Feb 142019
 

 

Happy Valentine’s Day. Here’s a bouquet of black roses for you. Careful with the thorns.

I had originally planned to post this round-up yesterday but ran out of time, so most of the songs and videos I’ve selected have been out in the wild for a couple of days. But you still might have missed them, so I’m forging ahead anyway.

The number of items in this collection is also large enough that normally I would have divided it into a two-part post, but I was so pleased with the stylistic variety represented in what I’d chosen that I decided to keep it all together in one place. Just take a deep breath (or maybe hyperventilate), and try to get through all of it — I bet you’ll find at least one new song you’ll really enjoy.

INTER ARMA

In not much more than three months from now, NCS will present the third annual edition of Northwest Terror Fest in Seattle. We announced the full three-day line-up on New Year’s Day, but of course, as always seems to happen, since then we’ve had a few bands drop out due to circumstances beyond our own control. One of those was scheduled to headline a night at one of the two main stages, but we got lucky and were able to secure a great replacement — Virginia’s Inter Arma, who happen to have a new album coming our way this spring. Continue reading »

Feb 072019
 

 

As explained in Part 1 of today’s round-up, I feel particularly inundated by new metal this week, far too much for me to cover comprehensively (and I’ve still got a lot of catching-up to do with music that came out before this week). I’m not sure there’s much rhyme or reason to what I chose to write about in this two-part installment. The choices were pretty damned impulsive.

For example, I could have written about the new songs and videos by Allegaeon, Continuum, Kartikeya, Katechon, Latitudes, Nightrage, and Sectioned (to name just a few), but I haven’t — though you can click those hyperlinks and check them out anyway. Here’s what I am writing about:

ROTTING CHRIST

Yesterday the Russian site Satanath (home to Satanath Records) premiered another new song off the new album (The Heretics) by Rotting Christ, which will be released by Season of Mist on February 15th. The name of the song, “Vetry zlye (Ветры злые)“, explains the choice of Satanath for the premiere. But although the song title and some of the lyrics are in Russian, it’s not Sakis Tolis who “fights his way through a maze of Russian phonetics” in the chorus, but guest singer Irina Zybina (vocalist in the Russian folk metal band Грай [Grai]). Continue reading »

Feb 052019
 

 

Yesterday I learned of the postponement of an album premiere I had expected to write for today. If I had a less obsessive personality, I would have used that unexpected free time to go for a walk through the uncommon snow that turned the forested area where I live into a wonderland (because most workplaces, including mine, were closed down yesterday — because a little snow works like a paralytic agent on the City of Seattle). Instead, I spun my way through a couple dozen new songs… while occasionally staring out the window at the brilliance of that uncommon snow.

As you can already tell, since this is Part 1 of something I worked up, I liked quite a lot of what I heard, and thought you might too. I’m confident there will be a second Part… but not sure about a third… it depends on whether the snow melts and the paralysis loosens.

GODS FORSAKEN

What a very nice coincidence. Almost exactly one year ago we were anointing a song from this Swedish band’s debut album (In A Pitch Black Grave) as one of 2017’s Most Infectious Extreme Metal Songs, and a year and a day after that event they released the first single from their second album. And damned if it isn’t already a contender for the 2019 edition of that list. Continue reading »

Jan 272019
 

 

If you came here this Sunday expecting the usual SHADES OF BLACK column, I’m sorry to disappoint you. The post you’re about to read is one I intended to publish yesterday before turning to the next SOB column, but I didn’t get it finished in time before turning to certain long-planned weekend activities. Those same activities prevented me from giving much thought to SHADES OF BLACK yesterday, and will probably make it tough to get that column done today either. Only time will tell.

I checked out all the following new videos and songs on Friday, and then revisited them this morning. It was one of those listening sessions where the stars seemed to align. Though the genres represented here are different, the music flowed in such a good, atmospherically dark way, in part because (as I hear them) they all incorporate ingredients of doom, without any of them really being what most people would call doom metal.

THE MOTH GATHERER

To open this collection I chose “Motionless in Oceania“, the first “single” from the new album by the Swedish band The Moth Gatherers, whose line-uo has changed a bit since their last record. Esoteric Oppression is the group’s third album, and it will be released by Agonia Records on February 22nd. It’s so immensely powerful that I felt flattened and stenciled by the sounds, like a thin sheet of tin beneath an industrial-strength die stamp. Continue reading »

Jan 102019
 

 

Here are a few of the songs and videos that brightened and darkened my night. I encountered all of them in a rush of listening at full dark yesterday evening. Most of them appeared within the last 36 hours. If you’re like me, the flow of these songs will take you from a blazing high down into more cold and wretched depths, and then soaring again — and I’ll close with a stream of a new EP that was released by surprise last night.

WINDSWEPT

All three members of the Ukrainian band Windswept, including vocalist/guitarist Roman Sayenko, are also members of Drudkh, Precambrian, and Rattenfänger. Under the Windswept banner they released an excellent debut album in 2017 entitled The Great Cold Steppe (from which we hosted the premiere of a fiery song, “Shrouded In Pale Shining, So Sleeps Infinite Ancient Steppe”). Having been a fan of that album, it took about a nano-second for me to jump on the band’s new EP Visionaire when I discovered its existence last February, and (as explained here) found it to be powerfully moving as well.

Windswept now have a new album for us, which will be released by Season of Mist on February 8th. Its name is The Onlooker, and the first track in today’s collection is one released yesterday with the interesting title “Gustav Meyrink’s Prague“. (If you’d like to learn about Gustav Meyrink and of how his life changed in Prague, check this article.) Continue reading »

Jan 072019
 

 

At the not-inconsiderable risk of overwhelming our visitors with new music, I’m following up yesterday’s two-part round-up of music from the black(ened) realms with another collection of new tracks. One of them is yet another example of black metal, but the songs that follow are much more wide-ranging in their styles — I made a conscious decision to compile a varied playlist that I hope will be appealing, but will at least keep you off-balance. All the songs are from forthcoming albums.

