Dec 192017
 

 

At almost the precise mid-point of this year our own Andy Synn wrote a column in which he discussed the never-ending moan (and shriek) of people who complain that metal is dying and that nothing new under the sun compares favorably to “the good old days”, As a means of responding to such points of view (which obviously none of us here shares), he recommended that we do more than simply tell such complainers they’re dead wrong; instead, we should expose them to music from newer bands which proves that “we don’t need to make Metal great ‘again’, we just need to make more people aware of how great it already ‘is’”.

And Neter is one of the bands he gave as a prime example of metal’s current greatness.

Referring to the band’s last album, Idols, Andy described the music as “punishingly tight, hellishly hooky Death Metal from Spain”. And now a new Neter album named Inferus is nearly upon us, set for release on January 15th through the cooperation of Satanath Records (Russia), Cimmerian Shade Recordings (USA), Murdher Records (Italy), and Black Plague Records (USA). Two songs from the album have premiered previously, and today we deliver a third one: “The Pillars of Heracles“. Continue reading »

Dec 182017
 

 

Ekstrophë is the name of an album-length compilation by six black metal bands, some of whom haven’t been heard from in years and some of whom have created outstanding 2017 releases already: Devouring Star (Finland), Flagellant (Sweden), Arfsynd (Sweden), Ibex Angel Order (Netherlands), Dødsengel (Norway), and Chalice of Blood (Sweden). Each band has contributed one song to the album, and they are all tied together with ambient passages created by Norway’s Black Majesty and the Temple of Erythran Current.

Hints about this collaborative effort surfaced earlier in the year, but today we can provide details about its release through Terratur Possessions, as well as a full stream of all the music. Continue reading »

Dec 142017
 

 

(Vonlughlio has brought us the premiere of a full stream of the debut album by the Pittsburgh technical brutal death metal band Abolishing the Ignominious, with his words of introduction.)

It’s been a while since I did a small write-up for NCS but I could not pass the opportunity to talk about the band Abolishing the Ignominious and their upcoming debut album Vociferous Obsolescence released via Coyote Records.

One I could not pass up the opportunity is the identity of the band’s members: The group consists of Joseph Luciano (ex-Animals Killing People, Andromorphus Rexalia, Injurious, Disgruntled Anthropophagi, Manipulated Calamity), in charge of drums, bass, and guitars, and Eston Browne (ex-Animals Killing People, ex-Humanity Falls, ex-Gigan, ex-Merciless Mutilation) in charge of vocals and lyrics. Both musicians are very talented and I have been a fan of their work in the other projects mentioned above. Continue reading »

Dec 142017
 

 

Last month we had the pleasure of premiering a full stream of This Fall Shall Cease, the debut full-length by the Belgian doom/sludge band Lethvm, in advance of its November 24 release by Deadlight Entertainment (and other labels). Today we have a reminder about the power of that album through our premiere of an official video for a track named “The Last Grave“.

The review that accompanied our premiere stream of the album included these words, relevant to the video you’re about to see and hear: Continue reading »

Dec 132017
 

 

Soli Contro il Mondo (“alone standing against the world”) is the second album by the black metal band Nova from Veneto, Italy. It was preceded by a debut full-length in 2014 named Il ritorno (“the return”). The new album will be released on December 18 by ATMF, but we are privileged to bring you a full stream of the album today.

I first encountered music from Soli Contro il Mondo in mid-November, when two tracks from the album were then available for listening on Bandcamp — the opener “Guerra per il Firmamento” and “Contro il Drago e il Toro“. I was thoroughly captivated by both of them. In both, the drumwork is riveting, the vocals are inflamed by raw passion, and the sweeping, panoramic riffs create a sense of sublime melancholy grandeur. Continue reading »

Dec 082017
 

 

In what other genre of music besides death metal are adjectives like “noxious”, “rotten”, “pustulent”, and “grotesque” used as compliments? Give that some thought and get back to me; I can’t think of any.

