Islander

Apr 122021
 

 

The long history of The Blood of Christ (aka Blood of Christ) began in 1994 in London, Ontario, Canada, and from then until now (with one long hiatus) the band has been anchored by guitarist Jeff Longo and drummer Jason Longo, and for their newest release they have been joined by vocalist/bassist Hank Bielanski. That newest release, which dropped last December via CDN Records, is an album-length split with the Japanese extremists Vomit Remnants entitled Eastern Beast – Western Wolf.

Blood of Christ‘s four contributions to the split capture the band’s genre-bending union of death and black metal, shrouded in dark, epic atmospheres and lyrically focused on subjects often atypical for such diabolical sounds.

For the first of their songs on the split, “Forgotten Divinity Chapter 1“, the band resurrected a song that was first included in a 1998 demo and breathed new life into it — and today we’re presenting it through a new lyric video. Continue reading »

Apr 122021
 

 

The Loire is the longest river in France, rising in the French Massif Central, flowing north through Nevers to Orléans, and then west through Tours and Nantes until it reaches the Bay of Biscay at the Atlantic Ocean, more than 1,000 km (roughly 625 miles) from where it began. The history of human civilization along its course is ancient, still evidenced by the presence of over a thousand châteaux along its shores, ranging in their inception from the early medieval to the late Renaissance periods.

There was a time not so long ago when the Loire was also a major channel of commerce, crowded with merchant vessels, as well as a means of transporting people across the country. Among the commercial vessels were flat-bottomed barges used to move salt and other goods as well as sand dredged from the river itself and used in construction. In time, all the economic activity and transport dwindled and decayed, and today the Loire has largely returned to a wild state, though the surrounding architectures are still reminders of long-gone eras.

In the west, on its way to Nantes, the Loire enters Bretagne (French Brittany), the home of the black metal band Hanternoz and the two people who collaborate in it — Hyvermor (Véhémence, Grylle, Régiment) and Sparda (Créatures, Cataèdes). Their newest work as Hanternoz, an album named Au Fleuve de Loire, is a tribute to the great river, one presented in many ways, “from the natural point of view of endangered species to the many drowned souls it carries, from the Industrial Era and mechanization to the medieval history, from the fishing industry (viewed from the fishes’ point of view!) to the memories of the lyricist’s childhood”.

The album will be released by Antiq Records on May 3rd. Two songs from the album have been previously revealed, and today we present a third one — “Bateliers de Loire“. Continue reading »

Apr 112021
 

 

To the extent writing about music matters at all as a form of guidance, it clearly matters more in the case of complete albums or EPs than single tracks. Particularly when a writer is as verbose as I am, it doesn’t take much more time to just listen to a song than to read some goofball’s frothy impressions of it. But it obviously takes a much bigger investment of time for a listener to absorb an album or EP, and so getting some kind of overview can be useful, at least if you trust who’s providing it.

Therefore, the fact that I’m not providing a completely comprehensive overview of the six records collected here (all of them released between late March and last week) is a miserable failure. Much as I hate to be so brief, I’ve still attempted to at least give you a flavor of what each album brings. Given my time constraints, the alternative might be to say nothing about them at all, which I guess might be even worse.

FROSTNATT (Russia)

Frostnatt‘s debut album Det kommer til å bli kaldt, which follows a run of EPs that began in 2019, is a largely instrumental work (with a scattering of vocal samples and a few harsh expulsions) that’s both rugged and scintillating, combining primitive, earthquaking percussive rhythms and brilliantly vibrant ringing melodies of varying moods that stick in the head like hot spikes, plus a well-placed and sublime piano piece. And thus it generates an unusual shamanistic spell, delivering primal, visceral punch as well as ancient and mystical atmosphere, enhanced by moments of poignant beauty and piercing heartache. My favorite track: “Til sydpolplatået“. Continue reading »

Apr 112021
 

 

As I roamed through new music yesterday, searching for what to include in this collection, the following quintet of advance tracks and the EP I’ve put at the end all fell into place naturally. When you hear them, I think you’ll understand why.

As the title of the post suggests, I do plan to include a second installment today — which will be an effort to highlight a selection of complete albums I’ve been meaning to say something about for weeks.

FYRNASK (Germany)

My opening choice is a video that presents a stunning marriage of sights and sounds. The music alone is an intense, almost overwhelming spectacle, one that’s nightmarish and hallucinatory, a seeming manifestation of possession. At first it’s as if Frynask have led us into a chilling realm of anguished wraiths, and from there we become immersed in ravaging turmoil. Continue reading »

Apr 102021
 

 

I made the choices for this large round-up after a long listening session on Wednesday, with the idea of writing it up and posting it the next day. But we had so many other things to post that day and Friday that I deferred. Of course, in the meantime a lot of other worthy new songs and videos surfaced, but I decided to just stick with these selections rather than go back to the drawing board, which would have taxed my already over-taxed brain.

I couldn’t really figure out a good way to organize these songs, though I think I picked most of them because they have a through-line of being unsettling and mind-bending, albeit in different ways. I did include a bit of a curveball at the end.

