Jan 262012
 

(DemiGodRaven helps catch us up on metal news.)

Hey folks, I’ve planted my ass in the underworld for a brief period of time in order to round up all the smaller (and maybe not so small) news stories that may have fallen through the cracks in one way or another. Some of them are simple things like album streams, others are album teasers, there’s some tour news, and hey, occasionally you’ll even get a free song or two, ya hear? Also, if you aren’t reading this in a 50’s news reporters voice after seeing the picture of the hat above YOU ARE DOING IT WRONG. First up is a pretty simple album stream, and then we’ll go on from there.

Lamb of God’s latest album Resolution saw release recently, and so they decided to run a full album stream over at AOL Music to give people a chance to get in a good listen before they decide whether to buy or not. I’ve enjoyed this release much more than Wrath, but it is still largely iterative on the sound that they started building in Sacrament.

It’s a good listen all the way through, but I can imagine it would be pretty dull if you picked a random song instead of the five or six really great ones. In other words, this is not an album built for Ipod shuffle like Amon Amarth’s stuff usually is (for example), so you’ll have to be in a really Lamb of God mood in order to really get into this one.

Also, they used the shotgun blast sample again. The same one they used on Sacrament. I was just waiting for the GOD-DAMN before it. Full review incoming soon. In the meantime, while you wait for me to validate your opinion and tell you how awesome of a metal listener you are, you can stream that fucker over here. Continue reading »

Jan 072012
 

This is Part 13 of our list of the most infectious extreme metal songs released this year. Each day until the list is finished, I’m posting two songs that made the cut. For more details about what this list is all about and how it was compiled, read the Introduction via this link. To see the selections that preceded this one, click the Category link on the right side of the page called MOST INFECTIOUS SONGS-2011.

I guess maybe my trolling earlier today on a phony Part 13 of this list was a bit too subtle.  IT. WAS. A. FUCKING. JOKE.  A joke!  Not serious!  (and apparently not very funny either)  So, onward to the real Part 13 of this list . . .

The inclusion of today’s two bands will come as no surprise to regular readers — you could see this coming from a mile off, because they’re particular favorites of most of us who write here regularly. They also released very strong albums in 2011 — albums that included multiple candidates for this list.

DEVIN TOWNSEND PROJECT

Apart from the fact that Andy Synn’s review of Deconstruction is the most popular piece we’ve ever run at NCS (due in no small part to Devin Townsend’s posting about the review on his Facebook page), we would love this album anyway. It made many of the Best of 2011 lists we published over the last month, including those from Gaia, groverXIII, Stephen Parker, and of course Andy Synn. I shared the sentiments expressed by both groverXIII and Andy:

“Just when I think we’ve plumbed the depths of Devin Townsend’s demented mind, he reaches down and pulls out something else that is completely unexpected. Deconstruction was not the return to Strapping Young Lad that people may have been hoping for, but it was still a massive, chaotic album in its own way. Even now, having heard the album numerous times, I still discover something new every time I listen to it. Staggering.” – groverXIII

“At its heart this record is an expression of one man’s humanity in all its beauty and ugliness. Though its flaws are writ large, in bold, colourful writing, it’s hard to name another artist out there truly willing to go this far and be this open.” – Andy Synn

Continue reading »

Dec 162011
 

(This is the last installment in Andy Synn’s week-long series of posts looking back at albums released this year. Andy previously provided his lists of the year’s Great albumsthe Good ones, and the most Disappointing ones, as well as his list of “The Critical Top 10″. For more explanation of what all this means, plus Andy’s picks for the year’s best EPs, visit this location.)

So here we are, the last list of Andy Synn Week (maybe not the official title, but give me something here guys). Here you will find the ten albums that have made the biggest impact on me personally, the ones which make the most frequent appearance on my playlist. Rarely a day goes by without me listening to at least one of these albums, often several times.

You will note that, in contrast to last year, all my favourite albums this year are drawn from my “Great” list. For once, this is definitely coincidental; it just so happens that as I was paring down my overall list of favourite albums to a mere ten entries, I was left solely with albums that I believe are personally, as well as critically, my absolute favourites. It also covers a whole spectrum of albums, some released right back at the very beginning of the year, reaching all the way up to extremely recent releases, so it also serves as a reasonably comprehensive list in terms of the time-frame it covers!

