Jun 222012
 

(DemiGodRaven reviews another recent show at The Boardwalk in Sacramento, and again uses the write-up to introduce music from a group of up-and-coming bands who might hook you.)

You know, sometimes the internet has a habit of inflating your sense of how popular you think a band really is. I say this mainly because lately it seems like we’ve become something of a heavy metal echo chamber in which one person says, “Hey! You should check this band out!” and then two more pick up on it, and so on. Surely, that means somebody must’ve picked up on it because everyone is talking about it.

Then you actually go to the show and it occurs to you that, yes, this is still a small local band show. It’s a group of guys busting their asses and slumming it out to try and get someone to pay attention to them, even if the big name on the bill couldn’t make it due to a family emergency (that’s 2 for 2, Fallujah, Sacramento remembers the dates that stand it up) and one of the other death metal bands couldn’t make it, so a smaller group had to step in. It’s a show that maybe fifty to sixty people made it out to, including the other bands.

There was a weird sort of hopeful energy, where no one knew who I was (well, except for the one guy who was playing that night who I played with in a band for about two months…) and they were just excited to have someone interested in what they were doing. It’s probably the most hipster and, ‘Oh you’ve probably never heard of them’ that I’ll ever get to be.

The internet is also amazing because it really does widen a band’s reach. Can you believe we had someone from Australia complaining in the comments for the Soma Ras demo review that they couldn’t go to this specific show? How strange is that? You have bands who have anywhere from 800 to 2000 likes on Facebook playing what should be a hometown show to a small crowd, yet you have people 3,000 miles away mad because they couldn’t see it. Continue reading »

Jun 212012
 

(Credit for all photos in this post: Alyssa Lorenzon.)

 

(Listen up: BadWolf presents his favorite black metal album of 2012 to date.)

2012 has been a great year for metal so far, can we agree on that? Unlike 2011, several strong acts, veteran and green alike,  took initiative in releasing powerful works of doom and death metal. On the other hand, the black end of the spectrum has yet to blow me away (although rumor has it that Hell’s Headbangers‘ summer lineup will slaughter). Dodecahedron deserves a second look, and the new Abigail Williams collected strong accolades, both here and elsewhere, but other than that I’m drawing a blank.

Rather, I was drawing a blank until Doug Moore of InvisibleOranges referred me to Ashencult. The Philadelphia PA 4-piece outfit released their debut album, Black Flame Gnosis, on May 31 through Bandcamp. I’ve listened through twice today, and it’s giving me the fever (aye aye).
 


Continue reading »

Jun 202012
 

“Naked came I out of my mother’s womb, and naked shall I return thither: the Lord gave, and the Lord hath taken away; blessed be the name of the Lord.”

So it says in the Book of Job. I’ve never been quite clear about the being-naked-and-returning-to-my-mother’s-womb part, but I do know the Lord giveth. Witness, this:

Last night in Seattle was the kick-off show of a tour organized by the Southern Lord label (in fact, organized personally by the label’s owner, Greg Anderson), showcasing four of the label’s up-and-coming crushers: Black Breath (Seattle), Martyrdöd (Sweden), Burning Love (Ontario), and Enabler (Milwaukee).

All four of those bands have new albums that have either been released this year or will be coming soon. We’ve run features about two of those bands (which you can find here and here), and I’ve been meaning to write something about Martyrdöd ever since hearing a stream of their new song “Köttberg” when it started streaming at Pitchfork in late April.

At various stops on the tour, this foursome will be joined by the likes of Poison Idea, Noothgrush, Pelican, Power Trip, Wild/Tribe, Dead In the Dirt, and The Secret, almost all of whom we’ve also written about at NCS. So in a nutshell, this tour is going to be one rolling slaughterhouse of hard metal.

And that brings me to the free shit. To celebrate this tour, CVLT Nation, in cooperation with Southern Lord, is hosting a free download of a mixtape consisting of 20 songs — half of them from the bands on this tour and the remaining half from other recent Southern Lord alumni — including tracks from High On Fire, Black Cobra, Wolfbrigade, and a bootleg from Sleep that’s never before been officially released. Continue reading »

Jun 202012
 

(It appears Phro has taken the early results of the NCS Reader’s Poll to heart. Not the part about hand jobs or using more polite language. The part about writing more shit for NCS. Below, Phro reviews new releases by Strong Intention (U.S.), Wake (Canada), Dephosphorus (Greece), and Chemical Tomb (UK).)

