Aug 092021
 

 

Vela Pulsar began as a transcontinental collaboration between Ryan Mueller from Toronto and Samantha Holmes from Portland, Oregon. When the project became more serious and Samantha proposed creating an album, Ryan recruited his brother Cam to handle the drums (both brothers are also members of A Flock Named Murder) — and thus they recorded their debut record Memoirs of Unbecoming, which was digitally released last December, adorned by the haunting cover art of Marie Cherniy.

The music is a hybrid of symphonic and post-black metal that’s both ravishing and profound. Over the course of three long tracks it creates wide-ranging sensations of turmoil, longing, and transcendence that are all artfully constructed and emotionally involving at a visceral level. What we have for you today is a lyric video for one of those three tracks, “Reverence of Being“. Continue reading »

Aug 092021
 

 

In what other genre of music but death metal could adjectives like “grotesque”, “putrid”, “abysmal”, and “abhorrent” be used as compliments? None come to mind. But of course even in the realm of death metal those adjectives are complimentary only when the music has other qualities that make it viscerally exciting and memorable. Simply wallowing in a choking vat of formless excrement and vomit does not alone become pleasurable, even for people whose tastes run hard to the more disgusting offshoots of old school death.

Which brings us back to Occulsed, and the second song we’re ghoulishly happy to premiere from their debut album Crepitation of Phlegethon in the run-up to its September 17 release by Everlasting Spew Records. The music of Occulsed merits all those adjectives above, but it’s also so well-constructed and maliciously well-realized that it becomes addictive (as well as foul). Continue reading »

Aug 062021
 

 

It’s our pleasure today to present a full stream of the debut album by the Indianapolis-based tech-death crew Fleshbore, which is set for an August 13 release by Innerstrength Records. It represents a redefining of the band’s sound over years of effort, and the results (to borrow some words you’ll see in the following review) are both body-mangling and mind-blowing.

In the opening track, “Momentum”, a compulsive rhythmic beat and grand ringing chords provide the introduction to an obliterating percussive assault accompanied by slicing, swirling, and darting fretwork and savage growls and screams. The music continues to morph, becoming both oppressive and eerily glorious, jolting the spine with punishing power and writhing like diseased reptiles. Continue reading »

Aug 062021
 

 

Thy Kingdom Come is the debut album of Bleeding Malice from Minsk, Belarus, and it’s being released today. In the band’s words, it’s a 9-track tale “about a man with his sins and weaknesses, who for a moment realized that the scales were irrevocably tilted to one side. Memories rush one by one, but the step into emptiness has already been taken….” In telling that tale, the song lyrics use words of disgust, vengeance, and hate, mixed with words of confusion, torment, and despair.

It’s an intense and disturbing narrative, and the music is equally intense and disturbing. The album is also surprising in its amalgam of genre ingredients. You may think, as you begin to move through the album, that you’ve figured out what Bleeding Malice are all about, but they continually defy expectations with unexpected twists that strengthen the desire to continue listening, and to listen again. Continue reading »

Aug 052021
 

 

New Jersey’s Replicant seized attention with their 2018 debut album Negative Life, which Steve Schwegler (of Pyrrhon, Seputus, and Weeping Sores) beautifully reviewed for us. A couple of impressive splits followed that, along with an EP named Hypochondria of the Machine (reviewed here) that further marked Replicant as a truly distinctive band worth watching very closely.

Yet as attention-grabbing as all those releases were, they still might not have prepared listeners for the wild and often weird extravaganzas encompassed by the band’s forthcoming second full-length, Malignant Reality (set for release by Transcending Obscurity on September 10th). The music is wonderfully head-spinning (as well as savage), and there’s probably not a better example of just how head-spinning it can become than the song we’re premiering today — “Chassis of Deceit“. Continue reading »

Aug 052021
 

 

We’ve enjoyed watching the relentless forward progress of the Canadian death metal band Dead Soul Alliance, from the first self-titled demo in 2011 to the 2013 EP Proud To Die (reviewed here) and the 2017 EP Slaves to the Apocalypse (reviewed here), and now we have the band’s debut album, Behind the Scenes, which is set for a September 3 release by Bitter Loss Records.

