Dec 032020
 

 

The song you’re about to experience is named “Zero“, but maybe it would have been better named “Infinity”, not only because of the times when it becomes vast and mysterious but also because of the multitude of eye-opening permutations you’ll encounter along its elaborately labyrinthine path — not an infinite number, of course, but still dazzling in their diversity and cumulative impact.

The song is off a debut album named Ephemeral by The Lylat Continuum, a band whose talented line-up is now split between Colorado and California, and who enlisted Evan Sammons (Last Chance to Reason) on drums and bassist Jordan Eberhardt (The Contortionist, ex-Scale The Summit) as session musicians for the album. As already forecast, the music is an adventurous blend of ingredients, and is rightly considered a hybrid, described by the band in this way: Continue reading »

Dec 032020
 

 

On the first of June 2020 (which seems like five years ago in this time-fractured year) we reviewed the new album by the British grindcore band Evisorax, the title of which is Ascension Catalyst. Despite its multitude of tracks it was intended to be heard straight through. Nevertheless, we accompanied that review with the premiere of a video for just one of its many short, crazed blasts — and today we’re doing it again, presenting a new video for the song “Terrible Viper“.

The occasion for this new premiere is the impending release of Ascension Catalyst on vinyl by 7 Degrees Records. As you can see above, the original cover art by Soulsdue and the striking splattered vinyl that holds the music are brain-scrambling, which is exactly as it should be, given the nature of the music. Continue reading »

Dec 022020
 

 

Twixt Zero and Infinity, the debut EP by the unorthodox UK black metal band Crown of Ascension, is an unusual, and unusual arresting, cornucopia of sounds and strategies. Its intrigue derives in part from the ingenious use of cello and piano, but also from the amalgamation of those distinctive ranging tones with jaw-dropping percussive tumult, droning guitar, gossamer cosmic ambience, and terrorizing vocal extremity. And thus the songs hint at the elegance and grandeur of chamber music, but within frameworks of shattering chaos, dreadful suffering, and eerie, luminous brilliance.

Crown of Ascension is a new project, but its mastermind is not a newcomer. It’s the work of Alexander White of Vessel of Iniquity and Uncertainty Principle. The EP will be released on December 4th by Xenoglossy Productions in a limited tape edition, as well as digitally, and we’re excited to premiere a full stream today. Our guess is that it’s not quite like anything you’ve heard this year. Continue reading »

Dec 012020
 

 

5 R V L N 5 is the name of a solo/collaborative electronic-based Industrial project created by Chicago’s Chuck Clybourne. 5 R V L N 5‘s first release was a five-track EP named The Black Mark, which appeared just as the pandemic was beginning to get into full swing in March of this year. Its harrowing soundscapes turned out to be a prescient representation of the miseries, the disgust, and the rage spawned by the months that have followed, as well as something like a desire for escape. As we work our way to the end of 2020, but with no imminent end in sight to everything that made it so rotten, it’s fitting that 5 R V L N 5 has arranged for new sonic experiences.

One of the tracks on The Black Mark is “World of Filth“. Tomorrow it will be re-issued in the form of a “maxi single” accompanied by two remixes, one by Sanford Parker (Corrections House, EyeHateGod, Statiq Bloom) and the other by Justin K. Broadrick (Godflesh, Jesu, Napalm Death). Earlier today Cvlt Nation premiered the “Deliverance” remix by Sanford Parker, and we’re now bringing you the “Dissociation” remix created by Justin Broadrick. Continue reading »

Nov 302020
 

 

Born in late 2009 from the ashes of So Cold, the Italian doom-metal group Hadal (from Trieste) have created a compendium of their ten-year history in the form of a new album named December, whose title not only signals the month of its release but also musically summons the wintry bleakness and crestfallen moods that come with the season.

Arriving three years after their debut album Painful Shadow, December draws upon the traditions of such bands as early Paradise Lost and Anathema, as well as My Dying Bride, while also bringing into play doses of black metal viciousness to accompany the crushing riffs, doleful melodies, and despairing atmospheres.

Today we’re premiering a song called “Without A Word“, which is the third track to be publicly revealed from December. Collectively they provide vivid evidence of just how multi-faceted Hadal’s new album really is. Continue reading »

Nov 302020
 

 

Over a significant span of years — going all the way back to the spring of 2010, in fact — we’ve devoted a lot of attention to the musical endeavors of the multi-faceted Mumbai-based extreme metal musician Sahil Makhija, whose nom de guerre is Demonstealer. We’ve followed his progress through the bands he has led, including Demonic Resurrection and Reptilian Death, as well as through his solo work in Demonstealer.

In addition to his musical output, which has featured live appearances at big European metal fests, his career has included starting a record label, establishing a professional recording studio dedicated to extreme metal, and even hosting a YouTube cooking show. And so, through two decades of activity in the often-fractious metal “community” he has not only survived but often thrived, and is probably India’s best-known figure in its heavy music landscape.

