Apr 302014
 

(Earlier this week we were thrilled to premiere a full-album stream of the new Aborted album along with BadWolf’s review. Today the album was officially released, and to celebrate the occasion we now bring a second review by TheMadIsraeli.)

I spent a lot of time earlier this month listening to a fuck load of Aborted, particularly Global Flatline and the band’s new serving of carnivorous delight The Necrotic Manifesto, back-to-back on repeat.  Global Flatline was a big deal for Aborted, earning them new fans and some return fans after a slew of albums that seemed mostly to have been met with indifference.  I never really understood the dislike or luke-warm reaction to the band’s 2005-2008 output; I quite enjoyed it, but it didn’t exactly click with a lot of people.  Global Flatline honestly may have been the band’s crowning opus since Goremageddon: The Saw and the Carnage Done.  As a result, The Necrotic Manifesto is an album that puts the burden on these Belgian butchers of doing some extreme heavy lifting to maintain a consistency of quality.

Other bloggers I’ve talked with who’ve had advance access to this album all seem to have different takes on this record.  Some feel it’s a continuation, a logical one, of Global Flatline while others think (as I do) that this has a much less refined, grittier, and more unrelenting flavor.  I also feel that there is quite a bit more grind present, whereas I thought Global Flatline was a straight death metal album.  The fact the band switched out guitar players has to be a huge factor, too; those who were replaced appeared on those last several records, including Global Flatline.  I mean, you can’t really argue with who they now have in the ranks — Danny Tunker, who has quite a resume, and Mendel Bij De Leij, whose latest solo release I reviewed recently and who is Sven De Caluwe’s bandmate in System Divide.  Yet I have to admit that I was curious about how these changes would affect the music. Continue reading »

Apr 282014
 

(In this post BadWolf reviews the new album by AbortedThe Necrotic Manifesto — and we bring you for the first time anywhere a full stream of the album in its entirety.)

When you have a staff as wild as the NCS crew, it’s pretty difficult to arrive at anything approaching consensus. Between Islander, myself, Izzy and Andy, not to mention our various contributing writers, we like pretty much every style of metal (Note: that sentence, to anyone just casually reading this site, probably sounds completely absurd. You’re right. It’s totally absurd, but follow me). Concordantly, whenever there’s a record that every single one of us feels strongly about, it’s worth getting up and taking notice. One such record was Aborted’s 2012 rager, Global Flatline, which somehow wound up on every single one of our year-end lists. Maybe that’s why we have the privilege of streaming its successor, The Necrotic Manifesto, in its entirety for you below!

Aborted haven’t messed with their formula much in the last two years, which is good; why mess with perfection? The Belgian five-piece combines gory death metal with hardcore and grindcore influences as well as anybody else. If you wanted, you could call them a deathcore band, but why would you want to? Their approach doesn’t rely on big, meaty breakdowns to carry otherwise limp songs. Sure, there’s a massive bruiser at the end of “The Davidian Deceit,” but the three minutes leading up are chock full of squealing guitar runs and lock-step grooves as well. Continue reading »

Apr 142014
 

Belgium’s Aborted will be delivering their new monstrosity Necrotic Manifesto via Century Media on April 28 in Europe and April 29 in North America (available for pre-order here). Last month we featured the album’s title track, and today the band unveiled a lyric video for yet another song — “Coffin Upon Coffin”.

The song delivers flensing riff flurries and brutish hammering, machine-gun percussion and a blistering solo, multisyllabic linguistics and vocal excretions that will leave scars on tender skin. The video also makes Par Olofsson’s  grisly cover art come to life.

In other Aborted news, the band have been uploading the results of a horrific photoshoot to Facebook, and after you listen to the new song after the jump, you can gaze upon their modified visages, which strangely seem like fitting improvements upon the faces that nature gave them. Continue reading »

Mar 142014
 

This week has brought a cornucopia of song premieres from albums we’re highly anticipating, including new goodies from Hour of PenanceMisery IndexMassacre, and Eyehategod — and this morning we got one more: DECIBEL magazine debuted the title track from Necrotic Manifesto, the forthcoming monstrosity from Belgium’s Aborted, and you can listen here as well.

Man, it is one decimating track, with this death/grind war machine firing on all cylinders: brutally militaristic snare attacks; flesh-raking riff assaults; Sven De Caluwe barking and screeching like a rabid mastiff; explosive bass drops; and an infernally inspired guitar solo that will pop out your eyes and make you drool. What a fine, fine introduction to this necrotic new album. Continue reading »

Feb 192014
 

We don’t post many news items in a given week, especially when they don’t come with new music to hear. But this is such good news that we’re making an exception: Aborted will be delivering a new album named The Necrotic Manifesto, with a release date (via Century Media) of April 28 in Europe and a day later for the bastard step-children in North America.

Shockingly, front-man Sven de Caluwé is quoted as saying (“in all honesty”) that the album “is without a doubt the strongest record ABORTED has done thus far and I could not be more proud of everyone involved in the project”. Just once I would enjoy hearing a band leader saying that his newest record is “our weakest effort yet and I’m fucking embarrassed for everyone involved in the project”.