OF WOLVES

Beginning last October, Chicago’s Of Wolves began rolling out three songs that they had originally composed as separate pieces but then, after noticing the interesting flow among them when performed live, decided to combine into a single track on their new album, Balance. The first of those, “Clear Cutting”, premiered at DECIBEL; the second, “Bloodshed”, premiered at our own site in November; and the third, “Heart To Hand”, got its debut at Sludgelord last month.

Now the band have released a combined video for these combined tracks, and as of today have made it available for download on Bandcamp. Continue reading »

Jan 022019
 

 

For the third year in a row, NCS is proud to be involved in the planning and presentation of Northwest Terror Fest, which will take place in Seattle, Washington, on May 30 – June 1, 2019, with a special pre-fest show on May 29th. Yesterday NWTF announced the complete festival line-up and launched on-line ticket sales (following an offering of discounted early-bird passes last fall that sold out fast).

As in the festival’s first two years, the 2019 event will be spread across three venues. Each night performances will rotate back and forth between the main stage at Neumos and the cozier confines of Barboza, which adjoins Neumos. Soon after one band finishes at one venue, the next band will start at the other, so that there are no overlaps or conflicts, and it will be possible for ticket-holders to see every band on the line-up. And then, following the performances at those venues, there will be additional performances at the Highline bar to extend the fun past midnight.

The three main nights of the 2019 edition of the festival will be headlined by Cirith Ungol, Wolfbrigade, and Pig Destroyer at Neumos, and by Dawn Ray’d, Iskra, and Khôrada at Barboza. The “after parties” at Highline over the three nights will include shows by Bongzilla, Indian, Bongripper, and more. In addition, the pre-fest show on May 29th at Highline will feature a “quiet” set by Thou, an acoustic performance by Austin Lunn of Panopticon, and a solo synth set by Slasher Dave of Acid Witch. Continue reading »

Dec 312018
 

 

Man, have I got a red-hot New Year’s Eve planned with my wife. Bring in some kind of dangerous take-out food. Watch some re-runs of Law and Order. Maybe have an egg nog with a shot of whiskey (but only one because I don’t need the calories and I’m cutting back on the booze). Asleep by 10:30 at the latest. I’m so fucking excited that I’m hyperventilating.

You think I’m joking, but I’m really not (except about the hyperventilating). After more than a few decades of severe misbehavior, the idea of a quiet night and a New Year’s Day without a cataclysmic hangover has become very appealing. No more day-after’s wondering “is that blood on my shirt mine?”, “whose room is this?”, and “where did I leave my pants?”

These days I tend to get a lot of my thrills from heavy music, and I spent this morning catching up on some new sounds, some of which I’m recommending to you in this round-up. This actually started as what might have been a second SHADES OF BLACK installment yesterday, but I decided to throw in a few other styles of music and finish it up for today.

JUBAL

I was quite impressed by the first demo (Archaic Discipline) released by the hooded Dutch duo Jubal through Clandestine Faith earlier this year, and said so here: “There is foreboding, catastrophe, and grandeur in the sensations of these savage, dramatic songs, along with a panoply of killer riffs and the kind of vocals that summon visions of demons coming for your throat.” I was thus excited to learn that Jubal have a new release headed our way in 2019. Continue reading »

Dec 252018
 

 

If today is a holiday for you, we hope you’re enjoying it, regardless of whether it has any ecclesiastical meaning to you. If it’s not a holiday for you, we hope it will be a good day for you, too.

We don’t observe any holidays at NCS, not because we’re against them, but because from our first year the goal was to post something every day of the year, a goal we’ve kept with very rare exceptions. I can’t exactly remember why I set that goal (come on, it was 9 years ago!), but probably because I thought our best chance of getting readers was to be out there on days when there was no competition. Now, we keep doing it out of sheer stubbornness.

Since it is Christmas Day, I thought about exclusively going with metal that has some kind of holiday theme, but with a trio of exceptions at the end of this giant new-music round-up, I tossed that idea out the window, unless you count the introductory music from Rotting Christ. And why wouldn’t you?

ROTTING CHRIST

My NCS colleagues and I seem to be having a disagreement about RC‘s new album The Heretics. One of us, who shall remain unnamed, thinks it’s repetitive and boring, a distillation of the sound of the last three or four albums but lacking in dynamic peaks and troughs. A couple of us (including me) acknowledge that it’s basically Rotting Christ firmly in their established groove, but is nonetheless a whole lot of fun. Continue reading »

Dec 152018
 

 

Having been immersed in year-end LISTMANIA and other diversions since completing a recent vacation, I have a large backlog of newly released music that I’ve only just begin working my way through over the last couple of days. From what I’ve heard so far, I assembled the following collection — almost all of them advance tracks from forthcoming releases, plus one new bonus track that arrived late last month.

KALEIKR

In extreme metal circles these days, when one thinks of Iceland one thinks of black metal. Draugsól was one of many Icelandic black metal bands who proved their worth, with a fine 2017 debut album named Volaða land (we learned more about the band and that album in a 2017 NCS interview of guitarist M.K. and vocalist A.J.). Now, two of Draugsól’s three members (guitarist/bassist/vocalist Maximilian Klimkoare and drummer Kjartan Harðarson) are forging ahead under a new name — Kaleikr — and their new album Heart of Lead will be released on February 15th by Debemur Morti Productions. Continue reading »