Dec 162022
 

(Andy Synn finishes off “List Week”, as always, with a list of his ten favourite albums of the year)

You might expect my “Personal Top Ten” to be an easier list to make than my “Critical Top Ten“… and for the most part you’d be right. But also wrong.

Because while the top three have been pretty much set in stone for a while, the question of how to rank the rest was far more difficult, as the differences between most of these albums was often just a matter of degrees, meaning any order I had one day was likely to be completely wrong by the time I woke up on the next.

This was particularly problematic around the #10 cut off point, with the result being that there are several albums (like Krallice‘s most-excellent Psychagogue, and Feral Light‘s fantastic Psychic Contortions) that, in another timeline, could just as easily have been included if things had only been slightly different.

So what can you expect this year?

Well, while it’s definitely a Metal list (if you want to know what my favourite non-Metal album of the year was, then check this out) you can expect to see a lot of Hardcore and/or Hardcore-influenced stuff here, as well as some long-time favourites of mine whose new albums immediately shot to the top of my list, and stayed there.

It’s definitely not the coolest or most “kvlt” collection of recordings you’re going to read this year, but it’s full of artists and albums I love and hope to still be listening to years from now.

Continue reading »

Dec 152022
 

Last year Iron Bonehead Productions released Chalice of Disease, the debut album of the Brazilian solo project Trance of the Undead. “Malodorous black/death” was one of the terms affixed to that record, though in commenting on some of the music we used terms like “mind-mangling”, “unhinged”, “ear-abrading”, and “frighteningly weird”. It seemed like the true sonic spawn of Hell, ugly as sin, oppressively dense and distorted, but unexpectedly intricate in the most bizarre of ways.

It turns out that Trance of the Undead (the creator of those malevolent and malignant insults) has other methods of expression, and as the vehicle for those he chose the name Cursed Excruciation, whose debut album Arcane Diabolism the same Iron Bonehead has now set for release on January 13th. In this new guise, Trance of the Undead has pulled from the infernal wellsprings of such landmark ’90s black metal bands as Necromantia, circa Crossing the Fiery Path, and Mystifier, circa Göetia.

As an example of where this led, we’re now premiering a song fittingly named “Beast of Fire“. Continue reading »

Dec 152022
 

(Is it possible to capture the very best of an entire year in just ten albums? Of course not… but that isn’t going to stop Andy Synn from trying!)

This one’s for all you new people… let me explain how this works.

Unlike tomorrow’s “Personal” list, the “Critical Top Ten” is my attempt (emphasis on attempt) to inject some sort of objectivity into the proceedings by identifying ten albums which I think represent the cream of this year’s metallic crop, across as wide a spectrum of styles and sub-genres as possible.

It’s not ranked (as I’m sure you’ll notice) as it’s meant to be more of a representative sample of the year – although, I have to say, ten albums is never enough to properly cover all the bases (for example, I’d love to have included Inanna‘s Void of Unending Depths, but simply didn’t have the space).

Interestingly, this year feels like the first year in a long time where at least a couple of my selections actually align with the wider consensus, and while I’m sure there will be some complaints about the list not being trve/kvlt/underground enough as a result, for me it just says that sometimes, on very rare occasions, I’m not as out of step with the rest of “the scene” as I think I am.

PS – as always (since it’s seemed to have gone down well in previous years), I’ve included a little bonus recommendation alongside each of my main choices, just to increase your potential enjoyment!

Continue reading »

Dec 152022
 

In September 2018 we came across a song from the then-forthcoming self-titled debut EP by the Dutch band Defy the Curse, and it lit us up like a torch. The band was relatively new then, but was composed of members who had previously honed their sonic weaponry in such groups as Legion Of The Damned, Collision, Slam Squad, Inhume, and Acid Deathtrip. In verbally frothing about the music, we ticked off some of what made it so gripping:

“First, they know how to cook up a clobbering caveman riff, and then flesh out that brutal thing with a massive HM-2 tone and the kind of drum-and-bass work that slugs damned hard right in the solar plexus (and the neck). The first minute-and-a-half of the song is just made for headbanging (and made very well for that purpose).

“Second, the band are also adept at awakening that dormant circle pit in your head, which is what they do when they start romping, rampaging, and chainsawing after that mid-paced opening segment. (But fear not, they come back to that staggering opening rhythm soon enough).

“And third, the band’s vocalist clearly needs to be tested for rabies.”

The rest of the EP also proved to be a hellaciously good offering of primal death/crust, and it left us hungry for more. Five years of hunger is a long time, but at last we’ve got new music from these marauders, in fact a full album’s worth of new music, which will be brought to us on January 15th by Hammerheart Records under the name Horrors of Human Sacrifice. What we’re fiendishly happy to bring you today is an album track named “Eidolon of the Blind“. Continue reading »

Dec 152022
 

Stereogum easily qualifies as one of the “big platform” web sites whose year-end lists of metal we perennially include in our LISTMANIA series. Of course, the site appeals to an audience of music fans much larger than devoted metalheads, but its staff includes a talented and tasteful group of metal writers who among other things are responsible for the site’s monthly “The Black Market” column, which has been a great source of discovery for extreme music for ten years running now.

It follows that Stereogum‘s annual metal list is one I especially look forward to seeing every year, and the 2022 edition is out now. As usual it consists of only 10 entries, with accompanying reviews of the choices by Ian Chainey, Michael Nelson, and Wyatt Marshall. And again as usual, the list is preceded by an essay written by Ian Chainey.

