Jan 152018
 

 

Here at our putrid site we’re currently in the midst of rolling out our list of 2017’s Most Infectious Extreme Metal songs, but we’re also now beginning to assemble candidates for a 2018 list… and the song you’re about to hear vaulted onto that candidate list immediately. It succeeds on many levels, but the primal power of the song’s rhythmic drive and the catchiness of its supremely menacing melodies are among its notable achievements.

The song is “The Day of the Lord” and it comes from Poisoned Atonement, the ravaging new album by Italy’s Demonomancy, which will be released by the esteemed Invictus Productions on February 23rd. Continue reading »

Jan 152018
 

 

Norse mythology has been a rich vein of lyrical themes and musical inspiration for heavy metal bands to mine, and not just for groups who were spawned in Scandinavian lands of ice and snow. Last Legion roam the boroughs of New York City rather than the frost-bitten northlands across the Atlantic, but the ancient and timeless tales of Norse paganism fuel the fires in their music, which is a particularly savage brand of melodic death metal.

Last Legion’s new album, Muspelheim, is being released today via Gravel Entertainment, and to commemorate the event we’re premiering an official video for the album’s sixth track, “God Ov Chaos“, which takes the travails of the trickster god Loki as its subject matter. Continue reading »

Jan 112018
 

 

A medical dictionary tells us that a cardiectomy is an excision of the heart, while “malapropos” refers to something that’s untimely or inappropriate. And so now perhaps you have a bit of introductory insight into the ripping new song from Boston’s Scaphism that we’re premiering in this post.

Malapropos Cardiectomy” is one of eight tracks on Unutterable Horrors, the new Scaphism album that’s headed our way with an imminent January 12 release via Horror Pain Gore Death Productions. It’s the band’s first album since their 2012 full-length debut, Festering Human Remains, and it’s apparent that during this five-year interval between releases Scaphism have become, if anything, even nastier and more savagely adept at their chosen form of death metal butchery. Continue reading »

Jan 112018
 

 

If you’re a dyed-in-the-wool metalhead, you gotta love the title of this song. The band’s name is definitely well-chosen, too; it’s a completely fitting description of what their music does to your nervous system. And that album art (which is a bit Demilich-esque, and for good reason) is going to catch some eyes as well. In other words, this is an enticing package for sure.

But even better, the song itself is a killer.

What we have for you is the premiere of “Mood For the Blade“, the first single to be released from Sanguine Vigil, which is the debut album of the Finnish death/grind band Galvanizer. It’s set for a February 28 CD release by Everlasting Spew Records, with a vinyl edition coming later this year via Me Saco Un Ojo. Continue reading »

Jan 102018
 


Some very strange and horrible things are going on in the video we’re presenting today… things involving mysterious coins made of mysterious (and ghastly) substances by a devilish creature with the aid of a bride under his sway, coins that seem to have their own sinister and seductive appeal as they circulate…

There’s a band in the video, too, a quartet of sludge/doom crushers from the Chicago area who call themselves Pale Horseman, and their song “Phantasmal Voice” is the neck-wrecking track that provides the soundtrack to this strange short film. It’s the closing track from the band’s latest album, The Fourth Seal, which is out now via Black Bow Records. Continue reading »

Jan 092018
 

 

Last fall we had the pleasure of premiering a new EP by the Vancouver band Seer. Entitled Vol. 5, it reflected the continuation of both the lyrical narrative that has run through Seer’s releases to date and the evolution of the band’s sound — which has become increasingly difficult to pin down. Vol. 5 encompasses varied strands of doom, sludge, black metal, and more — and no two of the tracks on the EP are quite alike.

Of the two middle tracks on the EP, which together form the bulk of the run-time, “The Face of the Earth Was Darkened and a Black Rain Began to Fall” is, in the band’s words, “an apocalyptic funeral dirge featuring more twists, turns, and layers than one might expect from sprawling, ‘big riff’ songs of this nature”. “A Primordial Entity Observes from Across the Cosmic Expanse”, on the other hand, “is a more straight-forward rock and roll tune with heavy emphasis on occult-rock guitar leads”, and it features interplay between harsh and clean vocals.