INFERNO (Czechia)

As I wrote here only a week ago, I was blown away by the first advance track from Inferno’s new album, Paradeigma (Phosphenes of Aphotic Eternity), which will be released by Debemur Morti Productions on May 7th. Given the prodigious power of this band’s previous output (which now encompasses a quarter-century of releases), I can’t say I was surprised, but I was still bowled over. And now it has happened again. Continue reading »

Apr 092021
 

 

The multi-national project Hammer of Dawn first took shape as an online studio project between guitarist Zed Kelley and drummer Beau Tilley, but quickly grew into a fully fleshed-out band that includes vocalist/lyricist Mac Smith (Krosis, Alterbeast) and bassist Stefano Franceschini (Aborted, Hideous Divinity). Drawing upon themes developed through the Gears of War universe, and bringing in the participation of some very well-known guests, the band have created a debut six-track EP of technically impressive blackened death metal entitled Ketor that’s now set for release on May 28th.

Hammer of Dawn have already released a video for one eye-opening single from the EP named “Fleshless” (which premiered at DECIBEL), and today we’re delighted to premiere the official lyric video for a second single. This one is called “Wretches!” — and it features guest vocals by Aborted’s Sven de Caluwé. Continue reading »

Apr 092021
 

 

(We present Nathan Ferreira‘s review of a new album by Canadian melo/prog/death thrashers Cathartic Demise, which is being released today.)

It takes a special thrash album to capture my ears. Quite frankly, it’s the genre of metal I tend to lean towards the least, as much as I do appreciate a few select albums and the overall importance of thrash’s contributions to the greater pantheon. If I had to boil it down to one reason, it would be because of how restrictive the genre is – the formula for the riffs and songwriting set in stone, trapped to the confines of its rock base, despite pushing it to the absolute limit.

The thrash groups I do find myself coming back to are the ones that are heavy and punishing enough to verge on my comfort zone of death metal (early Sepultura, Demolition Hammer, Sadus) or fringe bands that incorporate weird outside influences (Voivod, Skeletonwitch and Atheist). And now, it seems that right up the road from me in Kitchener, Ontario, Canada, a new band of up-and-coming youngsters can be added to that short list. Continue reading »

Apr 092021
 

 

Following on from a brief first demo independently released in 2019, the German band Crypts (which features former members of Mourning Caress, Warhead, Savagery, and Black Space Riders) released their debut album Coven of the Dead last month through the charmingly named German label This Charming Man Records.

That album quickly proved that Crypts have developed a mastery of an old style of death metal spawned at the end of the ’80s and the early ’90s — a style epitomized by such bands as Autopsy, Bolt Thrower, Morgoth, and early Entombed (among others). It’s a stripped-down, viscerally compelling, and yet atmospherically evocative style, and though Crypts haven’t reinvented the wheel, they’ve kept it moving with crushing power and sharpened it to a lethal edge.

For those who haven’t yet discovered the gruesome, bone-smashing power of that album, we have for you today a great enticement for it — the premiere of an official video for the song’s horrifying title track. Continue reading »

Apr 092021
 

 

In December 2018 the Romanian black metal band Genune released their debut album, Cern Sol. Lyrically, the songs were preoccupied with time — “focusing on the inevitability of death and its distressing effects on us, the encompassing, unstoppable sense of decay that seems to affect everything, but also on the impression of moments experienced in the past, which linger in the mind years later, the remembrance of warmth and on a need to be alone, away, reflecting”. In the music, Genune did not limit themselves to the usual black metal tropes, instead drawing in elements of post-metal and neo-folk to weave their multi-colored, multi-textured tapestry of sorrow, anguish, remembrance, and regret. I attempted to sum up here the spellbinding experience this way:

“The album trip as a whole is like falling into a dream, and while there are bright and even hopeful vistas that pass before the mind’s eye in listening, it’s largely a dark dream in which the shades of lost souls and lost happiness are never far away, and in which anxiety and pain vie in battle with defiant resilience, and are more often than not victorious.”

Now Genune are returning with a second album, this one entitled Inert & Unerring. The core trio of guitarists Dragos Chiriches and Cosmin Farcau and vocalist/bassist Istvan Vladareanu are still in place, but have proceeded without their drummer on the first album, Daniel Neagoe. Their musical approach is not radically different from Cern Sol, but it is certainly no less powerful and captivating. It is, indeed, another triumph, and thus we’re honored to present today a song from the new album named “Eastern European Discontent“, accompanied by a beautifully made video that helps bring to life the harrowing and heartbreaking  subjects that inspired the song. Continue reading »

Apr 082021
 

 

More than 15 years after their first formation and almost five years after the release of their debut album Infinite Circles, the German death metal band Betrayal are returning with a second full-length, set for release on April 16th via Rising Nemesis Records. Not surprisingly, over such a span of years the band’s line-up has changed from time to time, and their music has evolved as well, leading to a formulation of death metal that has become strikingly multi-faceted.

For example, the advance press recommends their new album Disorder Remains for fans of Misery Index, Revocation, Death, Behemoth, and Decapitation, and also refers to the band’s incorporation of thrash, technical, and progressive elements, as well as old-school death metal traditions. But those references don’t exhaust the extent to which Betrayal have allowed their creativity free rein, as you’ll discover through the dark, intense track we’re premiering today, the name of which is “Greed and Oblivion“. Continue reading »