STONE HEALER // DORDEDUH // KATAAN

 Album Reviews  1 Response »
May 252021
 

 

(Our contributor Gonzo returns to us with a trio of reviews, focusing on records released within the last month — by Stone Healer, Dordeduh, and Kataan.)

 

STONE HEALER // CONQUISTADOR

To say “there’s a lot to unpack here” about the latest album from Connecticut duo (!) Stone Healer would only be touching the very tip of an extremely jagged and angular iceberg.

Practically bursting with trailblazing creativity at every turn, Conquistador is a massively satisfying listen. Brothers Matt and Dave Kaminsky manage to compress three or four albums’ worth of ideas into each of the seven songs here, and absolutely none of it sounds rushed or contrived. Just with opening track “One Whisper,” the brothers flex an incredible amount of musical muscle: They go from a light acoustic intro, segueing into a cowbell-laden alternative rock verse, and seamlessly shift into a punishing blast-beat. And that’s not even half the song length. Continue reading »

GRAND CADAVER: “MADNESS COMES”

 Album Reviews, SHORT BUT SWEET  No Responses »
May 252021
 

 

(Here’s DGR’s review of the debut death metal EP by a group of Swedish veterans who’ve taken the name Grand Cadaver.)

It’s very likely that a large part of what might catch people’s eyes with a project like Grand Cadaver comes from the band’s lineup – so much so that I assumed our search bar had to be broken within our smoking crater of the internet since I could’ve sworn they’d gotten a shoutout here before.

The project itself is one of many recent creations of the swede-death revivalist forge. While the genre has never gone away, the last few years have seen a humongous resurgence of groups playing that blueprint-perfected, chainsaw-toned, snare-drum-thumping style of death metal. The revivalists often seem to have been made up of names from larger projects – many from the melodeath scene even, as if to stake some sort of claim along the lines of ‘We can play this type of shit too!’.

In the case of the newly founded Grand Cadaver project you have Dark Tranquillity‘s Mikael Stanne at the vocal front, and alongside him stands journeyman drummer Daniel Liljekvist (whom you might recognize as having sat behind the kit for In Mourning and Katatonia in times past), with Stefan Lagergren (whose resume is deep in the death metal scene, including an early stint in Tiamat as well as years in Expulsion), Alex Stjernfeldt (most recently of Let Them Hang, and Novarupta) and Christian Jansson (Pagandom, ex-Transport League) completing the lineup. To say that the group’s resume is stacked is putting it mildly.

So, when you see names like that with the death metal tag attached to it and a near-thirteen-minute EP entitled Madness Comes… you pretty much know what you’re in for from moment one. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): CROSS VAULT — “AS STRANGERS WE DEPART”

 Album Reviews, Exceptions to the Rule, Premieres  1 Response »
May 242021
 

 

On May 28th Iron Bonehead Productions will release As Strangers We Depart, the third album by the German “Viking doom” band Cross Vault, and their first release since the 2016 EP, Miles To Take.

Each song on the new album is an immersive, time-traveling spell that seems to carry the listener back to a mythic age. They meld poignance and passion, heaviness and heartbreak, with an unmistakable feeling of reverence. It’s a devotional album meant to be savored, to be soaked up from start to finish, the kind of experience in which any sense of time passing vanishes. And thus we’re proud to present a full stream of it today. Continue reading »

HUNDRED HEADLESS HORSEMEN – APOKALEPSIA

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May 242021
 

(Hold on tight as Andy Synn takes us for a ride with the new album from Hundred Headless Horsemen)

Finnish quartet Hundred Headless Horsemen aren’t the easiest band to pin down.

Mostly this is because the group resolutely refuse to adhere to the normal conventions (or restrictions) of songwriting or genre, going so far as to describe their uniquely unorthodox sound as “Psychedelic Death Metal”, a term which, while certainly intriguing, practically raises more questions than it answers.

Don’t get me wrong, there’s definitely a significant strain of Death Metal in the band’s DNA – though careful analysis will undoubtedly show that it’s more closely related to the Morbus Chron/Sweven offshoot than it is anything from the Floridian swamps or the Stockholm graveyards – but, whether due to natural selection or intelligent design, the sound they produce isn’t so easily classified.

Perhaps an even better comparison – or, at least, the best one I can come up with – would be to think of HHH as the Death Metal equivalent of their more “blackened” countrymen in Oranssi Pazuzu, a band with whom they not only share a love of sludgy grooves and psychotropic sounds, but also an almost pathological aversion to playing by the rules.

Continue reading »

NATURE MORTE: “MESSE BASSE”

 Album Reviews  1 Response »
May 242021
 

 

(Our old friend Justin C. has paid us a visit with this guest review of the second album by the French band Nature Morte, recently released via Source Atone Records.)

Nature Morte‘s new album, messe basse, is one that almost slipped by me. The folks over at Invisible Oranges included it on their list of notable releases, with the brief-yet-intriguing description of “Expressive, atmospheric black metal with lacerating melodies carving out their paths in your mind.” Sadly, delays pushed the Bandcamp release back a little bit, and during an already busy Bandcamp Friday (possibly the last), the album almost slipped my mind. I mean, do I really need to check out every so-called “atmospheric black metal” album?

