Aug 022021
 

 

The first song I heard by the blackened death punk band New Hell from Providence, Rhode Island, was a single called “Ashes” off their 2020 EP Phosphorus. It was a super-heated race that left vivid after-images, but in addition to delivering a searing adrenaline kick, there were feelings of tension and angst in those sounds, as well as oppression and bleakness. Now we come back around to new New Hell again, but it’s a different kind of hellishness we have from them today.

What we have now is the premiere stream of a track called “Abuse of Power“, which is being released today as a single but will be included on the band’s forthcoming split with New Hampshire’s The Slow Death of Gaia, which will be released on August 28th by Deciduous Records. Continue reading »

Aug 022021
 

 

The perfectly named Red is the Color of Ripping Death is the first Nunslaughter album in seven years and the first one since the 2015 death of the band’s beloved drummer Jim “Sadist” Konya. For those who knew him, it is clear that he will always be missed, but he would no doubt be smiling along with the rest of us to know that Nunslaughter have forged ahead in such savage and fiendishly seductive fashion.

What we’ve got for you today is the premiere of an album track named “Broken and Alone“, accompanied by a music video that pairs scenes of a serial-killer at work with footage (red-tinged of course) of the band discharging the song like wild animals in the throes of ferocious ecstasy. Continue reading »

Jul 302021
 

 

Porta Magna is an Angolan death metal band formed by Frink Sanda, Manel Kav, Edson Ferraz, Ariel Ricardo, and Claudio Henriques. As Manel Kev tells it, they chose their band name for this reason:

“According to the first part (inferno) of Dante Aligierti’s Divine Comedy is the inscription that is at the entrance to hell. Porta Magna means big gate. An entrance to a mix of emotions. angers, and frustrations of society, and deprivation of liberty. It’s like hell we’re living.”

And surely we have all lived through our own distinctive kinds of hell over the last year and a half, a pandemic time in which Porta Magna was born during a covid outbreak in Angola. Deprived of rehearsals and concert opportunities, they collaborated online. Once restrictions lifted to the point when they could go to a studio, they recorded their first single at Estudio 2 in Luanda, and today we’re premiering a video for it on the day of its release by Mongrel Records. Continue reading »

Jul 302021
 

 

In its debut album Concealment, the Italian band Knowledge Through Suffering (K.T.S.) addresses a vast, esoteric, and traumatic subject, one that could be conceived as the ultimate tragedy, and does so in unearthly and apocalyptic music that is equal to the task.

As the sole creator of K.T.S. explains, “Concealment is a thirty-minute long sermon about God’s own expectations and disappointment for his work of creation”. It is thus “heavy but sacred music”, speaking “holy Words through unholy Sounds; Gloom is the language.” As K.T.S. further elaborates, Concealment consists of “three long songs assembled from the sonic arsenals of bands like Diocletian, Antaeus and Thergothon that will lead in a journey to Godhead’s divine tragedy: Desolation will be the final goal in a mix of Black, Death and Doom Metal.”

This new album is being announced today by Brucia Records, which will release it on September 17, 2021. As a preview of the Desolation that it accomplishes, we’re presenting one of those three long tracks, the one that opens the album. Its name is “God Alone Was Exalted On That Day“. Continue reading »

Jul 292021
 

 

After a nearly six-year hiatus the Spanish extreme metal band Thirteen Bled Promises are returning to the field of battle with a new label and a new EP of hybridized head-spinning hostility. The name of the EP is Foundation, and it’s not only the cover art by Martin de Diego Sábada that’s alien, as you’ll discover through our premiere of an EP track named “A Humanless War” in advance of the record’s release by Lacerated Enemy on October 22nd.

As the new song vividly demonstrates, the music on the EP is like a double helix of sounds whose genetic material is made up of nucleotides from technical death metal, black metal, brutal death metal, and deathcore, and features an unnerving amount of dissonance and discord in addition to a merciless degree of rhythmic and vocal punishment. Continue reading »

Jul 292021
 

 

What is an “unction“? Well, it is the anointing of someone with oil or ointment as a religious rite, or perhaps as a symbol of the investiture as a monarch. In somewhat more archaic terms, it is a treatment with a medicinal oil or ointment.

But here’s a harder question, which sent us scurrying into research: What does “muliebrous” mean? Our investigation tells us that it’s an adjective which refers to something that has the qualities or characteristics of a woman, e.g., something feminine.

