Feb 182021
 


photo by Shane K. Gardner

 

The Maryland band Nixil have embraced, and luxuriated in, an alchemical approach to black metal on their debut album All Knots Untied. Formed by past or current members of Spectral Tombs, Tsepesch, Dagger Moon, and Corpse Light, this foursome reveal a spectrum of stylistic influences that (as the advance press correctly reports) might remind listeners “of the weirder side of Mayhem, the atmospheric expansiveness of French avant garde black metal a la Blut Aus Nord or Glorior Belli, and the moody, gothic depression of Bethlehem“.

Envisioned as “a manifestation of chaos, rage, strength, and despair” in the midst of “a toxic and crumbling world”, the album is a serious-minded but adventurous channeling of such sensations, though it’s not without infiltrations of the occult and the psychedelic as well.

We have a fine example of Nixil’s multi-faceted approach to the black arts in the song we’re presenting today, “May This Flame Flicker Out“, via a beautifully made video. Continue reading »

Feb 182021
 

 

(On February 7th the French solo project Nakhara released its debut album, and today Andy Synn reviews it.)

I don’t know about you, but I’ve always got at least one eye/ear open for bands, artists, or projects that do things a little… differently.

Of course, different doesn’t always mean good – no matter how clever or crazy or “avant-garde” a band might be, it doesn’t really matter if the songwriting isn’t there – and a lot of what’s advertised as innovative and new often turns out to be just another slightly tweaked iteration of what’s come before with a fancy new coat of paint or a flashy gimmick.

But even if (and it’s a big “if”) most of these artists turn out be a disappointment, on some level, it’s that one in a hundred, one in a thousand, one in a million, chance of discovering something that little bit special which keeps me going.

Which brings us to The Procession, the debut release from solo Prog-Death performer Simon Thevenet, aka Nakhara. Continue reading »

Feb 182021
 

 

If you’re like me, surrounded by new music you might know nothing about, sometimes you’ll take a chance on something based entirely on the cover art — even though there is no necessary connection between the appeal of cover art and the attractiveness of the sounds. If I hadn’t agreed to host the following premiere, this is hands-down an example of music I would have investigated anyway, based on the album cover by the great Juanjo Castellano. And that would have been a very smart decision.

In this instance the album is From the Sulphur Depths, the second full-length by the Italian death metal band Helslave. It will be released on April 23rd by Pulverised Records (with a vinyl edition coming on May 14th), and today’s premiere is for a track named “Unholy Graves” — which is bombastic chainsaw death metal of the finest kind, an electrifying, turbocharged thrill-ride that’s as crushing as a pile-driver and as ferocious as giant famished wolves on the hunt. Continue reading »

Feb 182021
 

 

(We present the third installment from an avalanche of four reviews that DGR delivered unto us earlier this week, and today’s edition focuses on the newest album by Illinois-based Mechina, which was released on January 1st.)

I did not review Mechina’s 2019 album Telesterion for this here website. This is something that bothered me for a lot longer than I expected. All the way into mid-2020 I was swearing up and down I would do a 2019 archive of stuff I had come to super-late, but truth be told that was always only part of the reason why it never got a deep-dive here, despite my continued insistence of enjoying nearly everything the band have done.

The main driver behind that decision actually came down to the simple fact that Telesterion is a completely different style of album from previous Mechina works, and in some ways that disc served as a foray into newer sounds for them. It’s the first time when the project fully leaned into its conceptual side and you had vocalists playing characters within songs, and thus the characters sang about certain of the events being described. Continue reading »

Feb 172021
 

 

What follows is a collection of new songs and videos that different people messaged me about today, plus a few I had noticed in preceding days. With apologies to anyone who might care, I unfortunately don’t have the time to provide as many stumbling brilliant verbal descriptions of the music as I usually do, but nevertheless hope you enjoy all the sounds, as I have.

