Oct 062016
 

cognitive-deformity

 

Our history with New Jersey’s Cognitive dates back to my enthusiastic 2013 review of their debut EP The Horrid Swarm, which attempted to capture its impact with these words:  “By the time it ended, my head had been spun around, like that possessed chick in The Exorcist. You know, all the way around, but somehow still attached.” We spilled still more effusive praise in multiple posts about their self-titled debut album in 2014. And now Cognitive have come roaring back with a second album named Deformity, which will be their first to be released by Unique Leader Records.

To help introduce you to Deformity, we have for you today a lyric video by Scott Rudd for the album’s third track, “Haunted Justice“. Continue reading »

Oct 062016
 

Simulacro album cover

 

In June we had the pleasure of premiering one of the fascinating songs from Echi Dall’Abisso (“Echoes From the Abyss”), the stunning new album by the Sardinian trio Simulacro. The album was released on September 26 by Third I Rex, and now we present a striking video for the album’s sixth “echo”.

The sheer physical and emotional power of “Eco VI” needs no explanation, nor any comprehension of the lyrics or its context within the album to feel its impact. Interpreting the mystery of the video and appreciating its beauty can likewise be left to the imagination and senses of the viewer. But for those who desire a deeper understanding, it may help to read this statement by Simulacro’s drummer and backing vocalist Anamnesi about the conceptual approach of the album: Continue reading »

Oct 052016
 

construct-of-lethe-the-grand-machination

 

On October 7, the death metal band Construct of Lethe will release a new concept EP named The Grand Machination. Not long ago we premiered one of the six tracks on the EP, and today we have for you a full stream (along with a review).

For those who may only now be discovering the band, Construct of Lethe was started as a project of Tony Petrocelly (ex-Bethledeign, Dead Syndicate, Deranged Theory, Xaoc) and now includes a full line-up of Petrocelly (guitars, bass), David Schmidt (vocals), and Swiss lead guitarist Patrick Bonvin (Near Death Condition). Session drums on the EP were provided by the veteran Kevin Talley. Continue reading »

Oct 052016
 

sordide-fuir-la-lumiere

 

The title of the new album by the French black metal band Sordide — Fuir la lumière (escape the light) — is ironic, because the album is a musical bonfire. I was unfamiliar with Sordide before this, and so the album blindsided me like a bolt from the blue. In short order it has become one of my favorite discoveries of this year. The full run through the album is an absolutely exhilarating experience, yet each track in isolation lights its own fire. Today marks the album’s official release by Avantgarde Music, and we have the full album stream at the end of this post. I hope you’ll put it on your listening list without delay.

I’ve already written about the first two advance tracks from the album, one of which we premiered only yesterday. If you think of the album as a magnetic field (and it is damned magnetic), those songs could be considered the opposite ends of its polarity. “Révolte” is a breathtaking race, with a fireball guitar performance that just gets more exuberant and electrifying as the song rushes ahead. On the other hand, “L’ombre” begins at a crawl — a combination of a slow, grim bass riffing and unnerving guitar dissonance — and then becomes a bleak, mid-paced, stomping rocker; it’s hallucinatory and deranged, but no less enthralling than the jet-fueled “Révolte”. Continue reading »

Oct 052016
 

death-fetishist-clandestine-sacrament

 

We’ve been paying close attention to Death Fetishist since we premiered the band’s first single in December of last year (which became part of the band’s debut EP Whorifice) and continuing through the release of a single-song EP named Lucifer Descending last February. Now, Debemur Morti Productions is approaching the October 28 release of the first Death Fetishist album, Clandestine Sacrament, and we have for you the first excerpt from that sacrament, a track called “Astral Darkness“.

The principal creator behind Death Fetishist is the prolific Matron Thorn, who is also the main driving force in Ævangelist as well as the protagonist in a large number of solo projects, including Benighted In Sodom. He is the vocalist in Death Fetishist and performs all the instruments other than drums and percussion, which are handled by G. Nefarious (Panzergod, Daemoniis Ad Noctum).

For this album Thorn also enlisted an array of notable international guests to help realize Death Fetishist’s musical vision, including guest vocalists D.G. from Iceland’s Misþyrming, Doug Moore of NY’s Pyrrhon, and Julia Black, with synth orchestration created by Jürgen Bartsch (Bethlehem) and Mories (Gnaw Their Tongues). Continue reading »

Oct 042016
 

vashna-know-the-way-cover

 

Metal is such a diverse form of music that the inspirations and objectives of its legions of creators are too numerous to count — but exploring and embracing darkness has undeniably been both a guiding force for many bands and a source of attraction for many fans from the beginning. As the title of the debut EP by Italy’s Vashna suggests, they have quickly proven that they know the way to embrace the darkness — or at least one especially harrowing and ruinous way to do that.

