Apr 252020
 


Rebel Wizard

 

My habit for a long time has been to stop posting things at NCS by around noon here in the Pacific time zone. At that point it’s getting into the late-night hours in Europe, where about half of our daily traffic comes from, and I usually need chunks of the afternoon to deal with work and personal business. But after sleeping for 10 hours last night and waking up much later than usual today, and then having to spend even more time getting my foggy head moderately clear, most of the morning was already gone.

I knew I wouldn’t get this post finished by noon — hell, I didn’t even start writing it until noon. But I thought, fuck it, if that noon-deadline rule comes from nowhere other than inside my own head, I can break it if I want to, even if a lot of people won’t see this until sometime Sunday.

The three Zoom happy hours I participated in yesterday, which began in the afternoon and went late into the night, prevented me from listening to any new music. And because I got such a late start this morning, I didn’t spend much time going through my list today either. But it was enough time to find and become satisfied with the following choices. Continue reading »

Apr 242020
 

 

More than 15 years ago Boreal, operating as a one-person project, wrote and recorded The Battle of VOSAD, a grand amalgam of dungeon synth, black metal, and doom that was released in 2006 by Eternal Warfare Records. All these years later, Boreal decided to resurrect that album and to re-imagine and re-record it, this time with a talented group of allies. In its new form, which includes mastering by Déhà and artwork by Inga Markstrom, it will be released on May 1st by Nebulae Artifacta (with a tape edition coming in July via Realm and Ritual).

The album, as it has been re-created, is the kind of immersive — indeed all-consuming — experience that kindles the imagination into a blaze, more like the stuff of dreams than of mundane earthbound days. And what magnificent and frightening dreams they are, transporting the listener into what seems like an ancient age or a mythic realm, there to bear witness to an otherworldly panorama of conflict, loss, and ascension on a vast scale. Continue reading »

Apr 242020
 

 

Get ready to witness one of the most stunning videos you’re likely to see this year, a rapidly changing panorama of reconstruction, deconstruction, and geometric juxtaposition in which the natural flow of time is up-ended. It is an ingenious, thrilling, and harrowing accompaniment to a song that also radiates all of those same qualities, and more. And it resonates with particular intensity in our current time, when everything we thought we knew about the world seems to be fracturing, to itself be deconstructing.

The song is “I See Through Stones“, and it appears on Brutalism, the first full-length by the French band Mur, whose six-person line-up includes former members of Today is the Day, Glorior Belli, Mass Hysteria, Comity, and Four Question Marks. The album was released last October by Les Acteurs de l’Ombre Productions, and this video and song provide a terrific reminder of why it’s a record you should explore without delay if you haven’t already. Continue reading »

Apr 242020
 

 

(Here’s Andy Synn‘s review of the debut album by the multinational European band Sinistral King, which is being released today — April 24th.)

Ah, the best laid plans of mice and men… how easily they go astray.

Case in point, I had, originally, intended to take today off from NCS work and leave this particular album until next week, where I planned to make it part of a six-album, Black Metal-focussed, round-up (which, just to be clear, I’m still going to do).

However at the eleventh hour I was struck with a sudden surge of inspiration, a compulsion to get this one written up as soon as possible, hence why I’m back again with my fourth review of the week.

The extra effort is all worth it though, because I can say, without a shred of hyperbole, that Serpent Uncoiling is one of the best Black Metal albums of the year so far. Continue reading »

Apr 242020
 

 

Here we come to the end of this alphabetized selection of new music from a dozen bands that I began yesterday with Part 1 and Part 2. Of course the flow of new metal didn’t stop after I picked these 12 earlier in the week, so it will soon be time to start over.

Because this is Friday, with three Zoom happy hours on my calendar, it will also soon be time to see how well I learned my lesson from last week, i.e., that if you drink for 7 hours straight on Friday night, Saturday will be a vast wasteland. But while I’m still able to write semi-coherently, let’s finish this round-up:

SLAGHEAD (U.S.)

Resolving Origin” is a single released on April 20 by the band Slaghead from Hampton, Virginia. Per the band, it’s “a song about how to use rabies and car crashes to travel in time and become a God (do not try this at home)”. I’m not sure I would have interpreted the lyrics that way without insight from the band, but regardless, the lyrics are great — and you should go read them at Bandcamp on the way to buying this single (for one U.S. dollar or more) — because it’s well worth having on your hard drive. Continue reading »

Apr 232020
 


The Path of Memory

 

On we go with today’s three-part mega-roundup, though it’s already late enough in our posting day that Part 3 will slip over into tomorrow.

As explained in Part 1, I alphabetized what I picked by band name, so we’re rolling on into the Ps and Rs in this segment (and in case you’re confused, I’m following the Chicago Manual of Style rules for alphabetization, in which introductory articles such as “a”, “an”, and “the” are disregarded).

