Dec 182013
 

(In this post DGR follows up on another of his recent posts with one more collection of recommended new Bandcamp releases that are “pay what you want”.)

THE ANTIOCH SYNOPSIS

The Antioch Synopsis have been around for some time in Sacramento. They were a name I constantly heard and I really enjoyed their music, though I lacked the means to drag my ass out to the various local venues to actually see the guys play live. They were a tech-death-core band before that whole scene really exploded, and unfortunately they went on hiatus just as that ship sailed, and likewise right around the time when I had obtained the means to see them live. Thus, I’ve always had the songs they posted up on Reverbnation on my Ipod and a soft spot for them.

The members would go on to be in other great bands, too. Vocalist/Monster Monte Bernard would join Soma Ras, and if you haven’t guessed by now, I really fucking love Soma Ras. That never meant the band were officially done, of course, as they would constantly joke about how they were hiatus-core and post on Facebook that yes, something was in fact in the works. Then, more silence. Continue reading »

Dec 172013
 

I’ve sure been seeing a lot of “hipster” the last few weeks, as year-end lists of metal have been rolling out and people have been commenting on them. There are certain albums, mainly Deafheaven’s Sunbather, that routinely get blasted with the “hipster” label. Earlier today we even got a “hipster” comment on one of the lists we posted at NCS — applied to Ghost BC’s Infestissumam.

“Hipster” is a word I almost never use, mainly because I’m not sure what it means. I do know that it’s a disparaging, belittling, derogatory label of some kind. As used in the metal community, maybe it’s supposed to mean “not true metal” or “not good metal”. But the sense I get is that it’s used most often to mean “metal that people who aren’t metal heads like” — and apparently, the more non-metalheads who like a metal album, the worse it must be.

I definitely get the sense that Deafheaven have been victimized by that latter situation. The album is showing up on all sorts of year-end lists at big entertainment web sites, often mixed together with music from other genres such as indie and hip-hop. For some people, that seems to be enough to brand Deafheaven’s music “hipster metal”. I suspect something similar has happened to Ghost BC (I even wrote about the phenomenon here). This bothers me. Continue reading »

Dec 172013
 

(We invited Jacobo Córdova, whose latest album under the name of Majestic Downfall – “Three” — is a doom/death highlight of 2013 and who is also a member of the mighty Zombiefication — to tell us about his favorite releases of 2013, and here’s what he had to say.)

After being offered to do a top 2013 list for NoCleanSinging.com, I decided to take the challenge since I am fond of this kind of nonsense. The criteria for my list has to do with releases that I truly invested time and dedication throughout the year and that I know well from the inside out. I get angry when people like/hate one release upon listening to it once and making an opinion. That is bullshit.

Ok, now to the list. The top 10 releases come with some words, and in the end you will find another list of great runner-ups.

Just one thing: These may not be the best releases of the year, they are just based on my opinion and experience. I may have missed a lot, but worry not, I will catch up eventually. And just for the Records, Watain’s The Wild Hunt is the record I heard the most this year, I wish it had not been that way. The only Soulless release I like is the Grave one! Continue reading »

Dec 172013
 

(Here’s the second of Andy Synn’s five year-end lists. His list of the year’s “Great” albums can be found at this location. More lists coming in the days ahead…)

So here we are. List number 2. The “Good” albums. It’s a varied list. Not just in terms of a cross-section of the various metal sub-genres, but also in terms of just how good each album is/was.

There are some here that fell just shy of greatness. Some played solely to their own crowd – solid, safe, occasionally impressive – but a good listen nonetheless. There are some albums that went too far (too many songs, too many influences, too much in general…) and some that didn’t go far enough (lacking that one special spark that would really have put them over the top).

The thing to remember is that all these albums are good… maybe even edging on great… it’s just that in a year where the quality was so high (and it really was), they can’t do much more than graciously collect a silver medal this time around. Continue reading »

Dec 172013
 

(Just a few days ago we published Fork Tongue’s list of the year’s best demo’s, and now we bring you his list of the year’s best EP’s. More of his lists will be coming in the days ahead.)

I used to hate EP’s. My thought was always, “hey guys, just wait until you have enough material for a full length”, and that was that. I’ve softened on that over the last couple of years because I realized I was missing out on some good stuff. Case in point, 2013. If I hadn’t decided to separate EP’s from LP’s, a few of these would be candidates for my best album list.

1. BölzerAura

Seemingly everybody knows about Bölzer already, and rightfully so. If you ever wanted a Death Metal band to border on the dissonance of Deathspell Omega or Blut aus Nord, here you go. These guys are poised for big things whenever they decide to drop an LP. Now, go get lost in “Entranced By The Wolfshook”.

