Aug 122012
 

The United States has always been run by a plutocracy whose power has rarely been challenged in any meaningful way, regardless of which political party happens to be in office. For complex reasons, class warfare has just never really been a serious factor in the civic and political life of the U.S. The big dogs gobble up an ever-increasing share of the pie, and most people don’t ever seem bothered enough by it to rise up politically and demand that their own interests be put first. But as a people, strangely enough, we do like to root for the underdog, and we tend to cheer when the underdog wins. I’m no exception . . . and hence, this story.

Wacken Metal Battle is a globe-spanning competition designed to showcase up-and-coming bands in the world of metal, and this year it celebrated its 10th anniversary. National competitions are now held in 33 countries, with the winner of each national competition journeying to Germany to perform on the first day of the Wacken Open Air festival, playing for all the marbles. And it’s a big bag of marbles, too. Apart from the thrill of getting to play at the world’s biggest metal fest, the winner this year was to receive a world-wide record deal with Nuclear Blast and a shitload of other prizes, such as a Marshall Full-Stack, Washburn guitars, and Paise Boomer cymbals (the whole list of prizes can be seen at this page).

For the first time in 2012, the Faroe Islands joined the Metal Battle competition. The Faroe Islands are a country consisting of 18 mountainous islands located in the North Atlantic between Iceland and the rest of Scandinavia. The total population is about 49,000, with nearly half the people living in the capital region of Tórshavn. They are the descendants of Vikings (and Irish), they have their own language, and they have metal (as those of you who know bands such as Týr, The Apocryphal Order, or SiC are well aware).

This year, eight bands competed in the Faroese national Metal Battle event, and the winner was a band named HamferðHamferð made the trip to Germany and took the Wacken W.E.T. stage on August 6 to throw down against bands from throughout Europe, plus countries as far away as China, Japan, Russia, Mexico, and Brazil. And guess who won the whole thing, as their nation’s first-ever competitor in Wacken Metal Battle? That’s right — Hamferð did. Continue reading »

Aug 112012
 

As if there weren’t already enough reasons for metal bands to set up camp on Bandcamp, there’s now one more.

On August 1, Bandcamp launched new functionality that allows bands to create a separate, dedicated merch section for their site, through which they can offer shirts, posters, and other shit indepenently of the music. But it also allows bands to create music+merch bundles, and it allows checkout through the same shopping-cart function that exists for music.

The merch sections can be tabbed in the navigation bar at the top of the band’s Bandcamp page — though I suspect fans will need a bit of training to realize it’s there. Bandcamp is also planning to have the merch feature added to the Bandcamp app that can be integrated with Facebook, so merch sales can be processed directly from within the Facebook band page.

Yes, Bandcamp will take 10% of the revenue, but they’ve got some pretty reasonable-sounding arguments about why bands will still make more money using Bandcamp for merch orders than standalone sites.

And while I’m on the subject of Bandcamp, it’s worth mentioning that a couple of months ago they rolled out a Discover feature that allows fans to browse for music by genre. The “Metal” category is further sub-divided into “new arrivals”, “best selling”, and “artist-recommended”. The “artist-recommended” category is further sub-divided in a way that allows you to see the albums most-recommended by artists. When you click on an album cover in these sections, you get to hear a sample track immediately, without leaving the Discover page. Continue reading »

Aug 102012
 

The weekend is nearly upon us. Almost time for the revels to begin. In addition to reveling in my own preferred way after a tough week (i.e., sleeping like a dead man), I hope to catch up on my metal listening. But before diving into a big batch of album-length goodies that are high on my list, I thought I’d close out the week with one more grab-bag of song-length sounds.

Two fresh tracks caught my ears this morning, one from a French band named Wormfood and one from a Brooklyn outfit, Call of the Wild. I also have ant noise. I also have this photo from Mars, beamed back to the mother ship by the Curiosity rover. What look like hills in the distance are the rim of the Gale Crater, where Curiosity is now located.

There’s a better photo of the crater rim after the jump, though it’s in black and white. Continue reading »

Aug 102012
 

Ex Deo — the “other band” of Kataklysm frontman Mauriozio Iacono — has completed a new album entitled CALIGVLA, the thematic focus of which is Rome under the unhinged rule of Emperor Caligula.

You remember Caligula, don’t you? The emperor who demanded that he be worshipped as a living god, threatened to make his horse a consul (and actually did make him a priest), slaughtered innocent people for amusement, prostituted his sisters to other men (and allegedly engaged in incestuous relations with them), and indulged all manner of sexual perversity, turning his palace into a brothel? The first Roman emperor to be assassinated? The subject of an infamous 1979 movie starring Malcolm McDowell and financed by Penthouse?   Yeah, that guy.

