Jan 032015
 

 

The rollout of our list of 2014′s Most Infectious Extreme Metal Songs continues today with three more tracks. For more details about what this list is all about and how it was compiled, read the introductory post via this link. For the other songs we’ve previously named to the list, go here.

BEHEMOTH

I’ve seen some quibbling here and there, because metalheads do love to quibble, but The Satanist has nevertheless been one of the best-received albums of 2014, by both fans and critics alike. It’s nothing quite like anything Behemoth have done before, though it is still recognizably a Behemoth album — and I can say that because this band have become one of those select groups who have a distinctive sound all their own. Yet on The Satanist, to quote from BadWolf’s NCS review, “It’s less interested in battering the listener over the head than it is in getting inside your head.” Continue reading »

Dec 052014
 

 

I’m still on the east coast of the US working day and night for the old fucking day job and have had almost no time to search out new new music and write about it — until last night, when I did have enough time to round up this big collection of recommended new videos. Some of these you may have seen already since I wasn’t able to pounce on them with my usual alacrity and grace, but I’m willing to bet big money you haven’t seen all of them.

P.S.  The end is near — I’ll be back in Seattle by Sunday, and things should get a little closer to normal around here after that.  (Thank you, please hold your applause so that others may enjoy the videos.)

BEHEMOTH

You’d think the mighty Behemoth would have done a live video before now, but this new one for “Ora Pro Nobis Lucifer” off The Satanist turns out to be their first ever. The video, which was filmed by Grupa 13, is really, really well done. Of course, the song is a blasphemous killer. Continue reading »

Nov 112014
 

 

Just minutes ago, Poland’s Behemoth posted an announcement on their Facebook page that they will be co-headlining a North American tour this winter with Cannibal Corpse, with support from Aeon and Tribulation from Sweden. The tour starts on January 28 in New Orleans and concludes on March 7 in Ft. Lauderdale. It includes six Canadian dates as well as stops in 21 U.S. states.

You will be delighted to know that the tour stops in Seattle, because whatever makes me happy necessarily makes you happy.

What a fucking pleasant way to begin the new year. General admission tickets go on sale this Friday and VIP tickets are on sale now — here. The full schedule of dates is as follows: Continue reading »

Oct 212014
 

I really, really, really want to go to Eistnaflug, and not simply because I can then say I’ve been to a festival named “flying testicles”. I’ve wanted to visit Iceland for a long time, and I’m wanting to visit even more now that the festival organizers have announced the three newest additions to the line-up:

Behemoth
Kontinuum
Sinmara

This brings the number of confirmed bands to 15, and the lineup just keeps getting better and better. Continue reading »

Oct 172014
 

 

Here are a few items that caught my eye over the last 24 hours, partly because of the artwork, but in some cases also because of the accompanying news.

HATE

I’m going to put Hate in front of Behemoth for a change.

Thanks to a tip from Andy Synn I saw the announcement from earlier today by Poland’s Hate that they will be releasing a new album named Crusade: Zero on January 15, 2015, via Napalm Records. As usual, the album was recorded and mixed at Hertz Studio with the Wieslawski Brothers. Continue reading »

May 112014
 

(DGR brings you this collection of bonuses, because he loves you. Well, maybe not you in particular, but the idea of you.)

Don’t worry, I know ninety percent of the time whenever my name pops up it’s because I’ve got another long review written up, and believe me, I’ve got three of those in the works. I’ve found myself stricken with a bit of writer’s block at the moment, though, so I began to distract myself by starting this article that you see here, and since then have found myself expanding upon it more and more. Now I am generally interested in potentially digging up rarer tracks and doing a series on them.

One of the things that has always aggravated the completionist side of my mind has been the release of limited editions and the inclusion of bonus tracks. I know I’m not the only one, but when it comes to content I tend to be one of those people who absolutely devours it and I need every single piece of it when it comes to albums that I have enjoyed and loved over the years. Of course, this often means there are always one or two songs that I discover later, recorded around the same time and included on some odd Japanese or rare edition, and oftentimes those songs are also great. But a lot of people may not even be aware that those tunes exist.

