Jan 252012
 

The Curse of the Red River, the 2010 debut album from Finland’s Barren Earth, made quite the splash. That didn’t come as a huge shock, given that the band’s line-up is a collection of veterans of the Finnish metal wars, including vocalist Mikko Kotamäki (Swallow the Sun), Olli-Pekka Laine on bass (Ex-Amorphis, Mannhai), drummer Marko Tarvonen (Moonsorrow)
, and Kreator guitarist Sami Ylisirniö.

On March 13, Peaceville Records will release the band’s second album, The Devil’s Resolve, in North America. It was mixed by Dan Swanö (Opeth/Katatonia) at Unisound in Sweden, it features cover art by Paul Romano (whose work graces the covers of albums by Mastodon and a jillion other metal bands), and it includes guest vocals by Mathias Lillmåns (Finntroll) and . . . bagpipes! (courtesy of Jaakko Lemmetty from Korpiklaani).  (Nice timing, given our piece on bagpipe metal earlier today.)

So far so good — but there’s more. According to a press release, the music on the new album will cross through a variety of musical landscapes, ranging from brutal death metal to progressive and acoustic passages and sweeping melodies. You can get a taste of this via a montage of the album’s songs that Peaceville is now streaming on SoundCloud (and that we’re streaming right after the jump). And in exchange for your e-mail address, you can get a free download of a track from the album called “The Rains Begin”. Continue reading »

Jan 252012
 

(NCS writer BadWolf provides a report on last night’s Tool/Intronaut concert in Toledo and a video of dueling drummers.)

A little informality for you today.

So last night, my GF, Queen of Noise, some friends, and I saw Tool in my hometown of Toledo, Ohio.

What is Tool doing playing in my bullshit city? I haven’t the foggiest, but Good Morning America informed me a few weeks ago that the venue, the Huntington Center, is the 8th most profitable stadium venue in the USA. Who knew?

So the opening band was some pretty sick The Sword/Kyuss-style super-heavy biker-metal band. Nothing too original, but pretty cool—too bad their name was incomprehensible. I think it was Ram-Knight? Anyway, I expect to hear more about them soon.

Intronaut opened and played a strong set with “The Literal Black Cloud” from Prehistoricisms and then every good song from Valley of Smoke in a row. Sick. The crowd seemed to really dig them, which is strange considering that Tool’s fanbase is notoriously picky (according to anecdote, they nearly boo’ed Meshuggah off the stage multiples times, and Meshuggah is basically Tool with lower guitars and growling…). Good for them, I hope this opens doors for the boys in Intronaut. Continue reading »

Jan 252012
 

(Shortly before The Number of the Blog met its sad demise, TNOTB began publishing an interview series called “Keyboard Warriors” written by a relatively new TNOTB staffer who called himself Rev. Will. Because the archive of TNOTB posts seems to have exploded in a spatter of bits, never to be seen again, we agreed to give these interviews a home here at NCS. We started on Sunday and will be posting one per day this week. Today’s interview was originally published late last year.)

It’s the New Wave of American Heavy Metal Blogs!

Just one or two years ago, a slew of new metal blogs burst onto America’s metal blogosphere and joined the eponymous MetalSucks on their largely unoccupied bandwagon. Though not exactly giving MetalSucks a run for their money since most of these blogs don’t have anything superbly special to offer that would help them poach all of MetalSucks’ fans, and not to mention that they don’t even earn as much money (or none at all) as Axl and Vince who are having a blast blogging and hauling in heaps of moolah, these NWoAHMB’s have been instrumental in giving bored metal nerds a wider variety of online reading options to choose from, as they do compensate for their late foray into the fray by specializing in certain areas.

Enter Heavy Blog Is Heavy, the blogchild of college student Jimmy Rowe, which already has a decent readership base and is even earning him some money only two years after it was started up. Although not as insanely successful as MetalSucks, a website Jimmy obviously looks up to, Heavy Blog Is Heavy can be said to be the MetalSucks of the Second Wave of American Heavy Metal Blogs. Continue reading »

Jan 252012
 

When it comes to bagpipe music, my sense is that most people either love it or hate it. I don’t know anyone who falls in the middle ground. I happen to love it.

