Mar 122015
 

 

This is a song made especially for you, and you know that because the name of the song is “Miscreants”.

It comes from an album entitled Prime Incursion by the Dutch band Apophys, an album soon to be released by Metal Blade that we’ve been eagerly awaiting since first learning that it was in the works, our eagerness only magnified by the interview we did with the band’s vocalist Kevin Quilligan earlier this year (and yes, we’re mentioning that because we think you should read it).

As for the song, you will enjoy “Miscreants” even if you’re not convinced that it was named for you. The pummeling begins immediately with a phalanx of hammering riffs that seem dedicated to pounding you into the ground like a nail driven through wood, and the start-stop jackhammering doesn’t stop. The music is a ticket straight to headbang city, but that’s not all it is. Continue reading »

Mar 112015
 

 

On March 24 Metal Blade Records will release the debut album of Seattle’s Theories. It’s an event that makes me very happy, in part for reasons that may not mean much to most people who hear the album. For one, I know all of the people in the band, some better than others, and they’re the kind of people who make you happy for their success (getting signed by a label like Metal Blade would certainly qualify as success in most people’s books). For another, I’ve seen the band perform live, everywhere from Seattle to Maryland Deathfest XII to Denver Black Sky II, and they seem to be even more perfectly destructive each time I see them.

So, with that said, you can imagine how fucking delighted I am that we’re premiering the lyric video for a song called “Burnt Concrete” off Theories’ debut album Regression. It’s the opening track and it starts off the festivities with a full-bore blast of grindcore fury. Continue reading »

Mar 112015
 

 

Infesting Swarm are a German band formed in 2007. Their first demo, released in 2011, delved into the depths of blackened death metal, but their their debut Desolation Road, which will be released through Art Of Propaganda on March 30, reflects musical change of course. In this post you’ll have the chance to sample what the new album holds in store as we premiere the album’s sixth track, “Der Lauf der Zeit”.

The song is a long one, in excess of nine minutes, and it makes full use of the time. The music employs the racing, ripping ravages of a black metal assault, with raking tremolo riffs, blasting drum beats, and flesh-rending howls. But it’s also a deeply atmospheric piece, with big moving waves of bleak melody that bring down heavy clouds of sorrow verging on despair, parted by piercing rays of light. Continue reading »

Mar 112015
 

 

Öxxö Xööx are a French band whose members are Laurent Lunoir (music, lead vocals, visual design), Rïcïnn (Laure Le Prunenec) (vocals, live bass), and Isarnos (Thomas Jacquelin) (drums), with studio engineering by Igorrr (Gautier Serre) of the band Whourkr. I first came across them in 2011 in one of my irregular MISCELLANY excursions and wrote about their unique debut album Rëvëürt. On May 26, Finland’s Blood Music label, which seems to have a knack for signing bands whose music is well off the usual beaten paths, will be releasing the second Öxxö Xööx album, Nämïdäë. In this post we’re premiering the seventh track from the album — “Äbÿm” — and I predict you haven’t heard anything like it, unless perhaps you’ve heard Rëvëürt.

Some things haven’t changed since that first release: The band still have an affection for umlauts. The band are still speaking their own language (their name is a binary representation of the number 69 [in binary code, 0110=6 and 1001=9], which (among other things) relates to flipping life on its head, to turn bleakness into light). They still have an extravagant talent for combining visual with musical art (as you’ll soon see), and their music is still avant-garde, with a capital A and a capital G. Continue reading »

Mar 102015
 

 

I have a theory that cool album art tends to correlate with cool music. It’s not always true, of course, but I’ve lost count of how many times I’ve been drawn to the sound of a new album through the artwork on its cover. When I saw the cover that you’re now looking at — which was created for the new album by the Polish/Belarusian band Veld — I was powerless too resist the urge to explore the music. And that turned out to be a very good call.

The album’s name is Daemonic: The Art of Dantalion and it will be released next month by Lacerated Enemy Records. In this post we have the pleasure of premiering for you a lyric video for a song from the album named “World In Obscure”. If you enjoy storming, tyrannical death metal that’s as bludgeoning as it is blisteringly fast, and as alien and exotic as it is physically jolting, this is one you don’t want to miss. Continue reading »

Mar 092015
 

 

We discovered the existence of Alkaloid quite by accident last July after learning of the departure of Christian Muenzer and Hannes Grossman from German technical death metal overlords Obscura, and wrote about them at a time when not much information had been publicized — but what was known was certainly enticing. In the months since then, the reasons for excitement have only grown. This supergroup’s debut album The Malkuth Grimoire is now set for release on March 17 — and today we bring you the premiere of its title track.

The word “supergroup” is overused, but it’s entirely justified in the case of Alkaloid. The band’s members have histories with an impressive list of groups: Continue reading »

Mar 092015
 

 

(TheMadIsraeli introduces our premiere of a new song by Animality from Nashville, Tennessee.)

Going to make this short and sweet to accommodate our humble editor getting ass-slammed by work.

This is Animality.  They are from my home state of Tennessee and perform some downright bestial bloodthirsty technical death metal/deathcore.  You are about to hear “Bloodspatter Brainmatter”, the first single from their upcoming EP and I’m proud to present it to you and hope you’ll dig it. Continue reading »

Mar 062015
 

 

Wovoka are a relatively new sludge metal band who come our way from Los Angeles, and their debut album Saros is set for an April 14 release by Battleground Records. As a herald of the album’s advent, we bring you today the premiere of a powerful track name “Chosen”.

The galvanizing drumbeat of the song’s opening rumbles like cascading boulders during an avalanche, soon joined by big, thick riffs that ring as if sounding a clarion call of awakening to a dark new future. When the earthshaking force of the song’s initial section subsides, what unfolds next is something like the vista of a vast, desolate plain, scoured of life, blasted yet clean under an ominous sky. Continue reading »

Mar 062015
 

 

In the years that have followed the 2010 release of Perdition Temple’s debut album Edict of the Antichrist Elect, the band’s line-up has undergone changes. Now, the group’s founder, guitarist Gene Palubicki, is joined by Immolation guitarist Bill Taylor (a comrade of Palubicki in Angelcorpse during the ’90s) and Black Witchery vocalist Impurath — along with drummer Ron Parmer and bass player Gabriel Gozainy.

This new Perdition Temple collective have recorded an album entitled The Tempter’s Victorious that will be released imminently by Hells Headbangers, and today we bring you the premiere of the album’s fourth track, “Goddess In Death”. Continue reading »

Mar 062015
 

 

Red Moon Architect are a melodic doom metal band who make their home in what has been described as Finland’s gloomiest town, Kouvola. Their debut album Concealed Silence was released in 2012, and today marks the release of their new album Fall via Playground Music. To help introduce you to the music of the new album, we’re pleased to bring you the premiere of an official music video for the new album’s second track, “Betrayed”.

“Betrayed” is cavernous and vast, the kind of crushing music that finds beauty in misery and truth in despair. Anchored by titanic riffs that move at the pace of a wounded leviathan and powerful drum strikes, the song is a striking contrast, its melody as captivating as it is forlorn. Continue reading »