Oct 242022
 

Here’s some breaking news: Nuclear Blast has announced that it will release a new Demonaz-led Immortal album named War Against All sometime next year, with Ice Dale (Enslaved) on bass and Kevin Kvåle (Gaahls Wyrd, Horizon Ablaze) on drums. I also got a Bandcamp alert about a new release here today by Teitanblood called Purging Tongues – 2022, though it seems to be a repress of the band’s 2011 single-song EP (Purging Tongues) combined with some kind of variation on that track named “Purging Tongues – Demon 1990“.

In other news, I still feel like shit — though slightly less shitty than over the past weekend. This has hung on long enough that I no longer think it’s the after-effects of dangerous levels of wildfire smoke that plagued my area over the preceding week, and more likely a nasty cold I picked up somewhere. First one of those I’ve had since the outbreak of covid. I’m vaxxed to the max and have pretty much given up masking, and I guess that was a dumb move. Those masks protected against more than covid.

In still other news, I feel like writing about new music anyway (in fact I already did that today), though like yesterday’s Shades of Black column this one will be shorter than usual (on top of everything else, my fucking day job is demanding a chunk of my time). I think of the songs in this collection as musical red meat for metal carnivores. Continue reading »

Oct 242022
 

On their debut album Of the Sun, the Italian melodic death metal band CultØ (cult-zero) don’t ease the listener into the experience. There’s no atmosphere-setting intro track, no seductive melodic overture, but a boiling cauldron of sound. That opening track “Flare” makes very clear very fast that CultØ like to hit hard and fast, with an emphasis on savagery that comes through loud and clear in the utterly hostile and authentically unhinged vocals, which range from gruesome guttural growls to throat-ripping screams.

Everything else screams ferocity too, from the bone-smashing drumwork to the jackhammer riffs. And while there are indeed melodies in the song, they’re more dissonant than harmonious and they create disturbing feelings, feelings of dismal hopelessness, unsettling queasiness, and bewildering confusion. It’s as if the more gut-slugging and bestial elements of the song are fighting against daunting experiences that are trying to confine them.

And so when you might read that CultØ draw heavy influence from the Gothenburg sound of the ’90s (the likes of In Flames and Dark Tranquillity), it becomes quickly clear that the band prize untrammeled aggression as much as they do a melodic hook or a groove-some rhythm, and dire moods more than emotional elevation. To be sure, they accent their songs with moments of delirious ecstasy (particularly in the brilliantly swirling and soaring solos) and warlike triumph. But there’s a lot of unmistakable darkness in the songs. Continue reading »

Oct 242022
 

(Here we present Wil Cifer‘s review of the new album by the New York City black metal collective Black Anvil, which is due out on November 4th via Season of Mist.)

Not unlike many American Black Metal bands, Black Anvil did not evolve from a LARPing past littered with Manowar cassettes and 20-sided dice, but from the punk scene.

The band’s founding members paid their dues in the hardcore band Kill You Idols. Where many hardcore scensters felt the next cool bandwagon to jump upon would be black metal, whose European counterparts shared a similar DIY aesthetic, for Black Anvil the common ground was aggressive emotional outburst, which the band continue to refine into a sound that is just as legit as any essemblege of Scandinavian headbangers. Continue reading »

Oct 232022
 

 

This week’s SHADES OF BLACK is shorter than usual, and follows a rare blank space at our site on Saturday, but this whole weekend has been out of the ordinary.

I used to joke that my day job was operating as a drug mule and/or a secret adviser to world leaders desperate for solutions. In fact it’s more mundane that either of those. But it has led to an anything-but-mundane weekend.

This weekend the business I work for pulled together everyone from its offices in four cities for a retreat on the Pacific coast of southern California. A swanky location, a minimum of boring speeches, good food, free-flowing alcohol, lots of congenial bonding. Continue reading »

Oct 212022
 

We’ll allow Griefbringer to introduce themselves before we introduce you to their stupefying music:

“We’re all from the gloomy and dark side of the Italian scene, with 30 years of international experience in bands such as MONUMENTUM, HAUNTED, SCHIZO, HELL OBELISCO, just to name a few.

“Collaboration with the previous projects convinced us to get together and explore the depth of the soul in this new creature. Darkness and godliness of places and images are our most important source of inspiration.”