There’s some minor cross-over with yesterday’s list, as some albums were always bound to be both critically and personally fulfilling, but largely you’ll find here a cross-section of my musical preferences from the year. Each album comes with a short explanation of why I love it; not necessarily why it’s the “Best” album of the year, but just why it clicks with me personally. Continue reading »

Dec 122011
 

(The time has come.  What time is that?  Why, it’s the time when we begin publishing our own series on the best metal of 2011 — lists created by our writers, guest contributors, and members of metal bands who we’ve specially invited to share with us their lists.  And what better way to start than by turning to Phro for the kick-off?)

Ahhh . . . 2011, how quickly you came and . . . went?  Are going?  Let’s just stick with came for now.

What a year it has been!  I think.  I don’t really remember it.  I think there was something to do with tentacles and a few zombie girls.  Seriously, someone please make the whole zombie/vampire/werewolf thing stop happening.  Please.  I’m begging you.  I can only take so much pithy teen angst foisted upon poor hapless creatures of the night.  GIVE THEM BACK THEIR BALLS, DAMNIT!!!

Seriously.  And wizards, too.  Enough of that shit.

Oh, right, and there was music, too.  Particularly metal music.  Particularly good metal music.  (Anyone who ever utters the words, “It’s been a bad year for metal,” should go out behind the chicken chopping shed and punch themselves in the throat with a rooster.  You fucking lazy scum fucker.)  But it`s the end of the year, and it’s not enough to simply say there was a lot of it.  You people from the Internet want proof all of the sudden!  You freaks with your memes and your porn and your meme porn and your porn memes.  And your rules!!!  So many rules!  Well, I have a new rule for you.  Rule number 0.5.  It states, quite clearly: anything that can be made into furry-rape-scat porn should be made into furry-rape-scat porn and then broadcasted on CNN, FOX, and MSNBC until foxes look sexy.  (But only when they`re covered in poop.)

Poop, poop, poop, poop . . . poop . . . poooooooooooooop . . . Continue reading »

Aug 102011
 

No one sounds like Fleshgod Apocalypse. No one. Not even close. In a remarkably short time, over a span of only two albums and an intervening EP, the band have established a unique and immediately recognizable style. The second of those albums, Agony, fully and brilliantly achieves what the band have been moving toward since their inception — a remarkable union of classical music and blistering death metal, heated to a full boil. The album is a bombastic whirlwind that leaves you breathless and wide-eyed in wonder.

On Agony, all of Fleshgod Apocalypse’s signature ingredients are now firmly in place. The extravagant symphonic keyboards and piano instrumentals of Francesco Ferrini are now woven completely through the magic carpet of every song, a completely co-equal partner with the thunderous performances of the other band members. Although even the timing and power of the guitar riffing and bass rhythms give off the favor of orchestral composition, Ferrini’s musical creations, more than anything else, put an indelible stamp on the music, invoking the ornate classical masters of the band’s Italian homeland in their most extravagantly fiery moments — Vivaldi, Paganini, and Rossini.

Of course, other metal bands use symphonic keyboards in their music, though more often in an effort to add background ambience and atmosphere than as a co-starring role in the performance. But, as Fleshgod Apocalypse have explained, they view the classical music of the 17th and 18th centuries as the death metal of that era —  as music that was (and is) powerful, dramatic, and heavy — and so their goal, now fully realized, has been to unite music from two very different worlds that nevertheless have in common the ability to produce (in my words, not theirs) complete emotional catharsis. And that brings us to the drumming.  (after the jump . . .) Continue reading »

Aug 102011
 

(Today we have not one but two reviews of the just-released album, Agony, by Fleshgod Apocalypse. Israel Flanders turns in this one.)

This is the very image and sound of death approaching you.

Let’s get something straight from the get-go:  This is a no-holds-barred, no-messing-around, no-nonsense, non-stop symphonic blitzkrieg of insurmountable proportions that may very well top The Monolith Deathcult’s legendary sophomore album Triumvirate.

Yes.  I just said it.