The first strike by this one-man band will be released on tape in just a few days (October 7) by Eternal Death. Know the Way To Embrace the Darkness includes three songs as well as two “hidden” bonus tracks, and today we’re providing a chance for you to hear the full EP in advance of its release. Continue reading »

Oct 042016
 

hail-spirit-noir-mayhem-in-blue

 

The infernally creative music of Hail Spirit Noir is very hard to pin down, which is a part of the band’s multifarious charms. Anyone who has delved into the wonders of their first two albums, Pneuma and Oi Magoi, are well aware that HSN march (and scamper) to the beat of their own drummer. You might fumble around with combinations of words that include “black metal”, “psychedelic”, “progressive”, “occult”, and “retro” in an attempt to describe the sonic potions they have brewed, but an all-encompassing description remains elusive. There is a dark animating spirit and an ingenious intelligence behind the songs, but no two of them sound quite alike.

And so, apart from the impressive and distinctive quality of those first two albums, one big reason to be eager for their new album Mayhem In Blue is the excitement of an unpredictable new discovery. We’re very happy to pull back the curtain on the new album — albeit only far enough to provide a tantalizing glimpse — by providing the premiere of its first single, a song called “I Mean You Harm“.

It’s not a very friendly song title, and the music doesn’t greet you with a warm embrace either. It includes some of the distinctive, recognizable elements of Hail Spirit Noir’s previous releases, but it’s also more aggressive and malicious than what you may be expecting. But of course, confounding expectations is obviously a big part of the fun that Hail Spirit Noir find in making music. Continue reading »

Oct 042016
 

devangelic-abominated-impurity-of-the-oppressed

 

2014 brought the release of the debut album Resurrection Denied by the Roman brutal death metal band Devangelic. They followed that near the end of last year with an EP named Deprecating the Scriptures. And now the band are moving into a new phase in their architecture of destruction, working toward the release of their second full-length in 2017. To provide a a glimpse of this new edifice of sound looming ahead of us, the band have recorded a promo track called “Abominated Impurity of the Oppressed” that will become available for free download today — and we’re bringing you its premiere in this post.

The word “brutal” understates the impact of this new song. It delivers massive, planet-busting riffs operating at maximum efficiency and with maximum destructive impact, in close coordination with titanic grinding lead guitar work and a supremely militaristic drum attack. The near-atonal quality of the song’s enormous grooves, coupled with the vocalist’s ugly gutturals, give the song a cold and merciless feeling that grows increasingly chilling as the minutes pass. The song begins at a furious pace, but slows briefly to ignite a determined bit of pile-driving before resuming laying waste to everyone within earshot. Continue reading »

Oct 042016
 

sordide-fuir-la-lumiere

 

Two days ago, in one of our regular Sunday posts about black metal, I raved about a song (“Révolte”) I had come across by a band from Rouen, France, named Sordide. One thing led to another, and today we’re bringing you the chance to listen to another new Sordide song named “L’ombre“. Like “Révolte”, it appears on the band’s new album, Fuir la lumière (escape the light), which will be released tomorrow by Avantgarde Music — and if you come back to our site tomorrow you’ll have a chance to hear the whole album, because we’re premiering that, too.

The new album comes a bit less than two years after Sordide’s debut album, La France a peur, and after two French tours as well as gigs in France, Belgium, and the Netherlands. I’m going to resist the temptation to write about the album as a whole — or I’ll having nothing more to say tomorrow when we present a full album stream. So for now, I’ll just spill a few words about “L’ombre”. Continue reading »

Oct 032016
 

brutally-deceased-satanic-corpse

 

Armed with a hellish imagination and the artistic talent to bring his nightmares to life on canvas, Paolo Girardi has executed an extensive array of album covers in his career, but none more monstrous than the one that’s savaging your eyeballs right now. And what’s more, this grotesquery is a perfect match for the strikingly savage music that lies within this particular album. And that album is Satanic Corpse by a group of Czech death dealers named Brutally Deceased. It’s being released by Doomentia, and we have for you a full stream of the album right here, right now.

We have some history with this band. Our first post about them appeared back in January 2011, with a review of their debut album Dead Lover’s Guide, decorated with photos of gigantic chainsaws — because the HM-2 force is strong with these ones, and has remained so through today. Continue reading »