To render their visions in sound, Griefbringer draw upon the traditions of doom, sludge, and death metal, of a particularly pulverizing, mind-ruining, yet head-hooking variety. The results of their pitch-black craft will be revealed through a debut album aptly named The Horrible Wilting, which will be released on November 18th by Church of Crow Records. Continue reading »

Oct 212022
 

 

(Comrade Aleks made a virtual journey to Bolivia to interview vocalist Antonio Ortiz, founder of the death-doom band Lachrima Corphus Dissolvens, and we have the results of that discussion here for you today.)

I knew nothing about the Bolivian metal scene until I found Lachrima Corphus Dissolvens. They identify their genre as atmospheric death-doom metal though I see there a blend of a few more extreme genres as well, but who needs tags except journalists and labels?

The band was formed in La Paz back in 2003 and their discography is built around one full-length album, The Truth Is Out There (2009), and a dozen other releases like demos, EPs, live albums, and splits.

I guess that it points to Lachrima Corphus Dissolvens’ underground approach and we’ll find out why from this interview with the band’s founder Antonio Ortiz (vocals). And it’s all about “human suffering, nature and universe” as Metal-Archives says. Continue reading »

Oct 202022
 

(Andy Synn provides a last minute recommendation of the new album from Glass Ox, set for release tomorrow)

It’s pretty much an open secret that a lot of Metal media outlets still have a bit of a bias against all things ‘core.

Of course, that’s not the case here at NCS, as we definitely cover a fair bit of the ol’ Grind (mostly thanks to DGR) and even a healthy dose of Deathcore too (although, it must be said, most of this year’s “big” releases – you know who I’m talking about – have left me rather cold).

But when it comes to Hardcore… even of the “Metallic” kind… it tends to fall to me to highlight some of the new and notable releases, and I feel like sometimes I’m not doing a good enough job.

That being said, I’ve listened to, and lavished praise, on quite a few Hardcore (or Hardcore-adjacent) bands this year, and I’m hopeful that at least some of you out there will have been enticed to check out a few of the artists/albums I’ve covered so far this year, even if they aren’t necessarily in your usual wheelhouse.

In that spirit then, I’d like to bring to your attention the new album from Iowan trio Glass Ox.

Continue reading »

Oct 202022
 


Photo Credit – Kenji Tsunami

(Drugs, Nile, touring, addiction, serial killers, Netflix, and narcissism? No topic was off-limits when NCS’s Gonzo recently caught up with guitarist, vocalist, and founder Dallas Toler-Wade and drummer Joe Howard from South Carolina-based death metal act Narcotic Wasteland on the Denver stop of their tour with Accept.)

 

How is touring with Accept going so far?

Dallas Toler-Wade: Good, man. It’s been an opportunity for us to get in front of more people. [Accept] packs houses, I mean – we’ve had like two sold-out shows this week. The Whisky was really close, too. I think there were like ten tickets left.

 

Has this been your biggest tour as a band? Have you felt like you’ve reached that “holy shit, we’re making it” moment?

Joe Howard: A lot of people still just kind of don’t know about us yet, but that’s changing. It’s just been great to see the exposure. At most shows, I’ll know at least five or six people. But these are some big crowds.

DTW: These are definitely some of the biggest crowds we’ve had so far. We did another tour with Malevolent Creation earlier this year and those were some packed houses on that, on their 30 Years of Retribution tour, so that was fun. Continue reading »

Oct 192022
 

One month ago we were floored to discover a new single by the Danish death metal band Maceration, their first new music since the band’s first and only album (until now), 1992’s A Serenade of Agony. We hope you’ll forgive us repeating some of what we wrote last month, little knowing that we would have the opportunity today to help present another new single in advance of a new Maceration album’s release on November 25th via Emanzipation Productions.

In a time when metal re-births seem increasingly common, the resurrection of Maceration still seems worth an extra measure of attention, in part because for their new album It Never Ends… Dan Swanö has again stepped in to fill the session vocal role, as he did under the name Day Disyraa for Maceration‘s first album 30 years ago. Original guitarists Jakob Schultz and Lars Bangsholt are also back, together with bassist Robert Tengs and drummer Rasmus Schmidt (Illdisposed, ex-Myrkur). Continue reading »

Oct 192022
 

(Andy Synn presents three more meaty morsels of home-grown heaviness from the UK)

I’d like to begin this article with a quick apology to the bands involved – I had every intention of writing about you sooner (especially those of you I’ve written about before) but life… uh… got in the way.

Still, we’re here now, and even though these reviews are coming post-release I hope they bring all of you some new fans (and hopefully some new sales too). You deserve it.

Continue reading »