A DECADE OF DARKNESS

 Album Reviews, Listmania  12 Responses »
Nov 092020
 


artwork by Alexandra V. Bach

 

(In this post Andy Synn presents a listing of recommended black metal albums (or at least blackened ones) for each of the last 10 years, focusing on records and artists that he hasn’t written or read enough about.)

Wonder of wonders, Kerrang (yes, it’s still around) recently published a list of “The 13 Best Black Metal albums of the New Millenium” and… it was actually pretty solid?

I know, I was (pleasantly) surprised too!

And it got me thinking that, since I recently celebrated my tenth anniversary as a writer for NoCleanSinging, now might be a good time to publish my own thoughts on how the black (or, at least, “blackened”) arts have evolved, and endured, over the last ten years.

As far as possible I’ve tried to stay away from the biggest/most notorious names and focus more on those artists/albums which either I didn’t manage to cover myself, or which I feel didn’t get enough wider coverage/attention overall, but that doesn’t mean this article should be interpreted as an attempt to prove who is more “kvlt” (because it’s certainly not me).

What this is is simply a way of celebrating the art of Black Metal, in all its endless vitality and variety while also bringing some much-needed attention to some bands who richly deserve it. Continue reading »

SHADES OF BLACK: STORMKEEP, FROSTNATT, CIBOLA, CHANNELER, AKVAN, VOREUS, VALRAVNE

 SHADES OF BLACK  4 Responses »
Nov 082020
 

 

I spent a joyful day yesterday, though I was rooted in front of the TV instead of listening to metal. But the good feeling carried over into this morning as I began listening to things, and in rapid succession found music that just seemed to fit together beautifully for this column. The arc of sounds as I’ve arranged them here was almost exactly the sequence in which I heard them, and I’ve kept it that way even though not everything here qualifies as black metal.

What made the experience even more thrilling was that five of the seven bands here were new to my ears (some of the music comes from debut releases).

STORMKEEP (U.S.)

I don’t have to spend a lot of time formulating words to describe Stormkeep’s “Glass Caverns Of Dragon Kings“, because Jon Rosenthal did his usual excellent job in writing about it when Invisible Oranges premiered the track two days ago: Continue reading »

CHECKING IN ON A HISTORIC DAY

 RANDOM FUCKING MUSIC  12 Responses »
Nov 072020
 

 

Two things have combined to cut way back on what I’ve been able to do at NCS this past week, and especially yesterday and today. First, my effing day job has gotten me busier than at any time since the pandemic hit hard in March. I even spent most of this Saturday morning working that job instead of listening to metal and pulling together a Saturday round-up. And second, you may be aware that here in the U.S. we had an election.

Even though I knew it wouldn’t be good for my mental health, I’ve been glued to the reports of vote counting since election day on Tuesday. Because of our screwy Electoral College system, the counting of national popular vote totals is irrelevant. Instead, we had to spend days and days watching votes dribble in on a county-by-county, State-by-State basis, which I imagine is something like being waterboarded. The four words I now hate the most are “Too Close To Call.” But at last it’s over. Continue reading »

AN INCS INTERVIEW: POEMA ARCANVS

 Interviews  No Responses »
Nov 062020
 

 

(In this new interview our friend Comrade Aleks talks with guitarist Igor Leiva Benavides, one of the members of the Chilean band Poema Arcanvs, whose roots go back to the ’90s and who released their sixth album in August through Transcending Obscurity Records.)

Santiago-based doom-death band Poema Arcanvs was born back in early 90s. They played some raw ideas under the monikers Garbage and Garbage Breed beginning in 1992 and until 1997 when they changed the band’s name to the one we know nowadays. South America was always a dark corner for doom fans, and I can name you two-dozen bands or even more which were born in the same period and remained in the deepest underground for years. Poema Arcanvs is another thing. They aren’t hyper-productive, but they were always somewhere near recording and releasing new material.

Their sixth full-length album Stardust Solitude saw the light of day on the 28th of August, 2020, according to Transcending Obscurity Records’ schedule. They kept their mark of delivering excellent sorrowful and epic doom death with a few raw edges as always, and this time Enzo Toledo granted Poema Arcanvs really killer artwork!

As a Poema Arcanvs member since its first days, Igor Leiva Benavides (guitars) is the right person to ask about Stardust Solitude and things which happen around the band nowadays. Continue reading »

BEST OF BRITISH 2020: BA’AL / COUNTLESS SKIES / CULT BURIAL

 Album Reviews  No Responses »
Nov 052020
 

 

(Here’s another installment in Andy Synn‘s long-running series of reviews devoted to releases by bands from the UK, where he’s based.)

Oh, what big plans I had for this week. I was going to write so much more for the site, about so many different bands/albums, some new, some old, that it was going to take most of you another whole week just to get through it all.

But, as it is wont to do, life got in the way, with work pressures and some last-minute setbacks in preparation for filming our next music video taking up more and more of my time (and adding more and more stress) with every passing day.