If you’re looking for ham-fisted forced diversity, get the fuck out.  If you’re looking for pretentious “boundary breaking” and lots of pretty, clean vocal sections to make it feel “sophisticated,” I highly suggest you turn in your brutal-ass war-bringer club membership card.  This is metal, in all of its epitomizing glory.

There are only three ingredients here: guitars tuned to B, copious amounts of blazing speed, and brutality with the heft and weight of a bag full of sledgehammers being flung at you by by an iron golem out of the most badass of fantasy realms.  Did I forget the orchestra?  You know why I didn’t include it as an ingredient?   Orchestras are brutal.  Got a problem with that concept?  Didn’t think so. (more after the jump . . .) Continue reading »

Aug 032011
 

I just saw the news about a new tour beginning at the end of September, and I was so excited it nearly gave me heart failure. Our friends at MetalSucks are sponsoring the 2011 CARNIVAL IS FOREVER NORTH AMERICAN TOUR, headlined by Decapitated and including Decrepit BirthFleshgod Apocalypse, Rings of Saturn, and The Haarp Machine.

For my tastes, that is just a stupendously strong line-up. Though I haven’t yet heard The Haarp Machine, I will now hunt down their music with interest, and as for the rest of the bands, well I’m not going to make reference to boners or cum because that would be inconsistent with my previously expressed opinions on the use of such words in metal writing. I will just say that something wet has happened and I am unable to stand up.

After the jump you can see the schedule. I believe it is a fine schedule, because it includes a stop in Seattle. Continue reading »

Jul 282011
 

On Tuesday of this week, my two NCS co-founders and I, plus other friends, attended the SUMMER SLAUGHTER tour stop in Seattle at a venue called The King Kat Theater. The doors opened at around 2:30 and the show went on until something like 11:30. I’d seen many of the bands before, the exceptions being Within the Ruins, Oceano, Powerglove, Six Feet Under — and the band I wanted to see most of all, Fleshgod Apocalypse.

When something is blatantly obvious, it’s best just to admit it. So yes, I admit, I’m a Fleshgod Apocalypse pimp. I’m talkin’ about the kind of BIG PIMPIN‘ that Jay-Z had in mind. I pimp FA at every fuckin’ opportunity I get here at NCS. So, it will come as no surprise that although I found something to like about most of the performances I saw, the highlight of the tour for me was FA’s set (followed closely by a skull-collapsing performance from Dying Fetus). I even got to meet three of the guys in FA and bore them with conversation after they played!

I also took a shitload of amateurish photos of FA’s performance, including the one up above and about two dozen more (the best of a sorry lot) that I’ve posted after the jump. But before getting to that, I have a few awards to hand out (also after the jump). And at the end, I’ve got a link to an audio stream that just appeared today for a new song from FA’s forthcoming album (it’s called “The Egoism”). Continue reading »

Jul 252011
 

Let’s see, this makes today’s fifth post, so it will be brief. You can now go to iTunes (at least in the U.S.) and hear 1:30 previews of each song on the new album (Agony) from Fleshgod Apocalypse. Yes, a minute and a half from each track, including the iTunes bonus track called “Heartwork”.

For the world at large, less than two weeks remain before the arrival of the official August 9 album release date. I, on the other hand, am now less than 24 hours away from getting my very own physical copy, because FA is selling these little jewels at their SUMMER SLAUGHTER merch table, and SUMMER SLAUGHTER will be in Seattle tomorrow, and I will be there.

It’s a good thing I am being brief, because brevity prevents me from becoming even more obnoxious.

P.S. For those of you who have been wading through all my many posts today from the beginning, you might be interested to see this comment left by a fan of Blastanus on the band’s Facebook page about our review of the new album: “naulan kantaan, vitun hyvä lätty :)”  Not understanding Finnish, I used Google Translate, which provided this rendition of the comment in English: “nail on the head, fucking good pancake :)”

P.P.S. The chance to write a headline like this doesn’t come around very often, but some lucky bastard at Blabbermouth penned this one a few minutes ago: “MEGADETH’S ELLEFSON: ‘I Miss Physically Being Able To Hold A 12-Inch In My Hand'”. And no, I couldn’t bring myself to watch the accompanying video interview to find out what he was talking about. Laughing too hard.