THE TEN MOST INFECTIOUS EXTREME METAL SONGS OF 2009 (Part 6)

 Listmania  2 Responses »
Dec 212009
 

Here at NCS, we’re putting a different spin on year-end listmania. Ours isn’t a list of the best metal full-lengths of the year. It’s not even necessarily our list of the best individual extreme metal songs of the year. Ours is a list of the most infectious extreme metal songs we’ve heard this year. We’re talking about songs that produce involuntary physical movement and worm their way into your brain to such an extent you can’t get ’em out (and wouldn’t want to).

We’re not ranking our list from #10 to #1 because that would be too much fucking work (and your co-Authors would still be arguing about it this time next year). So, our list is in no particular order. We’re also dribbling the songs out one at a time because your lazy Authors are still debating what belongs in the remaining slots. Our list heretofore:

1.  Asphyx:  Sorbutics

2.  Mastodon:  Crack the Skye

3.  Amorphis:  Silver Bride

4.  Goatwhore: Apocalyptic Havoc

5.  August Burns Red:  Meridian

And to see our sixth entry on the list, continue reading after the jump. (By the way, that photo up above is of a nebula about 2,000 light years away that shares its name with this band.) Continue reading »

“The Messenger”: The most unknown and best film of 2009

 Movie Reviews, Reviews  5 Responses »
Dec 202009
 

As many of you know, I am a huge fan of death metal. As many of you don’t know, I also have a passion for film and I just saw what I believe to be the best film of 2009: The Messenger. I know, I know, this is a blog about death metal, so you might ask: “what the fuck does The Messenger have to do with death metal?” If you’d like to find out, continue reading after the jump. Continue reading »

THE BINARY CODE (Part 1)

 Album Reviews, Metal News  No Responses »
Dec 202009
 

Last week we put up a brief, rushed post about the one-day-only streaming of The Binary Code‘s December 15 full-length release on MetalSucks.net — brief and rushed because we wanted to give our readers the chance to listen to Suspension of Disbelief before the stream evaporated into the ether. But now it’s time to explain why we thought that alert was worth doing.  And tomorrow, in Part 2, we’ll also share with you our e-mail interview with The Binary Code‘s guitarist/songwriter Jesper Zuretti. Trust me, it’s worth coming back here to read that.

First, the explanation of why we care about this band.  In three words:  shitloads of talent. At all the levels that count. Prodigious technical instrumentation; complex, beautifully structured song-writing; the ability to dive deeply into the technical/progressive side of death metal while at the same time incorporating compulsive grooves and elements of jazz; an abundantly evident creative intelligence that promises future growth. All that and more make Suspension of Disbelief a very impressive full-length debut and The Binary Code a band worth watching closely.

As a reader, I usually lose patience with album reviewers who feel compelled to offer observations about every last track on an album. But there’s so much going on in Suspension of Disbelief that I don’t know how else to fucking do it. So, here goes:

The album begins with a powerful, genre-defying one-two punch. “Suspension of Disbelief (Part I)” is a furious, pummeling, riffage-and-blast-beat-filled onslaught that showcases the band’s technical talent. And then without warning, the music shifts gears into “Suspension of Disbelief (Part II)” — a prog-metal influenced, largely instrumental track that begins and ends with down-tempo atmospheric soloing with high-intensity riffage packed in between. “Mechanical Seas” is tech-death with a groove, but punctuated with melodic synth interludes. “Ghost Planet” is more blast-furnace death metal, featuring a mix of deep gutterals, high-pitched shrieking, and chants; screaming guitar interludes; and some awesome syncopated interplay on the low end between bass and skins. And then there’s a “what the hell?” moment: The closest label I can affix to “Void I” is metal-infused progressive jazz.

