Mar 312022
 

Recommended for fans of: Shining, Blut Aus Nord, Dark Fortress

Ok, so this officially makes three Black Metal centric editions of The Synn Report in a row, and I swear I’ll try and change things up in April, but the release of the new album from Canadian iconoclasts Idol of Fear earlier this month meant that I couldn’t resist making them the focus of this article.

It helps that the band are an atypical example of Black Metal (some have tagged them as “experimental”, though I think that’s pushing it a bit far), as while the genre’s fundamentals are still a part of their sound they are, more often than not, incorporated and arranged in a pleasingly unorthodox fashion.

The guitars, for example, don’t hesitate to spin up some terrifically twisted tremolo melodies when they need to, but are just as often to be found strutting their stuff in a ghoulish, Shining-esque groove, or cutting loose with some strange, proggy solo work.

Similarly, the snarling vocals are delivered with a crisp sense of clarity and a wealth of cruel character, rather than just attempting to sound as evil and nasty as possible, and while blastbeats do make an appearance here and there, the overall pace of the music is far slower, and the drumming far more measured and intricate, than your average bunch of blackened blasturbators.

Combine that with an overarching atmosphere of encroaching darkness and dread (similar in many ways to the vaunted “Dark Metal” of Bethlehem) and you’ve got a trilogy of albums seemingly purpose-built to challenge your expectations when it comes to Black Metal!

Continue reading »

Mar 312022
 

We’ve been closely following the expansive musical odyssey of Vancouver-based Seer from their first release in 2015, writing about that first EP and everything that has followed since then. It’s been a fascinating trip, because the band’s sound has continually evolved and because even the tracks on a single release have never all sounded the same.

From the start Seer have followed a naming convention for their releases, beginning with Vol. 1 and continuing through Vol. 6, which was the title of their last full-length in 2019. Since then the band have released a pair of singles, and now they’re combining those singles along with a brand new song in a new EP entitled Vol. 7, which will be released on April 15th by Hidden Tribe. What we have for you today is the premiere of that brand new song, “Lunar Gateways“. Continue reading »

Mar 312022
 

Ascension Festival Iceland MMXXI in November of last year was one of the most memorable metal festivals this writer has ever attended, and also one of the most heart-warming, despite the chilly temperatures outside the venue and the often wintry music inside.

The good feelings were in part the result of knowing about the avalanche of hurdles the festival had to leap over in order to make the event a reality — which included two covid-related postponements, two venue changes, numerous band cancellations, and of course the persistent peril of the virus, which included a surge happening in Iceland right around the time when the festival began and which threatened to cause a government cancellation of the festival’s third and fourth days. The fact that the event went off at all, much less as beautifully as it did, made it one to remember.

Of course, the music was also fantastic, as were both the people who worked the fest and those who attended. It was as if everyone, both on-stage and off, genuinely and deeply understood how lucky they were to be there after 18 months of lockdown and after all the ridiculous odds stacked against the event happening at all. Continue reading »

Mar 302022
 

The Houston death metal band Haserot named themselves after an ominous statue seated on a marble gravestone in Cleveland’s Lakeview Cemetery; perched on the tomb of Francis Haserot and his family, it’s also referred to as “The Angel of Death Victorious”. Once you’ve seen that statue (and you can see it here), you won’t forget it. Once you hear Haserot‘s new EP Throne of Malice, it’s unlikely you’ll forget it either.

Haserot are a relatively new group, having come together in the last pre-pandemic year, but they have a veteran line-up that includes current or former members of Doomstress, Funeral Blues, Sanctus Bellum, Spectral Manifest, and Scrollkeeper. The experience shows in both the songwriting and the execution of this new EP.

The influence of ’90s death metal in the vein of Morbid Angel, Entombed, Bloodbath, and Carcass are evident, but the music hits like a combination of meteor strike and bulldozer rather than a rote repetition of what you’ve already heard before. It’s both a powerful reminder of what we loved about the past and a skull-cleaving, heart-palpitating illustration of what you miss if you confine yourself only to the old classics.

We have a riveting example of this point in the first single from the EP that we’re premiering today in advance of its May 27 release by Redefining Darkness Records. Its name is “Incantations At Dusk“. Continue reading »

Mar 302022
 

We’ve already been loudly banging the drum for Suppression‘s debut album The Sorrow of Soul Through Flesh. In a recent review for our site, Todd Manning dropped references to the likes of Monstrosity, Resurrection, Gorguts, Morbid Angel, Malevolent Creation, and most especially the legendary Death. summing up the album as “brutal yet technical, ripping yet atmospheric”. He further wrote:

They are students of their genre but easily stand shoulder-to-shoulder with the best. The most complex moments never sound forced but serve the songs. It’s just a killer death metal album from start to finish.