The album is scheduled for release by Napalm Records on August 31, and a couple days ago Napalm began streaming the first official video for the album, for a track called “I, Caligvla”. Two things jumped out at me about the song: First, it’s a real headbanger. Second, it includes a lot of bombastic orchestral music in conjunction with the thundering riffage — more so than I remember from Ex Deo’s last release.

As for the video, if you’re getting your hopes up about scenes of bestiality and fisting, I’m afraid you’ll be disappointed. About as deviant as it gets are a few swats at a shapely female butt and some gladiatorial combat for the emperor’s amusement. Still, I thought it was worth sharing. And after that . . . I’ll come to two new songs from Finland’s Hooded Menace. Continue reading »

Aug 102012
 

I really can’t get enough of Sweden’s Evocation. They combine old-school death metal with some newer-school learning in a way that just really hits my sweet spot. Their music is raw, it’s heavy, it’s galvanizing, it’s groove-filled, and it’s memorable. Their last album of new material, Apocalyptic, was released in 2010, and after that Century Media signed ’em up. Century then compiled a collection of demo, unreleased, and rehearsal material from the band — whose roots go back to the early 90’s — and unleashed it in June as Evoked From Demonic Depths – The Early Years.

Today, we got the news that Century will release Evocation’s fourth studio album, Illusions Of Grandeur, on September 24 in Europe and October 23 in the US. It will include guest vocals by Amon Amarth’s Johan Hegg on a song called “Into Submission”, as well as three studio bonus tracks on a limited-edition digipak. And it features the eye-catching artwork of Michal “Xaay” Loranc — about whom more in a minute.

I wish I had a new song from the new album to play for you (and for myself), but we’ll have to wait a bit longer for that. But I do have a handful of videos as well as a track from the Evoked From Demonic Depths compilation as a reminder of why the new album should be eagerly anticipated. All of that is after the jump (we’ve streamed some of this stuff at various places and times in the past, but some of you might be new to this band).

Xaay is a Polish artist whose work we’ve featured before at NCS. He’s been a professional designer and digital artist since 1999 and has created album covers and/or merch designs for the likes of Nile, Behemoth, Kamelot, Vader, Necrophagist, and Decapitated. He also created the cover art for both Evocation’s Apocalyptic and for the 2012 compilation. Check those out here: Continue reading »

Aug 092012
 

Due to a combination of morning-long work commitments and another 5-hour flight home without wi-fi, this will likely be the last NCS post of the day.  Things should be more (ab)normal tomorrow.

In this post, I’ve quickly collected a variety of items that caught my eyes (and ears) last night.

CATTLE DECAPITATION

Cattle Decap posted this status on their FB page last night: “We sodomized the city of Budapest, Hungary tonight. On Thursday we spill our seed upon the citizens of Czech Republic at Brutal Assault. Bye, bye fuckers”  At times like these, it’s fun to imagine the reaction of people outside metal if they knew how our bands showered gratitude on their fans. We, of course, only laugh.

CONQUERORS OF THE WORLD

I included news of this tour in a post on July 10 when only 13 dates had been announced. Now, a more complete schedule is available. I’m so fucking pleased to see a Seattle stop on the list. Septic Flesh . . . Krisiun . . . Melechesh . . . Ex Deo . . . Inquisition . . . wow . . . Continue reading »

Aug 072012
 

Inspired by the Art Nouveau movement, this is the CD jewelcase artwork for Monolith, the new album by the UK’s Sylosis. The artist is Dan Goldsworthy, who also created the cover art for the band’s last album, Edge of the Earth. According to the band, some of the inspiration came from Greek mythology, and that figure on the left loosely represents the devil in disguise or a satyr and may have something to do with the album’s concept.

Also, Dan Goldsworthy created a second piece of artwork for Monolith, which it appears Nuclear Blast is using as an “O-card cover”, whatever that is. You can see that after the jump, too.

Monolith will be released by Nuclear Blast on October 5 in Europe and October 9 elsewhere. Sylosis has been promising to premiere a new song for weeks, setting specific dates and then no-showing. Most recently, the promise was that a new track — “A Dying Vine” — would premiere yesterday on the band’s new web site. Nope.  More undisclosed “technical issues” reared their venomous heads. I was beginning to think that this was a new Machiavellian strategy designed to pump up fan frenzy.

