Feb 122014
 

Part of the popular attraction of Sweden’s Ghost B.C. is their anonymity — and the masks, make-up, and costumes with which the members conceal their features. Fans and music writers have speculated about who the Nameless Ghouls and the band’s frontman really are, but no names have ever been officially revealed. Last September, the current frontman — Papa Emeritus II — appeared without make-up in a mini-documentary about the band. In the clip, he spoke Italian, and, having revealed his face,  it became clear that he had also appeared in Ghost’s official video for “Year Zero”. But he didn’t sing, and there was still some lingering doubt about whether we were seeing the real deal. Any doubts have now been erased. Or have they?

During their recent Australian tour, Ghost stopped by the studio of Music Feeds and played three songs live: “Ritual”, “Year Zero”, and their cover of Roky Erickson’s “If You Have Ghosts” (from their 2013 covers EP). Videos of the three song performances surfaced on YouTube yesterday, and Papa Emeritus II appears without make-up — and yes, it’s the same dude who is interviewed in that mini-documentary.

I still don’t know who the guy is, and his position in the band appears to have a shelf life — one day, there will be a Papa Emeritus III. But the dude can sing, and for all Ghost fans, the following videos will be fun to hear and see. I’ve collected them after the jump, followed by that documentary clip.  (via Blabbermouth).

But… it appears that even Papa’s face without the skull make-up is still… a mask. See for yourself. Clever Ghost trolling. Continue reading »

Feb 112014
 

Culled here from the ever-flowing effluent of the interhole are four new ear- and eye-pleasing treats, with a bit of impressionistic verbiage. The songs have nothing in common, except my liking for them.

MANTAR

Mantar (above) are a new two-piece band, half German and half Turkish, whose debut album Death By Burning is scheduled for North American release by Svart Records on February 25. I previously wrote about one advance song, “Spit”. Today DECIBEL delivered the premiere of a music video for a second one, “White Nights”.

Men at work, wolves at work, strobes in the studio, shadows in the forest (and something else in the forest), amps and pines. The squeal of feedback, the squall of a fuzz-bombed guitar, riffs that open wounds, vocals that cauterize them, drum strikes that will bring you to your knees. Stripped-down and flesh-stripping, obliterating and head-nodding. Continue reading »

Feb 112014
 

2014 has barely begun and it has already delivered a slew of mouthwatering new releases. But few have caused your humble editor to salivate in anticipation quite like the forthcoming 12″ split by Maine’s Falls of Rauros and Kentucky’s Panopticon. Finally, it is has been sent to the pressing plant and is now ready for pre-order. I am here (having wiped the slobber from my face) to deliver many enticing details that were just disclosed this morning — including a nearly 17-minute trailer of music.

Detail No. 1:  That fantastic cover art you see above. Click the image to view a larger version.

Detail No. 2:  The Falls of Rauros side consists of two songs: “Unavailing” (11:53) and “The Purity of Isolation” (6:45). The Panopticon side consists of four songs: “Through Mountains I Wander This Evening” (4:33), Can You Loan Me A Raven?” (7:29), “Gods of Flame” (4:26), and “One Cold Night” (7:56). No need to get out your calculator — the split brings a total of more than 43 minutes of music. Perhaps not surprisingly, given the song titles, the music was inspired by the time that both bands spent in Norway.

Detail No. 3:  Bindrune Recordings, which is releasing the split, describes the Panopticon music (in part) as follows: “The mountains, landscapes, and memories of living and studying in Norway have crept into Austin/Panopticon’s ever evolving and vital sound to embody more of a stripped down and dark Norwegian BM influenced atmosphere for this release which harkens back to Panopticon’s more aggressive and raw S/T album…. The 4 songs on this split embrace the pure essence and influence of the 90′s Norwegian black metal movement in all of its driving, chilling and endlessly atmospheric grimness.” Continue reading »

Feb 102014
 

Happy putrid Monday to one and all. I have a nice little slaughtering playlist for you. All the songs are new, all of them are from forthcoming albums, all of them are very good.

WOCCON

This first item is such a pleasant surprise. It comes from an Athens, Georgia, melodic death metal band named Woccon, whose 2013 release The Wither Fields I enjoyed immensely. Those of you who have dutifully waded through my ongoing list of 2013’s “Most Infectious Extreme Metal Songs” will remember their name, because I included a song from that album (“Our Ashes”) on the list near the end of January (here). Over the weekend I discovered, thanks to a post at DECIBEL’s site, that Woccon will have a debut album named Solace In Decay coming our way this spring.

DECIBEL premiered one of the new songs, a track entitled “Giving Up the Ghost”. It’s something of a departure from the sounds I remember from The Wither Fields — less overtly doom-oriented and more progressively inclined — yet still quite impressive. It begins with a cosmic introduction and ends with a piano melody, and in between you’ll find a contrasting blend of spiraling, reverberant guitar melodies and heavy, blasting thunder. The dark, melodic doom of the band’s previous work is not gone altogether, but the song is a spreading of wings by a group whose talents should take them far. Continue reading »

Feb 092014
 

I’ve collected in this post two new songs and one new album, all of which I discovered yesterday. As the post title suggests, two of the bands are solidly in the black metal camp and the third, sandwiched between them in this feature, is “blackened” — although their music is a striking amalgam of styles. All three are doing some very exciting things with their music.

ENTARTUNG

As is true of all three bands in this post, Germany’s Entartung ambushed me yesterday. Before then, I hadn’t heard of them. Their debut album Krypteia appeared in 2012 and their second, entitled Peccata Mortalia, is due for release by the World Terror Committee (W.T.C. Productions) on March 8. Two days ago DECIBEL premiered the album’s first advance track, “Blasphemaverit in Spiritum Sanctum”.

