Apr 032010
 

This week we received a message from a band in Hungary called I Divine, inviting us to check out their new music. They described it as experimental black metal featuring a trombone.

If you’re a regular visitor to this site, you know how many of our buttons that little message pushed. We’re suckers for upstart bands from places not known here in the U.S. for their metal scenes. We’re also increasingly becoming suckers for black metal. And anything that calls itself “experimental” appeals to our hunger for outside-the-box music. But what cinched the deal, of course, was the trombone.

So we reacted to that message like Pavlov’s dog at the dinner bell, and hustled over to I Divine‘s MySpace page for a listen. Only two songs are currently streaming there (and we’ll show you how to download them), but those two are definitely worth a listen.  (more after the jump . . .) Continue reading »

Apr 022010
 

This morning, our she-friends at Reign in Blonde posted the Kivimetsan Druidi album cover above with a one-word review of the cover: “SRSLY

By coincidence, when going to the log-in page for our MySpace home this morning, this lovely photo greeted our eyes (along with all sorts of other promotional crap foisted on us by MySpace):

Maybe she brought the flowers to get the duck in the right mood, but it looks like she’s starting to lose her patience. Feel free to insert your own funny photo caption.

Don’t know what you would have done, but we couldn’t resist clicking on this thing to see what the hell it was about.  Could it be a new PETA ad? Nah. Turns out, this is the front-woman (the one in the dress) for a non-metal band called Florence and the Machine. And here’s the cover of their new album, which we think gives that Kivimetsan Druidi cover a run for its money.  (you’ll have to click past the jump to see it . . .) Continue reading »

Apr 022010
 

Here at NCS, little whispery things nag at the back of our diseased brains. We’re not talking about the transmissions from space — that’s another story. We’re talking about things we’re supposed to remember. Like paying some fucking bill, or feeding the cat, or checking in with the parole officer, or seeing if some new album we wanted to hear has finally been released (because we’re not hot-shit enough for labels to send us advance review copies of everything we’re interested in).

Half the time we don’t remember stuff like this until it’s too late. But sometimes the truly important items break through the cranial fog. Case in point: Soreption. We wrote here about Soreption’s ass-kicking 2008 EP Illuminate the Excessive. And then we wrote two more updates here and here about the band’s progress on their debut album. Guess it’s evident we’re a tad obsessive about this band.

And so earlier this week we remembered that Soreption was supposed to release their debut album in March. We checked, and sure enough — it’s now available (iTunes and Amazon MP3). And now we’ve heard it.

A few days ago, we got immersed in exotically melodic new metal from Romania’s Negura Bunget, and we waxed rhapsodic about its powerful allure. But Soreption’s new album, Deterioration of Minds, isn’t about melody. It’s all about the rhythm. Therefore, we need to change our vocabulary to talk about this carnivorous beast of technical death metal. How about this:

It. Fucking. Rules.

(more after the jump, including a song to stream . . .) Continue reading »

Apr 012010
 

Reign in Blonde is a wonderful metal blog produced by two women (Elise and Julia), with assistance from a more-or-less regular guest contributor (Angela). I’ve been visiting that site every day for most of the last year. Along with Metal Sucks, it was the blog that inspired us to start our own. If perchance you’ve never visited RiB, quit fucking around and do it.

At the beginning of this year, RiB started a new tradition called “Panty Raid!” They issued an open invitation to people with testicles to submit metal-related guest posts, and they’ve picked one each month to feature and praise on their WALL OF PAIN. Because I like RiB, because I’m a  compulsive, Type-A, competitive asshole, and because I have testicles, I fell for it.

So, beginning a couple months ago I started writing a few words here and there when I had nothing more pressing or interesting to do (i.e., most days). I pretended I was a psychoanalyst, trying to infer stuff about the 3 contributors to RiB based exclusively on what they wrote there. And as the months passed, the thing grew and grew, like a bad case of crotch-rot. I finally decided to stop, because the piece had gotten completely out of hand. (read on, after the jump . . .) Continue reading »

Mar 312010
 

We’re now a full three months into 2010, and it’s time for our third update to the list of forthcoming new albums we posted on January 1.  (See the original list here, the first update here, and the second update here.) Below is a list of still more projected new releases that we didn’t know about on January 1 or at the time of our last two updates — and the new sickness is still spreading in epidemic proportions.

