Jul 012013
 

May I have your attention please.

You now have the opportunity to listen to the entirety of Autopsy’s new album, The Headless Ritual, which will be released tomorrow (order info is available here).

The stream was launched today exclusively at Noisey.com and you can find it by clicking this here link. I think you’ll enjoy what you hear.

Should you have any penetrating thoughts about the album after it penetrates you, we would welcome your comments.

Thank you for your attention.

May 292013
 

Today has brought an absolute flood of new streaming metal that’s pleasing to these ears (in addition to our own streams of new music today). And by “pleasing”, I mean music that will jam an icepick in your eardrum, pour nitroglycerine down the hole, and detonate it.  There’s so much to be heard that I’ll attempt to hold my own words to a minimum and let the music speak for itself. So here we go, in alphabetical order:

AUTOPSY

Autopsy’s new album, The Headless Ritual, comes out June 24 in Europe and July 2 in the U.S. on Peaceville Records. I’m awful hungry for it. Today Lars Gotrich continued with his ongoing mission to infect NPR with metal viruses and filthy-up the place by premiering a song from the album named “Arch Cadaver”. In his words: “‘Arch Cadaver’ is classic Autopsy, but it’s also a bit of a rock ‘n’ roll party. Sandwiched between a minute of deranged doom and a left-right-channel guitar-solo face-off, there’s a whiskey-swigging, Motorhead-pounding rhythm that boogies at an insane pace.”

That about sums it up. Go here to jam that shit. Continue reading »

May 202013
 

(On June 24 [July 2 in the U.S.], Peaceville Records will release The Headless Ritual, the second full-length album recorded by the legendary Autopsy since their revival in 2009. NCS supporter KevinP had the chance to conduct a wide-ranging interview with Autopsy’s co-founder Eric Cutler, and we’re proud to bring it to you right now.)

 

K:  Not that you’ve kept this a secret, but I’m not sure how many people actually know that you were diagnosed with Avascular Necrosis in 2008. The last update I saw (via Brooklyn Vegan in Dec 2012) was you had nearly recovered. Can you give us all any further update?

E:  Yep, I am healed and building up strength in my hip. A lot of physical therapy, swimming, and exercise!

 

K: This caused you to get 2 hip replacements over the years, correct?

E:  Yes, once in 2008 and again in 2010. I should be good now for 15-20 years. I will have to have replacements again and I am not looking forward to that, except for the morphine!

 

K:  Any idea what caused or brought this on?

E:  We don’t know why, I don’t fit any of the criteria. They don’t know a lot about the disease, there are many things that can cause it. My son recently was diagnosed with it as well. His condition is not related to mine though. He has a disease called Legg-Calve Perthes. He will be having the first of at least two surgeries very soon. He is 6 years old and the news devastated my wife and I. Continue reading »

Apr 192013
 

I nearly fell out of my chair when I saw the artwork up above sitting in my e-mail in-box. I’m surprised it didn’t scare my e-mail program into a state of catatonic non-functionality. It was created by Joe Petagno (Motörhead, Pink Floyd, Led Zeppelin) and it graces the new album by the legendary Autopsy, The Headless Ritual.

In addition to unveiling that eye-catching piece of grisliness, the band also announced today that the album will be released on July 2 via Peaceville Records. The press release I got also included this quote by drummer/vocalist Chris Reifert:

“Expect nothing less than the monstrous brutality that Autopsy has been known to offer. Laurels will not be rested upon, trends will not be followed and mercy will not be shown. Mark your calendars for June and pick out a coffin to lie down and die in. Darkness and death await…”

Fuck yes. Have a look at the track list after the jump.

Continue reading »

Nov 132012
 

Here’s a collection of items that came my way over the last 24 hours that I thought were worth sharing — in addition to all of the awesome posts that already graced the site yesterday.  (I can use the words “awesome” and “graced” without tarnishing my well-known reputation for humility because I’m not directly responsible for any of ysterday’s posts, even though this post will also be awesome.)

TOURISM: MESHUGGAH AND ENSLAVED

I saw via Heavy Blog Is Heavy the rumor that Meshuggah will be touring the U.S. along with Animals As Leaders and Intronaut early next year. The rumor is based on a flyer for a date in Minneapolis that you can see above.Yes please.

That same photo up there also provides evidence of another tour that I read about previously. This one is official: Norway’s Enslaved will be returning to the U.S. and Canada in early 2013 for a headlining, 20-show “Winter Rite” tour joined by U.S. doom metallers Pallbearer and occult rockers Ancient VVisdom (and both of those bands are killers).

The tour begins January 30 in Philadelphia and ends February 22 in New York City. The full schedule can be seen after the jump. And in case you missed our earlier post yesterday, Osmose Productions has just uploaded three older Enslaved albums for streaming and download on Bandcamp for the first time. Continue reading »

May 302012
 

Phro has obviously been spending way too much fucking time on his own blog or I would have found out about this movie from him instead of having to read about it on Skeletonwitch’s FB page.

Just when you think zombie filmography has become so saturated that there’s nothing new to say about zombies, we get Zombie Ass: Toilet of the Dead. Leave it to the Japanese to take a tired old cinematic trope and breathe new life into the shit. I mean, don’t get me wrong: I like a crap zombie movie as much as the next dude, but they get kinda boring after a while — even when real life starts imitating art. But there’s a difference between a crap zombie movie and a craptastic movie with shit zombies and hot, gun-toting Japanese chicks wearing schoolgirl uniforms, which seems to be required dress for all hot Japanese chicks.

Zombie Ass, which premiered at a film festival in Austin, Texas (?!?) last fall and had its Japanese premiere in February 2012, was made by renowned Japanese director and legendary ass-fetishist Noboru Iguchi. It seems to involve poop-covered zombies crawling from outhouses, mutant intestinal parasites, and a lot of potent farting. Sounds awesome, no?