From the beginning, the band has been the creative vehicle for vocalist and multi-instrumentalist W.D. On this new album he’s joined by drummer E.H., and together they’ve created a ravishing experience that revels in both the brutality and the eeriness of old school death metal, while displaying the kind of dynamic songcraft and attention to evocative melody that makes the songs memorable.

We have a great example of these qualities in the track we’re premiering today, a multi-faceted experience that presents an amalgam of rampant ruthlessness, berserker madness, and stirring melody. Continue reading »

Aug 042021
 

 

The German black thrashing extremists in Nocturnal should need no introduction. For the last decade-plus, they’ve been scorching eardrums and adrenalizing bloodstreams in ever-more formidable and ferocious fashion, while continuing their quest for the perfect combination of sound and slaughter that best represents their violent and venomous ethos.

On the other hand, Nocturnal don’t pump out albums quickly, and it’s been seven years since their last one, 2014’s Storming Evil, with only one split to fill the space. Thankfully, they’re now ready to release their fourth full-length, Serpent Death, which includes a changed line-up to accompany founding guitarist Avenger.

What we have for you today is the premiere of a blistering track from the new album, one that will jet your energy levels into hyper-drive. Continue reading »

Aug 042021
 

 

At 13 tracks and an hour of music, Hexenklad’s recently released second album Heathenheart is a substantial body of work, and a wide-ranging one. Although “folk/black metal” or “pagan metal” are genre labels you might see attached to the band, Heathenheart moves among episodes of wintry blackened moodiness, warlike savagery, grand pageantry, acoustic folk tales, and a lot more.

As the band themselves report from Ontario, “From the coldness and rawness found in Black Metal to the uplifting and memorable melodies found in Folk Metal, to the hooks and choruses found in Heavy Metal,” the record is a broad representation of the members’ varied influences and personalities, and it brings to mind bands such as Moonsorrow and Dissection, Primordial and Insomnium.

Among all the varying experiences offered by the album, the title track is one that’s truly moving and inspiring, and it’s the subject of a riveting guitar playthrough video that we’re premiering today, which focuses on the talents of Hexenklad guitarist John Chalmers. Continue reading »

Aug 032021
 

 

With their forthcoming sixth album, Revenant, the formidable and fearsome Australian black metal band Pestilential Shadows immerse themselves in death, while imagining an end that brings no rest. Inspired by the riddle “What is dead that doesn’t die?, “the album offers many sonic/spiritual pathways of death, decay, pestilence, and putrefaction” (so says the PR material accompanying the album, and the music leaves no doubt about its truth), but the album’s title signifies that in the band’s conception, what may follow the swinging scythe of the grim reaper are horrors unbounded.

In other words, the darkness in the new album is pitch-black, and shrouded by the supernatural. But what founding vocalist/guitarist Balam and his bandmates have achieved on Revenant goes beyond sensations of bodily degradation and mental terror. The music is even more powerfully haunting because it so powerfully resonates with the core of what it means to be human — the curse of knowing life and knowing that it won’t last, with all the dread, the fear, and the sorrow that can come with that knowledge.

For example, the song we’re premiering today, “Twilight Congregation“, might be experienced as a channeling of the awful gloom and anger of a soul brought back from the grave to dwell in an endless afterlife of torment. But to the ears of this writer, it can also be received as a manifestation of the kind of shattering heartbreak we have all known or will know. Continue reading »

Aug 032021
 

 

More than three years have passed since the release of The Great Adjudication by the Australian band Claret Ash, and even longer since Fragment One of this two-part album first appeared. But the memory of it hasn’t dimmed among those of us who became captivated by it. As our own Andy Synn wrote in a review accompanying our full premiere in April 2018, there’s “a plethora of blackened brilliance on display across the length and breadth of this album”, evoking comparisons to the likes of Wolves In The Throne Room, Der Weg Einer Freiheit, and early-2000s-era Gorgoroth.

The planet has been engulfed in turmoils of unforeseen nature and scope since The Great Adjudication, and it appears that Claret Ash have themselves changed, at least in their line-up, yet The Great Adjudication lives on as a formidable example of riff-heavy aggression melded with soul-stirring melody. As a reminder of what a fine album it was (and is), and perhaps as a sign of something new brewing in the Claret Ash bastion, we’re today presenting a brand new video for a tumultuous yet also captivating track that appeared on Fragment Two of The Great Adjudication — “Like Tears In Rain“. Continue reading »