Apr 052013
 

(In this post, Dane Prokofiev [formerly known as Rev. Will around these parts] returns to NCS with another installment in his Keyboard Warriors series, in which he interviews metal writers. I swear this one was his own idea.)

I know what you’re thinking. But no, featuring an interview about you on your own blog is not an egotistical thing to do at all! It’s just like mailing a Valentine’s Day card addressed to you on Valentine’s Day; it serves to expedite one’s noble quest for attaining self-actualization. C’mon, everyone does that… right?

Nearly 3½ years into metal blogging, the laborious machine behind NO CLEAN SINGING has built a name for itself. Surely, achieving this feat is something that it could not have foreseen back when it took to the human World Wide Web and registered the NCS web domain just to have an online outlet to type about the type of music it loves.

Mysteriously named The Great And Glorious Supreme Leader of the Eternal Heavens (otherwise known more succinctly as “Islander”), the father of all decapitated T-800s entertains Yours Truly by answering a second round of questions. Continue reading »

Apr 042013
 

On March 22, 2013, Sweden’s Hypocrisy performed at a record release show in Stockholm for their new album End of Disclosure, which is out now on the Nuclear Blast label. Director Ville Lipiäinen was on hand to film some of what transpired. Lipiäinen was also the director of Hell Over Sofia, the band’s live 2011 performance DVD, and today Nuclear Blast released his video of Hypocrisy performing “Tales of Thy Spineless”.

There’s a lot of old-school, thrashing, grinding death metal in this track, but with a nice little catchy melody that sneaks into the front and back of the song. Actually, the song is like a Hypocrisy sandwich, with one song sandwiched in between parts of another quite different one. I’m happy with both parts (listen for dat base in the middle segment).

The video is, of course, well done. It was filmed from multiple camera angles, including one trained on the front row of the audience. Watch it after the jump. Continue reading »

Apr 042013
 

(NCS contributor Austin Weber returns with another two-part feature on underground bands. Today he reviews the latest releases from Atlantis Chronicles (France) and Mycelia (Switzerland).) 

It was me, I let the dogs out.

Here are a few reviews and music for several new groups, one slightly older but awesome group, and (in Part Two) also a review of the new Okular album, Sexforce. Okular aren’t new to this site, as Islander reviewed their debut Probiotic way back in the olden days of 2011. Part Two will come tomorrow.

Atlantis Chronicles– Ten Miles UnderWater

For many of us death metal fans,  the introduction of metalcore, deathcore, or djent into the music of modern bands is an irritation that often times is the weakest link in the music, instead of being used sparingly to build the songs. Atlantis Chronicles are here to wash away the tripe of others in a dizzying showcase of melodic core-influenced metal that uses those ideas to build up the music, but never overpower it. Continue reading »

Apr 042013
 

(We’ve previously published DGR’s review of Soilwork’s new album, but now Andy Synn and TheMadIsraeli are getting into the act, collaborating on the following review, as Andy explains in his introduction below.)

So… here’s the thing… with The Living Infinite being announced as a double-album, it seemed only right that the NCS review of the album be split between two people – mainly myself and TheMadIsraeli. But then life got in the way. Israel suffered a serious computer crash and lost a load of material, and I’ve been in the process of moving house… so we fell behind, and made slow progress… and then goddamn DGR ambushed us with his review!!!

So yes… we’re pissed… and yes, there will be a reckoning… but in the meantime we thought, why let all our hard work go to waste? TLI is a pretty big album, a pretty ambitious statement, so it’s only fair that you get a couple of different points of view.

So with that said, let me turn you over to my esteemed colleague for his take on Disc One: Continue reading »

Apr 042013
 

Meshuggah now have an official video for the song “I Am Colossus” from Koloss that adds layers of the alien and the grotesque to the song’s atmospherics. Or perhaps the video merely brings out elements of the alien and the grotesque that were present in the song all along.

The video is an animation created by Magnus Jonsson, who is to be congratulated for a really amazing job.

That’s really all I have to say . . . now be good to yourselves and watch “I Am Colossus” after the jump. Continue reading »

Apr 042013
 

(NCS writer Andy Synn has returned from Oslo’s Inferno Festival, held on March 27-30, 2013, and brings us a multi-part report of what he saw and heard, along with photos. Check out the previous installments here and here.)

Day 2 of the festival had fewer bands I was particularly dying to see, so I decided to check out some different acts I’d never seen before, so as to make better use of my time and to fulfil my journalistic pretensions a bit more.

