found here, and the Day Two write-up is here.

I’m not as prompt in concluding this review of the festival as I was with the first two parts, but other commitments to our putrid site plus inconsiderate intrusions by the routine of daily life have screwed with my time since I got back to Seattle on Monday. On the other hand, the delay enabled me to upload videos of Day Three performances to YouTube, and I’ve collected those at the end of this post. I still intend to add more videos to the other write-ups as well. Continue reading »

Aug 182016
 

V1

 

(We are happy to have Kaptain Carbon back with us. On this visit, he helps to commemorate the 10th release of a label called Vrasubatlat. Kaptain Carbon operates Tape Wyrm, a blog dedicated to current and lesser-known heavy metal. He also writes Dungeon Synth reviews over at Hollywood Metal as well as moderating Reddit’s r/metal community.)

It is no secret Vrasubatlat has recently become one of my recent favorite labels and collectives of bands. If you read my previous column on some of my favorite demos of 2016, you will see a glowing endorsement at the top of the page. It is only because this label keeps putting out music that I keep wanting to write about. Once they stop, I will stop as well. I do not know what to tell you. There is just something appealing about music when it feels like an open wound.

This article is to celebrate Vrasubatlat’s tenth release in two years, as well as introduce others to the wild and hellish world of black / death with social issues. Continue reading »

Aug 182016
 

Darkthrone-Arctic Thunder

 

This harried compiler of new music is especially harried today. I’m in the middle of a quick trip to Denver with not much free time on my hands. But the last 24 hours have brought so many good new songs that I want to throw them your way even at the cost of not getting to spill as many words about them as I would like.

And I’m concluding this collection with a somewhat older song debut that I’ve only just discovered.

DARKTHRONE

As we previously reported within an hour of the announcement, Norway’s Darkthrone will be releasing a new album entitled Arctic Thunder (named for an old Norwegian band of the same name). Based on comments by Fenriz about the album, as well as its cover art, I speculated that we might be on the verge of an enticing return to the sound of the band’s earlier days. Well, now we have more than speculation to go on, because at 11:00 Eastern time here in the U.S., Darkthrone debuted a song from the album — the name of which is “Tundra Leech“. Continue reading »

Aug 182016
 

Astrophobos-Enthroned in Flesh

 

Astrophobos are a Swedish black metal trio from Stockholm who released a debut EP in 2010 named Arcane Secrets and an excellent debut album in 2014 bearing the title Remnants of Forgotten Horrors. Now they have a new EP called Enthroned in Flesh that’s due for release on August 26 by Triumvirate Records. In June DECIBEL premiered an advance track named “Blood Libation” that we’ve already praised, and today we’re bringing you a stream of the EP’s title track.

For those who are only now discovering Astrophobos, the ranks of this three-man army consist of Micke Broman (vocals, bass), Martin Andersson (guitars), and Jonas Ehlin (guitars), and the new EP also features a session drummer you may have heard of — Marduk’s Fredrik Widigs. Continue reading »

Aug 182016
 

Gustave Dore-Satan from Paradise Lost

 

(Andy Synn wrote this opinion piece that ends in some questions for you.)

So I was listening to the new Allegaeon album, Proponent for Sentience, this morning (spoiler: it’s really good) when a question suddenly struck me… what is the optimal length for an album?

It’s not a new question by any means, as it’s one I’ve discussed with friends and colleagues over a cold beverage several times before, but it’s definitely one I keep coming back to, particularly when – as happens upon occasion – some overly-angry, impulse-control deficient commenter rears their ugly head and lambasts a writer (whether here or on one of the many other sites I frequent) for daring to suggest that an album is “too long”.

There’s definitely a certain subset of people (I suppose we can call them “fans”) who get unnecessarily indignant at any such suggestion, and who insist in no uncertain terms that more is always better, and how dare anyone be so churlish and ungrateful about it.

In many ways they’re a polar opposite to those “fans” who consider themselves entitled to anything and everything a band puts out, the ones who constantly demand more, and feel like they deserve everything for free because “without us, you wouldn’t even have a career” (seems to me like they don’t have much of one with you… but I digress…).

But though I can’t stand so-called “fans” who act as if a band owes them something, I’m also not big on the idea that we should just blindly accept whatever they give us without criticism. Continue reading »

Aug 172016
 

Torrid Husk-End-Swallow Matewan

 

On September 23, 2016, Baltimore’s Grimoire Records will release a split called Swallow Matewan (with Arcane Angels releasing it on vinyl in Europe). It features three tracks each by two black metal bands we’ve praised at this site before — Torrid Husk from West Virginia and End from Greece. One of Torrid Husk’s tracks (“Carminite”) got its debut at Stereogum last week, and today we bring you a track from the End side called, “Virga“.

This year will mark End’s 14th year of life. But although the band have released three full albums in that stretch of years, the last one coming in 2009, we first discovered their music through another split release that turned out to be one of the best albums released last year. Entitled Moerae (and reviewed here by our Norwegian friend Gorger), it included a long track by End named “Atropos”, as well as brilliant offerings by Awe and Vacantfield (the latter band shares two members with End). Continue reading »

Aug 172016
 

Imperium Dekadenz-Dis Manibvs

 

After the elapse of three years since their last album, Meadows of Nostalgia, the German duo Imperium Dekadenz have returned with a powerful new one, Dis Manibvs. We are told that the Latin title, which means “To the Spirits of the Dead”, is a phrase originally found on antique Roman grave markers, signifying the remembrance of lives lost. It seems also to be a form of dedication for this new album, and a fitting one for the music it contains. Today we invite you to immerse yourself in this new record in advance of its August 26 release by Season of Mist. — and to read a track-by-track commentary by vocalist/guitarist/songwriter Horaz.

This is the band’s fifth album since the group’s founding in 2004, and it achieves certain challenging objectives unusually well. Chief among them is this: The music is saturated with the powerful emotional resonance of loss, grief, and even wrenching abandonment, and yet at the same time the band have conveyed those deeply dark and dramatic emotional sensations with music of sweeping grandeur and majesty. Continue reading »