Still, things have slowly started to ease off now, meaning I’ve got just enough time to sneak in a brand new entry of “The Best of British” for you all to enjoy going into the weekend. Continue reading »

NCS PREMIERES FOR USTKARA GHOST’S “CONSUMING THE ABYSS”

 Album Reviews, Premieres, SHORT BUT SWEET  No Responses »
Nov 052020
 

 

What do you think would happen if two such doom maestros as Daniel Neagoe (Clouds, Aeonian Sorrow) and Shaun Macgowan (My Dying Bride) were to join forces in a new musical project? Well, you need not engage in too much speculation, because that is in fact what they have done, and we have the results for you right now.

Under the name Ustkara Ghost they have completed work on a debut album named Consuming The Abyss that’s being released today, and to help spread the word we present a full stream of the album, as well as the debut of a lyric video for its longest and most multi-faceted song. Continue reading »

ABHORRENT CASTIGATION: “ON THE SHORES OF HELL”

 Album Reviews, SHORT BUT SWEET  No Responses »
Nov 052020
 

 

(This is the final installment in a seven-record review orgy by our man DGR, who is attempting to free his mind for year-end season by clearing away a backlog of write-ups for albums he has enjoyed in 2020. Today’s subject is a new EP by the German band Abhorrent Castigation, which was released in late August.)

It has been a little while since I’ve found a band by falling into the social media vortex of going from band to band to band, exploring who was playing shows with whom, who is showing up in various band recommendation segments, etc., and Germany’s Abhorrent Castigation were a result of such an adventure.

I’ve mused a few times in reviews this year about groups that I feel get slid across my metaphorical desk because someone listened to them and went ‘oh, I know exactly who to give that to’. Well, the opposite happened with Abhorrent Castigation. I listened to their new EP and knew that had it not crossed my desk, they would’ve eventually found their way on here anyway because they have appeared on this very site before – granted, way back in the yonder days of 2014, but still. It’s a good bet that eventually they would’ve appeared fully formed out of the mist once again, bringing their hybrid of brutal death, grind, and slam as all hell. Continue reading »

AN NCS PREMIERE: GOATCRAFT (A TRACK FROM “MEPHISTOPHELIAN EXORDIUM”)

 Premieres  No Responses »
Nov 042020
 

 

We first began writing about Goatcraft at our site nearly seven years ago, and have continued following the progress of the music ever since. But the story of Goatcraft’s musical evolution began long before that. The project’s sole creator, who goes by the name Lonegoat, was trained as a classical pianist. As a young teenager he was guided into extreme metal by an older friend, taking the first steps on a long journey that eventually led to his creation of the “necroclassical” sounds of Goatcraft.

Along the way, at the age of 20, while living in Tampa, he played with Mike Browning (Morbid Angel, Nocturnus) in a project called After Death. Due to changed circumstances, he decided to join the U.S. Air Force. After his honorable discharge (and a time being stuck in Japan due to bureaucratic snafus), he returned to Tampa and delved deeper into the metal scene. After moving to Texas, where he had spent time in his earlier years, he began working with musicians from the San Antonio bands Plutonian Shore and Emperial Massacre. As he has explained:

“It was here that I realized that my idiosyncratic style had advanced into something entirely different than what most band formats would permit. Mike Browning had advised me to create an all-keyboard project, and this advice is what ultimately birthed the idea of Goatcraft. I came to terms with the fact that in order to reach my vision of piano- and keyboard-driven of music, I would need work by myself to turn that vision into a reality.” Continue reading »

CARACH ANGREN: “FRANCKENSTEINA STRATAEMONTANUS”

 Album Reviews  1 Response »
Nov 042020
 

 

(This is the sixth installment in a seven-album review orgy by our man DGR, who is attempting to free his mind for year-end season by clearing away a backlog of write-ups for albums he has enjoyed in 2020. With one exception we’ve been running these on consecutive days, and today’s subject is the latest album by the Dutch metal band Carach Angren, released in June by Season of Mist.)

Carach Angren armed with a budget is proving to be a dangerous thing indeed.

I can’t claim to have gotten in on the ground floor with these ghouls, but I can say that I showed up pretty damned close to it and have been following the group since then. It’s been fun to watch as they’ve grown in stature and advanced their career while at the same time maintaining a fair share of ‘camp’ in their music. Continue reading »

AN NCS INTERVIEW: PULCHRA MORTE (JARRETT PRITCHARD)

 Interviews  No Responses »
Nov 042020
 


photo by Jeremy Miller

 

(Wil Cifer, who usually contributes reviews to our site, brought us this new interview with Jarrett Pritchard of the death/doom band Pulchra Morte, whose second full-length, Ex Rosa Ceremonia, will be released on November 6th by Transcending Records.)

I caught up with Jarrett Pritchard guitarist of Pulchra Morte (also in Eulogy, Brutality) to discuss the making of and inspiration behind their new album Ex Rosa Ceremonia and making music in these pre-apocalyptic times. The band’s line-up also includes Adam Clemans (Skeletonwitch, Wolvhammer), John Porada (Wolvhammer, Abigail Williams), Clayton Gore (Eulogy, Harkonin), and Jeffrey Breden (Leagues Below)

******

The new album drops in a few days, on the 6th. I know you have two new members for this album. Did this occur before or after the writing process for the album was under way?

After framed out. Jeff the other guitarist is our riff machine. He posts them on a server for Clay and I to structure. From there we throw it back and forth . So they came in with this canvas under way. We did not want talking heads, and wanted them to of course write their own parts to it. Continue reading »

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