Apr 092021
 

 

Following on from a brief first demo independently released in 2019, the German band Crypts (which features former members of Mourning Caress, Warhead, Savagery, and Black Space Riders) released their debut album Coven of the Dead last month through the charmingly named German label This Charming Man Records.

That album quickly proved that Crypts have developed a mastery of an old style of death metal spawned at the end of the ’80s and the early ’90s — a style epitomized by such bands as Autopsy, Bolt Thrower, Morgoth, and early Entombed (among others). It’s a stripped-down, viscerally compelling, and yet atmospherically evocative style, and though Crypts haven’t reinvented the wheel, they’ve kept it moving with crushing power and sharpened it to a lethal edge.

For those who haven’t yet discovered the gruesome, bone-smashing power of that album, we have for you today a great enticement for it — the premiere of an official video for the song’s horrifying title track. Continue reading »

Apr 092021
 

 

In December 2018 the Romanian black metal band Genune released their debut album, Cern Sol. Lyrically, the songs were preoccupied with time — “focusing on the inevitability of death and its distressing effects on us, the encompassing, unstoppable sense of decay that seems to affect everything, but also on the impression of moments experienced in the past, which linger in the mind years later, the remembrance of warmth and on a need to be alone, away, reflecting”. In the music, Genune did not limit themselves to the usual black metal tropes, instead drawing in elements of post-metal and neo-folk to weave their multi-colored, multi-textured tapestry of sorrow, anguish, remembrance, and regret. I attempted to sum up here the spellbinding experience this way:

“The album trip as a whole is like falling into a dream, and while there are bright and even hopeful vistas that pass before the mind’s eye in listening, it’s largely a dark dream in which the shades of lost souls and lost happiness are never far away, and in which anxiety and pain vie in battle with defiant resilience, and are more often than not victorious.”

Now Genune are returning with a second album, this one entitled Inert & Unerring. The core trio of guitarists Dragos Chiriches and Cosmin Farcau and vocalist/bassist Istvan Vladareanu are still in place, but have proceeded without their drummer on the first album, Daniel Neagoe. Their musical approach is not radically different from Cern Sol, but it is certainly no less powerful and captivating. It is, indeed, another triumph, and thus we’re honored to present today a song from the new album named “Eastern European Discontent“, accompanied by a beautifully made video that helps bring to life the harrowing and heartbreaking  subjects that inspired the song. Continue reading »

Apr 082021
 

(Andy Synn closes out the week a little early by throwing on the new record from India’s Moral Collapse)

Let’s be honest about something – music writers, especially Metal music writers, are often an inherently insular, introverted, slightly egotistical, group. We’d have to be, after all, to think that anyone wants to read our rambling opinions in the first place!

On the positive side, these little cliques, cults, and covens that we form are often extremely supportive places, characterised by a certain level of mutual respect and empathy fuelled by our shared experiences.

On the other hand, they do occasionally engender a certain amount of “group think”, where one writer (or group of writers) publishes an opinion or analysis which, for whatever reason (often simply because people don’t want to be seen attacking or undermining their cohorts) sets the tone for everyone else going forwards.

It doesn’t mean they’re necessarily wrong, but it does often result in certain ideas and assumptions being codified as “fact” and makes it difficult for alternative viewpoints to get a word in edgewise.

Case in point, some of the hype that’s been built up around the recently-released debut album from Indian duo Moral Collapse might have you believing that this is the most mind-bending, head-spinning record since… name a band/album/date… but the truth is it’s not quite as complex or crazy as its been made out to be.

It is, however, very, very good.

Continue reading »

Apr 082021
 

 

More than 15 years after their first formation and almost five years after the release of their debut album Infinite Circles, the German death metal band Betrayal are returning with a second full-length, set for release on April 16th via Rising Nemesis Records. Not surprisingly, over such a span of years the band’s line-up has changed from time to time, and their music has evolved as well, leading to a formulation of death metal that has become strikingly multi-faceted.

For example, the advance press recommends their new album Disorder Remains for fans of Misery Index, Revocation, Death, Behemoth, and Decapitation, and also refers to the band’s incorporation of thrash, technical, and progressive elements, as well as old-school death metal traditions. But those references don’t exhaust the extent to which Betrayal have allowed their creativity free rein, as you’ll discover through the dark, intense track we’re premiering today, the name of which is “Greed and Oblivion“. Continue reading »

Apr 082021
 

 

Every year brings debut releases from up-and-coming bands that put a jolt of electricity into hungry fans and fortify the conviction that heavy music is alive and well. That’s already happening in 2021, bolstering those of us who believe that, for whatever reason, metal is in the midst of another Renaissance.

Having said that, we all get just as big a jolt from the return of bands who’ve given us thrills and chills in previous years, and that’s definitely true of the UK group Ninkharsag.

Andy Synn reviewed their 2015 album Blood of Celestial Kings for us, acclaiming it as a proud standard-bearer in the lineage of such bands as Dissection and Absu: “They’re not afraid of a big, bold, brutally effective hook when they come across one, as the nine songs which make up their debut album are positively bursting at the seams with brash, full-throttle riffs and coldly intoxicating melodies… as well as a hefty helping of pure blackened spite and vitriol”. Continue reading »

Apr 082021
 

 

(Nathan Ferreira brings us this review of the new album by the black metal band Rampancy from London, Ontario, Canada — out now via Mutual Aid Records.)