I’m glad I followed up on this one, though. Nature Morte‘s self-chosen genre tags of blackgaze and post-metal puts this album squarely in one of my favorite areas of metal, and better yet, they’ve managed to carve out a bit of sonic space in that area that’s uniquely their own. Continue reading »

SOL DRACONI SEPTEM: “HYPERION”

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May 242021
 

 

(This is DGR’s review of the debut album by the French band Sol Draconi Septem, which was released in March of this year.)

The genesis of this review happened some time ago and it is one that has been long simmering.

Believe it or not, it was actually our featuring of the prog band Wheel – of whom I’m a fan – in one of our round-ups a while back that was the ‘something different’ which caused the re-activation of dormant neurons that led to where we sit right now. In our round-up we covered their song “Fugue”, which is a peaceful interstitial number in between two much larger tracks on their latest album Resident Human, and our editor mentioned that the song had been inspired by the Hyperion Cantos series of books by Dan Simmons.

There are actually a few songs throughout Resident Human that take cues from those books, but it was that mention which reminded me that in one of the many metal rabbit holes I have a tendency to tumble down I had come across another group who also pulled inspiration from that series: the French space-prog/black-metal hybrid of Sol Draconi Septem and their early-March release of the aptly titled Hyperion.

If anything, I figured that if the admittedly excellent Wheel release wasn’t our usual reader fare, then the plumbing of the depths of space and all things synth that happens during the forty-five-or-so minutes of Hyperion probably would be. Continue reading »

SHADES OF BLACK: VALAIS, ABKEHR, VREXIZA, MURKDWELLER

 Album Reviews, SHADES OF BLACK, SHORT BUT SWEET  2 Responses »
May 232021
 

 

You may have noticed that for the last three days in a row I had time to create some pretty large round-ups of new songs and videos. But the time I found to do such things eventually ran out, and so this Sunday column of blackened sounds isn’t as extensive as I had hoped. in subsequent posts over the coming week I will endeavor to include other choices I made for today, but didn’t have time to write about.

Still, you won’t go away hungry today, because the following four choices include two full albums and a complete EP, as well as one advance track.

VALAIS (Ireland)

I don’t know much about this new project, and I’m not sure I’m free to disclose what little I do know beyond the apparent fact that it’s based in Dublin. So, until more info becomes public (if it ever does), we’ll have to let the music speak for itself. Continue reading »

SEEN AND HEARD ON A SATURDAY: DECOHERENCE, COILED AROUND THY SPINE, MEPHARIS, TRANCE OF THE UNDEAD, ISSOLEI, GASTRIC PHANTASM

 Metal News, RANDOM FUCKING MUSIC  No Responses »
May 222021
 

 

This is a rarity. In fact I can’t think of another time during the last miserable year when I’ve managed to pull together three round-ups of new songs and videos in three successive days. But my fucking day job has been leaving me alone and my spouse has been out of the house a lot with her visiting sister, so here we are. And on we go….

DECOHERENCE (Mutinational)

As mentioned above, this is the third day in a row when I’ve managed to compile a round-up, but it also happens to be the third in a row that includes a cover song. The pandemic year has produced a ton of covers, perhaps because that’s been easier to pull off than writing and recording new music when band members have been indefinitely separated from each other physically. Many covers have been quickly forgettable or never should have been attempted, while others have been very impressive. The first song in today’s playlist is in the latter category. Continue reading »

SEEN AND HEARD: VUKARI, GOD IS AN ASTRONAUT, WHOREDOM RIFE, TOTHEM, TEMPLE OF DREAD, ARSENIC ADDICT

 Exceptions to the Rule, Metal News, RANDOM FUCKING MUSIC  2 Responses »
May 212021
 

 

I woke up stupid early this morning, even more stupid early than usual. So after writing today’s premieres that were on my plate I had some time to continue crawling through my list of new songs and videos and came up with this sextet. I decided to really bounce your head around with these picks and the way I arranged them. Don’t say I didn’t warn you.

VUKARI (U.S.)

I’ve decided to begin with a new single by Chicago’s Vukari, because it’s the most absolutely riveting and ravishing piece of music in today’s collection. The track is identified as a demo version of a song called “Omnes Nihil“. Continue reading »

TRANSCENDING RITES — “AWAKE!” (AN EXCERPT)

 Premieres  No Responses »
May 212021
 

 

These are notes I made to myself after listening to the song-excerpt we’re premiering in this article:

“I have never awakened in a house on fire. I imagine that would send me in a nanosecond from somnolence to a rocketing fight-or-flight level of adrenaline. I’ve never escaped a raging inferno and raced outside only to discover that everything around me is also in flames. But listening to this music, those are the experiences I imagine. In listening to it I also imagine the terrible feeling of loss that would come from the inferno-destruction of everything, every memento and memory, that I enshrine in the place where I live.”

Obviously, those are some intense emotional reactions — a commingling of exhilaration, fear, and despair. And those reactions were provoked by only a portion of the entire song, the roughly 8-minute excerpt from “Awake!“, that we’re now presenting. The full song is a daunting 21 minutes long, but I’m anxious to hear it and I think you be will too after you listen to what we’re streaming below. Continue reading »

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