AN NCS INTERVIEW: STEELFEST 2020

 Interviews  No Responses »
Feb 102020
 

 

(Atlanta-based NCS contributor Tør is hoping to attend the 2020 edition of Steelfest in Hyvinkää, Finland, on May 15-16. This year the open-air festival will include such bands as Deicide, Sodom, Moonsorrow, Primordial, Venom Inc, Nifelheim, Impaled Nazarene, and many more. In this interview, Tør spoke with Steelfest founder Commander.)

 

Tell us a little bit about the concept and history behind Steelfest. What motivated you to organize it and how is it different from other metal festivals?

Steelfest started over a decade ago, 14-15 years ago, as a private “festival.” In the beginning, it was just local bands, friends, and lots of beer. I think in the first few events, there were more band members than the audience. So just the normal underground activity as usual.

I don’t remember how it happened but one day we just decided to change the venue and try to sell some tickets. We didn’t really think about what kind of bands or genre we wanted to focus on. We just invited bands what we liked at the time, and of course those we could afford to invite.  In the first years, we had seven guys doing this and it really showed in our lineups. So, we didn’t have much of a [cohesive] idea about what we were doing or what kind of festival we wanted to do.

Nowadays, there are just two guys including me behind our events. So in the last four or five years we have founded the path that Steelfest is now on. As we concentrate on the underground and extreme side of black/death metal and other obscure controversial stuff, I would like to think that Steelfest is different because of its whole atmosphere. Atmosphere made by the venue, bands, audience and all of Steelfest’s volunteers crew. Usually, Steeefest includes some rare artists which you cannot find in other festivals. So maybe that also is something that is unique to us and what we are known for. Continue reading »

SHADES OF BLACK (PART 2): SCÁTH NA DÉITHE, ERGHOLAE SOMPTATOR, KANGEHEET, PAGANLAND

 SHADES OF BLACK  6 Responses »
Feb 092020
 

 

Well, I did manage to complete Part 2 of this column in time to get it on the site before my NCS time ran out today. However, I did have to make a few compromises because of the shortness of time. For one thing, I had planned to present four full releases, but replaced one of those with a couple of tracks from a record that isn’t yet released. For another, I wrote much less about the first release below than I had wanted to. So it’s another case where the music will mainly have to speak for itself, with my role limited to (hopefully) inducing you to listen.

SCÁTH NA DÉITHE

I reviewed this Irish band’s debut EP in 2015, acclaiming it with words such as these:

“Structured with plenty of twists and turns into new regions of a phantasmic soundscape, this EP is never dull despite the length of the two longest songs. The time passes before you know it, you blink yourself out of a doomed reverie, and you wonder where you are.”

Continue reading »

SHADES OF BLACK (PART 1): …AND OCEANS, LIVING GATE, ARS VENEFICIUM, ENEPSIGOS, ARCADA

 SHADES OF BLACK  4 Responses »
Feb 092020
 

 

I have significant ambitions for this Sunday’s column, but it’s only half-written, and you know how ill-advised it is for me to announce a two-part thing when the second part is just swimming in my head instead of securely captured on a hard-drive. But I never learn, no matter how hard-taught the past lessons, and not just when it comes to blogging (yesterday’s day-long hangover proves that).

Anyway, I can confidently state that Part 1 of this post includes advance tracks from five forthcoming records. Less confidently, I can say that Part 2 will include four complete new releases.

…AND OCEANS

“Well I have to admit to never having heard of …and Oceans before, and also admit to mainly being drawn to listen to this track based on the click-worthy cover art. But I’ll just say this is infectious like the plague.”

That was the message I received from our old pal Booker last week concerning “The Dissolution of Mind and Matter“, an advance track from this Finnish band’s new album, Cosmic World Mother. Somewhere up above that message in our nightmare of an in-box I found the link for our promo of the album, which I will soon explore. Continue reading »

WAXING LYRICAL: RORCAL

 WAXING LYRICAL  1 Response »
Feb 082020
 

 

(After a months-long hiatus, Andy Synn has brought us a new episode in this series devoted to lyrics in metal, revealing the thoughts of Yonni Chapatte, vocalist of the Swiss band Rorcal and of the band Kehlvin.)

In case you haven’t noticed I am a HUGE fan of Blackened Sludgemonsters Rorcal.

Just read my write-up of their most recent album, Muladona, in my Critical Top Ten list from last year if you don’t believe me!

Heck, if not listening to the band myself I’m probably extolling their many virtues to someone else, trying to get them to do so, and anyone who counts themselves a fan of artists like Inter Arma, Lord Mantis, Phantom Winter, or Dragged Into Sunlight should make sure to blitz their way through Rorcal’s back-catalogue ASAP.

Before that, however, you might want to give the following article a read, where the band’s vocalist, Yonni Chapatte goes into great detail about his background, his methods, and the various concepts which underpin Rorcal’s work. Continue reading »

AN NCS PREMIERE: KOLOSSUS — “JOURNEY”

 Premieres  No Responses »
Feb 072020
 

 

Although the solo project Kolossus has sprung from the mind of a vocalist and multi-instrumentalist (Helliminator) who is located in Italy, he has drawn his inspirations from such northern bands as Taake, Enslaved, Emperor, and Helheim, and has devoted himself to the creation of Black/Viking Metal. After a split (The invocation of Makt) with Manon was released in 2019, Kolossus has now recorded a debut album called The Line of the Border, which will be co-released on March 19th by Satanath Records (Russia) and The Ritual Productions (Netherlands).

