Jun 192012
 

Thank you, thank you DECIBLOG!

Thanks to the DECIBLOG, I discovered that Arte Live Web has uploaded multi-camera, professionally filmed video of complete live sets from HELLFEST 2012, which took place in Clisson, France on June 15-17, 2012. I’ve only watched parts of a few so far, including the Napalm Death set that DECIBLOG featured, but the quality is outstanding. So are the bands whose performances are captured at the Arte Live site. They include (to name the ones most interesting to me):

Arcturus
Lock Up
Sacred Reich
Aborted
Brujeria
Nasum
Dropkick Murphys
Heaven Shall Burn

Go HERE to access all of these performances, and more (some are still being uploaded). If you’d like a taste first, I’m including the Nasum footage right after the jump. Continue reading »

Jun 192012
 

The truth is, I didn’t start this blog to please anyone but myself, and even today I and the other writers mostly focus on what WE care about, rather than on what we think will make other people happy with us. But over time, as the blog’s audience has grown, I’ve come to care in a borderline-unhealthy way about the site’s traffic statistics and about what our readers think of what we write.

That doesn’t mean we’re going to start making changes in an effort to suck in more page views — the central idea is still to write what we think is worth writing, and people will either be drawn to it or they won’t. But I’m still really curious about what our readers think, what they like and dislike, and yes, how we might improve the site.

SO, I’ve come up with a series of questions, and I’d be really grateful if you’d answer them. I’ve tried to make this poll as simple as possible. Anyone can answer them — you don’t need to register or give any identifying information, and your answers will be completely anonymous. It won’t take long to fill out the form, and you can even see the poll results as they accumulate.

I’ve set this up so the poll will remain open for one week from today, after which I’ll compile the results, publish them in a forthcoming post, and then probably ignore them as we move forward into the great unknown future.

In some of these questions, you may not see an answer that best suits the way you think, or you may not see a question that you think we should be asking. So please leave comments if you’d like to express an opinion about NCS that we haven’t covered in this poll.

Also, because this is the first time I’ve used this polling software, there could be technical difficulties. If you encounter any technical trouble, try holding down the CTRL + SHIFT + DELETE + F5 + CAPS LOCK keys while moistening a finger on your non-typing hand and inserting it in your rectum, and THEN click the mouse with your nose.

Okie dokie, let’s get to it! Continue reading »

Jun 182012
 

I’m so easily diverted from my plans and projects. When it comes to this blog, the occurrence of coincidences tends to distract me like few other things do. I don’t think I’m any more superstitious than the average joe, but coincidences in my metal browsing seem to blare forth commands: STOP WHAT YOU WERE DOING AND WRITE ABOUT THIS NOW!!! And so I do.

I’ve been thinking about thrash today, prompted by our publication of TheMadIsraeli’s review of Kreator’s new album, Phantom Antichrist. As I’ve explained before, thrash is one of the few metal genres that I can only take in small doses. I don’t deny that good speed metal is energizing, and like most metalheads, I do appreciate a catchy riff and a shreddy solo. But so much thrash sounds so much alike to my ears that it can become numbing. And I guess I’m one of those people who TheMadIsraeli chastised for not being enamored of the traditional thrash vocal style. That’s not intended as an artistic criticism. I’m pretty sure it’s just a matter of taste.

Anyway, while pondering these subjects and trying to reflect with part of my brain on why I’m not more enthusiastic about thrash, I came across two pieces of thrashy metal from new albums that Pulverised Records will be releasing in North America on August 14 (both of which can be pre-ordered here). One is a new song by a Japanese speed-metal band named Fastkill, and the other is a previously released song that I overlooked from that very long-running death metal band (now based in The Czech Republic), Master. I got a kick out of both songs, and I’m trying to figure out why. Continue reading »

Jun 182012
 

This is just a quick news flash:

Our friends at Metal Sucks today began exclusively streaming the entirety of Reign Supreme, the new album from Dying Fetus that will be officially released tomorrow. Follow this link to hear it. You’ll be glad you did.