Of course, those two decades weren’t all smooth sailing. “Smooth sailing” is a foreign concept in the world of extreme metal, where fans are fickle, money is always scarce, and failure rather than fortune tends to be the dominant narrative. Yet despite all the obstacles, Sahil is still working at what he loves, and we have a new Demonstealer EP to show for it. Its title is And This Too Shall Pass, and today we’re bringing you the premiere of one of its four death metal tracks, presented via an official video, in advance of the EP’s release on December 11th. Continue reading »

Nov 272020
 

 

Among the many thrills that serious fans of heavy music can experience, if we’re lucky, is to be seized by the music of a new band at their inception and then watch as they progress from strength to further strength with each new release. That has certainly been the case with the black/death band Carcinoma from Plymouth, UK.

They made their debut with a self-titled demo in 2015, about which we wrote here: “The music is hard to pin down, which is one reason it is so interesting. In part it’s ugly, grinding, tearing noise, the kind of rancid death metal that wants to cut the legs out from under you and then put the remains through a meat tenderizer. In part it’s pounding, bleak, sludgy doom. In part it’s a tornado of black thrashing mayhem. And in part it’s a transmission of disorienting signals from space (or an interdimensional void, take your pick). However you want to sum it up, it’s full of venom and fury, and like a pit of vipers with you teetering on the edge, it gets the adrenaline flowing.”

And then came Apanthropinization, their 2018 split with Abyssal, released by Goatprayer Records. On that album-length record (reviewed here), they contributed four truly harrowing tracks, braiding together strands of black, death, and doom metal to achieve sensations of fracturing sanity and apocalyptic destructiveness. Dissonance reigned supreme, fueling the music’s atmosphere of murderous, inhuman lunacy. Chaos also reigned supreme, although Carcinoma wisely chose not to make their four songs simply 20 minutes of non-stop nuclear vulcanism.

And now we’re delighted to announce that Carcinoma will be releasing a debut album named Labascation on February 5, 2021, from which we’re presenting a track called “Bloated Parasites”. It’s evidence that as powerfully good as Carcinoma’s past releases have been, the new one will be the best yet. Continue reading »

Nov 272020
 

 

More than six years have passed since Fractal Generator launched their debut album Apotheosynthesis, a significant span of days to be sure, but not nearly long enough to dim the eye-popping, jaw-dropping impressions of that debut, all of which came roaring back when I learned that Fractal Generator would be returning with a sophomore full-length, the name of which is Macrocosmos. It will be released by Everlasting Spew Records on January 15th.

However, six years is long enough that some of you might only now be encountering this Canadian band for the first time. I looked back at what I wrote to accompany our three premieres for Apotheosynthesis (which included a stream of the album as a whole), and found this passage:

“Their music displays a lot of technically barn-burning fretwork and hyper-blasting drum technique, perhaps not completely machine-like but most definitely head-spinning — the kind of dizzying experience that simulates giving your brain a ride in a high-speed centrifuge. And the music also includes some cold, eerie melodic elements that, when coupled with the instrumental exuberance, conjure images of alien technicians either constructing or dismantling some massive device or edifice beyond our understanding”. Continue reading »

Nov 262020
 

 

Going back to September 2017, this is the seventh time we’ve written about the Colombian death metal band Sol De Sangre and the fifth time we’ve happily hosted the premiere of their music, including their self-titled debut album in 2018 and the Sol De Sangre‘s tracks on La Senda De La Muerte, a split EP with Pánico Al Miedo in which both bands covered songs by giants of the death metal pantheon. Basically, Sol De Sangre‘s music hooked me early, and obviously they haven’t let go.

The subject of our latest celebration of their music is a video for a new song called “Dismal Blasphemies“, which is one of three on an EP entitled Despair Distiller that will be released in 2021. I’m happy to report that the EP is a prelude to the band’s sophomore album. I’m also delighted to report that the EP is hellaciously good. Continue reading »

Nov 252020
 

 

A soothsayer is a seer, a speaker of truths enabled by visions, an oracle enabled by magic, but perhaps just as likely to be ignored as to be believed. Soothsayer is also the name chosen by an Irish quintet whose visions are very much rooted in the desperate reality of the here and now, but who defiantly refuse to succumb. Their music, as represented in what we’ve heard so far from their forthcoming debut album, is harrowing in the extreme, and also transportive. It’s not “easy listening” by any stretch, but it makes such a transfixing and mind-bending impact that it’s very hard to forget, no matter how unreal and disturbing it can become.

This debut full-length, which follows a small handful of excellent short releases (for which we’ve done premieres in the past), is named Echoes of the Earth. It will be forthcoming from Transcending Obscurity Records. The first two tracks bear the names “Fringe” and “Outer Fringe“, and we’re presenting them to you today for the first time, accompanied by a video prepared by Irish drone artist Ruairi O’Baoighill that enhances the mind-altering impact of the sounds. Continue reading »