Hi. It’s morning. I’m pissed about that. Also, I have three things I’d like to shove in your ear hole. Don’t worry, it won’t be a pleasant experience. Least of all for the cockroaches. Probably you’ll have the second worst time of it. Unless you’re one of these girls. Don’t worry, that’s totally safe for work if you work in the vomit porn industry. Or a daycare. Very informative for children. Teaches them the dangers of not listening when Daddy tells not to touch the drugs. (Bad Phro, no touching Daddy’s drugs.) But Phro wants to play!  Phro wants…

Umm…

First up! Strong Intention’s Razorblade Express!
(http://www.facebook.com/STRONGINTENTION)

Daddy…uh…I mean, Islander sent me some albums for review. The first one was the Rumplestiltskin Grinder album from last week. (Great album, isn’t it?) The other two were short grindcore releases. Usually, when I think of grindcore I think of stuff like Wormrot and Circle of Dead Children. Strong Intention wear their hardcore influences a bit more prominently. In fact, like a lot of hardcore, you can actually almost make out the lyrics. I think. Pretty much all I can accurately catch is “Hate this life!” (Which is incredibly apropos this morning.) It sounds as if there’s a screaming, howling, angry wood-chipper fronting the band. (Daddy says not to play with the wood-chipper or he’ll shove my arm in to teach me a lesson.) Continue reading »

Jun 172012
 

Something about the isolated dual guitar harmony at the beginning of Livarkahil’s new Wrath of God EP sounds a warning, despite the fact that the tone is relatively clean and the melody mournful and memorable. Eventually, the dam bursts and the flood comes, the warning fulfilled. “The Eternal Sun” may start harmoniously, but it soon wrenches necks, and the vocals scald, sear, and melt flesh right down to the bone.

Falling somewhere in the No Man’s Land between Immortal and Behemoth, Livarkahil’s brand of blackened death metal strives for a feeling of martial might, with the sound of massive armies of the night surging across blasted landscapes, implacable and unstoppable. The songs are harsh, stern, infernally imperial, with a titanic low end and a distorted bass and guitar tone that crackles with indigo energy.

That militaristic quality is enhanced by martial drum patterns that emerge here and there in between bouts of blast-beats and thundering double-bass. The riffs hammer like industrial-strength nail-drivers, with the bleak melodies carried by chords that moan and groan and by skittering tremolo-inflicted leads that rise above the crushing barrage that thunders below. The bass delivery is also absolutely pulverizing, like the hammering of giant chains into place, from which there is no escape. Continue reading »

Jun 142012
 

I’m no expert on India, and really, who could be? The country is so vast, its population so large and diverse, its history so ancient and complex, its cultures and traditions so multifaceted, that to me it seems almost incomprehensible. But though I’m no expert, I know from reading that it is the birthplace of four of the world’s major religions — Hinduism, Buddhism, Jainism, and Sikhism — and on top of that it has the third largest Muslim population in the world, as well as adherents of Christianity, Judaism, Zoroastrianism, and many other faiths. Looking at it from afar, it’s a place where daily life seems dominated by religious rituals, observances, and traditions of one kind or another.

Heathen Beast don’t like what they see. They are an Indian black metal band based in Mumbai whose focus is on religion, which they view as a destructive plague on mankind. This alone doesn’t necessarily distinguish them from black metal bands the world over, but they have a particular focus on religion in India, which means that the object of their anger and scorn is not Christianity (as it is for BM bands in so many other countries), but the influence of more locally important religions such as Hinduism and Islam and what they perceive as the destructive effect of those faiths on the people, the environment, and even the animals of their country.

Back in November 2010, I wrote about their debut EP, Ayodhya Burns, in this post. Recently, they’ve released a second three-track EP called The Drowning of the Elephant God. Thematically, the title track is about the Hindu festival of Ganesha (the elephant god of the EP’s title), which culminates in the immersion of painted Ganesha statues made of plaster in rivers, lakes, and the sea — a practice that has been releasing a multitude of toxic elements into water systems throughout the country (according to this article) for many decades. Continue reading »

Jun 102012
 

I came across this song and video after I had finished the post that preceded this one today, or I would have included it there. On the other hand, that post was pretty long anyway, and besides, this song deserves a spotlight of its own.

The band is Apostate. They’re from Prague in the Czech Republic. Almost exactly a year ago, I reviewed their debut EP, Seaborne. They’re now putting the finishing touches on a follow-up, five-song EP called Λ ♦ Λ ♦ Ø.

