May 252013
 

This started as one long post collecting new stuff from three bands that I saw and heard yesterday, the common theme being what they will do to your head. I decided to break it up into three parts. Part 1 started in Germany, with Beyond. In this part, we’re jumping over to Finland.

ALTARS OF DESTRUCTION

AoD was founded in 1986 by the brothers Kimmo (guitar) and Pasi Osmo (bass) and Jukka Sandberg (drums). From what I’ve read, they were one of the earliest and most influential thrash bands in Finland, though they broke up after releasing a debut EP in 1989. They re-formed in 2007 and finally released a debut album in 2010 named Gallery of Pain. There’s a lot more detail about the band’s history in a post I wrote back in January 2012.

What made me think of them again was their release yesterday of an official video for one of the songs from Gallery, “Suicide…Are You Fucking Insane?” The video sets the album track to a montage of film from a live show, but the real star of the show is the song itself. It’s a goddamn rampage of raw, radioactive, old-school thrash with a breakdown that hits like a battle tank, and of course you gotta love it when the vocalist blasts out the song’s title. I’d like to carry around an audio clip of “ARE YOU FUCKING INSANE?!?”. I hear shit on a daily basis when blasting it in someone’s face would be the perfect response.

Might work on a suicide prevention hotline, too. Continue reading »

May 252013
 

Yesterday I should have been doing the work that I actually get paid to do, or at least trying to finish some album reviews, for which I’m paid only by a sense that I may have done a good deed. Instead, I spent time surfing the web for something new that would leave my head a smoldering wreck. At that, at least, I succeeded. I found music from three different bands who are musically quite different from each other, but all of whom inflict some serious head wreckage.

Originally I had included all of this music in one post, but it seemed like a lot to take in, so I’ve broken it up into three parts, one for each band.

BEYOND

Is that album cover up there a thoroughly killing piece of art or what? It halted me in my tracks as soon as I saw it. It turns out to be the front cover created by Comaworx for a forthcoming album by a band named Beyond, which is projected for release by Iron Bonehead in the July/August timeframe this year. The album’s title is Fatal Power of Death.

Having been transfixed by the artwork, I went in search of music. Lo and behold, what did I find but the album’s title track and a second song called “Whirlwinds of Chaotic Carnage”, which Iron Bonehead had just uploaded to SoundCloud. I’m probably lucky that only two songs were uploaded, because they alone came close to caving in my damned skull.

The title song, “Fatal Power of Death”, is an absolute howling storm of distortion, pierced by some blistering solos that race up the scale like liquid fire and the reverberation of crippling, cavernous death metal vocals. In the mid-section, the pace slows and an Oriental-sounding melody surfaces over the subterranean grinding, changing the atmosphere — until the riff monsters and heavy-artillery percussion return for a big finish. Continue reading »

May 242013
 

Here are three new videos I spied this morning. All three are worth your time.

CHTHONIC

This morning, Taiwan’s Chthonic premiered yet another official video (here) for a song from their forthcoming album Bú-Tik. That album will be released by Spinefarm on May 29 in Taiwan and Japan, May 31 in Europe, June 3 in the UK, and June 18 in North America. The new song is “Sail Into the Sunset’s Fire”. According to the band, it tells a tale of pirates in East Asia during the Age Of Exploration (some of whom eventually settled along Taiwan’s western coast) who sought to overthrow both the Ming Empire of China and the Tokugawa Shogunate of Japan.

You don’t get much of a sense about the song’s historical roots in the video. It was filmed in an outdoor swimming pool during an unexpected thunderstorm, and those shots are interspersed with comic-strip graphics. The music in the song itself doesn’t have as much of the ethnic flavor that I most enjoy in what Chthonic have done previously — it’s more of a straight-ahead, Scandinavian-styled melodeath romp. But hey, I’m entertained anyway.

Watch the video next. Continue reading »

May 242013
 

I’ve collected here new music from three bands and older music from a fourth, all of which I came across yesterday. It’s all good, all worth hearing. So read on and listen up . . .

MERCENARY

Denmark’s Mercenary has finished work on their seventh album, Through Our Darkest Days, and it’s due for release on July 26 through NoiseArt Records. It follows an album — 2011’s Metamorphosis — that received a decidedly lukewarm reception from critics. Yesterday the band debuted the new album’s title track, which I found out about via a tip from my NCS comrade TheMadIsraeli. His first impression? “It sounds like the Mercenary of 11 Dreams is back”.

I never heard that 2004 album, though I’ve certainly seen a lot of praise heaped upon it, so I can’t comment on how the new track compares to 11 Dreams. But I do think this new song is a good one, mixing Scandinavian riff chugs, a very catchy keyboard/guitar melody, and an extended guitar solo that’s quite nice, with vocals that are a mix of harsh howls and raspy cleans. As I listened, I was reminded of late-stage Soilwork. I’m curious what other people who know Mercenary’s previous music better than I do think of this. Continue reading »

May 232013
 

You may remember that last August Converge and Napalm Death released a split, both digitally and as a 7″ vinyl record. (If you missed that, it’s still available here.) Converge contributed two songs to the split, a song called “No Light Escapes” and a cover of Entombed’s masterful “Wolverine Blues”. The cover song included a multitude of guest vocals. It turns out that when Converge created the cover track, each of the guest vocalists recorded a full version of the song, which Converge then used to compile the final version included on the split.

