(Earlier this week we were thrilled to premiere a full-album stream of the new Aborted album along with BadWolf’s review. Today the album was officially released, and to celebrate the occasion we now bring a second review by TheMadIsraeli.)
I spent a lot of time earlier this month listening to a fuck load of Aborted, particularly Global Flatline and the band’s new serving of carnivorous delight The Necrotic Manifesto, back-to-back on repeat. Global Flatline was a big deal for Aborted, earning them new fans and some return fans after a slew of albums that seemed mostly to have been met with indifference. I never really understood the dislike or luke-warm reaction to the band’s 2005-2008 output; I quite enjoyed it, but it didn’t exactly click with a lot of people. Global Flatline honestly may have been the band’s crowning opus since Goremageddon: The Saw and the Carnage Done. As a result, The Necrotic Manifesto is an album that puts the burden on these Belgian butchers of doing some extreme heavy lifting to maintain a consistency of quality.
Other bloggers I’ve talked with who’ve had advance access to this album all seem to have different takes on this record. Some feel it’s a continuation, a logical one, of Global Flatline while others think (as I do) that this has a much less refined, grittier, and more unrelenting flavor. I also feel that there is quite a bit more grind present, whereas I thought Global Flatline was a straight death metal album. The fact the band switched out guitar players has to be a huge factor, too; those who were replaced appeared on those last several records, including Global Flatline. I mean, you can’t really argue with who they now have in the ranks — Danny Tunker, who has quite a resume, and Mendel Bij De Leij, whose latest solo release I reviewed recently and who is Sven De Caluwe’s bandmate in System Divide. Yet I have to admit that I was curious about how these changes would affect the music. Continue reading »