Once again, we’ve cobbled together news blurbs about bands whose past work we’ve liked, or who look interesting for other reasons. Needless to say (but we’ll say it anyway), these are bands that mostly fit the profile of music we cover on this site.

So, in alphabetical order, here’s our list of cut-and-pasted blurbs from various sources since our last update about forthcoming new releases. Look for the bands you like and put reminders on your calendar. Or if you’re old school like us, just get em tattooed someplace you can see without a mirror (because reading stuff backwards is hard).

ANAAL NATHRAKH: “U.K. extreme metallers ANAAL NATHRAKH have commenced work on material for a new album, tentatively due before the end of the year.”

ANNIHILATOR: “Canadian thrash metal veterans ANNIHILATOR will release their 13th, self-titled album in Europe on May 17 via Earache Records, in Japan through Marquee and in Australia via Riot Entertainment.”

ARISE: “A two-minute video trailer for The Reckoning, the fourth album from Swedish death/thrashers ARISE, can be viewed below. Due on March 22 through Regain Records, the CD features guest appearances by Jonas Kjellgren (SCAR SYMMETRY, ex-CARNAL FORGE), Mikael Stanne (DARK TRANQUILLITY) and Jake Fredém (NOSTRADAMEUS).” [NOTE: the album is now scheduled for release on April 6.]

(more after the jump . . .) Continue reading »

Mar 302010
 

In the spring of 2009, undisclosed disagreements led to the departure of two of the three members of Romanian black metal band Negură Bunget. But although founding member Hupogrammos and Sol Faur were on their way out the door, they finished working with co-founder Negru on a re-recording of the band’s 2000 album, Măiastru Sfetnic. The new work, called Măiestrit, was recently released, and as we wrote yesterday, it’s a remarkably impressive work.

With Hupogrammos and Sol Faur gone, Negru set about recruiting a new line-up, including a guitarist and vocalist called Corb and a guitarist called Spin. In all, the new Negură Bunget is a six-piece band constructed to give even more attention to traditional folk instruments. And the new line-up has just released its debut album, Vîrstele Pămîntului (now available on iTunes).

We listened to Măiestrit first, and then wondered how Vîrstele Pămîntului would compare, both in musical style and in quality.

The answer to the first question is that the latter album has moved even further away from black-metal stylings and deeper into the territory of progressive folk metal. But in terms of quality, the re-constituted Negură Bunget has taken no steps backward. The new album is a passionate and entrancing combination of extreme metal and traditional folk melodies and instruments, and we like it a lot.  (more after the jump . . .) Continue reading »

Mar 292010
 

I’ve said before that I’m a latecomer to the charms of black metal, and I’m trying to educate myself. Romania’s Negură Bunget has been on my list of bands to check out, but I decided to wait for two new releases that were forecast for this year. Those albums — Măiestrit and Vîrstele Pămîntului — have recently become available, though the bands that produced them are not entirely the same.

Up until the spring of 2009, Negură Bunget consisted of drummer Negru, vocalist/keyboardist Hupogrammos, and guitarist/bassist Sol Faur (all pictured above). At that point, the latter two members left the band (and are now involved in a project called Dordeduh), and Negru recruited new artists to continue creating music under the Negură Bunget banner.

The first of the two new releases, Măiestrit, is a re-recording of the band’s 2000 album called Măiastru Sfetnic, and the new production was completed in 2009 by the three original members of the band. The second album is the work of Negru and his new bandmates. Today we’ll write about Măiestrit and tomorrow we’ll come to Vîrstele Pămîntului.

We haven’t listened to the 2000 recording of Măiastru Sfetnic, but Negru explained in a recent Decibel magazine interview (May 2010 issue) that the new release is both an enhancement in production and a re-imagined interpretation of the music, prompted by the band’s complete dissatisfaction with the 2000 album.

Obviously, we can’t comment on the previous release or contrast the old with the new. But considered as a stand-alone effort, Măiestrit is completely captivating in its emotional power and is one of the most impressive albums we’ve heard this year. (more after the jump, including a track to stream from Măiestrit . . .) Continue reading »

Mar 282010
 

Not long ago, we confessed on this site the reason why we so rarely post negative reviews about new music. It’s not because we like everything we hear (though undoubtedly some readers think we’re too easily impressed). It’s because we’re devoted to extreme metal and we’d rather sing its praises than spend our time slagging hard-working bands whose music doesn’t happen to zap the right chords in our addled brains.

