(Below, Andy Synn reviews the new album by the revamped — and revitalized — Arch Enemy.)
Ok, I’m sure a fair few of you have already skipped past this review, simply because of the words “Arch Enemy” there at the top. After all, AE are a pretty big band, and an easy target, so it’s not at all “cool” to like them. That’s fine.
But for those of you still reading, I’m sure you’re more than a little interested in just what this new incarnation of the band is all about. After all, the band’s line-up has undergone some pretty big changes recently. Chris Amott has taken what appears to be his final retirement from the group, to be replaced by the superfluously talented Nick Cordle, who comes to the band from the decidedly Arch Enemy-influenced Arsis… it’s not quite Ripper Owens joining Judas Priest, but it’s not entirely dissimilar, is it?
Overshadowing this of course is the departure of Angela Gossow and her replacement by ex-The Agonist frontwoman Alissa White-Gluz, inspiring a firestorm of internet nerd-rage of apoplectic proportions, so-called “fans” of the band clamouring desperately for attention as part of “Team Angela” or “Team Alissa” like angsty pre-pubescent girls.
But let’s make one thing clear right now, before we go any further – having listened to the album in full I can confidently say that Ms White-Gluz is a more than worthy successor to Angela Gossow’s vacated throne. Close enough in terms of power and delivery to maintain a sense of continuity within the band’s discography, but with a style and substance of her own, she brings a welcome breath of fresh air and a renewed, combative edge to the vocals that helps her stand out as more than a simple carbon-copy of her predecessor. Continue reading »