However, though not quite johnny-on-the-spot with the premiere, Sylosis have today finally unveiled a new track called “Born Anew”. This song isn’t the one that was scheduled to appear on their web site. It’s one that was broadcast last night on a BBC radio program, which means that it’s now up on YouTube, which means the radio rip is embedded here after the jump. The band are also now streaming “Born Anew” on their Facebook band page HERE.

In addition, Sylosis has stated that they will soon be providing more news about the still-not-yet-functional web site, which presumably will include news about when “A Dying Vine” will be unveiled. To stay on top of that, visit their Facebook page.

And unless you get the wrong idea and think this post is nothing more than a whine session about Sylosis’ delays, allow me to say that “Born Anew” fucking rips.
Continue reading »

Aug 052012
 

I guess this is as good a place as any to tell you that I’m fucking depressed over the fact that my fucking day job is fucking with blog life. I have to crank away like an indentured servant over the next five days, including a three-day out-of-town trip, and this will undoubtedly cut down on the volume of posts you see around here.

However, though feeling sorry for myself about this development, I’m cheered by the news that’s the subject of this post, and a big thank-you to Utmu for sharing it with me. The news is partly that tour poster you see up there, but mainly it’s what Rotting Christ stated in the text that accompanied it on their Facebook page:

BLACK DARKNESS OVER EUROPE

A couple of months prior to the release of our new album, to be followed by a worldwide tour, the band warms up by taking part in select shows on BLACK DARKNESS OVER EUROPE tour, sharing stage with CRADLE OF FILTH and GOD SEED. We are ready to hit
the road again spreading the Dark Cult around the realms.

Stay tuned for more details on the upcoming album as well as tour dates and routing.”

Can I get a big FUCK YEAH!? Continue reading »

Aug 042012
 

Okay, the headline on this post is an exaggeration, (a) because I have no idea what you know about Vikings, and (b) because everyone probably knows one thing about the Vikings that’s true (even if the only thing you know is that the Vikings are an NFL team in Minnesota). I just wanted to get your attention.

But based on this article that BadWolf sent me, even though not everything we know about Vikings is wrong, we seem to be off-base on a lot of things. For example, it appears that Vikings were metrosexuals. Instead of being filthy, bestial barbarians, several archaeological finds have revealed evidence that cleanliness meant a lot to the Vikings, with the discovery of tweezers, combs, nail cleaners, ear cleaners, and toothpicks from the Viking Age. And then there’s this statement about the Vikings in a chronicle by a Brit named John of Wallingford in the year 1220:

”They had also conquered, or planned to conquer, all the country’s best cities and caused many hardships for the country’s original citizens, for they were – according to their country’s customs – in the habit of combing their hair every day, to bathe every Saturday, to change their clothes frequently and to draw attention to themselves by means of many such frivolous whims. In this way, they sieged the married women’s virtue and persuaded the daughters of even noble men to become their mistresses.”

According to Louise Kæmpe Henriksen, a curator at the Viking Ship Museum in Roskilde, Denmark, picture sources show that the Vikings had well-groomed beards and hair. “The men had long fringes and short hair on the back of the head,” she says, adding that “the beard could be short or long, but it was always well-groomed. Further down on the neck, the skin was shaved.”

Fuck, Viking mullets?!?

All this is really disappointing to me, and undoubtedly to many other metalheads for whom Vikings are an iconic representation of Scandinavian metal, as well as barbaric metal generally. I may not be able to think of Amon Amarth the same way again.

But it gets worse . . . Continue reading »

Aug 032012
 

So yesterday one of my good friends, who also happens to be a co-worker at my fucking day job, sent me a link to a story in the online edition of The Washington Post under the headline, “Is Listening To Music Making You Worse At Your Job?” It reported on the results of recent psychology research about whether people perform better or worse on the job while listening to music.

Researchers found that when people performed “cognitive tasks”, they did worse when listening on headphones to music they like. And then the article said this:

“Not ready to ditch your headphones quite yet? There is one fix: The researchers found that participants listening to music they decidedly did not enjoy – in this case, a song from “grind core metal band” Repulsion – actually did better than those tuning into music they liked. The researchers chalk that up to a lack of ‘acoustical variation’ in the music, which likely made it less distracting.”

My first thought was “Fuck yeah! Proof that listening to grind improves job performance!” And then I read that paragraph more slowly. Apparently, listening to grind only improves your performance if you don’t like grind.

So I decided to root around some more and I found a more detailed article about the study, which compared the performance effect of “Acid Bath” by Repulsion to a pop song by a band called Infernal. Here’s what it said: Continue reading »