Dec 242019
 

 

(In what used to be an annual tradition, and hopefully will become one again, we present a year-end list of favorite Not-Metal albums by Joseph Schafer (whose NCS moniker was BadWolf). Joseph is a  former NCS writer, ex-Invisible Oranges editor, current contributor to DecibelNoisey, and Consequence of Sound, and a principal co-conspirator in the production of Northwest Terror Fest.)

Sorry it took so long. Last year, the usual hustle and bustle of the holidays totally occupied my time. If you think about it, it’s hard to think of a worse time of year for Listmania than the apex of social and familial pressure that is the end of the year— not to mention the horrid weather that blasts most of the United States as I write this. Regardless, after an abnormally tumultuous 2019, and my decision to skip Listmania the year before, I took the time to outline, as before, my favorite non-metal albums of the year.

Some of these choices should be familiar to anyone who has read my list in years past – I tend to err on the side of my favorites, most of the time. The artists who created five of these choices have turned up on these lists before. Continue reading »

Dec 082019
 

 

Hallelujah! I managed to finish Part 2 of today’s column. Whether you finish listening to all the music is a different question, because between Part 1 and this installment there’s quite a lot to be absorbed. Hopefully you’ll discover something (or several somethings) worth the effort.

AARDLING

I mentioned at the outset that today’s collection would include bands whose names you won’t find at Metal-Archives, and Aardling‘s debut album Transmit To A Distance is one of them — not that this bothers me, nor should it bother you. Continue reading »

Dec 072019
 

 

I wasn’t sure I would write anything for this Saturday. I mean, it’s not like we didn’t leave you enough music to explore through the 18 posts we made during the last five days, especially the 1,000 or so albums that Andy Synn recommended in his week-long year-end lists. But as I made my way through some new songs that appeared last week, it turned out that six of the tracks I enjoyed (some of which include a portion of clean vocals) were presented through better-than-average music videos, and so I couldn’t resist the temptation to pull those together here.

SYLOSIS

Sylosis are returning with their first new album in five years. Entitled Cycle of Suffering, it will be released by Nuclear Blast on February 7th, and includes the work of new bassist Conor Marshall. The first advance track, revealed through the first video in today’s collection, is “I Sever“. Continue reading »

Dec 032019
 

 

Why do noted musicians in well-established and well-known bands form side projects? There are many reasons, but certainly one of them is to pursue musical interests that lie beyond the stylistic boundaries of their main bands — sometimes far beyond them — often coupled with the chance to create and perform with different friends. Some side projects seem to vanish overnight, and some of them become such strong attachments for their members, or become so well-received by listeners, that they persist.

Death Wolf began as a side project, and it has persisted, and we are all the better for it. In this case, the project was started near the turn of the new millennium by Marduk guitarist Morgan Håkansson under the name Devil’s Whorehouse, and with his bandmates released two albums and two EPs under that name. After they changed the band’s name to Death Wolf, they released three more albums from 2011 through 2014.

Now a fourth one is at last ready for release on December 10th by Blooddawn Productions (distributed and marketed by Regain Records). Its name is IV: Come the Dark, and we’re proudly presenting a full stream of the album today. Continue reading »

Nov 202019
 

 

This coming Friday, November 22nd, the South African sludge metal band The Drift will release their third album, Seer, which forms the final installment in the Deluge trilogy that began with 2013’s Dreams of Deluge and 2015’s The Mountain Star. The new album is packed with ideas and diverse experiences, so much so that calling The Drift a sludge band is a great oversimplification, even if that label does accurately capture a part of their sound (but only a part).

The Drift sum up Seer as “the sound of introspection, with tracks ranging from claustrophobic and frenetic to open and expansive”, and that is accurate, but that too only scratches the surface of the broad spectrum of sounds and sensations that a trip through Seer reveals. Continue reading »

Nov 132019
 


Katharos XIII

 

(In this article Andy Synn combines enthusiastic reviews of three 2019 albums that are departures from our normal musical fare.)

One of the oddest things I’ve observed recently is a surprising number of people bemoaning the fact that “underground sites/magazines don’t cover enough mainstream bands”.