We decided to have a later start to the day, arriving in time to see Aeternus hit the stage and introduce the crowd (if any introduction was needed) to their twisted take on the darker side of the black/death metal aesthetic. Drawing liberally from all the various spheres of the metallic spectrum, the group performed like a well-drilled musical machine, though their focus on slippery shifts between styles meant that their live stage presence was a little more unassuming than most.

Though the band last played here 11 years ago, there was very little rust to be found on them, as they bled their instruments dry of every hypnotic riff and spiralling, dissonant lead they could wring out of them. Continue reading »

Apr 042013
 

I have some really cool things to post today, including Andy Synn’s report on Day Two at Inferno Festival, a special tag-team review of Soilwork’s new album, and part one of a two-part post by guest contributor Austin Weber putting the spotlight on some underground bands we haven’t covered here before.

HOWEVER, as I write this it is approximately 2 a.m. and your humble editor has just returned to his humble abode after being humbled by Soilwork and Jeff Loomis at El Corazon in Seattle, and I must now fall into bed before I fall on my face. I will get those other posts ready to go just as soon as I wake up, which should be sometime in 2014.

In the meantime, I would like to get an important discussion under way so I’ll have something fun to read when I wake up. Please watch the video after the jump and leave a comment with your explanation of why those fucking dogs are doing what they’re doing. Continue reading »

Apr 032013
 

On most days at this site I try to pull together a round-up of new music, album art, and/or news that most interested me over the preceding 24 hours. It’s usually in the range of 3-5 items, packaged together in one long post. Today, just for the hell of it, I’m spreading what interested me over the course of the whole day, one item at a time.

Yesterday I discovered Cleric. I discovered them because my eyes were drawn to the stupendous cover art by Jason Barnett that you see above, which accompanies their debut album, Gratum Inferno.

Cleric are based in Dallas, Texas, and are composed of members of Kill the Client, Baring Teeth, and Tyrannosorceress. But if you know the music of those other bands, prepare yourselves for something different.

I haven’t heard the entire album — only three songs are now streaming on Bandcamp — but what I’ve heard is truly impressive. Continue reading »

Apr 032013
 

On most days at this site I try to pull together a round-up of new music, album art, and/or news that most interested me over the preceding 24 hours. It’s usually in the range of 3-5 items, packaged together in one long post. Today, just for the hell of it, I’m spreading what interested me over the course of the whole day, one item at a time.

Grift are a two-man Swedish band formed in 2011 (consisting of Perditor on vocals and strings and J. Hallbäck on drums) whose music I just discovered yesterday. They’ve recorded a four-song debut EP, Fyra elegier, that’s scheduled for release on April 15 by the Nordvis label. And what I heard yesterday is a song from the EP named “Dödens dåd”.

The song begins with a mournful, folk-inspired violin solo set against the sound of falling rain . . . or maybe the hiss and crackle of an old platter of vinyl on the turntable . . . and then it rapidly transitions to a different kind of bleak atmosphere, one that unfolds to the muffled rumble of drums, the winding chords of tremolo guitar, and the anguished, scarring cries of Grift’s vocalist. Both stately and intense, the song reminds me of mid-stage Burzum, and its melancholy sounds have infected my head.

The EP can be pre-ordered here. Listen below. Continue reading »

Apr 032013
 

On most days at this site I try to pull together a round-up of new music, album art, and/or news that most interested me over the preceding 24 hours. It’s usually in the range of 3-5 items, packaged together in one long post. Today, just for the hell of it, I’m spreading what interested me over the course of the whole day, one item at a time.

You remember Artificial Brain don’t you? I don’t mean my artificial brain, I mean that unhinged space-death-metal band from Long Island (more or less) that I wrote about in September 2011, which includes Revocation guitarist Dan Gargiulo, vocalist Will Smith (Buckshot Facelift, ex-Biolich), and some other bastards who wish to remain nameless.

Okay, that was a long time ago and you may have forgotten. So it’s time for a reminder, and to remind you, Artificial Brain have released a new two-song offering named Butchering Cosmic Giants, recorded with Eliot Bayless, which is available for free download on Bandcamp (here). A little bird told me that Artificial Brain are also recording a full-length album with Colin Marston that will include additional manifestations of sonic dementia.

What the new music sounds like: imagine an alien stew consisting of cutting/blasting black metal, pummeling death metal, cosmic guitar digressions, rubbery bass-lines, roaring grisly bears, and shrieking ice giants. Also, gang vocals and a bit of Gorguts-like tech frenzy. And unstable tempos. Continue reading »