Aug 132018
 

 

(In this post Andy Synn has packaged together six new reviews of six outstanding new albums across a range of metal sub-genres.)

I don’t know about you, but this year I’m finding it far harder than ever before to stay on top of all the new and upcoming releases proliferating throughout the Metalsphere.

Partially this can be attributed to the growing pressures of my day job, combined with the fact that I’m currently renovating my house and working hard on Beyond Grace album #2 (with an eye also turned towards future work for both Twilight’s Embrace and Apathy Noir too), but a lot of it is just down to this simple truth… there’s simply too much music, and not enough hours in the day, to cover it all.

Still, it wounds me to think of all the great (and good) albums and artists out there who our readers might otherwise be missing out on, so consider this another desperate attempt to redress the balance somewhat. Continue reading »

Aug 122018
 

 

There’s a reason why I chose SHADES OF BLACK as the title of this series many years ago, instead of something like BLACK METAL. It avoids debates about whether the music I choose to highlight is or isn’t that thing, and allows me to roam a bit more widely than I would even if I were just applying my own definition of what belongs in the genre, which in itself would still take us well beyond whirring guitars, blasting drums, and scalding shrieks. It allows me to choose the following collection of excellent new music without thinking too hard about it.

TEMPLE NIGHTSIDE

In 2013 the vaunted Australian band Temple Nightside released their debut album, Condemnation. They’ve released one other album since then (along with a couple of splits), in the shape of 2016’s The Hecatomb. Now, rather than releasing a full-length of entirely new material, they’ve re-recorded their debut album — although “re-imagined” is a better word for what they seem to have done. It makes sense that they would also commission new cover art, and they enlisted the abundant talents of Elijah Tamu for that. Continue reading »

Aug 122018
 

 

(TheMadIsraeli reviews the new third album by the French death metal band Exocrine, which will be released by Unique Leader Records on August 17.)

There’s a sort of hyper-manic, throw-in-everything-including-the-kitchen-sink school of death metal that, while adopted by few bands, has always been really appealing to me. The main two bands I think of when this approach comes to mind are the legendary hydro-grinders Cephalic Carnage and Cattle Decapitation since their reinvention, starting at Monolith Of Inhumanity. Cephalic Carnage have been out of the album-release game a long time especially, and I feel like they’re a definitely missed icon in extreme metal right now.

Exocrine, however, appear to be a band who’ve been working on usurping the throne of the legendary progressive technical death/grind behemoths by not only doing a convincing spin on the band’s sound, but taking the template Cephalic established and propelling it to an over-the-top extreme. Continue reading »

Aug 112018
 

 

(In this week’s edition of WAXING LYRICAL, Andy Synn presents the results of his interview with Sami and Tanner of long-time NCS favorites Oak Pantheon, whose new EP Sol was released last spring.)

Anyone who’s been a regular reader of NCS for any decent amount of time will undoubtedly recognise the name Oak Pantheon, as we’ve been writing about and supporting the band practically since their inception, and have covered practically everything they’ve released thus far, to a greater or lesser extent.

The one thing we haven’t really had much chance to go into detail about, however, is their latest EP, Sol, which sees them breaking from their established pattern and pursuing a calmer and more contemplative, Neo-folk-influenced sound.

Thankfully I was able to corral guitarist/vocalist Sami Sati and guitarist/backing vocalist Tanner Swenson to participate in this latest edition of Waxing Lyrical, where you’ll find a wide range of information about all stages of the band’s career, including the mindset and process behind their newest and most unusual release. Continue reading »

Aug 102018
 

 

(This is TheMadIsraeli’s review of the second album by the Finnish band Paara, released this past February by ViciSolum Productions.)

I personally feel like 2018‘s black metal game has been a bit lacking compared to 2017, which was a pretty stellar year.  Yeah, there’s been Horizon Ablaze and Shining, both two of the best albums of the whole year for sure, but at least for me my perusing for black metal has mostly turned up disappointing results — typical blatant first- and second-wave worship that drags on with repetition, horrible mixes, awful vocalists, relying on the novelty of the genre’s beginnings. For me, black metal is one of the most exhausting genres to explore because SO MUCH of it sounds the same and fails to pay tribute to the best aspects and results of the style.

Paara, on the other hand, is a very pleasant discovery. Continue reading »

Aug 102018
 

 

The Portuguese black metal underground is home to a connected group of musicians (who conceal their identities) known as the Aldebaran Circle. That circle includes such bands and projects as Ordem Satânica, Trono Além Morte (whose music we premiered here), a band named Occelensbrigg whose music I included in a round-up at the end of July (here), and a band named Espírito Aldebaran, whose 2017 demo I reviewed here.

But the member of the Aldebaran Circle I discovered first was Voëmmr. They (or he?) released a debut album, Nox Maledictvs, in the fall of 2017, and we presented its streaming premiere. Now we have the good fortune to announce and premiere a new Voëmmr demo named Sombr Moebrd in advance of its release on August 15th by Harvest of Death. Continue reading »

Aug 102018
 

 

It seems everyone these days is wearing a black hood, pulled down low so you can’t see the faces. Well, maybe not you (though with a face like yours, you should think about it). No, I’m talking about metal bands who want to add a sense of menace and mystery to their personas, in keeping with the menace and mystery of their music, or perhaps as a way of underscoring the message that “it’s not about us, it’s about the music — and if you didn’t notice, we don’t use names either.”

The Australian rebel wizard NKSV who has adopted the name Rebel Wizard doesn’t wear a hood. He obscures his face with the kind of hat Gandalf wore, pulled down low, brandishing a guitar instead of a wand. He’s also drunk on the wizdom of unicorn semen. Continue reading »

Aug 092018
 

 

(TheMadIsraeli returns to us after a hiatus with this review of the new album by Brood of Hatred, which was released on May 4th.)

I’ve returned from the abyss, and I’ve brought some artifacts from within.  Extreme metal with a melancholic slant has really been my jam this year. I loved the Barren Earth record, Horizon Ablaze delivered a titanic serving of despair and ferocity, and Obscura have released their best record to date, which incidentally in my mind also happened to be their most lamenting, melancholic release yet, while still being brutal, fast, and technical.  So, my first review returning is well… another offering on the morose melodic tilt. Continue reading »

Aug 092018
 

 

I mentioned late last week as I was headed off to New Mexico for the weekend that I’d be gone from Seattle all this week, too. And that has come to pass.

I’ve been in Atlanta since Tuesday for my fucking day job, cranking away from early to late, with little time to check out new music and even less time to write about it. To keep from falling abysmally far behind I threw together this round-up, but am too pressed by my job to write much about these new tracks and videos. You’ll like them anyway — at least I hope you will.

THOU

Yesterday Louisiana’s Thou released a video for a song called “The Changeling Prince” off their new album Magus (cover above), which will be released by Sacred Bones Records on August 31st. It was directed by Bryan Funck and Mitch Wells. Continue reading »

Aug 082018
 

 

(Today we have a rare weekday edition of SHADES OF BLACK for you, and once again we’re turning the column over to NCS supporter HGD, who has selected some black gems for your listening pleasure.)

While there’s not necessarily any real stylistic theme to these releases (as they all cover different aspects of black metal), there is an thread of finality that runs through all of them.

ONE TAIL ONE HEAD

The first item in this list is a new song from Nidarosian black metallers One Tail One Head. They announced recently that they would be relasing a debut album, Worlds Open, Worlds Collide, through Terratur Possessions on October 5. More importantly, this will also be the only full-length released by the band, as they have decided to go their separate ways after their upcoming European tour, with a performance in their hometown of Trondheim in December being their last. Continue reading »