Feb 212010
 

The day before yesterday I flew from Seattle to my hometown of Austin, Texas, to visit family and friends. Yet another reminder that air travel basically sucks ass. One of the few upsides for me when I do it is the opportunity to catch up on new metal releases – and man, they’ve been piling up like snow drifts since the first of the year.

But all good things come at a cost, and the price I paid on this plane trip was being subjected to an almost non-stop attack of farting. Seriously, my section of the plane was Fart Central for more than three hours. I don’t know who the perpetrators were, though I have my guesses. All I know is that I was enveloped in a noxious miasma, one wave after another, for most of the fucking trip.

If you travel by car with friends, or you’re in a metal band touring by van, and a fellow passenger cuts one, you can roll down the windows, or in case of a particularly vicious attack, you can get out of the car — preferably after it’s come to a full stop.

Those options aren’t available at 30,000 feet. You’re trapped like an animal with its leg in a bear trap. You’ve heard how wolves caught in a trap have been known to chew through their own leg to escape? That’s how I felt. Probably not as bad as being water-boarded, but if given the choice, I probably would have swapped tortures.

Anyway, I’m pretty sure that Immolation, Miseration, Meshuggah, and Carnifex didn’t intend their new releases to be heard under these conditions. Let me tell you, it’s a big fucking distraction. You start getting into the music – and that’s some mighty fine music I was cranking out – and then your nose hairs start to burn, and you might as well be listening to Lady Fucking Gaga.

Anyway, forgive me. I had intended to have a review of one of these awesome albums prepped and ready to roll out today, but I really gotta have a do-over on the listening experience. Meanwhile, I’m thinking that whatever they pay flight attendants, it ain’t enough. And I’m thinking of wearing a ski mask for the return flight to Seattle. It might actually be worth the body cavity search I’d get from TSA at the security checkpoint.

Have a very metal day. We’ll get back to music tomorrow.

Feb 202010
 

This post is about Rush, “YYZ”, and Xerath (pictured above), in that order, and includes a video that will make you smile and maybe even laugh. Most likely you have no idea what we’re talking about. But look, it’s Saturday (for most of you). What else have you got to do while you’re recovering from whatever damage you did to yourself last night?

Rush is a 3-man Canadian rock band that’s been around for more than 30 years. There was a time when it would have been unnecessary to explain who they are, but times change.

Over the course of their career, they’ve accumulated 24 gold records and 14 platinum records (three of them multi-platinum). They rank fourth – behind the Beatles, The Rolling Stones, and Aerosmith – for the most consecutive gold or platinum albums by a rock band. Industry sources have estimated that worldwide, Rush has sold more than 40 million units.

Apart from being wildly popular for a long time, Rush has also been musically dynamic and inventive and has influenced many metal musicians over the years, including bands such as Dream Theater, Primus, and Symphony X.

Rush’s best-selling album of all was 1981’s Moving Pictures, which was certified quadruple platinum. The album was full of pop-friendly prog rock that got lots of radio play and greatly expanded Rush’s audience. It included one instrumental song called “YYZ” that sounds remarkably fresh today, after almost 30 years. (stay with us — more after the jump . . .) Continue reading »

Feb 192010
 

What do the following people all have in common?

* Gene Hoglan (FEAR FACTORY, DETHKLOK, DEATH, DARK ANGEL) – Drums
* Kevin Talley (DAATH, CHIMAIRA, MISERY INDEX) – Drums
* Larry Tarnowski (ICED EARTH) – Lead Guitar
* Brendon Small (DETHKLOK, “Metalocalypse”) – Lead Guitar
* Andy LaRocque (KING DIAMOND, DEATH) – Lead Guitar
* Michael Angelo Batio (MAB, NITRO) – Lead Guitar
* Roland Grapow (HELLOWEEN, MASTERPLAN) – Lead Guitar
* The Heathen (ZIMMERS HOLE) – Vocals
* Bill Hudson (CELLADOR, POWER QUEST) – Lead Guitar
* Emil Werstler (DAATH) – Lead Guitar
* Rob Caggiano (ANTHRAX) – Lead Guitar
* “Metal” Mike Chlasciak (HALFORD, SEBASTIAN BACH, PAINMUSEUM) – Lead Guitar
* Steve DiGiorgio (SADUS, DEATH, TESTAMENT, ICED EARTH) – Bass
* Alexei Rodriguez (PRONG, 3 INCHES OF BLOOD, WALLS OF JERICHO) – Drums
* Eyal Levi (DAATH) – Lead Guitar
* Sean Reinert (CYNIC, AEON SPOKE, DEATH) – Drums

The answer is:  All these people will be making guest appearances on the forthcoming debut album by a relatively unknown, unsigned, two-man band from Chicago called Asylum.  Even Slash couldn’t line up talent like this for his upcoming solo album (not that we give a crap what Slash does, just sayin’). How in the world did this come about?  Read on after the jump . . . Continue reading »

Feb 182010
 

Earlier this week we began a 3-part post about some technically proficient bands we’ve discovered in the last few months who’ve pushed the extreme metal envelope by incorporating unusual elements into their music.  They’re not well known in the U.S., but we think they’re worth your time. In Part 1, we wrote about a mind-blowing band from Rome called Carnal Rapture. We devoted Part 2 to a head-turning band from the Phillipines called Bloodshedd. Today we return to Italy for Psychofagist.

