(Austin Weber wrote this review of the new album by Odyssey from Spokane, Washington.)
Beyond being perennial favorites of a few of us here at NCS, Odyssey have always stood out to me as an instrumental act operating on a different wavelength than most of the instrumental metal I listen to. And I say that as someone who listens to a lot more instrumental metal than most people. While I try not to inject too much personal commentary in reviews, I won’t have time to do as many reviews here in 2016 at times during the year, at least compared to my past output. So I figured, what the hey, let’s do a fun and in-depth one while I have a moment of time currently to do so!
As I mentioned in the write-up for the premiere of “Before There Were Eyes To See” here at NCS recently, Odyssey have mastered the art of writing instrumental metal that doesn’t forsake an aggressive bite and headbanging pulse. But beyond that, Odyssey has always had their own thing going on. And by that I mean that they existed and started developing their sound long before groups like Animals As Leaders, Chon, and countless other newer (by comparison) instrumental acts inspired a paradigm shift and explosive growth for various strains of instrumental metal. A lot of which I love to be sure.
And I think part of what makes Voids special is the sheer sonic diversity from song to song and moment to moment. Odyssey weave together a larger tapestry of influences and ideas than many of their peers. And the special touch they bring to their craft shows across all ten tracks on the album. Continue reading »