AN NCS SPLIT PREMIERE: HERESIARCH AND ANTEDILUVIAN — “DEFLESHING THE SERPENT INFINITY”

 Album Reviews, Premieres, SHORT BUT SWEET  3 Responses »
Jul 272020
 

 

Both New Zealand’s Heresiarch and Canada’s Antediluvian have already elevated themselves high up in the global pantheon of ruinous blackened death metal. It seemed inevitable that the day would come when they would join forces, and that day has arrived. They have combined their terrifying talents in a new split release named Defleshing the Serpent Infinity, which will be released on July 31st by Iron Bonehead Productions.

The split reveals both bands at the height of their powers, and displays what makes their particular forms of assault on the senses different from each other. Moreover, the split has been used as a vehicle for both bands to engage in experimentation, coupling forms of nightmarish ambient music to their more unhinged and apocalyptic sonic attacks. Today we make public the split in its entirety, preceded by a slightly revised version of a review we published weeks ago. Continue reading »

SHADES OF BLACK (PART 2): PANZERFAUST, KALL, LUNE, GLEMSEL, ETERNAL BLOODSHED

 SHADES OF BLACK  5 Responses »
Jul 262020
 

 

For Part 1 of today’s column I picked a handful of individual songs and videos that were loaded with head-moving hooks, but still preserved a feeling of sinister menace. In this part I’ve gone in a different direction… though I’ve gone back in the other direction with the last selection. I’ve started with an advance track from a forthcoming album, and then focused on four complete releases, though a shortage of time has driven me to provide mere sketches instead of more thorough-going reviews.

PANZERFAUST

To begin, I’ve chosen “The Snare of the Fowler“, the second single from the new album by this stand-out Canadian band. Grim are the lyrics, ending with the statement: “There is no redemption arc in the records of eternal truths. Just an endless sequence of cross-currents to the terminus of all paradises lost”. But who with eyes to see could possibly deny that bitter arc, or the sentiments expressed in a preceding lyrical passage: Continue reading »

SHADES OF BLACK (PART 1): ROTTING CHRIST, RAVEN THRONE, FINNTROLL, BLACK ROYAL

 SHADES OF BLACK  6 Responses »
Jul 262020
 

 

The last 10 days have been rough. I mentioned last weekend that the virus had claimed the life of someone I was very close to, and my day job has simultaneously become very demanding. The combined impact has stressed my work at NCS. Just haven’t had the time or mental health necessary to plow through all the new music that is somehow still managing to come out.

For the first time in an unusually long time, I did do some updating of my out-of-control listening list yesterday, and checked out some of the more recent entries that I thought might be suitable for this column. I also re-listened to a few things I’d intended to write about before calamity struck. From those excursions I made selections that I’ve divided into two parts. The way I divided the groupings makes musical sense to me, but who knows if it will make sense to anyone else. Part 1 includes individual songs and videos; there are a bunch of full album streams in Part 2.

ROTTING CHRIST

My memory is spotty at the best of times, but I’m pretty sure that at least once before here at NCS I’ve mentioned that Rotting Christ were the first band who opened my eyes to black metal. That was about 13 years ago. Before that I’d dabbled a bit in the genre but wasn’t hooked, and then I discovered Theogonia, and the rest is history. Speaking of history, after being wowed by Theogonia I traveled further back and listened to some of RC‘s earlier output, including 1994’s Non Serviam, whose opening track was a song named “The Fifth Illusion“. Continue reading »

AN NCS PREMIERE: WILLS DISSOLVE — “ECHOES” (AN EXCERPT)

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Jul 252020
 

 

In 2018 Houston-based Wills Dissolve released their debut album, The Heavens Are Not On Fire…. Conceptually and lyrically, it was based on the Leonid meteor shower of November 1833, the first great meteor storm of modern times, in which hundreds of thousands of extraterrestrial projectiles blasted through the atmosphere per hour. In rural West Texas (as in other locales), it was mistaken as a sign from God, followed by destruction.

As fascinating as the concept was, in its meditation on religion, violence, and cosmic chaos, so too was the music. As our own Andy Synn wrote, it is “a phenomenal piece of Prog/Death wizardry….” “Clocking in at a mere five tracks but still supplying over forty-five minutes of spellbinding metallic magic, Wills Dissolve have produced something here that’s equally influenced by Edge of Sanity and Opeth as it is Isis and Neurosis, yet which effortlessly stands out as its own unique entity through a delicate blend of ambitious songwriting and artful execution.”

And now Wills Dissolve are returning with their second full-length, Echoes, which is a single 31 1/2 minute track. No sophomore slump here, once again the album turns out to be both conceptually and musically fascinating. Continue reading »

IMPERIAL TRIUMPHANT: “ALPHAVILLE”

 Album Reviews  3 Responses »
Jul 242020
 

 

(Here’s Andy Synn‘s review of Imperial Triumphant‘s new album, which will be released on July 31st by Century Media Records.)

There is absolutely no doubt in my mind that Vile Luxury, the career-defining 2018 release from Avant-Black trio Imperial Triumphant, is a modern-day classic.

Unorthodox, unconventional, and uncompromising to a fault, its fusion of moody soundscapes, abrasive, blackened belligerence, and free-wheeling, jazzed-up instrumentation sounded like nothing else at the time, and still has very few peers or rivals today.

Such success, however, can easily be an albatross, a noose, a shackle, and it raises the question – how does any band, any artist, respond, react to, or reject, the pressure to follow up such a magnum opus?