Continue reading »

Dec 172013
 

After Sweden’s Cult of Luna released Eternal Kingdom in 2008, five years passed before they produced another album, but this year’s Vertikal has commanded a spot on a growing list of year-end lists. Now it appears that fans will be in for another extended hiatus before the band bring more new music… if they ever do again. This announcement appeared about an hour ago on the band’s Facebook page:

“The Beyond the redshift festival in London on may the 10th will be a very special show for Cult of Luna. It will mark the end of an era and after that we will slowly disappear before we reappear again in some form in some indefinite future.

Because of that Klas will join us on stage for the last time and we will play a whole lot of old songs which we haven’t played for years or ever.
We might ask for your help to choose songs. More on that later.”

Continue reading »

Dec 172013
 

Before this morning I was already excited about something coming our way in 2014 from Gilead Media, that oh-so-tasteful little label run by Adam Bartlett in Oshkosh, Wisconsin. I’m talking, of course, about the 2014 GILEAD FEST coming next July 18-20. I’m planning to go, in part because one of my favorite co-workers is actually a native of Oshkosh and seems interested in attending the show even though he’s not a metalhead (though he has an amazing array of other musical tastes, with that one glaring omission). I’ll remind you after the jump who is scheduled to play at that festival.

But the point of this post is to provide additional reasons to be excited, because today Adam provided a full rundown of the Gilead release schedule for 2014. And man, there are a lot of gems on the line-up. For example, on February 25, Gilead will be release Heathen, the fourth album from doom titans Thou. And on the same day, Gilead will be releasing a self-titled 12″ from Geryon, the bass-and-drum death metal project of Nick McMaster and Lev Weinstein (which I’ve already had the pleasure of hearing, and it’s great). You can see the cover art for both of those after the jump.

And there’s more. Here’s the rest of the Gilead release schedule following those two lead-offs for 2014, along with Adam Bartlett’s notes about each one: Continue reading »

Dec 162013
 

(Alex Rise, the man behind Tyrant of Death and also a member of Psychotic Pulse, kindly agreed to tell us about his favorite listening during 2013. As you’ll see, not all of it was actually released this year.)

Though an aficionado of musical extremity and heaviness, I can’t really express thoughts about these bands I’m about to list in a professional, representative manner. I do enjoy listening to them often and think about mass murder on a subway, bus, or WHENEVER when I do! I know one thing: when they arrive in this miserable city called Toronto, I shall drink and mosh with these fellow bastards when they come over. One, please excuse my terrible English. Two, lets get started with this fucking list. Continue reading »

Dec 162013
 

(Today, we begin rolling out the year-end lists of our site’s regular staff with the first part of Andy Synn’s annual five-part reflection on the past year. Of course, we will also continue posting Listmania columns by guest writers. Look for additional installments in Andy’s series every day this week.)

So here’s the deal, for those of you who haven’t experienced my massively over-involved and over-thought end-of-year round-up process before (and a reminder for those of you who have forgotten):

At the end of every year I spend some time listing all the albums and EPs which I’ve listened to enough to feel like I’ve formed a solid opinion on them. Then I break them down into three categories.

The Great (the ones I feel like I can legitimately defend as examples of the pinnacle of what the genre has produced this year), The Good (which vary from simply solid to almost awesome, some missing out on greatness by the merest hair’s breadth), and The Disappointing (which aren’t necessarily bad albums… they’re just… well… disappointing in some way!)

There’s definitely going to be some albums missing (for example – there’s no Amon Amarth or Chimaira, as I simply haven’t had the time to listen to either properly), and some that I’ve simply forgotten about, but overall I think it’s still a pretty formidable collection. Case in point, the “Great” section – by far the longest – is 53 albums long, which I think reflects the overall stellar quality that 2013 has brought us.

But enough of that… on to the first list.. the albums which I think are the best examples of this past year in the world of metal. Continue reading »

Dec 162013
 

For various reasons, including a long vacation, a buttload of work and work-related travel that confronted me in my day job upon returning from said vacation, and the dedication of space to our ongoing year-end LISTMANIA series, I’ve not been doing a very good job of spreading the word about new music and videos. Much new music and videos of interest have been accumulating. I’m collecting five of the recent videos and one new song in this post. Many of them lean more toward hard rocking that the kind of extreme metaling I usually feature in these round-ups, but it’s all good stuff.

RED FANG

Red Fang have consistently produced videos that are sure-fire chuckle fests. Their new one is no exception. Directed by Whitey McConnaughy, it’s for “Blood Like Cream”, one of the songs on the band’s latest album Whales and Leeches. It’s a twist on the zombie theme. These undead monsters want PBR instead of brains — but it is fuckin’ Portland, so that’s not a total shock.

Yeah, there’s clean singing in the song, but it’s crunchy, it rocks out, and it gets its hooks in your brain meat. Chug-a-lug, chug-a-lug. Continue reading »