I added my own two cents here about the first single from the album, “Monochromatic Chambers”: “Prepare for a full-throttle rampage, a turbocharged attack of maniacal drumwork, jittery, jagged, and jolting riffage, mercurial guitar leads, and utterly rabid vocals. When the band temper the onslaught, they deliver a fascinating prog-influenced instrumental jam.” From that track I got flashes of old Atheist and Gorguts as well as Dysrhythmia.

And so it’s a thrill for us to give one more push for a fantastic debut full-length by these Chileans, as we premiere the second single “Lifelessness” (a song with an incredibly deceptive name). Continue reading »

Mar 302022
 

(We present DGR‘s review of a new MLP by the Swedish death metal band Centinex. It will be released by Agonia Records on April 1st.)

We have our pillars of consistency on this website, the ones we go to because we know exactly what we’ll be in for from moment one. Surprises are welcome but for the most part these are the bands who’ve long found what works for them and are sticking to it.

Centinex are one such band, part of the wave of death metal that so rigidly adheres to old school philosophies that you could pull any release from their discography and it would feel more like a snapshot out of an older time than a modern release. They found their power in the classic thudding bass and snare drum rotation and the joyfully-stupid guitar riff that buzzes so hard your headphones sound like you might’ve kicked a bees’ nest without noticing.

Since their reformation in 2014, Centinex have released a handful of solid-as-hell death metal records and shifted lineups sizeably once, with bassist Martin Schulman remaining the main pillar of the group. Centinex are his classic death metal band and when he wants to aim for something more in line with the current gallop-and-blastfest style, then he shifts into Demonical mode.

Both groups, however, find themselves with releases prepared for 2022, and for Centinex that means a brand new four-song EP entitled The Pestilence, with the same lineup that made 2020’s Death In Pieces. Would you believe us if we said that, once again, Centinex have written music that is about as red meat for the crowd as red meat comes? Continue reading »

Mar 292022
 

 

I’m sure some of you noticed that I didn’t post anything at NCS last weekend, neither a new-music roundup on Saturday nor a Shades of Black column on Sunday. I was in my hometown of Austin, Texas, which was only my second departure from Washington since the pandemic began (the other one being a trip to Iceland last fall for Ascension Festival).

No reason to go into details about that trip, other than to say that it was packed with activities that led to late nights and hungover mornings, and I had no time to write anything for this site. I did have a little time to myself on Friday afternoon and used that to check out some new songs and videos. From that I assembled a tentative collection for a Saturday roundup, and even though I couldn’t get that done, I decided to stick with the list for today.

I enjoyed the hell out of all these songs when I first heard them — my kind of ear candy. I hope you’ll have fun with them too.

DARKENED (International)

This group of all-stars put out a hell of a debut album in 2020’s Kingdom of Decay, and early signs are that their new record will also be a rousing a success. Continue reading »

Mar 292022
 

 

Seven long years after the French extreme metal band Dawohl erupted with their first EP, they are now returning with a debut album named Leviathan that will see release on April 22nd via Dolorem Records — and in a word, it’s stunning.

On this new album Dawohl draw upon well-springs of inspiration from both black and death metal, uniting them to create brutal and barbarous assaults that as ferocious as unchained demon wolves and as exhilarating as the thought of being chased by them. Not for naught does Dolorem Records recommend the album for fans of Zyklon, Hate Eternal, and Arkhon Infaustus.

We have a prime example of the heart-racing qualities mentioned above, and others, in the explosive album track “Institutionalized Hatred” that we’re premiering today. Continue reading »

Mar 292022
 

 

In their introduction to the self-titled debut album by the Belgian avant-garde black metal band Dissolve Patterns the Italian label Brucia Records recommends it for fans of Oranssi Pazuzu, Ved Buens Ende, and Fyrnask. For many of us, they really needed to say no more. Anyone who might make music that inspires such references would be worth checking out.

It turns out, thankfully, that those wonderful references are accurate, though other compass points also come to mind in following the album’s fascinating maneuvers (at the end of this article we’ll share an excerpt from another reviewer who drops names like Primeval Well, Feral Season, and The Silver).

The songwriting inventively mixes together ingredients of black metal, progressive music, and dark jazz, while also adding experimental accents. It does this in intricate and unpredictable ways, creating a musical amalgam that’s both elegant and assaulting, hypnotic and desperate, often steeped in melancholy and just as often calamitous. Continue reading »

Mar 292022
 

 

(Wil Cifer reviews the first new album in a decade by the German post-metal band Sundowning, which is out now via Isolation Records.)

In today’s bleak world I have taken to leaning into that feeling of impending doom. Whatever you resist persists, so in seeking to cocoon myself in sonic darkness as the soundtrack for the road the world is going down I found this German band. Their hymns of hopelessness are a perfect fit.

They meet at the crossroads of doom, sludge and sometimes death metal. Less of the crust-punk recklessness sludge evolved from and a darker, more mournful sound. This sentiment leads them in more of a doom direction most of the time. Guitars weep against the pounding the rest of the band bring, while the vocals stay in more of a hypnotic chant. Though when the instrumentation ebbs back, growled vocals shift the narrative tone. Continue reading »