The strength of the song lies principally in the powerful tremolo-picked melodies that heave in the music like ocean swells, and in the shifts between the bleak, frigid atmospheres they create and the black, rocking rhythms and other transitions that segment this long song. It’s easy to become immersed in the wintry tale Entartung are spinning. Continue reading »

Feb 082014
 


As you may have noticed, we were pretty light on the content yesterday. I even failed to get another installment of our 2013 Most Infectious Song list up on the site. I blame my fucking day job, which has taken me on the road again, with about 36 hours still to go before I can get back to Seattle. I did do some catching up early this morning, and have prepared this round-up of new and notable things, plus that delayed installment for the song list.

I’ve paired these two bands together on purpose, because musically they seem like kindred spirits. Perhaps you’ll soon understand why I think that.

SARKE

Last September I wrote about a forthcoming album by a Norwegian band named Sarke (who will also be playing at Maryland Deathfest this May). All I knew at the time was who was in the band, but that was enough to inspire intrigue about the music:

SARKE (Khold, Tulus), bass.
NOCTURNO CULTO (Darkthrone, Gift of Gods), vocals.
ASGEIR MICKELSON (Spiral Architect, God Of Atheists), drums.
ANDERS HUNSTAD (El Caco, Autopulver, Morten Abel), keyboard.
STEINAR GUNDERSEN (Satyricon, Spiral Architect, System: Obscure), guitar. Continue reading »

Feb 072014
 

Due to the demands of your humble editor’s fucking day job, we will be a little light on the content at NCS today. We will have this little round-up, a show report from Umeå, Sweden, and (I hope) one more installment in our list of 2013’s Most Infectious Extreme Metal Songs — and that will probably be it. So, to start, here are two items of interest that I commend to your attention.

TRIPTYKON

This morning, Century Media announced that it and Prowling Death Records Ltd. will release the second album by Triptykon on April 14 in Europe and April 15 in North America. The title is Melana Chasmata, which according to Century Media means (roughly) “black, deep depressions/valleys”. It will feature nine songs and a playing time of around 67 minutes. The cover art is above, and yes, we have yet another pairing of HR Giger and Triptykon.

For me, Triptykon’s first album Eparistera Daimones (2010) was a grower rather than an immediate love interest. But come on, how could you not get a bit tingly with anticipation over new music from Tom G Warrior and V. Santura? Continue reading »

Feb 062014
 

This is just another one of those “Seen and Heard” posts, collecting new and noteworthy things I came upon over the last 24 hours. I was just getting tired of that title.

PYRRHON

Last September we reported that New York’s Pyrrhon had signed a deal with Relapse Records for the release of their second album, The Mother of Virtues, which was tracked and mixed by Ryan Jones (Today is the Day, Mutilation Rites) and mastered by Colin Marston (Gorguts, Dysrhythmia, Krallice). Yesterday the band disclosed the cover art for the new album, created by Caroline Harrison, and it hooked my eyes hard — really excellent.

In addition, the band premiered one of the album tracks, “Balkanized”. It’s a substantially re-worked version of a song that originally appeared on Pyrrhon’s 2012 demo. It will scramble heads, with horror-blasting roars over the top of squalling, shrieking, fret-burning guitars and a bounding rhythm section that justifies a listen all by themselves. It’s both technically impressive and thoroughly unhinged, both complex and carnivorous. And voracious, violently voracious. Continue reading »

Feb 062014
 

As many of you know, NCS writer Andy Synn is the frontman for a UK band named Bloodguard — or rather they used to be named Bloodguard. As of today, the Bloodguard name has been laid to rest. Henceforth, the band shall be known as Beyond Grace. And in addition to spreading the word about that change, we’re delighted to bring you the intergalactic premiere of the band’s new video for the song “Panopticon”, which is also being released via Bandcamp as a single.

But before premiering the video I’m going to turn this post over to Mr Synn, who explains the name change, future plans for the band, and other news. — Islander

********

So… where to start? The decision to change our name was not an easy one to make. We realise it comes with potential costs, but it also has a host of benefits we just couldn’t overlook.

Why the new name? A lot of reasons really. The old one doesn’t really suit us anymore, it fits awkwardly in some ways, and is surprisingly hard to get people to remember. Whereas the new name suits the lyrical direction – more socio-political, more transhumanist – and the new sound of the band – heavier, more technical, more death metal – much better.

Plus it sounds way cooler when you growl it onstage.

Bloodguard is no more… Beyond Grace is born. Continue reading »

Feb 052014
 

For your audio-visual enjoyment, here are two brand new songs I just heard. I did not group them together randomly. I grouped them together because they make a one-two punch of merciless destruction.

HERESIARCH

Heresiarch are a New Zealand band whose last EP, Hammer of Intransigence, I reviewed here. “In the main,” I wrote, “Heresiarch’s EP is designed to provide unmitigated sonic violence, a thorough immersion in warlike atmospheres, and in that it succeeds in striking fashion…. If I’d only known, I’d have stocked up on some radiation sickness medicine before listening.”

I was stoked to learn this morning that Iron Bonehead Productions will be releasing a new Heresiarch 7″ EP named Wælwulf this coming March (the killing cover art is above), and that one of the three new tracks is now streaming on Bandcamp. “Endepræst” is the name of the song and it’s about 6 minutes of militaristic black/death, beginning as a march and moving into a frontal charge, with cannons blasting and the air filled with tremolo’d shrapnel and the howls of ravening wolves. The song devolves into a gruesome golem stomp of massive proportions, the guitars continuing to buzz like wasps, the vocalist continuing to roar and howl like something inhuman. Continue reading »