I know of a handful of folk metal bands — including Arkona, Suidakra, Skyforger, Cruachan, and Eluveitie — who feature the bagpipes in some or all of their music. But until yesterday, I only knew of one metal band who used the bagpipes as their lead instrument: South Africa’s Haggis and Bong (still one of the best band names ever created). We’ve featured them at NCS more than once, and most recently here.

Yesterday, thanks to groverXIII (The Number of the Blog), I discovered another band who use bagpipes as their lead instruments: Germany’s Schelmish. Now, based on a little reading about Schelmish, it appears that they’re commonly referred to as a “medieval rock band” — a style of music that seems to have originated in Germany — but they sure as hell seem metal as fuck to me (with punk in the mix, too).

Between 2000 and 2010, they’ve released 10 albums, including a live performance CD. But I’m writing this post based on only one song — “Chaos”. It happened to be the first Schelmish YouTube video I watched after groverXIII recommended the band, and man does it sell.

Reasons why the “Chaos” video is the shit:

First, this band appears to have not one but five pipers. Second, the ends of the drones on their bagpipes look like the flared mouths of ancient muskets. Third, Schelmish also have some gargantuan drums to accompany the bagpipes. Fourth, the band members themselves are gargantuan (with the exception of one whippet-like piper who looks like Johnny Rotten). Fifth, they can really jam. Sixth, the song is called “Chaos”, and the music lives up to the name. Continue reading »

Jan 242012
 

“Dude, gimme another huff a that embalming fluid.”

“You wanna go easy on that shit.  Will fuck you up somethin’ fierce.”

“Fuck you man, just pass it over here.”

“I’m serious, you huff too much embalming fluid, you’ll start to see some weird shit. Teeth and eyeballs and skulls and shit.  And space.”

“Yeah, well that would be better than what I’m lookin’ at now.  Just shut the fuck up and pass it over.”

“Okay, moron, your funeral.  Don’t say I didn’t warn you.”

(The song is from The Hunter (one of the best on the album, I think.) The video was directed and animated by Tim Biskup and just premiered at boingboing. Go easy on the embalming fluid.)

Jan 242012
 

(TheMadIsraeli has a few choice words to offer about an earlier EP by Uneven Structure (France), whose 2011 album we raved about last year, plus a free download of the EP.)

The new and current albums I’ll be reviewing next aren’t scheduled for release until February, so in the meantime I’ll be trying to produce the best “non-current” content I can.  I think you’ll find that this one here is a winner.

I reviewed Uneven Structures’ debut full-length Februus last year (here), hailing it as one of the best releases of the year and ultimately including it on my list of the top 15 albums of 2012 (expect a re-review of that one soon).  In my opinion, their wall of melody, gain, and ambient soundscapes all meshed into one of the most consuming sounds ever made, and I would wager we will see them becoming major players within the modern metal scene over the next few years.

They are also the only other band in on Vildhjarta’s THALL gimmick.

That is totally relevant to this article.  Why you might ask?

Uneven Structure’s current vocalist is Matthieu Romarin, but this wasn’t always the case.  When the EP I’m reviewing today — called 8 — was recorded, it featured a totally different Uneven Structure, including a different vocalist — Daniel Adel of Vildhjarta (who is the higher-pitched of their two vocalists). Continue reading »

Jan 242012
 

We’ve been fortunate to make the long-distance acquaintance of a talented metal band from Costa Rica named Sight of Emptiness, and we’ve been honored to help them spread the word about their new single, “Transition”. In addition to premiering the audio version of the song itself (here), we also premiered the eye-catching animated lyric video for it (here).

Today, we’ve got one more “Transition” premiere to give you — but this one comes with a twist. Today’s feature is a brand new performance video of the band playing “Transition”. Professionally filmed and edited by Andrés Montero and Sebastian Pérez, with lots of cool split-screen shots, it’s fun to watch — and of course the song is still all kinds of badass.

The twist is that this version of the song is purely instrumental — and it still works. In fact, even though only the vocals have been subtracted from the mix, it sounds almost like a new song. I hope that when the band eventually releases the single for purchase it will include both versions.