PSYCHOFAGIST

Last week we wrote about a Norwegian band called Shining and their latest album called Blackjazz.  We thought that collection of songs was wild in every sense of the word. We thought it would be a long time before we encountered anything quite so inventively insane. Well, we were wrong. It only took a week. During that week, we stumbled on II secondo tragico, the second full-length release by Psychofagist on the Subordinate label.

How to describe this? Imagine that extreme metal is a river all its own, with branching tributaries.  The main current is fast and strong, fed with snow melt or heavy rain and rushing with power beneath overhanging trees that shroud it in darkness most of the time. (continue reading after the jump . . .) Continue reading »

Feb 172010
 

We announce this breaking news: Billed as “America’s first-ever hard rock and heavy metal music awards show,” the second annual Revolver Golden Gods Awards will take place Thursday, April 8, in downtown Los Angeles. The nominees in nine different categories — plus the recipients of this year’s Golden God Award and the Revolver Golden Gods Lifetime Achievement Award — were revealed today at a press conference.  (trying to stifle a yawn . . .)

New for this year, fans everywhere can cast their vote beginning today to choose who will take home the awards for “Best Guitarist,” “Best Drummer,” “Best Vocalist,” “Album of the Year,” “Best Live Band,” “Best Underground Band,” “Most Metal Athlete,” “Hottest Chick(s) in Metal” and “Comeback Of The Year.” Voting starts today at: http://www.revolvermag.com/goldengods and ends on Wednesday, March 31. You can see the complete list of nominees after the jump.

Looking at the list of nominees, we’re really trying to figure out why we should care. For the most part, the only nominees of any interest to your NCS Authors are those nominated for “Best Underground Band.” We wonder, what does that make the nominees in the other categories, if they’re not “underground”? Mainstream metal? Radio-friendly metal? Yesterday’s metal?

Yeah, pretty much. Really, with a few exceptions, the other nominees look like the kind of metal you’d find on a list of Grammy nominations.

Our mood?  Basically, bored shitless.  (but, because you may care more about this than we do, we’ll report the list of nominees after the jump . . .) Continue reading »

Feb 172010
 

Yesterday we began a 3-part post about some technically proficient bands we’ve discovered in the last few months who’ve pushed the extreme metal envelope by incorporating some unusual elements into their music.  They’re not well known in the U.S., but we think they’re worth your time. In Part 1, we wrote about a mind-blowing band from Rome called Carnal Rapture. Today our subject is the equally mind-blowing Bloodshedd.

This band from the Phillipines has been making music since 1996 (with a few line-up changes over time), but didn’t release a full-length album until 2007’s Eye of the Pessimist.  Late last year, the band released its second album, Spare No One, on Tower of Doom Records, and it’s an honest-to-god, no-bullshit, jaw-dropper.

For starters, we can say it’s a blending of thrash and death metal, but that really is just the bare beginning. Whatever aural images that conjures in your brains, add to the mix that all of the instrumentalists — Bong Ecat and Bike Buick (since replaced by Darwin Venus) on guitars, MC Santiago on bass, and Toots Book on drums — are technically superb and they play (a) really fast, (b) really tight, and (c) really well. And they’re amazingly inventive.

Jojo Book supplies the vocals, and he’s got the kind of raspy, higher-range shrieking tone that brings to mind Mikael Stanne (Dark Tranquillity) or Tomas Lindberg (At the Gates) — and we don’t drop those names casually. So far, so good — but there’s a helluva lot more.  (read on, after the jump . . .) Continue reading »

Feb 162010
 

The dream has come to an end. Norwegian extreme metal veterans Keep of Kalessin took third place in the grand final of the national Eurovision Song Contest called “Melodi Grand Prix” which was held on February 6 at the Spektrum in Oslo. The winner of the final, Didrik Solli-Tangen, will be the one to represent Norway at the international Eurovision Song Contest 2010.

It’s pretty cool that an extreme metal band made it to the Norwegian national finals and actually placed in the top 3.  And all is not lost. By advancing to the finals, the band earned the right to be featured on a special set of stamps issued by the Norwegian Royal Mail — an honor that is normally reserved for the royal family or historic figures. Keep of Kalessin and the other “Melodi Grand Prix” finalists were presented with the stamps at a small gathering at the home of “Melodi Grand Prix” host Per Sundnes on February 5.

The set of stamps is pictured above.

Can you tell which one is for the metal band?  Can you?

By the way, the dude who won is in the stamp at the bottom right corner of the photo. Don’t know what he sounds like. Don’t want to know. Wouldn’t want to receive any mail with that stamp on it, that’s for damned sure. Particularly because if anyone in Norway mailed me anything, it would probably take about 12 of those stamps to get it here, and wouldn’t that be a grisly sight.