Also today, AOL Music began streaming Eremita, the new album from Ihsahn. I found out about this from Metal Sucks as well. As Anso DF correctly notes in his brief notice, AOL Music really does have this legend appearing below the album cover for Eremita: “Sounds Like: Daughtry, Metallica”.  No shit. It would be fun to see the reactions of Daughtry and Metallica fans to this album.

On second thought, no it wouldn’t.

Anyway, you can (and should) hear the Eremita stream at this location.

That is all.

Jun 182012
 

I should probably apologize for using that overworked Homeric phrase in the post title, but those really were the first words that popped into my addled head when I heard the music featured here over the last 24 hours. I listened to songs from both bands back-to-back, and by coincidence they’re both from Greece, and by further coincidence the music from both is really good — though tremendously different from each other.

TARDIVE DYSKINESIA

We’ve written frequently about Tardive Dyskinesia and various side projects of their members after first being grabbed in a bear hug by the fast-paced, infectious barrage of technically sophisticated music captured on their 2009 album, The Sea of See Through Skins. At long last, 2012 will see the release of their follow-up album, Static Apathy in Fast Forward. In late March, they started streaming a rough mix of a new song called “Prehistoric Man” (featured here), and today brings us an animated lyric video for yet another track, “Time Turns Planets”.

Plunging almost immediately into a neck-wrenching groove, the song lurches and punches its way through a cycle of syncopated riffs and off-beat rhythms, but smooths out in a memorable melodic chorus, blending the ethereal and the heavy quite effectively. Fans of Texture’s 2011 album Dualism ought to pay particular attention to this fusion of piston-driven machine complexity and soaring ambience. The video is fun to watch, too (right after the jump). Continue reading »

Jun 182012
 

(To start off our week, TheMadIsraeli reviews the lucky 13th studio album from Germany’s Kreator.)

Why the fuck do I seem to be in the minority for liking thrash metal in today’s scene?  I think people have gotten too spoiled on pretentious, boring, modern metal like post-SYL Devin Townsend and Between the Buried and Me to realize what brutality or savagery is any more.

Thrash metal IS metal at its very core.  It captures the essence of it, quantifiably, in such a way that I don’t understand how anyone could dislike it.  The dislike of the vocals especially baffles me.  Yeah, thrash vocalists who actually try to do bullshit like sing need to get the fuck out, but it’s beyond me when people fail to see the rabid ferocity in, like, you know, SCREAMING AT THE TOP OF YOUR LUNGS AT THE RISK OF COMPLETELY DESTROYING YOUR VOCAL CHORDS!

Anyone who is willing to put their voice on the line for metal earns my seal of approval.  What thrash vocalists such as Tom Araya do can’t be buffered all that much by technique.  It’s the very reason he and some others sound like shit nowadays.

Mille Petrozza, though, has somehow managed to keep shrieking like a banshee without an end in sight and has never lost a bit of the venom in his voice.  On the riffing front, his sword has also not dulled one iota either.  He’s persisted against all odds with Kreator, who really, at this point, are just Mille and company in my view. Continue reading »

Jun 172012
 

May infernal blessings be upon the head of (((unartig))).

Near the end of their recent U.S. tour, the UK’s Dragged Into Sunlight performed a live set at Saint Vitus in Brooklyn, New York, on June 14, 2012. (((unartig))) was there and did his usual fantastic job filming and recording the sights and sounds of this live ritual.

DIS didn’t come close enough to Seattle for me to see them, but this just-released video of the band performing “I, Aurora” from Hatred For Mankind (2009) gives me a sense of what I missed. Amazing song, awesome video. The obliteration of souls into black shards, with rhythm. The boiling of human meat into a slew of suppurating sludge, with flair. Dragged into darkness by your hair and teeth, and willingly.

Summon up your strength and watch “I, Aurora” after the jump. Continue reading »

Jun 172012
 

Me gusta mucho Brujería, and I stumbled across a Brujería song this morning that I’d never heard before: “Don Quijote Marijuana”. It made me laugh. It also made me want to take my clothes off and dance on a bar. Fortunately, I was at home and therefore spared some collection of bar flies that life-changing experience. It also made me want to listen to a few more familiar Brujeria tracks. So I did. My life is your life, and so I’m sharing all that narcos satanicos con ustedes.