Following a brief musical interlude, the band then launches into “The Story,” another genre-bending, technically complex piece with multiple tempo changes, jazzy interludes, and even more vocal variation (including flashes of clean singing). Following another brief instrumental interlude, the band explores the “Human Condition” — more unexpected tempo changes, brutal vocals, crashing riffs and machine-gun bass-and-drum work alternating with more episodes of progressive jazz. “Awaiting Necropolis” is another foray into tech-death territory with probably the most head-bangable rhythms on the album. And then, to finish off this mind-blowing collection we come to “Void II,” another melodic, jazz-influenced number. Continue reading »

THE TEN MOST INFECTIOUS EXTREME METAL SONGS OF 2009 (Part 5)

 Listmania  No Responses »
Dec 202009
 

AugustBurnsRed5

Here at NCS, we’re putting a different spin on year-end listmania. Ours isn’t a list of the best metal full-lengths of the year. It’s not even necessarily our list of the best individual extreme metal songs of the year. Ours is a list of the most infectious extreme metal songs we’ve heard this year. We’re talking about songs that produce involuntary physical movement and worm their way into your brain to such an extent you can’t get ’em out (and wouldn’t want to).

We’re not ranking our list from #10 to #1 because that would be too much fucking work (and your co-Authors would still be arguing about it this time next year). So, our list is in no particular order. We’re also dribbling the songs out one at a time because your lazy Authors are still debating what belongs in the remaining slots. Our list heretofore:

1.  Asphyx:  Sorbutics

2.  Mastodon:  Crack the Skye

3.  Amorphis:  Silver Bride

4.  Goatwhore: Apocalyptic Havoc

And for our fifth entry on the list, continue reading after the jump. Continue reading »

WHY IS GERMANY SO FUCKING BRUTAL? (postscript)

 IQ Subtraction, Listmania, Metal News  No Responses »
Dec 192009
 

wacken10smallVans WarpedYesterday, NCS Co-Author IntoTheDarkness posted a piece on the brutality of German extreme metal bands. In an episode of synchronicity, this morning I saw three news updates about festivals scheduled for 2010 — one in the U.S. and two in Germany. And the comparison speaks volumes. On the one hand, we have the 2010 Vans Warped Tour spreading across the US next summer like a brain-sucking plague. On that tour, you’ll have the opportunity to see such stupifyingly awful bands as Attack! Attack!, Breathe Carolina, and Eyes Set to Kill. There are a few saving graces on the tour — Parkway Drive, Suicide Silence, and Whitechapel. But suffering through the rest of the 67-band lineup for the opportunity to see those dudes would be worse than a garden-hose colonoscopy without anesthesia.

SUMMER_BREEZE_2010On the other hand, next year in Germany we’ll have the latest installments of (a) the Summer Breeze festival scheduled for August 19-21 in Dinkelsbühl; and (b) the Wacken Open Air festival scheduled for August 5-7 in (where else) Wacken, Germany. At Summer Breeze, you could see the likes of Asphyx, Barren Earth, Behemoth, Dark Tranquillity, Despised Icon, Dying Fetus, Hypocrisy, Necrophagist, Obituary, Sepultura, Swallow the Sun, The Crown, and Maroon. And Wacken Open Air will feature bands such as Amorphis, Arch Enemy, Caliban, Immortal, Iron Maiden, and Slayer.

What’s really mind-blowing about the contrast is that those German festivals, each spread over just a few days in a single location, will draw tens of thousands (e.g., 70,000 tickets were sold for the 2009 edition of Wacken Open Air more than 200 days in advance). To get that kind of attendance in the U.S. for metal, you apparently need to have a line-up of largely craptastic bands and a schedule of about 40 dates in 40 cities.

To be fair, the German festivals draw crowds from all over Europe, and the U.S. does have some legitimately extreme festivals that are drawing headbangers in increasing numbers (the Maryland Deathfest, now in its 8th year, comes to mind most prominently). But still, so far, it’s no contest.

For full lists of the bands scheduled to date for these 3 tours, continue reading after the jump.