The answer of course, is that they go bigger, go bolder… they go back in time and back to the future… they go to Alphaville. Continue reading »

AN NCS VIDEO PREMIERE: SHATTER BRAIN — “LOREM IPSUM”

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Jul 242020
 

 

March 2020. Not so long ago, really, but the world was so different then that it seems like another era, or at least the beginning of a new era, as in fact it was.

In the middle of that month we premiered a video for a song named “Talk In Fear” off Pitchfork Justice, the then-forthcoming new album by Shatter Brain from Adelaide, Australia. Even then, the video already seemed like something from a by-gone day… a day when people could congregate in a bar and cause trouble. Even then, people were beginning to be limited to the internet as an available place for making trouble (and then they got to go to bars again, and now look how much trouble that has caused). The video also proved that Shatter Brain are probably a hell of a lot of fun to watch on stage, though in March it was mighty uncertain when they’d get to do that again.

Now here we near the end of July. Pitchfork Justice has been released (by Wormhole Death/Aural Music). And lo and behold we have another Shatter Brain video for you. This one, however, was made under the constraints of the pandemic. It’s still loads of fun to watch, and the music still kicks ass. The song this time, also off Pitchfork Justice, is “Lorem Ipsum“. Continue reading »

AN NCS PREMIERE: SCORDATURA — “DISEASE OF MIND”

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Jul 242020
 

 

On September 25 Gore House Productions will release Mass Failure, the third album by the Scottish death metal band Scordatura. We expect neither delicacy nor mercy, but instead the kind of brutish and blistering treatment that our pathetic world so richly deserves. Based upon the first single from the album that we’re premiering today, “Disease of Mind“, those expectations will be fulfilled.

Where did those expectations come from? Let’s remind you: Continue reading »

AN NCS INTERVIEW: RALF SCHEEPERS (PRIMAL FEAR)

 Exceptions to the Rule, Interviews  1 Response »
Jul 232020
 

 

(On July 24th — tomorrow — Nuclear Blast will release Metal Commando, the new 13th album by the German power metal band Primal Fear, and in anticipation of the release DJ Jet interviewed the band’s co-founder and frontman Ralf Scheepers — which we now present.)

 

Hi Ralf this is Jet of No Clean Singing how are you doing today?

-I’m good, thanks how are you? Thanks for having me here.

 

So Ralf you started Primal Fear back in 1997 — what were the early days like for the band?

-Feeling very fresh haha. So the early days were somehow like being very excited about doing something new, and as we came from different bands, like Sinner existed of course and I came from Gamma Ray, so for me it was just an initial start point to somehow continue my career with a new band. That was just amazing for me. So yeah it felt really good to write music again, to write heavy metal again the way we love it, it’s just great. Continue reading »

VOLTURYON: “XENOGENESIS”

 Album Reviews  2 Responses »
Jul 232020
 

 

(DGR reviews the new album by the Swedish death metal band Volturyon, which ViciSolum Records will release on July 24th.)

When it comes to death metal out here in our private corner of the far reaches of the internet, we’ve often found our fair share of comfort in the caveman-striking-rock aspect of the style. We’ve celebrated this ideal as being appropriately ‘stupid’ and embraced it. If you’re looking for chin-stroking and thought-provoking versions of the genre, you can look at other groups, and we’ve done our best to warn you what you’re in for, early on in our reviews, when it comes to those more primitive assaults. Sometimes, it’s been tempting to just post album art and have a review play out as the written equivalent of the Dead dove do not eat scene from Arrested Development.

The death metal collective Volturyon fall firmly in the caveman camp musically, although the band are a decidedly more modern take on the blastbeat-happy chainsaw riffage of current death metal than they are the classic hammering thud of death and roll – yet you can glance at the group’s collected album and EP artworks over their career and have a pretty good picture of what the crew sound like.

Which is why it’s nice that on the group’s newest album Xenogenesis – their first with vocalist Mikko Voutilainen handling monster noise duty – there are a handful of nuanced and subtle takes on current world events, approaching issues from a multitude of angles, recognizing the grey area that is often called ‘the truth’, and speaking on the economic impact these sorts of things can have on the…. just kidding. There’s a song on here called “World Pandemic” and if you’ve glanced at the album art and remembered what we were discussing in the opening paragraph then you know exactly what the song (and from a broader perspective, the musical stylings of Xenogenesis) are going to be about. Continue reading »

AN NCS EP PREMIERE (AND A REVIEW): VERVAL — “BEELDENSTORM”

 Premieres  4 Responses »
Jul 232020
 

 

In early 2018 the Dutch atmospheric black metal band Verval opened a lot of eyes with their debut album Wederkeer. They didn’t pave the way to that full-length release with a sequence of demos or other shorter works, but simply sprang into being, though the album was the culmination of years of effort. Now this talented duo are returning with an astonishing new EP named Beeldenstorm. It will be released on July 24th — tomorrow! — but you’ll have a chance to become immersed in it today as we present a full stream of its three significant tracks, which together total almost 25 minutes of music.

Verval‘s two members — R. Schmidt (bass, cello, guitars, vocals) and drummer W. Damiaen — have been key participants in many other noteworthy bands, including Wesenwille, Laster, Mystagogue, and Sea of Trees. Only two of them here, but on Beeldenstorm they sound like an army, and what they’ve created will take your breath away. Continue reading »

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