What we have for you today is the debut of an official video for that latter song, one that interweaves scenes of Seer performing live on November 3, 2017, at the Astoria in Vancouver and movie excerpts that suit the music’s occult aura — and are NSFW. Continue reading »

Jan 052018
 

 

The sounds of Doom are as manifold and multi-faceted as a garden of night-blooming flowers, some alluringly beautiful and some poisonous, some that tower and some so seemingly incorporeal that your hand might pass through them as if through a mist. The sound of the French band Mhönos, as captured in their new album LXXXVII, is the sound of nightmare, the sound of oppression and paralysis, the sound of derangement and death in a freezing void. It is the incantation for an unsettling trance that haunts the mind for hours after its final silence.

The album is being released on CD and DLP by Dead Seed Productions and on tape by Zanjeer Zani, and today we are premiering the album through a stream from Bandcamp, where it is also now available. Continue reading »

Jan 052018
 

 

Hellish God may be a relatively new name in the annals of death metal, but one need not be clairvoyant to predict that it’s a name which will spread like wildfire, much like their particular brand of musical brutality blazes like a hellish bonfire. Their debut album is The Evil Emanations, and it’s set for release on Monday, January 8th, by the Italian label Everlasting Spew Records — but we’re giving you a chance to hear all of it today. If you were thinking of blasting your weekend to smithereens and burning what’s left of it to the ground, you’ve come to the right place.

Hellish God’s line-up includes current and former members of such bands as Antropofagus, Imposer, and Mindful Of Pripyat, and this new album (which follows their 2016 EP, Impure Spiritual Forces) is conceptually focused on the Qlipoth — “metaphorical shells which represent evil spiritual forces in the Jewish mysticism”. The music embraces a particular kind of old-school death metal sound that’s recommended for fans of Azarath, Rebaelliun, Centurian, Krisiun, and Abhorrence. Continue reading »

Jan 032018
 

 

From their inception in Orlando more than seven years ago, Druid Lord had a firm grasp on what they wanted to do. As described by guitarist Pete Slate in our recent interview of him, the vision was: “Four guys playing Doom/Death Metal. Nothing pretty or overproduced. Just nasty music taking from the influences I grew up with, like Hellhammer, Celtic Frost, Cirth Ungol, Necrovore“. And as a huge fan of B-type horror movies from the ’60s and ’70s, Slate also wanted the music, lyrics, and artwork all flowing together “to make one horrid package”.

The band released their debut album Hymns For the Wicked in 2010 and followed that with a series of splits and EPs, but now their second full-length is approaching its international release date of January 19th via Hells Headbangers. Appropriately entitled Grotesque Offerings, it features hideously colorful artwork by Daniel Corcuera. A couple of grisly new tunes have surfaced already, and today it’s our ghoulish pleasure to present a third one: “Night Gallery“. Continue reading »

Dec 312017
 

 

At roughly this same time one year ago the ground-breaking Singaporean band Rudra released their eighth album, Enemy of Duality, through by Transcending Obscurity-Asia. In advance of its release we had the pleasure of premiering two songs — “Abating the Firebrand” and then “Ancient Fourth”. And now, on this final day of 2017, in which Rudra have celebrated 25 years as a band, we bring you a reminder of that wonderful album as we join other sites around the world in premiering a music video for “Ancient Fourth“, the song that close the record.

Discerning and adventurous listeners will be familiar with Rudra, but even in a career that dates back to 1992, they remain to be discovered by more people. They claim for themselves the genre term “Vedic metal”, which is a form of blackened death metal in which the band (who are themselves of Indian lineage) have often incorporated elements of music rooted in Hindu traditions (including the use of Indian classical instruments), with lyrics often drawn from Vedic Sanskrit literature and philosophy. Continue reading »