THE PATH OF MEMORY (Switzerland)

The shimmering melodies in “Rancid Song” sound despairing, but that effect may also have something to do with the deep gothic vocals and the moody bass notes. The music is also haunting in its atmosphere, but don’t be misled — the slow-rocking, hard-hitting rhythms and that big bass tone will get you moving. A soundtrack for wandering alone, lost in gloomy memories, through vacant city streets lined with tall cold steel…. Continue reading »

Apr 232020
 

 

Four years after their second album, the Salvadoran band Conceived By Hate returns with another menacing and malignant full-length entitled Putrid Realms of the Occult. A nine-track release that’s as electrifying as it is monstrous, the album is now set for co-release on May 30th by Satanath Records (Russia) and Morbid Skull Records (El Salvador). Once again, the project’s mastermind Morbid is at the helm, performing guitars, bass, and vocals, and he is again joined by session drummer Iosif Najarro.

Having tweaked the production and growing even less tolerant of melody (and more focused on achieving a rabid sound), Conceived By Hate lashes together death metal, thrash, and black metal to create a musical juggernaut, but one that’s gruesome and horror-stricken as well as maniacally destructive. The song we’re premiering today, “Drowned In Tomb Mold“, is a riveting example of these features. Continue reading »

Apr 232020
 

 

(Here’s Andy Synn‘s review of the new album by the Polish band Koronal, which will be out on April 29th.)

It’s pretty common knowledge by now that we here at NCS Inc. tend to focus more on the underground, and underappreciated, bands and artists from the Metal scene.

That’s not to say we have anything against the bigger or more well-known names (heck, I’ve reviewed several of them myself over the last few weeks) but igenerally these bands, for the most part, don’t really need our coverage – in most cases they’ve already got the benefit of a label’s PR machinery and resources behind them, and even when they don’t you tend to find that they’ve already crossed a certain threshold, popularity-wise, which makes them essentially “too big to fail”.

It’s different for the smaller bands though, and it’s here where I/we generally feel like we can do the most good and make the most difference by introducing our readers to new bands, bands who they might not otherwise have stumbled across on their own, to them grow and establish their fanbase.

Over the years we’ve all developed particular favourites of our own – personally I’m still waiting for new stuff from Martriden, Sanzu, and Sunlight’s Bane, to name but a few – but I know I’m not the only one of us who has been looking forward to hearing more from Polish post-Meshuggah crew Koronal, whose superb second album is scheduled for release next week. Continue reading »

Apr 232020
 

 

Let’s get a couple of things out of the way, one obvious and another maybe not so obvious: Bastardizing the Purity is bestial black metal that’s unforgiving and unrepentant, and it will not appeal to great swaths of listeners, but rather will cut them down like wheat before the scythe. That’s the obvious point (and a point that could be made about everything we premiere — nothing will appeal to everyone, though admittedly the fanbase for this album is a much narrower cadre of adherents than usual). If it doesn’t appeal to you, that doesn’t mean there’s something wrong with you, but nor does it necessarily mean that there’s something wrong with the music of Blasphamagoatachrist (even though they do often sound psychotically barbaric). Different music serves different needs.

The less obvious point, or at least one less obvious to people who just have no taste for this kind of rampaging sonic warfare, is that it isn’t all alike. There are gradations of quality, just as there are for any other sub-genre of metal, not noticeable to people who want nothing to do with it but discernible to those whose needs this feeds. The rest of this introductory review is for the latter group of people. Everyone else can politely show themselves out, though you’ll be welcome to come back another day.

And by the way, if you’re perplexed by the band’s name, ask yourself this question: If you were members of Blasphemy, Goatpenis, and Antichrist, and you decided to join forces, what else would you call your collective endeavor? Continue reading »

Apr 232020
 

 

2020 has been a miserable year for hundreds of millions of people world-wide, but a great year for the Italian black metal duo Hornwood Fell (guitarist/vocalist/bassist Marco Basili and drummer Andrea Basili). On March 3rd they digitally released an 80-minute, two-part concept album named Cursed Thoughts. Since ten it has been picked up by Kadabra Music for a June 26 release in a 4-panel digipak CD edition, and no wonder, because it is a spectacular accomplishment that musically extends well beyond the (continually expanding) boundaries of black metal.

The first part of Cursed Thoughts (tracks 1-6) explores Les Fleurs Du Mal (“The Flowers of Evil”) by Charles Baudelaire, and the second part (tracks 7-13) takes the poems of Edgar Allan Poe as its inspiration. The band have explained: “We were inspired by two great poets who speak of human despair. Inner monsters and ghosts, horror and pain. Two authors with different voices, with whom we have imagined and played with, and made different musical lines with the intent of evoking human and earthly energies.”

We have already reported on the advance release of the song that opens Part 1 of the album (“The Joyous Defunct“), and today we have a lyric video for “The Giantess“, which closes Part 1. Continue reading »