As for what a “muliebrous broth” might be, we’ll leave that to your own imagination.

Now that we’ve satisfied your curiosity and improved your vocabulary, let’s turn to the business at hand, and the business at hand is a filthy discharge of clobbering and eviscerating madness as rendered by the Atlanta-area death metal band Occulsed, whose debut album Crepitation of Phlegethon (you’ll have to look up those words yourself) will be vomited forth by Everlasting Spew Records on September 17th. Continue reading »

Jul 292021
 

 

Today we’re sharing the premiere of a lyric video for “Nothofagus“, a new song from the eagerly awaited third album by the Chilean atmospheric black metal band Sol Sistere. The album, which shares the band’s name, will be released on October 15th by the Cult of Parthenope label.

As you will discover, the music is stunning, though this should come as no surprise to those who have already experienced the band’s past works. It was inspired, the group tell us, by “the unique connection with nature that is generated in the ancestral forests of austral Patagonia”. The song describes, as they say, “the constant exploration of consciousness in the context of life among these primeval forests. It is also an ode to the millenary trees of the southernmost part of the planet that preceded us and will most likely outlive us”. Continue reading »

Jul 282021
 

 

We’ve been following the momentous progress of the New Jersey black/folk metal band Windfaerer since early days, sprinkling our coverage (which began almost exactly nine years ago) with music premieres and increasingly elaborate and enthusiastic reviews of their accomplishments. It was thus a tremendous thrill to discover that Avantgarde Music would be releasing their new album, Breaths of Endless Dawns, and a no-brainer for us to accept the opportunity to premiere the new album’s first single — “Astral Tears“.

The band’s last album, 2018’s Alma, was (as we wrote) “a work of grand ambition and true passion, the band persistently driving themselves to unabashedly tug at the listener’s heartstrings and also to send the heart soaring and the mind spinning toward mythic heights.” The music was multifaceted, richly patterned, emotionally intense, and thoroughly immersive, creating moods that were dark and depressive, wrenchingly anguished, and vibrantly defiant. The songs become almost heart-stopping in their grandeur and explosive power, though every sensation of triumph was still edged with melancholy, as if modulated by the remembrance of loss.

Many of those same qualities are again on display in this new record, but the experience is, if anything, even more rich in its textures and moods, even more enthralling (and wrenching), and perhaps even more immense in its sheer unbridled power. Continue reading »

Jul 282021
 

 

(Nathan Ferreira provides this introduction to our premiere of another track off the debut album by Headshrinker, with additional insights into the album as a whole.)

I had been sleeping on the promo materials for Callous Indifference waiting for me in my mailbox, not fully compelled to listen. The album art is subtle and understated, the band logo a plain font, and the “OSDM meets Death/Doom with mathy dissonance” descriptor used in the email title was kinda intriguing but also not unheard of either.

That they feature Havok’s drummer doesn’t move the needle for me (I’m not too familiar with them, and as such don’t know Pete Webber’s style), and I wasn’t acquainted with Polyptych, the more progressive black metal styled group the other three members previously played in. Because of the volume of promotional materials I sift through to find the golden riff nuggets, my brain can become fried by similar descriptors across emails, and Callous Indifference just happened to have surface aesthetics that got lost in the shuffle.

But then, head honcho Islander gave a premiere of “The Burn of Indifference”, first Headshrinker song released to the public. That article was just the push I needed to dive into this band further, and I am very thankful I did. (I was a fan and reader of this site well before I contributed to it, after all). Continue reading »

Jul 282021
 

 

Finland’s Bonehunter just keep getting better and better, continually evolving in astute ways and zeroing in on an identity that’s now unmistakable and completely self-assured. Especially through their new album Dark Blood Reincarnation System, they’ve positioned themselves as preeminent purveyors of blackened-speed-metal-punk, indisputably maniacal and savagely lustful but also skilled in crafting songs that are immediately addictive.

As is so often true, even for music of such fire-storming extremity and riotous depravity, the quality of the music is rooted in the songwriting, and not just in the presence of riffs galore but in the dynamism of the music across the album and the head-hooking and blood-pumping nature of all the ingredients. We’ve got a prime example of this in “Parasite Eve“, the song were premiering today in advance of the album release by Hells Headbangers on August 20. Continue reading »