The odds of me seeing this movie are zero, but the “international” trailer for the film — complete with garbled English voiceover and titles — is fucking hysterical.  Okay, to be more precise, it’s hysterical if you have a really juvenile, scatalogical sense of humor like I do, and I’m pretty sure you DO have that kind of sense of humor, or why else would you be wasting your time at this site? Continue reading »

Apr 122012
 

(Here’s Andy Synn’s review of performances at the second day of Oslo’s Inferno Festival. For his review of the first day’s inferno, go here.)

Day 2, and far more refreshed after a night’s proper sleep, we turned up at the venue a little before Agalloch’s set, allowing us to wander round the various stalls, tattoo showcases, and other assorted gubbins that act as an annex to the main festival. Highlights included some impressive tattoo work, a random assortment of rare/hilarious special editions (including a hugely over-priced and hugely amusing mega-box edition of the new and deplorable Morbid Angel album), and the none-more-metal selection offered by the infamous Neseblod Records stand. To top it all off we were even offered the opportunity to buy some of ICS Vortex’s old leathers. Truly the stuff legends are made of. But all these wonders were mere distractions set against the night’s impressive musical line-up.

Right from the start, Agalloch set out to reclaim and redefine the term “epic” with their tense and scintillating sound, expanding to fill the massive venue with a wall of sonic majesty, roots and branches reaching up to the heavens and penetrating deep into the loam of the earth. Cherry-picking the best tracks from The Mantle, Ashes Against The Grain, and Marrow Of The Spirit, the quartet painted the venue with sound and light, washing over the audience in tidal waves of lush, transcendent noise and focussed power – in particular, “In The Shadow Of Our Pale Companion” was both utterly haunting and emotionally exhausting. Even some temporary technical problems were dealt with in an almost seamless manner, the rest of the band maintaining the pulsating heartbeat of ethereal ambience while frontman John Haughm dealt with his misbehaving guitar.

If you’ve never seen Agalloch live, I implore you to do so at any costs; they conjure an atmosphere as intense as any band I have seen (equaling, though not competing with, that of Triptykon on the previous night), but in a manner wholly unique to themselves. It’s the music of nature and nurture, layers and layers of melody and complexity that subtly, and unexpectedly, combine into something overwhelmingly heavy yet effortlessly organic. Continue reading »

Feb 232012
 

With only the briefest of introductions, this is a round-up of new videos, music, and artwork I saw yesterday that I thought were worth sharing. There’s a lot here, and I could have broken this up into multiple posts, but . . . I didn’t. So there. Here’s the herd I rounded up:

New songs from: Allegaeon (Colorado), Fester (Norway), and Autopsy (Florida)

New official video from: Dark Tranquillity (Sweden)

New album cover from: Necrolord and HeXeN (L.A.)

ALLEGAEON

Last time we checked in with Allegaeon, guitarist Greg Burgess was playing some mean tango (bitches). Before that, TheMadIsraeli reviewed their debut album, Fragments of Form and Function, as part of his Melodeath Week series last August. At long last, Metal Blade has scheduled the release of their second album, Formshifter, for May 8, and yesterday we got the song “Tartessos: The Hidden Xenocryst”. It’s smokin’ hot. Continue reading »

Feb 152012
 

Trust the sensei’s to show all the young grasshoppers how it’s done.

Autopsy have today released an official music video for the title track from their new album, All Tomorrow’s Funerals, which Peaceville Records will drop on February 28. The album is a 22-track collection of re-mastered songs from all of their previous EPs, plus four new songs (of which the title track is one).

The band teamed up with Blood-Disgusting.com to premiere the video, which is streaming online at:

http://www.bloody-disgusting.com/news/music/2575.

Generously, however, the video was made embeddable, so we’ve got it here, too. It’s essentially nothing more than the band playing the song on a stage, intercut with slo-mo film of the band members stalking through a decrepit building. But for me, nothing more is really needed. I’m quite happy just watching these legends prove they haven’t lost a step.

It’s a great song, too. The first part is a high-energy, thrash-punk take on old-school death-gore, fired up with some chaotic guitar solo’s, but this is Autopsy, and so you wait for it . . . and it comes: The racing ghoul first drops to its knees, and then collapses on all fours, and then begins to craaaaawl. Oh, the glorious filth!

Watch it after the jump, and get the link for a free download of the track. Continue reading »

Jan 272012
 

Yes, we approve this cover art for Autopsy’s next album of body parts. Mind you, no one sought our approval, but we grant it willingly, because this cover by Matt Cavotta includes all the food groups: bat wings, vulture heads, horns, tusks, a snake head, a sickle, a hatchet, a scorpion’s tail, a rib cage dripping with gore, and blood. But best of all, it includes the name AUTOPSY.

All Tomorrow’s Funerals is a collection of all of Autopsy’s past EPs in re-mastered form, plus four brand new songs — the first new Autopsy music since 2011’s wonderful album, The Macabre Eternal. Peaceville Records will be releasing it on February 28, which sounds like something of an oxymoron, because this album will certainly bring no one any peace.

One of the four new tracks, “Mauled To Death”, was included in unmastered form as a Decibel magazine Flexi disk not long ago, and it’s available for streaming on a SoundCloud player that we’ve embedded after the jump, just because even a news item like this one should not be allowed to appear at NCS without some kind of grisly music to accompany it. And believe me, this is grisly death metal straight from the crypt, crawling along at a lurching pace, surrounded by an air of lowering doom.

The track list for All Tomorrow’s Funerals is also after the jump. Continue reading »