Feb 152022
 

 

(This is DGR‘s review of the new second album by the German melodic death metal band Fading Aeon, which was released last December.)

Many, many, many moons ago in a long forgotten time I reviewed the debut release by German prog-melodeath act Fading Aeon. The group’s first release was a solid hybrid of the mass of genres that melodeath has become over the years, including pulling in influences from folk metal bands to the more long-form and journey-minded groups like Be’Lakor.

Debut releases hold a lot of potential and Fading Aeon’s A Warrior’s Tale was one style of ‘promising’ release, with much of it feeling like it was the group laying a foundation for things to come. While they had already solidified in a sound for that release, it still hinted that the group had more ideas toying with them than what had initially been put down. Where the group would head in their followup was an interesting prospect at the very least, so while it may have landed in a quieter time of the year in the opening weeks of December 2021, Fading Aeon saw fit to act upon that with their sophomore album The Voices Within. Continue reading »

Feb 142022
 

 

What is it that is “full of sound and fury, signifying nothing”? In the words of Macbeth after learning of his wife’s death, it is life itself — “a walking shadow, a poor player that struts and frets his hour upon the stage, and then is heard no more… a tale told by an idiot….”

There may be no speech in all of Shakespeare that is more laden with pessimism and despair than that one in Act 5, scene 5 of the great tragedy. That this phrase was chosen by Thought Trials as the title of this Buffalo band’s new album signifies something. As described by Thought Trials‘ sole creator Josh Martin, the album “is a study of the fragile human psyche and how our journeys are shaped by trauma and misadventure. Each song explorers a different facet of mental health, sometimes from a place of optimism – and sometimes not”. Continue reading »

Feb 142022
 

(Andy Synn gets bruised and bloody with the new album from Denmark’s Lifesick)

Here’s a question for you – are Danish misanthropes Lifesick a Death Metal band playing Hardcore, or a Hardcore band playing Death Metal?

It’s ok, you don’t have to answer straight away. Just give their new album (which was released last Friday) a listen and let me know once you’re done picking your teeth up off the floor.

Continue reading »

Feb 142022
 

I suppose that after the gigantic swarms of new music I compiled in this past weekend’s two posts I should have let you catch your breath, but I had a hole to fill in our schedule before an album premiere coming later today. So I quickly grabbed some of the newest songs and videos I discovered, most of which I heard and saw for the first time this morning, accompanied by some immediate reactions.

IATT (U.S.)

“Seven Wandering Stars ” is a stylistic kaleidoscope that’s being spun almost faster than would allow you to keep up, shifting in flashes from black metal to prog and jazz fusion. In keeping with the rapidly changing variations, the vocals include both razor-edged shrieking and morose singing (by guest Jake Superchi of Uada). There seems to be a violin in the mix too, performed by Ben Karas (Thank You Scientist, Windfaerer). Continue reading »

Feb 132022
 

 

What I’ve chosen for this week’s black metal column provides a good variety of music for heathen tastes (or at least I think it does). It includes reissues of some older EPs, a trio of recently revealed tracks from forthcoming albums, and one full-length that came out about 10 days ago.

RITUAL DEATH (Norway)

I remember hearing about this band, most likely through Karina Noctum‘s interview of T. Ciekals, though the focus of that interview was his band Djevel. But I didn’t follow up to see what Ritual Death was all about until noticing that the Russian label Living Temple Records had released tape and digital editions of two Ritual Death EPs on February 11th of this year. Continue reading »

Feb 122022
 


Demonical – Photo by Jens Ryden

For the last three weeks I’ve stayed away from hard liquor because I’d forgotten where the off-switch was. Beer and wine were still on the alcohol menu because, for whatever reason, it was a lot easier to find the off-switch. But last night I hung out at a bar with an old friend. I’d never been to that particular bar and was surprised to see a bottle of Brennivin sitting on the shelf. I couldn’t resist. This morning I’m brutally reminded why I decided to stay away from the hard stuff for a while.

Fortunately, I picked all the music for this round-up after hours of listening that happened before I met my friend. Because I’m getting a late and painful start this morning, I’m going to launch this post without any commentary about the songs. I’ll probably come back and add the commentary later today, not because anyone needs that but because I like doing it; at least I like doing it when my head is functioning.

Part of the fun in making these choices yesterday was discovering that I could present them in short blocks, creating small groups of songs that seemed to work well together. In doing that I divided the music into five Parts. Hopefully you’ll get what I was thinking, but even if you don’t get the connections I hope you’ll still dig the music. I sure as hell did. Continue reading »

Feb 112022
 

 

The Greek black metal coven Acherontas has long been known for the vital connection between their occult spirituality and their music: Each fuels and guides the other. There is no reason to think that has changed (to the contrary, it hasn’t), but with their new album The Seven Tongues of ΔΑΗΜΩΝ the band have announced their entry into a new phase of existence, a final reincarnation and a new era of continuity that is in part signified by a new expression of their name: ΑΧΕΡΟΝΤΑΣ.

As captured in the album’s name, it consists of seven ritualistic hymns, expressed as offerings upon the altars of Seven Gods — a “Mission of Seven Hells and Seven Destinations” — still rooted in ancient esoteric sources. In the progression of the album, the third offering invokes the name of Belial — “Belial-The Enn of Beliya’al” — and we present it to you today through a diabolical lyric video. Continue reading »

Feb 112022
 

 

The video we’re about to present features a song by the Danish black metal band Helge — a song that’s ferocious, intensely unnerving, and rhythmically riveting. It also features imagery that’s unnerving in its own way, even though much of it makes use of natural settings.

The name of the song is “Depressive Waters“, but the music, although unmistakably dark, isn’t what most people would consider depressive black metal, nor is it a portrayal of quiet suffering, inconsolable sorrow, exhaustion of interest and energy — or surrender.

Helge‘s mastermind Helge Nørbygaard has explained the feelings that the song is intended to capture: “When your head is spinning and thoughts so dark become your reality. Trying to release the pain and the skin becomes red. So far away from the heart, nothing but hate and despair. Then it’s all about how much you listen to your own heart, either you rise up or become history”. Continue reading »

Feb 112022
 

 

(This is Wil Cifer‘s review of the new album by California-based Author & Punisher, which is being released by Relapse Records today.)

It would have been easy for Tristan Shone to have just coasted for the rest of his career by being known as the dude who makes music with these machines he built. His early work consisted of very aggressive and dense slabs of industrial steamrolling that droned you into submission.

It was a very powerful-sounding juggernaut. Just creating a sound was something he was content with, and by Women and Children” he added more atmosphere and melody, writing songs that stuck with you and placed him alongside any of his peers. This earned him a spot on my list of most anticipated albums of this year. He has exceeded my expectations with his newest release. It is not likely this album is going to convert you into a fan of industrial music, but will at the least endow fans of heaviness with respect for what is being done here. Continue reading »

Feb 102022
 

 

The new music keeps coming in a flood. So what else is new? Well, these six songs and videos are new, and I’d like to recommend them. With a bit of luck I’ll have time to recommend more tomorrow.

KILLING JOKE (UK)

Lord of Chaos is a new Killing Joke EP. Recorded by the original line-up, it’s their first new music in seven years. It includes two brand new recordings, plus two re-workings of songs from the band’s last studio album, 2015’s Pylon. The new songs are described as tracks that “set the tone for the band’s next studio album, currently being worked on in Prague”. The re-worked older songs are titled “Big Buzz” (Motorcade Mix) and “Delete In Dub” (Youth’s Disco 45 Dystopian Dub). Continue reading »