Also, I found out about a new video from a Norwegian band called SuchThaus, and the video and music feature a former and a current member of Mayhem: Maniac and Hellhammer. I don’t know if this song (“DownTown Train”) is about drugs, but it sure sounds like it was composed and recorded while under the influence.

And then finally I heard two new songs by a band called Slitwrist, which features a guest appearance by Sorceron of Abigail Williams (though he may be more than a guest). They’re mesmerizing and horrifying, and they made me want to take drugs, preferably something mood-elevating.  Here we go:

BRUJERIA

It’s hard to know who’s in Brujería from year to year. According to Metal Archives, this part-Mexican, part-Angelino band was created in 1989 by Dino Cazares (Fear Factory), who calls himself “El Asesino” in Brujeria, along with Billy Gould (Faith No More), Juan Lepe (“Juan Brujo”), and Pat Hoed (“Fantasma”, a/k/a “Adam Bomb” on the radio).

But the line-up seems to be fluid — including from time to time people like Jeff Walker (Carcass), Shane Embury (Napalm Death), Raymond Herrera (Arkaea, ex-Fear Factory), and Nicholas Barker (Lock Up, ex-Dimmu Borgir). Also, the members of Brujería wear masks and portray themselves as Mexican drug lords who use nicknames to keep their identities secret, so yeah, it’s hard to know. Continue reading »

Jun 172012
 

Something about the isolated dual guitar harmony at the beginning of Livarkahil’s new Wrath of God EP sounds a warning, despite the fact that the tone is relatively clean and the melody mournful and memorable. Eventually, the dam bursts and the flood comes, the warning fulfilled. “The Eternal Sun” may start harmoniously, but it soon wrenches necks, and the vocals scald, sear, and melt flesh right down to the bone.

Falling somewhere in the No Man’s Land between Immortal and Behemoth, Livarkahil’s brand of blackened death metal strives for a feeling of martial might, with the sound of massive armies of the night surging across blasted landscapes, implacable and unstoppable. The songs are harsh, stern, infernally imperial, with a titanic low end and a distorted bass and guitar tone that crackles with indigo energy.

That militaristic quality is enhanced by martial drum patterns that emerge here and there in between bouts of blast-beats and thundering double-bass. The riffs hammer like industrial-strength nail-drivers, with the bleak melodies carried by chords that moan and groan and by skittering tremolo-inflicted leads that rise above the crushing barrage that thunders below. The bass delivery is also absolutely pulverizing, like the hammering of giant chains into place, from which there is no escape. Continue reading »

Jun 172012
 

Javier Reyes with Vicente Sanchis Classical guitar

When it rains, it pours.

As many of you already know, Animals As Leaders guitarist Javier Reyes was arrested by Boston police following a show on May 27 in what appears to have been a gross abuse of authority, and he’s having to deal with the legal ramifications of that. For more details, and to sign a petition urging the Governor of Massachusetts to get involved on Reyes’ behalf, GO HERE (at this writing, almost 25,000 people have signed the petition).

But now there’s even more bad news from the AAL camp. This message appeared on the AAL Facebook page last night:

“Hey guys.
We’ve got some pretty terrible news to report. Upon returning home to our house in LA we discovered that we’d been robbed while were out on tour. The thieves were able to get away with Javier’s Chevy Blazer and all of the equipment we didn’t have on tour with us. 10 guitars in total. This includes many of our one of a kind custom instruments (Stranberg, Rick Toone ) as well as amplifiers, PA equipment and personal items.

This is beyond devastating. We know so many of you have been beyond supportive with Javier’s legal troubles. We may need more of your help now to potentially find some of these one of a kind instruments that may pop up on Ebay, Craigslist, pawn shops, used music stores etc.

We’re adding an album containing photos and detailed descriptions of the stolen gear to our profile. Please take a look and keep your eyes open for anything that looks close to this stuff. I truly think that with your help we have an exponentially better chance of tracking some of this down.

Thanks,
Tosin, Javier”

To see those photos, GO HERE.  One of them is at the top of this post. Also, after the jump, I’ve added the rest of the photos for those of you not on FB, along with a few more thoughts. Continue reading »