For this debut full-length, Helliminator composed the songs and the lyrics, and performed vocals and all instruments other than the drumming, which was executed in astonishing fashion by Emanuele Prandoni (Anamnesi, Simulacro, Ancient). The album also features two guests on particular tracks, with Vicotnik (of Dødheimsgard, Ved Buens Ende) contributing vocals on the album’s first preview track, “Norge“, and a musician named Daisy who performs solo guitar on the track we’re about to premiere — an explosive song named “Journey“. Continue reading »

AN NCS INTERVIEW: KONVENT

 Interviews  2 Responses »
Feb 072020
 

 

(Our Russian friend Comrade Aleks caught up with a rising star within the Napalm Records roster, and co-produced this engaging interview with Heidi Withington Brink, bassist of the Danish band Konvent, whose debut album was released by Napalm Records late last month.)

The modern death-doom scene is overcrowded with a host of bands – both old and new. Sometimes it’s hard to find something different, but you’ll remember Konvent for sure.

Formed in Copenhagen back in 2015, this all-ladies band provides thick, powerful stuff with inhuman growling vocals and a low vibe. They aren’t that brutal, like Derketa for example, but they’re remarkably heavy and depressive.

Konvent’s debut full-length Puritan Masochism was released by Napalm Records on January 24th, and with the help of Mona Miluski we’ve caught the band right in the middle of their tour. Heidi Withington Brink (bass) provided comprehensive answers to all our questions despite the stirring life of spreading death and doom over Europe. Continue reading »

STONED GOD: “INCORPOREAL”

 Album Reviews  6 Responses »
Feb 072020
 

 

(This is Andy Synn‘s review of the just-released second album by the German band Stoned God.)

There’s a hoary old cliché (with, let’s be honest, some solid basis in fact) that the older you get the less open you are to new sounds and new bands.

Thankfully this hasn’t happened to me yet (and hopefully never will), but I must admit that the more music I’m exposed to the more I seem to be tightening up my standards (although some people still seem to think I like everything equally… which is definitely not the case).

What this means, of course, is that while I still have no issue celebrating and supporting albums which I think are worth listening to, even if they don’t necessarily hit the heights of true greatness, it generally takes something really special to excite me to the point where I start ranting and raving at anyone who’ll listen about how they have to listen to this band/album right now!!!

It doesn’t even need to be something that reinvents the wheel or changes the game – it can just be something that twists or tweaks, or otherwise iterates on, an existing formula in a fresh, exciting way – as long as it gets the neurons firing in that special way, that’s all that matters.

So, with all that in mind, I’d like to introduce you to Prog-Death powerhouse Stoned God. Continue reading »

AN NCS PREMIERE: AARA — “ARKANUM”

 Premieres  1 Response »
Feb 062020
 

 

The best music doesn’t all succeed in the same way. Some of it induces contemplation, setting your mind free to rediscover long-lost memories or to imagine what you might become. Some of it produces a physical reflex so compulsive that it’s irresistible (and you don’t want to resist). Sometimes it provokes such a powerful emotional response that it banishes whatever you were feeling before and transports you, without volition, into intense new feelings that last beyond the minutes of the music.

The song you’re about to hear by the Swiss black metal band AARA succeeds in all of those ways.

That song, “Arkanum“, opens their new album En Ergô Einai, which will be released by Debemur Morti Productions on the 3rd of April, and it’s also the first glimpse of the music that the public will have. As early glimpses go, this one is a stunner, and it happens to include an introduction created by Vindsval of Blut aus Nord. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): SONS OF A WANTED MAN — “KENOMA”

 Album Reviews  No Responses »
Feb 062020
 

 

Within the genre of metal (writ large), the musical hybridization of sub-genres is more common than it used to be. Even the inclusion of musical ingredients from beyond metal altogether is no longer rare. In fact, we might be somewhere near a zenith of cross-breeding and experimentation within our beloved genre.

As we all know, this doesn’t always work out well. Sometimes it produces music that seems bolted together without much regard for the ultimate effect, or lacking any apparent reason. Like the sight of Frankenstein’s monster, we can still see the livid sutures, and would rather turn away with a shudder than embrace it.

But when genre-splicing does work, when the disparate ingredients are harnessed together according to a well-thought-out design in order to create a richness of emotional impacts that would be difficult to achieve in a different way, given the particular interests of the musicians, the results can be unusually powerful and engrossing. The new album, Kenoma, by the Belgian band Sons Of A Wanted Man, is a prime example of that kind of success. With great pleasure, we present a full stream of it today, on the eve of its release by Les Acteurs de L’Ombre Productions. Continue reading »

AN NCS INTERVIEW: VAMPYROMORPHA

 Interviews  No Responses »
Feb 062020
 

 

(Comrade Aleks brings us this tremendously entertaining interview (which delves into both horror films and The Kybalion as well as the music, with Michael “Jimmy” Imhof from the German band Vampyromorpha.)

You probably know that vampyromorpha isn’t only a bizarre kind of octopus, but also a power-heavy doomed duet from Würzburg, Bavaria.

Formed in 2014 by Fabian Schwarz (guitars, bass, drums) from a good number of bands including Runamok, Terrible Old Man, The New Black, and more, accompanied by Michael “Jimmy” Imhof (vocals, Hammond organ) of Lex Rhino, Naked Star, and more, Vampyromorpha released their debut Six Fiendish Tales Of Doom And Horror… in 2015. This strikingly refreshing combination of heavy powerful riffs delivered in mid and fast tempo, killer tunes, and old school macabre charms alongside expressive vocals telling real and fictional stories from the dark side of human lives is criminally catchy and truly remarkable.

Four years after, these gentlemen return with a second full-length work, Herzog, and that’s the thing we’re talking about with Jimmy tonight… That and horror movies. Lots and lots of horror movies. Continue reading »

 Older Entries  Newer Entries