This seems like an odd complaint to make. Not only do mainstream/popular bands already get more than enough attention/coverage, but choosing to read a site/zine which specialises in a certain area, only to then moan about that speciality, feels like an exercise in futility.

Thankfully this doesn’t really affect us here at NCS all that much, as while we do prefer to cover artists and albums that don’t necessarily get a lot of exposure elsewhere, we’re also not afraid to write about more mainstream or popular bands when we feel the occasion calls for it.

This also extends to writing about artists/albums whose work is an “exception to the rule” when it comes to our “no clean singing” policy (although, let’s be honest, that was always more of an in-joke than an actual edict), as while the three bands featured here today are far from “mainstream” they’re still all far more melodic, far more listenable, and far more laid-back than the majority of what we usually cover. Continue reading »

Oct 292019
 

 

I really like all the songs you’ll find below. Only problem is that I don’t have much time to write about them, so I’m forced to just blurt some brief blurbs.

You may have noticed that I have a different title for this post than the usual “SEEN AND HEARD“. That’s because some of these songs go hard and some go a bit softer in comparison, and I’ve arranged them in alternating fashion (until we get to the end, when I’ve doubled down on the hard stuff)

DEIVOS

What a welcome return this is. The Polish death metal destroyers Deivos have a sixth album named Casus Belli that’s headed in our direction via Selfmadegod Records, with a November 29 release date. The first advance track, “Ataraxy“, is what I’ve picked to launch this round-up. Continue reading »

Oct 232019
 

 

(We present Andy Synn‘s review of the new album by the French duo Alcest, which will be released by Nuclear Blast this coming Friday, October 25th.)

Back in the days of yore, it was commonly believed that the world we inhabit, the terrestrial sphere, was surrounded and permeated by an omnipresent, invisible essence called aether.

More fundamental than earth, more intangible than wind, more primal than fire, and more fluid than water, the search for this unseen fifth element (which, thanks to Luc Besson, we now know was actually “love” all along) consumed the lives of many of the most prominent scientists, thinkers, and philosophers of the time but, ultimately, was all for naught.

Of course, if they’d had access to the music of Alcest then the results might have been very different. Continue reading »

Oct 172019
 


Geist

 

(In this edition of Andy Synn‘s series on recommended releases by UK bands (presented by the letter “G”), the focus is on Geist, Gévaudan, and Godeater.)

Being a British writer for what is, primarily, a US-based (though not necessarily US-focussed) publication like NCS occasionally puts me in some odd, awkward positions.

For one thing, the level of autonomy afforded to me here is far greater than anywhere else I’ve written for, and, due to our location/reputation, there’s never any pressure on me to blindly “support the scene”, something which often forces other, UK-based, sites/zines to grit their teeth and find ways to be gratingly polite/positive even when they don’t really want to.

On occasion this “outsider” status has come back to bite me, for instance when a band (or their fans) decide I’ve not been nice enough about them, or when I’ve simply refused to cover a band because I didn’t think they were all that good, but, for the most part, it’s a very freeing position to be in, and not one I take for granted.

Hopefully it also absolves me of any accusations of bias or favouritism – I’m not covering these bands because I’m trying to ingratiate myself with them, or “the scene” in general, I’m doing it because I think our readers will want to hear them! Continue reading »

Oct 042019
 


Cognizance

 

(Andy Synn again turns his attention to albums released by bands from the UK, and this time has provided reviews of new releases by Cognizance, PSOTY, and Torpor.)

You may have noticed DGR’s sly little dig at me in Part 1 of his recent round-up series last week and, rest assured, there will be repercussions. Terrible, terrible repercussions.

That being said, it’s good that he’s catching a few things that slip through my net as, no matter how hard I try, there’s no way I can cover absolutely every album and artist coming out of the UK scene that’s worth writing about.

In today’s column you’ll find my thoughts on a highly-anticipated, and understandably hyped, helping of razor-sharp Tech-Death, some brilliantly melodic, emphatically emotive Post-Metal, and a grim and gritty slab of suffocating Sludge, each of which is well worth checking out if any of those genres is your particular cup of tea (or whatever your daytime beverage of choice is). Continue reading »