I’m also not sure I could explain to a clueless outlander why the kind of death metal that evokes those descriptions is so appealing to many of us. If your answer is, “Because you’re all deviants,” you’ve probably come to the wrong place for your listening pleasures.

All those adjectives, and more in a similar vein, apply without exaggeration to the demo by Blasphemous Putrefaction we’re premiering today, one day before its release by Dunkelheit Produktionen. This German duo (which includes a member of the black/death band Goatblood) unabashedly traffic in primitive, rotten metal of death, and having chosen to throw themselves into that cesspool of horrifying filth, they go all in — and they’re very damned good at it. Continue reading »

Dec 032017
 

 

Slightly more than two years ago we had the pleasure of premiering a crushing track from Calmness of Resolve, the very impressive second album by The Weir from Calgary, Alberta, Canada. And now we’re helping spread the word about the band’s new EP, Detached, which is being released today on tape and as a digital download on Bandcamp.

Calmness of Resolve was a staggering experience, projecting panoramic vistas of blasted landscapes and dragging the listener into deep sinkholes of congealing tar, casting spells of forlorn and heart-aching beauty but also rolling like a massive tank attack, and sometimes bringing down the house (and its foundations) in cataclysms of soul-crushing destructiveness. It was (and is) a sludge/doom powerhouse that should not be missed.

But with Detached, The Weir seem to be even more whole-heartedly committed to methodically beating their listeners into a slurry of fractured bone and jellied organs. It’s as heavy and despairing as anything you’re likely to find in this bleak winter season. Continue reading »

Dec 032017
 

 

The symphonic Greek black metal band Inhibitions was founded in 2008 and since then have released an initial demo, an EP, and two albums. Their third full-length, La Danse Macabre, is now set for release on January 13th by Satanath Records (Russia) and Ira Aeterna (Italy), and today we bring you the third single to be released from the album before its full manifestation next month. The name of the track is “My Journey To Death“.

I had heard the phrase “Danse Macabre” numerous times in the past, but it occurred to me in writing this premiere that I had forgotten whatever I once knew about its origins. Thanks to The Font of All Human Knowledge, I am now reminded that “The Danse Macabre (from the French language), also called the Dance of Death , is an artistic genre of allegory of the Late Middle Ages on the universality of death: no matter one’s station in life, the Dance Macabre unites all”. And so it does. Continue reading »

Dec 022017
 

 

We’re now slightly more than three weeks away from Christmas, and really, what says Christmas better than a reverent ode named “Fuck Off Jesus Christ“?

No doubt this song will ring from the PA systems of churches near and far and quickly become part of the caroling playlist of shopping malls and elevators. People “in the know” say that the Bible-thumpers who control our own U.S. Congress are planning to make it part of the introduction to their prayer breakfasts. Humble pilgrims trekking to see the face of Jesus miraculously formed by a donkey’s puckered asshole will have it in their heads as they put one foot in front of the other toward the barnyard shrine.

Well, not really. But we can dream, can’t we?

Fuck Off Jesus Christ” may not fill the air waves in churches, malls, or make-shift shrines to imagined miracles, but it’s a damned good song that will pleasure your earholes. It comes from an album named Bellum Est Pater Omnium by the Colombian black metal band Evil Nerfal, an album that will be jointly released on January 9 by GrimmDistribution (Belarus) and Morbid Skull Records (El Salvador). Continue reading »

Dec 012017
 

 

Today, Iron Bonehead Productions is releasing the debut album of the Ukrainian one-woman black metal band Ieschure, the creation of Lilita Arndt from Rivne, which is fittingly named The Shadow. We’re helping spread the word through a full stream of the album in this post.

As I listened to the album for the first time, I had a place in my notes where I just jotted words that came to mind, unbidden — words intended to express the atmosphere and emotional sensations conveyed by the music and the voices. And those were: haunting, preternatural, nocturnal, cold, depressive, sinister, hallucinatory, hypnotic, beautiful, and… perhaps most to the point… hopeless. Continue reading »