So what I found myself doing recently was starting to record my thoughts on bonus tracks in my regular reviews of albums here. However, there have been occasions when I really wish I had gotten the chance to go more in depth with those songs, or wound up neglecting them for many a reason — the review copy didn’t have them, general forgetfulness, or just no way to add another paragraph to the already ridiculously long tome of a review I had written. However, I still had those thoughts half-recorded or germinating, and I figured I’d finally take the time to expand upon them and let people know about some of the recent extra songs they may have missed and whether they’re worth hunting down. Continue reading »

May 052014
 

Behemoth, Goatwhore, 1349, Inquisition, Black Crown Initiate, and Drawn and Quartered performed at Studio Seven in Seattle on Saturday night (May 3, 2014). It was one of my most eagerly anticipated shows of the year. But I had a sinking feeling about it before the concert began.

I paid extra to get advance VIP tickets for myself and some friends (for what turned out to be a sold-out show) because they promised a meet-and-greet and early admission. An e-mail from the ticket-seller notified us that we needed to be at the venue no later than 3:45 for the meet-and-greet, and even earlier than that to pick up the tickets at will-call. This provoked groans, given that the show wasn’t scheduled to begin until 6:00. Of course, this was a metal show, and the odds were high that nothing would actually happen at 3:45, but we didn’t want to risk missing what we’d paid extra for. So we were there at 3:30. And of course nothing happened until 4:15.

In the meantime, we got soaked when the drizzling rain outside the venue became a downpour. And while shaking ourselves like wet dogs in a doorway we speculated that since this was the last stop of the tour, the promoters might have been having trouble waking up any of the musicians for the meet-and-greet. This suspicion was strengthened when we were finally ushered inside, to find obviously fatigued representatives from all the touring bands sitting along a long row of shadow-shrouded tables in the dark venue, waiting one-by-one to sign tour posters we were given at the door. Continue reading »

Feb 132014
 

NCS writer Andy Synn delivers a rant.  Discuss!

Have you ever noticed that some people just have better taste, and better opinions, than you do?

And no, I’m not just talking about the stunningly sexy, intellectually gifted übermensches who write for NCS.

I’m talking about that guy. You know that guy. No matter what you’re saying, or doing, or talking about, he’s always there, ready to jump in and tell you – in no uncertain terms – why your opinion, (cute though it is) is fundamentally wrong.

Now that guy comes in a lot of forms (the sniggering, puerile troll, the condescending “teacher”, the offensively arrogant “comic book guy”), but one thing’s always the same — he knows better than you do, he’s more “real”, and he knows a “sell-out” when he sees one! Continue reading »

Feb 032014
 

(BadWolf reviews the new album by Poland’s Behemoth.)

Behemoth’s The Satanist is, without a doubt, the first highly-anticipated 2014 metal release by any band, in any sub-genre. Metal writers have been salivating over its impending release for years, and I am no exception—the NCS crew actually squabbled a bit over who would have the privilege of reviewing it. In light of this, the most important thing I can say about The Satanist is that even if it were another record, by a different band, I would still be listening to it daily.

Many people will listen to The Satanist on repeat, and write volumes about it. Most of those reviews and think pieces will fail to capture the album. Instead, they will be lost in the maelstrom of rich narrative history surrounding the creation of the record and the life of Behemoth’s frontman Nergal during the past few years.

For those unaware, a quick recap of those circumstances: Nergal got engaged to the biggest pop star in his native Poland, faced blasphemy charges in his native Poland, was acquitted of said charges in his native Poland, contracted leukemia in his native Poland, beat leukemia in his native Poland, broke things off with the biggest pop star in his native Poland, judged an American Idol-style singing show in his native Poland, was fired from said show in his native Poland, faced even more blasphemy charges in his native Poland, headlined the inaugural Decibel Magazine tour albeit not in his native Poland, made the cover of Newsweek in his native Poland, and was also acquitted of that last round of blasphemy charges in his native Poland.

The takeaway from all this drama: nothing Nergal has recently done has any relation to making music with Behemoth. Continue reading »

Jan 282014
 

Pray for us, Lucifer, because Poland’s Behemoth have just released another new song from their forthcoming album The Satanist. And the song’s name is “Ora Pro Nobis Lucifer”, which is Latin for… pray for us Lucifer.

The song stream comes in the form of a lyric video that includes artwork and text from inside the digipak booklet. Nergal wrote the music. The lyrics were written by Nergal and Krzysztof Azarewicz.

The song provides yet further cause to be excited for The Satanist. It rumbles, it rolls, it stalks in a solemn procession. The guitar melody drills like a weapon and rings like chimes. Nergal, of course, sounds like he thoroughly believes in his pronouncements. Listen next. Continue reading »