I’d like to think that if I didn’t write for NCS every day I could use the time to come up with something as funny, erudite, and thought-provoking as that essay, but if I’m being honest I know I couldn’t. Same goes for the reviews accompanying the 10 album picks. But I don’t let that humbling and somewhat jealous realization interfere with enjoying the writing, which I did, and always do.

The essay also includes statistics, such as this one: “There have been 7,994 full-lengths released or slated to be released in 2022. That’s slightly off 2020’s 11-month pace of 8,409. Either way, and everyone please chant this like we’re on a game show, ‘Metal, there is a lot of it.’” That’s for damn sure. Continue reading »

Dec 142022
 

(Andy Synn presents his selections for this year’s top-tier albums)

What more is there to say?

If you’re one of our long-time followers then you likely already know the score, and if you’re new to the site (welcome, by the way) then… well, it’s probably pretty self-evident right?

The albums featured here are all records which I feel achieved a form of greatness in their own way – maybe they pushed their particular genre forwards, maybe they combined different styles to create something even stronger than the sum of its parts, maybe they just did it better than everyone else – and which I think represent the cream of this year’s metallic crop.

Of course, as I’ve stated elsewhere already, it’s not comprehensive or definitive – no list can be, and anyone who tells you otherwise is just lying, to you and to themselves – but the level of quality is extremely high all the same, and I’d put any of these selections up against any other year in a heartbeat.

Continue reading »

Dec 142022
 

(The Cretan Epic Doom band Doomocracy have recently released their latest album through No Remorse Records, and that provided a good occasion for Comrade Aleks to arrange the following interview with Doomocracy vocalist Michael Stavrakakis.)

Epic doom is a specific genre. Once Candlemass gave it a twisted and loud birth, nothing remained the same. Candlemass set the high level with the performance of vocalists like Johan Langquist, Messiah Marcolin, and Robert Lowe, so any new band which tried to choose the same path naturally needed a strong vocalist.

Doomocracy was founded in Heraklion, Crete in 2011 and it seems they have one. The band’s lineup has remained the same since it was born: Manolis Sx (bass), Minas Vasilakis (drums), Angelos Tzanis (guitars), Harry Dokos (guitars), and Michael Stavrakakis (vocals). And they succeeded, as according to Doom Chronicles the band turns out to be demanded by European doom metal festivals and just released their third album – Unorthodox.

We discussed Doomocracy’s past and present with Michael and here’s the result of our conversation: Continue reading »

Dec 142022
 

 

Reading year-end lists that someone other than you made tend to provoke mixed feelings of validation, perplexity (which sometimes verges into anger), and discovery. The opportunity for discovery is the main reason we here at NCS devote so much space to our annual LISTMANIA extravaganza, even though we know those other feelings will also be in the mix of reactions. The list we’re re-publishing from Bandcamp Daily will probably be no different in any of these respects.

Bandcamp, of course, has become a vital platform for the digital release of music of all stripes (and physical merchandise as well) since its founding in 2007. Bandcamp used to release an annual compilation of performance statistics, but I haven’t found a similar report since the one they released for 2017. However, the main Bandcamp page today reports that “Fans have paid artists $1.03 billion using Bandcamp, and $187 million in the last year”.

Those are staggering totals, and some part of those enormous sums has been the result of Bandcamp’s laudable decision to continue the monthly tradition of “Bandcamp Fridays” that they began during the height of the pandemic.

In the summer of 2016, the company launched Bandcamp Daily, an online music publication about artists on the platform. Bandcamp Daily regularly publishes articles of relevance to metalheads, though metal is of course only one of hundreds of music genres represented on Bandcamp. Recently Bandcamp Daily once again published its list of the year’s Best Metal Albums, again under the byline of Brad Sanders, who writes the monthly metal column for Bandcamp. Continue reading »

Dec 132022
 

Near the beginning of this month Toronto’s Nihilist Death Cult unleashed their debut album Death To All Tyrants — and in this case the overworked term “unleashed” is damned accurate. There’s as much brazen and brawling fury in the record as you might expect from its title.

To express that anger, Nihilist Death Cult stew together ingredients of hardcore punk, death metal, and grindcore in an iron cauldron over a hungry blaze. The bass hits like a sledgehammer, the d-beat gallops and double-bass fusillades feel like hammers to the skull, the riffs have a cruel, mauling tone and they slash like serrated blades and boil in voracious feeding frenzies, and the vicious growls and rabid howls are utterly barbaric.

It’s a full-throttle, full-force rampage that wastes no time, discharging 9 tracks in less than 15 minutes total, and for an extra dose of exhilaration the music includes some wild guitar soloing that sears like acetylene torches applied to flesh.

Here at this site we stupidly missed this release, and maybe some others missed it too, which is why we’re fucking stoked to premiere a lyric video today for one of those 9 onslaughts — a track called “Obey & Consume“. Continue reading »

Dec 132022
 

To celebrate its five-year anniversary the Dutch underground label Void Wanderer Productions will be releasing a special shirt and a CD compilation that includes songs from 10 of the label’s bands. Today we premiere one of those 10 tracks, a song exclusively recorded for the comp by the French black metal band Tattva.

This new song, “Le Déluge de l’âme“, marks Tattva‘s first appearance at our site, but it’s certainly not this solo project’s first recording. In short order Tattva has released two albums since 2020, including the 2021 record Nirjara (released by Void Wanderer) and this year’s Naraka, as well as two EPs and a split with the Oregon band Ashes of Old. Continue reading »