THE LION’S DAUGHTER AND INDIAN BLANKET: “A BLACK SEA”

 Album Reviews  4 Responses »
Dec 092013
 

(BadWolf reviews the remarkable collaborative effort by two St. Louis bands: The Lion’s Daughter and Indian Blanket.)

I’ve had to re-write this review around three times to really sum up my feelings about A Black Sea, the collaborative album from St. Louis sludge metal band The Lion’s Daughter and Indian Blanket, a folk outfit from the same city. Although I haven’t had much time to listen to the album, I feel quite strongly that it is one of the finest extreme metal albums released in 2013.

I first heard of this project right here, when Islander posted a stream of “Wolves,” the first cut from this album. That song’s mix of metal and folk brought up more than a few touchstone sounds—Agalloch and Neurosis, most obviously, and Opeth and Cobalt to a lesser degree. It made a good enough first impression to put A Black Sea near the top of my priority list.

Consider expectations met. A Black Sea is the sort of album that one can listen to from front-to-back and then re-start. Both Indian Blanket and The Lion’s Daughter carry a versatile array of styles, and employ every one of them on this album. As a result, even though the overriding mood stays bleak, the album winds from churning sludge to delicate acoustic passages—it feels every bit like a journey across the titular sea, or into the foreboding, prehistoric forest depicted on the cover. Continue reading »

BANDCAMP FOR THE BROKE: A ROUND-UP OF FREE MUSIC

 Free Shit, RANDOM FUCKING MUSIC  15 Responses »
Dec 082013
 

(You can’t say we don’t take care of our broke-ass readers. DGR brings you word of some free Bandcamp releases that are worth your time.)

We’re broke, we’re all broke. We were broke before the holiday season and we’ll be broke after it. One of the huge unifying things among musicians and fans these days, especially the most fervent ones, is that it seems like we’re always fucking broke. That’s why when a band releases something for “name your own price”, which is usually code for “free”, and it is really good, I try to get it out there. While it is always suggested that you donate generously to these groups, it’s nice to get these experiences, and truly enjoy some artwork with serious passion behind it, for little up-front.

So, I found myself slowly (very slowly) collecting free projects over the past few months that had just come out that I found enjoyable and wanted to spread out to the world. This time, the collection includes a bedroom guitar virtuoso project — ever the staple of the name your own price scheme –, a grind band hailing from the Pacific Northwest, and a melodeath project hailing from lovely Corona, California, home of many things and places that are within the city limits of Corona, California. Continue reading »

OBSCURE BRUTALITY NO. 9: MY CROSS TO BARE

 RANDOM FUCKING MUSIC  1 Response »
Dec 082013
 

(Our supporter xBenx has compiled a series of guest posts, this being the ninth installment. Each one focuses on a different band that he fears may have been overlooked by the masses, and today the spotlight is on the now-defunct UK band My Cross To Bare.)

There’s nothing worse than wasted potential, especially in music. The number of bands I pine over for having released only one album, or worse, one demo, is endless, though it’s not as if my grief will subconsciously force them to release anything more. My Cross to Bare falls into this category. They should have gone on to become one of the UK’s best (extreme) bands. They were even on Siege of Amida at one point (at a time when that label was on a signing frenzy) for their second album, and this made me beyond excited.

Regrettably, it wasn’t meant to be. Apparently, that second album was recorded but never unleashed, with no explanation as to why or how. All that’s left was their monolith of a debut, which combined death, grind, and a dash of hard/noisecore so emphatically that it was startling. A fitting epitaph it seems: Continue reading »

CHAOSTAR

 Album Reviews, RANDOM FUCKING MUSIC  8 Responses »
Dec 072013
 

(In this extensive guest post, Booker details the history of Greek band Chaostar, reviews the band’s discography, and provides lots of sample music and videos.)

Every now and then some of our favourite metal musos delve into that ‘other’ territory of music – you know, that strange place that incorporates all those non-metal genres. It’s terrifying to think some people actually enjoy pop for example, but the world is a dark place, full of all kinds of horrors and outlandish fetishes. While we’re all familiar with fusion of metal with other genres, what I’m talking about here is when metal musicians release entire albums with their feet squarely planted in non-metal territory. And if you’re reading this blog you’d probably agree with me that metal can boast some of the most amazing musicians on the planet, so it can be interesting to see what their minds produce when put to other ends.