But hey, even if this is only a middling Aborted effort, it’s going to be good. And if it really is “the most brutal, extreme and technical record of the band without losing sight of groove and catchiness” (to quote Mr. de Caluwé again), then holy shit, are we in for a treat. The album art alone is a grisly treat, thanks to the talents of Par Olofsson.

I can’t remember if I mentioned that Aborted will be touring North America beginning in March, sharing the stage on most dates with Kataklysm. Here’s the schedule: Continue reading »

Sep 232013
 

(Our Nottingham-based writer Andy Synn reviews the live carnage of The Black Dahlia Murder and Aborted in Manchester, England, on Sept 21, 2013.)

What a line-up, right? There was no way I was going to miss this show. Even going so far as to reschedule a Bloodguard practice for midday in order to give me enough time to get back, get changed, and head out again on my road trip across to Manchester.

So that’s what I did. Finished practice, pelted to the car, shot home, sorted my shit, out and dived back in the car. 80.5 miles. Approximately 2 hours travel time. Easy.

Hit a bit of traffic on the way, but no major issues. Navigated Manchester town centre without hassle (I grew up round there, so have a bit of an advantage) and parked up, finally rocking up to the venue just before seven…

Shit…

I missed Revocation. Continue reading »

Apr 262013
 

May 14 was a day I was really looking forward to. That was the day that the “End of Disclosure” North American Tour featuring Hypocrisy, Krisiun, Aborted,  and Arsis was supposed to roll into Seattle and flatten it like a pancake. That line-up was so damned fine it was almost too good to be true. Turns out it was too good to be true. I received this press release from Nuclear Blast about half an hour ago:

Swedish death metal legends HYPOCRISY, have been forced to sit out their upcoming North American tour this May due to reasons beyond their control. The band members had received their visa approvals and everything was going as scheduled, until the embassy let them know that the earliest they could pick up their visas, get them stamped and so on, wasn’t until late June at the earliest. A regular procedure that would normally take just a few days to sort, takes much longer at the moment due to that current workload Homeland Security is experiencing.

“As we were getting ready to go get our visas stamped and ready for the tour we were informed that the earliest we could go initially was sometime in July,” explains guitarist/vocalist Peter Tägtgren. “We then immediately continued to call them, got the label to help with some letters, and put our lawyer to work etc. The best that got us was an appointment in late June. This is a HUGE blow to us, to our fans and everyone who has supported HYPOCRISY in North America. Sometimes there are battles you can’t win, and this is one of them. We will be back, I can promise that!”

Continue reading »

Feb 272013
 

The last 24 hours have turned out to be full of tour announcements. I collected details about three new ones that appealed to me in an earlier post today, and I just saw another one that elevated my pulse rate.

This North American jaunt is headlined by Sweden’s Hypocrisy in support of their forthcoming album End of Disclosure (which we’ve written about before). That’s sweet news, but it gets a whole lot sweeter when you take a look at the other bands alongside them: Krisiun, Aborted, and Arsis! 

In addition, Starkill (who I’ve featured before at NCS) and Autumn’s End will appear on selected dates.

The schedule is after the jump.  You’ll be relieved to know that the tour is coming to Seattle and that I’ll be able to see it. I know that wil brighten your day. Continue reading »

Feb 122013
 

You know you’re in for a treat when the only version of a band’s video on YouTube is marked “Censored”. That’s how Aborted’s new video for “Expurgation Euphoria” is labeled. But who would want to watch a censored video? I view the “censored” label as merely titillation for the uncensored version, which is now streaming on Vimeo.

It’s also now streaming here. And it really won’t make you want to expurgate; it’s relatively tame in its use of gore and disgusting imagery. I just wanted to use “expurgate” twice in a post title. Who knows when I’ll have that chance again?

Although fans of horror movies won’t be upset by this, it is NSFW. It’s an interesting twist on the usual scenario of abuse in mental institutions, and of course it will leave you wondering — is this real, or is it in the mind?

The song, as you know, is great. It appears on the band’s 2012 album, Global Flatline. Watch the video next . . . Continue reading »

Jan 142013
 

(Here’s a newsy post from DGR.)

Normally Islander is like a sponge when it comes to a lot of the news that is happening around the web; however, like a lot of us he has a job outside of the website (some of you may have already met him!) so some stuff may have flown by him that happened throughout the week. Well not anymore, as I present a round up of stuff that caught my eye that unfortunately never got yacked about here on NCS.

We’re running through a glut of all sorts of things this week from music videos, lyric videos, free tuneage (almost typed this as free tuna! – didn’t want to overpromise to you folks, we’re not that rich…yet), to album announcements, to a limited-time charity deal if you like electronica-rock, to the ever-lovely melodrama of a band as members leave and use the loveliness of Facebook to get those last few barbs in. Have your coffees at the ready to slam into your face as we work our way through the stuff we missed that might be of interest to you.

Aborted

Aborted (above) rang in 2012 pretty early with the release of Global Flatline and that disc quickly became a favorite around NCS. It appeared on a couple of our lists and really reminded people why we all thought Aborted were a great band. Late last week the group released a lyric video for the song “Vermincular, Obscene, and Obese” that animates their cover art for Global Flatline in the background so you can actually see what the heck Sven is saying when he growls out the closing lines of each sentence. Continue reading »