So go past the jump and watch the NCS premiere of this “Transition” video. Continue reading »

Jan 242012
 

 

(Shortly before The Number of the Blog met its sad demise, TNOTB began publishing an interview series called “Keyboard Warriors” written by a relatively new TNOTB staffer who called himself Rev. Will. Because the archive of TNOTB posts seems to have exploded in a spatter of bits, never to be seen again, we agreed to give these interviews a home here at NCS. We started on Sunday and will be posting one per day this week. Today’s interview subject is some long-winded asshole who won’t show his face. It was originally published late last year.)

With a name like “Islander”, the first impression you’d have of this relatively new blogger-cum-boss at No Clean Singing is that he probably loves clouds; since the stereotypical depiction of an island is that of a remote piece of offshore land that is smack right in the middle of nowhere with lots of fluffy, tasty, and boob-shaped clouds overhead.

Well, we’re not wrong. Apart from being obsessed with the “f” word and clouds, this dude comes across as a pleasant guy who even has no qualms about featuring guest posts by first-time metal writers. How many up-and-coming metal blogs actually do this?

Rev. Will: Welcome back from your secret vacation on an island somewhere! Did you and Mrs Islander get to creaking any beds at all in the end?

Islander: Are you stalking me? Continue reading »

Jan 242012
 

(The UK’s Andy Synn reviews Spiral of Ascension by the UK’s Spires. Say that three times really fast.)

It is always a joy to encounter an album that is so much more than the mere sum of its parts, and Spiral Of Ascension is just one such encounter. Wearing its influences proudly on its sleeves, it showcases a band unafraid to play the ‘progressive’ card right from the off, not content to simply regurgitate  the sounds of their predecessors ad nauseum but instead choosing to walk the more difficult path, taking  the ancestral DNA of their progenitorss and re-moulding them, progressing them if you will, in order to construct an entirely new and distinctive form of musical expression which has evolved to possess a life of its own.

Strands of genetic information from Cynic, Death, and Opeth are perhaps the most obviously expressed in Spires’ genetic make-up, these 3 influences in particular serving to encapsulate the sphere in which they reside, without limiting their sound to one of mere worship and reverence. Although making such comparisons can often be seen as a crutch for reviewers, they also serve to characterise the ‘mode’ in which the album should be listened to. What is key , though, is that for Spiral Of Ascension these connections are rarely made during the listening experience, but more reflectively afterwards when attempting to describe such a pure and rewarding musical experience via the limitations of our inadequate linguistic terms. Continue reading »

Jan 242012
 

(The psychic damage caused by working in retail, the pain of 80’s music, the guilty pleasure of listening to a black metal band play that 80’s music . . . DemiGodRaven gets it all off his chest.)

Earlier this January, MetalSucks.net put up a quick little post about a group called Necrocomiccon, a joking sort of internet project that ‘fused’ black metal with 80’s music. Basically, it breaks down to a bunch of goofballs who sat around and covered 80’s music with some black metal vocals. While the joke didn’t quite ring true with the editors over there (some get it, some don’t), I found myself chuckling at the idea and giving the music a download. It’s free over on the Necrocomiccon Facebook page, so if you want, you can hit them up there or on their bandcamp, where the guys have been kind enough to link everything in case the free bandcamp downloads run out.

The post itself was interesting because I think it actually reflected a little microcosm of metal music these days and how the internet has had an effect on it. The internet and its vast reaches have basically given rise to the art of gimmickry as an art form, and if a band has a decent gimmick, it is highly likely you’ll see it taken up by the louder voices on the web and spread like wildfire.

This phenomenon can have huge, lasting implications — it popularized the crabcore movement as a whole, for example, taking what was a bunch of assholes on the internet enjoying stuff ‘ironically’ and transforming it into a whole style that has jumped past the point of being mildly self-aware to a full blown ‘serious’ style, at least to the people who listen to it.

While none of this has had a direct effect on Necrocommicon, I think it helps explain how something like this could have been birthed. I find this whole idea fucking hilarious, and the music actually interesting from the standpoint of it being a novelty. You also do have to appreciate the fact, though, that something like this really shouldn’t work because it only appeals to to two types of people with one unifying factor. They either have to love 80’s music or, like me, be trapped in retail where you’ve heard every single one of these songs to the point where emptying out your skull with some well-placed buckshot seems better than hearing Phil Collins ever again.

That unifying factor, however, is the whole gist of the joke: You have to find that adding black metal to anything is fucking hilarious (which, to be very clear, I do). Continue reading »