GOJIRA (France)

Born For One Thing“: feverish tumult with slightly industrialized grooves, trademark atonal pounding, and gripping rhythmic interplay, plus eerie melodic accents… definitely in their comfort zone, and very good…. Continue reading »

Feb 172021
 

 

Musicologists have spilled millions of words tracing the twisting and twining path of underground and popular music from R&B to rock ‘n’ roll, punk, metal, and elsewhere. Over time, and in different ways, the connections often seem to snap apart, producing music that seems severed from distant roots, even as the overaching ethos of “outsider” music might remain intact. Blast-beats, for example, diverge sharply from back-beats and d-beats, and the blazing or freezing aggression of tremolo’d riffing seems alien to head-nodding three-chord progressions, just as incomprehensible screaming veers dramatically from a voice that carries a melody.

But even with regard to black metal (perhaps the paragon of severed connections such as those mentioned above), punk was deep down in its early roots, and it’s still alive and well in the music of some segments of black metal who are kicking up sonic storms in the here-and-now. The music of the Finnish quintet Qwälen is one such example, as reveled on their debut album Unohdan Sinut, which is set for release by Time To Kill Records on February 19th, and which we’re premiering in full right now. Continue reading »

Feb 172021
 

 

(This is Vonlughlio’s review of the newest album by the Czech extreme metal band !T.O.O.H.!, which is out now via Lavadome Productions.)

This time around I will take the chance to write about a project named T.O.O.H. from Czechia that has been around since 1990 as Devastator and changed to their current name in 1993. The responsible parties for this output are brothers Josef (bass, guitars, and vocals) and Jan (drums, vocals).

From 1995 to 1998 they released demos that revealed fantastic musicianship with its raw production which showcased the base of the path this band would take. It was not until the year 2000 that we received their first album From Higher Will, which showed strong song structures with the style of death/grind and bits and pieces of progressive inclinations.  It surely is among my favorite debut albums by a band and has a special place in my heart (along with all their albums). Continue reading »

Feb 162021
 

 

(We present Comrade Aleks‘ extensive and extremely interesting interview of Oliver Verron (founder of Temple of Baal) about the French traditional doom band Conviction that he also founded, whose self-titled debut album was released by Argonauta Records in January of this year.)

Once upon a time men from bands like Temple of Baal, Ataraxie, Mourning Dawn and Corrosive Elements gathered together and… it all ended with a traditional doom metal album!

A long story short, but the French Conviction was founded by one of Temple of Baal’s founders, Oliver Verron, back in 2013 and it took some time before he found proper companions who shared his taste for good old doom. What’s Conviction about? How did they avoid all of their extreme metal backgrounds in this band? And what’s the story with the French doom scene?

You’ll find answers to these questions and more in the interview with Oliver. I’ve enjoyed reading this, and I hope you’ll like it too. Continue reading »

Feb 162021
 

 

Almost one year to the day after our last premiere for Haissem, we welcome the return of this Ukrainian project with yet another premiere, leading the way toward the release of Haissem‘s newest album, Philosofiend, on March 27th (by Satanath Records and Exhumed Records).

The solo work of Andrey V. Tollock, sometimes accompanied by session musicians, Haissem has been a prolific creator — Philosofiend is the fifth album since 2016. And along the way the band’s musical interests have evolved, now creating a hybrid of melodic black metal and melodic death metal, with elements of thrash occasionally in the mix. And whereas the immediately preceding album Kuhagahn Tyyn (which was the source of our 2020 premiere) used synthesizers and guest musicians to create an atmospheric experience, the new record is more sharp-edged and aggressive — but not without its appealing melodic accents. Continue reading »

Feb 162021
 

 

With seditious pleasure we announce that the UK-based avant-garde extreme metal project Feed Them Death will release a new album through Brucia Records on the 7th of May, 2021. The record’s name is Negative, it consists of ten songs (two of which are bonus tracks for a vinyl edition), and we’re premiering a lyric video for one of the new songs today, along with a statement about the album by FTD’s mastermind Void.

If you’re only now discovering Feed Them Death you have some catching up to do. As the solo project of Void the project began in 2017 and has already generated two EPs (the most recent of which was last year’s For Our Culpable Dead) and a pair of full-lengths (2018’s No Solution / Dissolution, released by GrimmDistribution and Exalted Woe Records, and 2020’s Panopticism: Belong / Be Lost, released by I, Voidhanger Records). This new album thus adds to a body of work that has grown rapidly and ambitiously. Continue reading »