Near the end of last week, they put up a video in collaboration with Vice magazine for the first track on the new EP, “The Town”. I’ve been listening to it over and over again since yesterday afternoon. It’s a beautiful piece of music — beautifully imagined and beautifully rendered. It’s almost entirely instrumental, in a style I suppose could be branded post-rock, until the explosion near the end (and I love that they ended it the way they did). 

There were hints of this kind of song in Seaborne, but in most ways it seems quite different to me, and makes me even more curious to see what else Apostate have gotten themselves into on Λ ♦ Λ ♦ Ø. They’re showing that, musically, they’re mature way beyond their years.

The video shows the band playing the song in what looks like a rehearsal studio, with no distractions from the music other than the sights of some serious dudes playing some serious music, which works just fine. Check it it out following the jump and let me know what you think.

UPDATE! Apostate has just made “the Town” available for free download on bandcamp (though I’d encourage you to chip in some bucks to help the band finish recording their latest release). HERE is the link for that. Continue reading »

Jun 072012
 

To be clear, I’m not actually adventuring in the actual country of Iceland, though I wish I were, because it seems like a fascinating place, and even if the landscape turned out to be less dramatic than it looks in photos, I feel pretty sure I could get my head whomped pretty hard by some live metal.

No, the adventuring in this post is following up on some new music from a couple of bands we featured on our impromptu Iceland Metal Month series last month. One of the bands is Ophidian I, who we wrote about here. The other is Beneath, featured in this post. They’ve both started streaming additional tracks from their forthcoming albums, and the new songs are slaughtering me, in a good way — the kind of slaughtering where body parts come off and you eat them with the music ringing in your earholes and you realize that you don’t taste half bad despite what you might have thought.

Also, since I’m back on the subject of Iceland, I thought I might as well throw in some music from another band we haven’t covered yet. It’s not an Icelandic band. They’re actually from New York, but they recorded a new two-song 7″ at “Sundlaugin”, a studio in Mosfellsbær, Iceland, owned by the band Sigur Ros. (The session was engineered by Birgir Jón “Biggi” Birgisson.) The band is called Self Defense Family, and the music is a big, sweeping left turn away from our well-traveled path around here — but it has managed to sink its hooks in me. Maybe it will hook you, too. Continue reading »

Jun 062012
 


(Phro reviews the 2012 free EP by “2 Polish and two English scumbags stuck in the shit hole known as Plymouth”, a/k/a Chemical Tomb.)

Grindcore.

Can you think of any genre label more accurate to the genre it describes? Not even “death metal” carries the visceral weight of “holy-fuck-who-just-shoved-a-chainsaw-in-my-ear” that is imparted by the two syllables of “grindcore.” And when you make like a bath salt abuser (salter? bather?) and start chopping wildly at random appendages and slice off the “core,” you just get “grind”: simple and glorious like unrepentant morning wood, standing ready to fuck everything with violent dissonance.

Which brings us to my early morning discovery today: Chemical Tomb.

They seem to have a thing for pot, based on their movie samples. I forgive them because they made my ears cum and bleed at the same time. (Cleed? Blum?)

This EP, if it’s long enough to be anything more than a single, is all of 5 minutes. Perfect for a quickie before work or, if you put it on a loop, to help you get through a few rounds in a cage match. I think. I’m not actually sure how cage matches work…do they involve whiskey? They should. Everything is better with whiskey.

Anyway. The music. Well, obviously, I’m gonna just put that handy little bandcamp player after this. But maybe you’re at work and you can’t listen to music. So you need words—my words, sweaty with exertion and flush with eagerness to please—to give you an idea of what you’re missing out on. Continue reading »

Jun 042012
 

(groverXIII bringeth you the free shith from three bands. . . .)

Hey there, party people. It’s your old pal, groverXIII, back with some more free goodness for you all, because I love each and every one of you like you were my own diseased, dysfunctional children. Let’s get this shit started!

INFILTRATOR

Philadelphia-spawned Infiltrator have released a free two-song demo, and you may be wondering why this is noteworthy. Well, it’s noteworthy because Infiltrator play dirty, breakneck thrash metal rooted firmly in the old-school, and it’s some of the best thrash metal of the year thus far. It’s really a pity that the demo is only two tracks, because the two tracks here are fantastic. There’s an abundance of memorable melodies, and the tracks are actually fairly long for thrash songs, with both tracks spanning more than five minutes, but there’s enough substance here to keep you interested. You can get the demo free at Infiltrator’s Bandcamp page.


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