Today, Converge released a digital EP entitled Pound For Pound: The Wolverine Blues Sessions, which includes the complete mixes of each guest vocalist’s recording (as well as Jacob Bannon’s and Nate Newton’s), presented as five unique versions of the song, to wit:

1. Wolverine Blues w/ Aaron Turner (Isis, Old Man Gloom, etc)
2. Wolverine Blues w/ Jacob Bannon (Converge, Wear Your Wounds)
3. Wolverine Blues w/ Kevin Baker (All Pigs Must Die, The Hope Conspiracy, etc)
4. Wolverine Blues w/ Nate Newton (Converge, Doomriders, Old Man Gloom, etc)
5. Wolverine Blues w / Tomas Lindberg (Disfear, At The Gates, etc) and Kurt (Converge, etc)

Check out a full stream of this unusual EP right after the jump. You can get it here.  Cool cover art, too. Continue reading »

May 222013
 

In this post I’ve collected a small group of new songs that I came across while wandering through the interhole over the last 24 hours.

COPROLITH

I’ve been keeping an eye on this Finnish band (pictured above) since hearing their 2012 EP Hate Infected. When I reviewed it, I characterized the music as “the military-industrial complex of the nether regions, an effective fusion of titanic death metal might and melodic black metal hooks” and compared the band to the likes of Behemoth and Hate. They now have a new album on the way entitled Death March, which will be released in the fall of this year by Violent Journey Records.

Yesterday they released a music video for one of the new songs, “Life=Disease”, which is now available digitally through Amazon and probably elsewhere. The song reminds me less of those Polish behemoths than Hate Infected. It has more of an old-school death metal flavor, with a bit of a charred crust. It hammers and howls forcefully, with teeth bared and claws raking. Continue reading »

May 212013
 

Deafheaven’s new album Sunbather will be released by Deathwish on June 11. Today the band premiered the 10-minute title track on a site called Fader. I like it very much. A transporting astral symphony with vocals by a man being turned inside out. This is it:

Previously, the band debuted another track from the album named “Dream House”. I already wrote about it here; I like it, too. It’s now available on YouTube. And this is it: Continue reading »

May 212013
 

(NCS writer Andy Synn still seems to be under the impression that the best way to promote his band Bloodguard is to praise the competition. Go figure.)

So you’re all still voting for us on that Bloodstock poll, right?

I only ask because we’ve been selected as part of a limited number of bands to compete for a slot on that ever-so-badass Northern Darkness Festival which Islander posted about a little while back, and might be needing some more votes for that pretty soon…

So in return for your continued loyalty here’s three more cool bands, one of whom I was already aware of, another I discovered through the competition entries, and the third… well we’re doing some dates with the third band next month, so there’s a little bit more of a self-serving agenda behind their inclusion!

UNDER BLACKENED SKIES

Situated firmly on the thrashier end of the Melodic Death Metal spectrum, Under Blackened Skies (pictured above) are a real workhorse of a band who I’ve seen live several times now, and who always bring their A game. Impressively tight, yet with a savage sound always teetering on the edge of chaos, they’re the sort of band I could see Carnal Forge fans falling head over heels in love with. Continue reading »

May 212013
 

Here are two new videos that appeared over the last 24 hours. Get your melodic death metal on.

DARKANE

The new album from Sweden’s Darkane is named The Sinister Supremacy. It’s their first album in five years and features the return of vocalist Lawrence Mackrory, who last appeared with Darkane 14 years ago on their debut album Rusted Angel. The album also includes eye-catching cover art courtesy of former Soilwork member Carlos Holmberg. It will be released by Prosthetic Records on June 28 in Europe and July 2 in the U.S., and it’s available for pre-order at this location.

Yesterday gave us the premiere of the album’s title track in the form of a lyric video. The words feature such loving phrases as “Violence is all I can see”, “I feed on your fear”, and “Murder is all that I crave”. But don’t worry, there are words of comfort as well, such as these:  “In blood red ecstasy devoured by lunacy / This malicious demonocracy / Death resides in me”.

Okay, the words may not have much touchy-feely in them, but what about the music? Continue reading »

May 212013
 

(NCS contributor Austin Weber returns with another two-part feature on underground bands. Today he reviews the latest releases from Boreworm (US) and Divine Realm (Canada).)

More and more bands are opting to go the label-free route, which has helped many to get their music out there, but unfortunately means they don’t have a PR campaign behind them like they would from a label. This series is dedicated to those kinds of bands. Part Two will come tomorrow, with a definitive prog focus.

Boreworm Black Path 

When Scorned Deity came to my attention through a post here at NCS, I instantly mused to myself that hopefully a band of their caliber would be part of a thriving scene with other like-minded bands. Soon after, I heard about Boreworm, another bright young act from Michigan who confirmed that good things are happening there. Boreworm’s take on blackened death metal has all the fury of Hate Eternal but truly shines through because of their sad melodic flirtations and a knack for knowing when to break up the madness with slower passages.

The heaving darkness and bite of black metal emerges in layers throughout, with its appearence lending Black Path a uniquely sinister vibe. They also extend the influence to grimly make-over deathcore breakdowns with faster drumming or reverberating chords that give a lingering, atmospheric black metal feel. Continue reading »