Continue reading »

THE TEN MOST INFECTIOUS EXTREME METAL SONGS OF 2009 (Part 4)

 Listmania  No Responses »
Dec 192009
 

goatwhore_3

Here at NCS, we’re putting a different spin on year-end listmania. Ours isn’t a list of the best metal full-lengths of the year. It’s not even our list of the best individual extreme metal songs of the year. Ours is a list of the most infectious extreme metal songs we’ve heard this year. We’re talking about songs that produce involuntary physical movement and worm their way into your brain to such an extent you can’t get ’em out (and wouldn’t want to) — you mentally replay them at unexpected times and revisit them for repeat listening. You know, when the shit is sick. When it infects you like a disease that you don’t want to cure.

We’re not ranking our list from #10 to #1 because that would be too much fucking work (and your co-Authors would still be arguing about it this time next year). So, our list is in no particular order. We’re also dribbling the songs out one at a time because your lazy Authors still haven’t yet figured out the whole list. We’re making it up as we go along. And we could still use help, so feel free to chime in. Our list heretofore:

1.  Asphyx:  Sorbutics

2.  Mastodon:  Crack the Skye

3.  Amorphis:  Silver Bride

And for our fourth entry on the list, continue reading after the jump. Continue reading »

The Most Brutal Countries Of The World Part 1: Why Is Germany So Fucking Brutal?

 Listmania  3 Responses »
Dec 182009
 

german-flag301

After a short hiatus, I’m back, and I’ve decided to bring you all a list of the most brutal countries in the world. I am going to split this piece into five parts, each of which will cover a different country in no particular order, because the amount of fearless, ear crushingly orgasmic brutality these five countries bring cannot possibly be contained within one article. Today, I begin with Germany.

Continue reading »

THE TEN MOST INFECTIOUS EXTREME METAL SONGS OF 2009 (Part 3)

 Listmania  2 Responses »
Dec 172009
 

Amorphis

Here at NCS, we’re putting a different spin on year-end listmania. Ours isn’t a list of the best metal full-lengths of the year. It’s not even our list of the best individual extreme metal songs of the year. Ours is a list of the most infectious extreme metal songs we’ve heard this year. We’re talking about songs that produce involuntary physical movement. And to be one of the most infectious songs of the year, it’s got to be something that worms its way into your brain to such an extent you can’t get it out (and wouldn’t want to) — you mentally replay it at unexpected times and you go back to the song repeatedly. You know, when the shit is sick. When it infects you like a disease that you don’t want to cure.

We’re not ranking our list from #10 to #1 because that would be too much fucking work (and your co-Authors would still be arguing about it this time next year). So, our list is in no particular order. We’re dribbling the songs out one at a time. Why? Because your lazy Authors still haven’t yet figured out the whole list. We’re making it up as we go along. And we could still use help, so feel free to chime in. Our list heretofore:

1.  Asphyx:  Sorbutics

2.  Mastodon:  Crack the Skye

And for our third entry on the list, continue reading after the jump. Continue reading »

THE TEN MOST INFECTIOUS EXTREME METAL SONGS OF 2009 (Part 2)

 Listmania  No Responses »
Dec 172009
 

mastodon

Here at NCS, we’re putting a different spin on year-end listmania. Ours isn’t a list of the best metal full-lengths of the year. It’s not even our list of the best individual extreme metal songs of the year. Ours is a list of the most infectious extreme metal songs we’ve heard this year. We’re talking about songs that produce involuntary physical movement. And to be one of the most infectious songs of the year, it’s got to be something that worms its way into your brain to such an extent you can’t get it out (and wouldn’t want to) — you mentally replay it at unexpected times and you go back to the song repeatedly. You know, when the shit is sick. When it infects you like a disease with no available cure. Again, not necessarily the best of the year, but the most infectious.

We’re not ranking our list from #10 to #1 because that would be too much fucking work (and your co-Authors would still be arguing about it this time next year). So, our list is in no particular order. We’re dribbling the songs out one at a time. Why? Because your lazy Authors still haven’t yet figured out the whole list. We’re making it up as we go along. And we could still use help, so feel free to chime in.

Our first entry on the list was Scorbutics by Dutch death metal band Asphyx.  And now, after the jump, we present our second entry: Continue reading »

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