The problem is that sometimes we hit a stretch of listening where, by sheer chance, we go through several albums in a row that don’t strike those chords — and then we’re out of time. We’re under self-imposed pressure to get something new up on this site, but we just don’t have any new music we can honestly praise at that moment. So then what the fuck do we do? We post pictures of catz. Or woodpeckers.

We hit one of those stretches the last couple of days. So, what to do? We were thinking about pictures of toads (don’t breathe sighs of relief too quickly — we might still do that eventually). But this time, with apologies to all our toad lovers, we’re trying something new. Just for a change, we’ll say a few brief words about those albums we heard recently that, by random chance, just didn’t get us all hot and bothered. They’re not bad. In fact, the musicians are extremely talented, and there’s parts of them we think are pretty fucking cool. But on the whole? Not music we’re likely to listen to a second time, given our tastes.

So, after the jump, hit-and-run comments about Triptykon (pictured above), Ne Obliviscaris, and Persefone.  And just so you can form your own conclusions, we’ll give you a song to hear from each album — because this really comes down to a matter of personal preference.  (continue reading after the jump . . .) Continue reading »

Mar 272010
 

Maybe there’s a band out in the world someplace that sounds like Italy’s Fleshgod Apocalypse — but if so, we haven’t heard it yet. Their 2009 debut album, Oracles, combined blowtorch death metal with (gulp!) classical music.

Guess we’d better define our terms here. By “blowtorch death metal,” we’re trying to convey the almost overpowering onslaught produced by rapid, atomizing, chainsaw guitar rhythms, blazingly fast drum noise (heavy on the blast beats), shred-tastic ax solos, and staccato, brutal-death-metal gutturals — all mixed together in a fuzz-heavy production. You know, like a blowtorch to the face. You could search high and low and not find more pulverizing sounds that could still be called music with a straight face.

If that’s all Fleshgod Apocalypse had given us in Oracles, it would have been enough –because the blowtorch metal was ass-kickingly over the top. But they didn’t stop there. They added to the mix some massive grooves and unexpected segments of majestic melody.

But they didn’t stop with that either. Sprinkled here and there (briefly) on Oracles were intros, outros, and interludes of classical or medieval music — pianos and strings, orchestral passages, monastic chants. Talk about a mind-bending concept — one moment the music is tearing along like the back end of a jet engine and in the next moment you’re hearing a Viennese waltz. We know that sounds kinda ridiculous, but believe us — it works.  (read on after the jump . . . and listen to a new track . . .) Continue reading »

Mar 262010
 

The Republic of Moldova is a nation of about 3.5 million people, physically the size of Maryland, located near the Black Sea between Romania and Ukraine. Once part of the Soviet Union, it gained independence in 1991. Like many of the former Soviet Republics, it has faced economic challenges, and by most standard economic measures it’s one of the poorest countries in Europe. As a launching pad for extreme metal bands, you’d have to think it’s not ideal.

Yet even in this small country that most Americans probably haven’t even heard of, there’s an underground metal scene. And it has produced a band called Neuromist that we think is worth close attention.

There are four guys in this operation: Kirill (“Cyke”) Zmurciuk (guitars), Mike Grigorash (drums), Alex Petriuk (bass), and Vladimir Ghilien (vocals).  After starts and stops lasting almost two years, they’ve finally finished and released their first album, called Move of Thought — and it’s a striking debut. In fact, we like the music so much we’ve agreed to help the band distribute the album by making it available for free download in its entirety on this site.

As if trying to break out their music from Moldova weren’t a big enough hurdle, these dudes have focused their efforts on a style of metal that presents more-than-typical challenges to success, both in songwriting and in execution. They list among their influences bands such as Atheist, Coroner, Cynic, and Meshuggah (plus some other interesting names), and that’s indeed the musical landscape where they’ve chosen to make their mark — with remarkable success. (more after the jump, including a track to stream and that download link we promised . . .) Continue reading »