Which brings us to the topic of this here rant – Christos Antoniou, of Septic Flesh, not only sports some of the greatest dreads in metal, but has revealed himself over the years to be quite a creative individual indeed, and with a degree from the prestigious London College of Music, it should be no surprise that he is responsible for the symphonic elements in Septic Flesh’s works, particularly more prominent on their latest albums. But probably lesser-known is that he has also been the helm of a side-project in the form of Chaostar – a neo-classical “band” he uses to pursue his more experimental side as a composer.

Over the years the band has also included other members of Septic Flesh — Spiros Antoniou (aka Seth Siro Anton, vocalist; who has also done some of the band’s artworks), and now Fotis Bernando (drummer for Septic Flesh) — as well as a cross-over of musical elements between the bands. So if you’re in the mood for a retrospective look over their discography of experimental, often gothic, but largely non-metal, works, read on… Continue reading »

OBSCURE BRUTALITY NO. 8: GRIEF

 RANDOM FUCKING MUSIC  1 Response »
Dec 072013
 

(Our supporter xBenx has compiled a series of guest posts, this being the eighth installment. Each one focuses on a different band that he fears may have been overlooked by the masses, and today the spotlight is on the sadly departed Boston band Grief.)

Grief were such a mystery to me, in the sense that when I first discovered them there was miniscule info to latch upon (shows how old I am). Yet, tracking down most of their albums was pretty easy, even ten years ago. Now it’s more arduous, although Come to Grief’ is, somewhat strangely, on iTunes. But I digress. What about the music?

It’s tortured, misanthropic sludge of the highest order, for me, even higher than that of Eyehategod. Controversial I know, but Grief just had a broader sonic palette and better songs that can worm their way nefariously into your brain. Continue reading »

SWEDISH METAL: A NORTHERN PERSPECTIVE

 RANDOM FUCKING MUSIC  27 Responses »
Dec 062013
 

(In this guest post, Johan Paulin features an eye-popping list of metal bands, all of whom hail from the same relatively small town in northern Sweden. Tons of music in here, too.)

As most metalheads with more than a fleeting interest in extreme metal know, Sweden has been a forerunner ever since Quorthon struck his first minor chord back in the 80’s. The explanations for how a population the size of Sweden’s could spawn so many good metal bands have varied, and I won’t get into them now, but it’s safe to say that the great band / population ratio is over the top. Still, for  all the bands you do know, dozens more toil in more or less obscurity and deserve a better fate. Thus, when Islander called upon us readers to contribute while he took a well-earned vacation full of cloudgazing and Krokodil [http://en.wikipedia.org/wiki/Desomorphine], I decided to take the opportunity to champion some of the great bands that originate from my hometown of Umeå, Sweden.

Umeå is located in the northern part of Sweden and has a population of about 120,000 in the whole municipality, making it the 12th largest city in Sweden according to The Font of All Human Knowledge. If that may seem laughable to many of you, you’ll be rolling on the floor when I tell you that the population of London is equal to the population of my whole country! So, fuck demographics and let’s get on with the metal. Continue reading »

LISTMANIA CONTINUES: POPMATTERS PICKS THE BEST METAL OF 2013

 LISTMANIA 2013  25 Responses »
Dec 062013
 

While awaiting the rollout of our own series of posts devoted to the year’s best metal, I continue to keep an eye out for year-end lists published by what I’ve been calling “big platform” web sites. By “big platform” sites, I mean those that have web traffic which greatly exceeds even the biggest metal-only sites. By definition, these are sites that cover musical genres beyond metal, and usually entertainment interests beyond music.

PopMatters is a popular culture web site with broad coverage of music, film, television, books, comics, software and video games — you name it. Its articles get picked up regularly by the mainstream media, and it claims a readership of more than 1 million unique visitors per month. In other words, it fits the profile of “big platform” web sites whose lists of 2013′s best metal we’ve been re-publishing here at NCS.

Today, PopMatters published its list of “The Best Metal of 2013″, ranking the chosen albums from #20 to #1. The list was compiled by Adrien Begrand, Dean Brown, Chris Colgan, Brice Ezell, Benjamin Hedge Olson, Erik Highter, and Dane Prokofiev (who has been an occasional contributor to NCS over the years). To see the list with accompanying descriptions and explanations of the choices along with sample tracks or full-album streams from most of the listed albums, use THIS LINK.