It’s not often I get the chance to write about music from my neck of the woods, much less black metal – London, Ontario’s got a passionate but small metal scene for a city with a population of almost 400,000, and generally the inhabitants are more partial to thrash, groove and melodic death metal, as is evidenced by most of the bands that come out of here. Some examples of the more widely known ones: Kittie, Baptized in Blood and Thine Eyes Bleed. It’s not known as a well of growth for the more extreme tendrils of the music I crave constantly.

Amidst this nebulous and fragmented landscape, there’s been one constant consistently cranking out noisy, despondent extreme music for almost a decade now: Preston Lobzun, a.k.a. Oculus Tod, the sole curator and musician behind all of the instruments you hear on Rampancy’s third full-length album, Coming Insurrection.

Oculus has a handful of different projects he contributes to, most notably Saudade and Odol, and has piled up dozens of releases to his name, in addition to recording and mixing credits for countless other bands – but Rampancy is his only solo venture, and you could make the case it’s what he saves his most groundbreaking ideas for. Continue reading »

Apr 072021
 

 

Margaret Renkl wrote two days ago in The New York Times, in an essay about poetry: “[I]sn’t our own impermanence the undisputed truth that lurks beneath all our fears and all our sorrows and even all our pleasures?… Carpe diem is the song the poets have ever sung, and it is our song, too”. And then she quotes lines from “The Kingfisher” by the late, great Mary Oliver: “I think this is / the prettiest world — so long as you don’t mind / a little dying.”

Ah, but as Hamlet mused, there’s the rub: There’s always the dying, and we know not what dreams may come in the sleep of death, or if any will. Which brings us to the musings of vocalist Daniel Neagoe that accompany the new album by the funeral doom masters Aphonic Threnody, The All Consuming Void:

“There is darkness everywhere, in the serenity of our thoughts, deep encompassed into our very beings, on the endless canvas of our dreams. There is darkness inside the soil beneath our feet and in the heavens above us. A fading, tenebrous gloom enshrouded in suffering and mist, in the coming of time to pass once more guiltless and ignorant. There is a void, all-consuming and ruthless, an emptiness which expands to the very core of our souls, imploding, thundering and monstrous. An impending prophecy that stands the sands of time.” Continue reading »

Apr 072021
 

 

Most people probably know the Genesis tale in which Lot and his family escape the destruction of Sodom, and Lot’s wife is turned to a pillar of salt after violating a divine command not to look back at the city. Lesser known is the subsequent story of what happened when Lot and his two daughters took up residence in a mountain cave. There, after becoming drunk, Lot has sex with them, eventually leading to the births of the incestuous offspring Moab and Ammon.

The Danish death metal band Shadowspawn have taken this tale as the subject of the song we’re premiering today through a lyric video, a song off their new album The Biology of Disbelief, which will hit the streets on April 16th via Emanzipation Productions. The band introduce the track in these words: Continue reading »

Apr 062021
 

(Andy Synn keeps the ball rolling with a review of the recently-released third album from Russia’s Crust)

Sometimes, if you’re really lucky, an artist will produce an album which seems like it was tailor-made just for you.

Every song strikes a chord, every track touches a nerve, and every piece of the puzzle just fits so perfectly that you’d think the band was actively capable of peering directly into your brain.

It’s always exciting, especially when the band in question has a deeper discography for you to dig into too, as was the case when I stumbled across the new album from Russia’s own Blackened Sludgelords Crust recently, as not only did I instantly fall head over heels in love with the group’s hypnotically grim and humongously groove-laden sound, I was also compelled to go and pick up their entire physical back-catalogue (along with their entire digital discography) as part of last week’s #BandcampFriday.

And while I originally intended to save writing about these guys until the end of the month (as part of the next edition of The Synn Report) I quickly realised I couldn’t wait that long to lay out just why Stoic has become one of my favourite albums of the year so far.

Continue reading »

Apr 062021
 

 

Ever since discovering VEGAS (aka VVEGAS and V.E.G.A.S.) through their four-song EP Sagevisule in 2014, I’ve been repeatedly transfixed by their music. In their own words, their shifting amalgams of metal and hardcore embrace the “confrontational nature of Japanese punks G.I.S.M. via early-80’s ferocity of LIFE’S BLOOD & apocalyptic tenets of bands like INTEGRITY“, but passing time has seen them draw in other ingredients as well. The inability to predict exactly what they will do from release to release is part of the attraction — along with the persistently visceral intensity that burns at the core of every recording.

They also don’t let much grass grow beneath their feet. Their most recent album …not ever appeared last summer, but they’ve already been hard at work on a new one. Hints of it surfaced through singles that were scattered through the remaining months of last year, and most recently in a track named “Recovery” that was released last month. But we’ve been privy to even more of what the new album holds in store, with an advance peak at 10 pre-mastered tracks (four more are also in various other stages of completion). Continue reading »