But I will say this: wouldn’t it be fucking cool if the U.S. Postal Service issued a series of stamps featuring metal bands? They’d probably lose their financial ass if they did that, but hey, I’d buy ’em. I bet you would, too. Write your fucking congressman and let’s start building pressure for metal stampage here in the U.S.!

You think extreme metal is too narrow an interest to merit some fucking stamps? Think again. For cryin’ out loud, go here if you want to see the kind of commemorative stamps planned so far for 2010. It includes stampage series on Mother Teresa, Cowboys of the Silver Screen, the Mackinac Bridge, Love, Kate Smith, the Sunday Funnies, and Scouting (among other things). Would you buy any of that shit? Nah, I wouldn’t either.  But what if they sold stamps that looked like this:  (after the jump . . .) Continue reading »

Feb 162010
 

Those of you who’ve been visiting us regularly know that we tend to write more about little known bands than about the household names. By doing that, we hope to turn you on to music you might not otherwise find, which would be one of the few genuinely useful things we could do for you (other than make you smile every now and then).

Some of our recommendations have been more off the beaten path than others. The more we listen to extreme metal, the more we want a taste of something different and innovative. We haven’t let go of the more conventional shit (and in extreme metal, “conventional” is necessarily a relative term). But as time passes, we’re just moving further out into the gnarly frontier where weird beasts roam a surreal landscape, and sometimes our recommendations reflect that.

A few random cases in point: Carnal RaptureBloodshedd, and Psychofagist. These are technically proficient bands we’ve discovered in the last few months who’ve pushed the extreme metal envelope by incorporating some unusual elements into their music.  You might not have heard of them before, but we think they’re worth your consideration. We’ll focus on one band per day for the next three days, and as usual, we’ll stream some cuts so you don’t have to just take our word for it.

CARNAL RAPTURE

This unsigned band from Rome has been around under different names and with different personnel since 1992. The latest output from the latest line-up is an astonishing five-track EP called promo 2008.

Vince Neilstein at Metal Sucks has been carrying the flag for this band in the U.S., writing in December that the 2008 promo EP “still stands as the best demo I’ve heard all year from any independent metal band, anywhere in the world.” In the same month, Chris Catharsis at Spinelanguage also published a truly fascinating interview with the only original member, vocalist/guitarist Emilio Trilló.

Despite this attention, the band is still unsigned, and we still fucking love the music. So it’s only fair that we add our small voice to the chorus. (much more, after the jump . . .) Continue reading »

Feb 152010
 

We had to look deeply into our official extreme music blog Thesaurus to find the right words for our reaction to the report we just saw about a new tour. “Awesome” was just too trite. “Stupifying” was too understated. And then there were those two words that just perfectly captured our feelings. Yep — HOLY SHIT!

Get your battle axes and fur pelts out of storage, strap on your drinking horns, and send the women, children, and livestock into the hills.  The Norsemen are coming!

The bands: AMON AMARTH, ELUVEITIE, HOLY GRAIL.

The tour dates and places?  See below. But what really counts is they’re stopping in Seattle! (in addition to some other perfectly decent cities)

4/8 Los Angeles, CA @ House Of Blues
4/9 San Francisco, CA @ The Regency Ballroom w/ Fear Factory
4/10 Portland, OR @ Hawthorne Theater
4/11 Seattle, WA @ Showbox
4/12 Vancouver, BC @ Rickshaw
4/14 Calgary, AB @ MacEwan Hall
4/15 Edmonton, AB @ EEC
4/16 Saskatoon, SK @ The Odeon
4/17 Winnipeg, MB @ The Garrick
4/18 Minneapolis, MD @ Station 4
4/19 Chicago, IL @ Logan Square
4/21 Toronto, ON @ Opera House
4/22 Montreal, QC @ Metropolis
4/23 Quebec City, QC @ Imperial Theatre
4/24 Worcester, MA @ Palladium (New England Metal and Hardcore Festival)
4/25 New York, NY @ Fillmore at Irving Plaza

Feb 152010
 

We apologize in advance for the following post. It’s the latest bizarro episode in the long-running soap opera that Gorgoroth has become. We can’t think of why it would have any redeeming value for you. But the story is just so fucking ridiculous that we couldn’t resist.

The immediate controversy concerns the release by Swedish label Regain Records of a live performance by black-metal legends Gorgoroth and a resulting lawsuit brought against Regain by former Gorgoroth members Gaahl and King ov Hell. Over the last week, Gaahl and King, on the one hand, and Regain, on the other, have engaged in a MySpace exchange over the resolution of that legal case — and someone is either lying or deeply confused.

Just in case you might not find this as funny as we do, we’ll give you the Cliff Notes version of the exchange first — but to appreciate the full, whacked-out hilarity you would need to read the details supplied after the jump.  Cliff Notes version:

Gaahl/King opening salvo: Fuck you Regain Records!

Rejoinder by Regain: No, fuck you, you corpse-painted morons!

Reply by Gaahl/King: I beg to differ — fuck you, you pencil-necked bean-counters!

Now, the details . . . (after the jump) Continue reading »