And right after the jump, you can see a list of the PopMatters picks. Continue reading »

WHY I THINK MASTODON’S THANKSGIVING SHIRT IS HORRIBLE EVEN THOUGH I’M NOT A NATIVE AMERICAN

 Mosh Pit  30 Responses »
Dec 062013
 

(In this post, guest writer Tal — whose own blog is here — forcefully expresses some opinions about the shirt emblazoned with the above image released by the band Mastodon for this year’s Thanksgiving holiday. As always, Comments are welcome.)

In case you haven’t been on the internet since before Thanksgiving, Mastodon decided to mark that holiday by putting out a really tasteless shirt. The shirt, which shows a male Pilgrim pointing a musket at a kneeling, scantily clad, stereotypical image of a Native American woman holding up a turkey, has drawn outraged responses from members of Native communities (for example here and here). The band seem to think that they are doing something to raise awareness; they wrote on Facebook:

“Regarding our thanks giving shirt, whether you choose to believe or not, the American Indians were massacred by the white settlers who became the Americans we are today. this shirt represents this atrocity and celebrating in the face of this atrocity is chilling.”

They felt the need to add: “we may have a sick sense of humor, but we are far from being ‘Racist’ as some of you who might not get it are calling us.” (What’s actually chilling is that this post had over 4,000 likes as of the writing of this article.)

Mastodon in effect dismisses the criticisms leveled at their choice of imagery by implying that the critics don’t “get” the shirt or somehow don’t believe that Native Americans were massacred at the hands of white settlers, when this is not the problem at all. The problem is not their message, but the way they’ve chosen to execute it, and the band’s response just makes it worse. Continue reading »

THE SYNN REPORT, PART 41: BOOK OF BLACK EARTH

 THE SYNN REPORT  4 Responses »
Dec 062013
 

(In this new edition of THE SYNN REPORT, Andy Synn explores the discography of Seattle’s Book of Black Earth.)

Recommended for fans of: Immolation, Grave, Belphegor

The Synn Report is like a fragile eco-system. Cultivating it requires maintaining a careful balance between editions. You can’t have too many Black Metal bands, or too many Death Metal bands, one after the other. You can’t go too dark, or too melodic, for too long. You can’t oversaturate the tech or over-indulge the prog. You need to cover as much ground as possible, varying your approach, as the whole ethos of the column is one dedicated to exposing deserving bands from across the metal spectrum.

While I have some definite surprises planned for the future, this time around I felt like we needed something raw and vicious, something filled to the brim with rabid vocals, blasting drums, and buzz-saw guitars, where even the barest hints of melody have a dark and menacing feel to them.

And since I’m off back to Seattle again soon, I decided that now was the best time to introduce you all to the killer Black/Death hybrid of Book of Black Earth, a band who have walked the left hand path, worshipped at the altars of madness, and dwelt under the sign of hell ever since the release of their first demo, way back in 2004. Continue reading »

HIGHER CRITICISM: PESTILENCE — “TESTIMONY OF THE ANCIENTS” AND “SPHERES”

 Album Reviews  2 Responses »
Dec 052013
 

(TheMadIsraeli continues his retrospective assessment of the discography produced by the seminal death metal band Pestilence, whose new album Obsideo was released recently. The first part of this series can be found here and the second part here.)

So, after you’ve released a beast of an album, an album that is praised as one of the greatest death metal records ever, what do you do from there? After releasing Consuming Impulse, Pestilence were at a point where the band had to either continue doing the same thing over and over again with consistently stellar results (not an easy thing), or take a ninety-degree turn and pave a new way.

I suppose I really should be saying Patrick Mameli in particular here, because in the end this is HIS band. This becomes no more apparent than during the period after Martin Van Drunen leaves and Mameli takes up both the guitar and mic duties again. For the Pestilence name, the music that would be produced in the next two records would be a definite risk. Neither containing the feral savagery of Malleus… nor retaining the foaming-at-the-mouth ferocity of Consuming Impulse, the next round of Pestilence material would see Mameli exploring progressive structures and ideas, and digging back into and even further exploring the alien brand of riffing found on Malleus….

It’s here that we’ll see experimentations with odd time signatures, fringe elements brought in from other sub-genres (some jazz fusion elements, black metal, and doom metal stuff) and an overall disregard for the conventional. This is where Pestilence would become associated with the likes of Cynic, Death, and Atheist. Continue reading »

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